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Groundhog Day Again but Something Seems New When the Alarm Goes Off

2 February 2021 at 14:24

       Like it or not TV weather people will spend much of the day reporting on the unreliable predictions of rodents.

Since the cult classic movie Groundhog Day came out in 1992 the minor folk holiday of the same namehas taken on a new meaning.  Now it denotes being stuck in a time loop, living the same day over and over and over.  It has certainly seemed so the last four years as I predicted with dread in 2017:

 


Wake Up!

Groundhog Day 2017

6:00 am

 

Wake Up!

It’s yesterday again!

It will always be yesterday again.

 

If you don’t 

get your ass out of bed right now

and do something

today will replace it

in the time loop.

 

Trust me.

You don’t want that.

Today is going to be a

Motherfucker.

 

Wake Up!

 

—Patrick Murfin

But this year seems different, as if that old clock radio finally flipped over to a new day.  Who knows?  Maybe we learned something.  Anyway, the old ogre is gone and something resembling hope is in the air.  But whether there are six more weeks of Winter or not seems to depend on whether that hope is stronger than the despair of the raging Coronavirus pandemic that blew in like a lion last March.  I know, I dreadfully mix metaphors   

Meanwhile it is time to reflect on this strange demi-holiday.

Despite the despair of meteorologists and rationalistsGroundhog Day continues to grow in popularity and spread every year.  From an obscure folk custom observed by a handful of German immigrants and their decedents in isolate pockets of Pennsylvania in the late 18th and 19th Centuries it has spread nationwide. 

In 2015 Wikipedia identified no fewer than 38 woodchucks dragged from their winter hibernation and exposed to the sky across the U.S. and Canada.  Come hell or high water virtually every news broadcast in North America today will feature stories about one or more of the creatures and whether he—almost always identifiedas a male but most frequently a she—will see his shadow supposedly signifying six more weeks of winter weather.

These local observations got big boost with the release of the movie Groundhog Day starring Bill Murray and Andie MacDowell in 1992.  The film has become a beloved classic with a cult following often compared to Frank Capra’s It’s A Wonderful Life.  It was filmed in my neck of the woods, as a noted TV weatherman used to say, in Woodstock, Illinois.

Groundhog Day, the movie is celebrated as part of mural in Woodstock which now makes a big deal out of the local roadent reveal.

Just after 7 am Woodstock Willie will make his grumpy appearance from the Gazebo as he has every year since the film came out.  The city has stretched the celebration into a week-long festival in hopes of luring pilgrims and tourists.  It works.  The Woodstock ritual is now the second-most famous celebration in the country behind the original at Punxsutawney, Pennsylvania, which the McHenry County town portrayed in the film.

But this year due to the plague most of the festive events in town have been canceled.  Willie will be yanked from his comfort but a thin crowd, masked and social distancing will observe standing in the deep snow on Woodstock Square.  At this writing it is not known if Willie will himself be masked, a precaution that also might save his handlers from being bitten.

Part of the spreading appeal of the celebrations is because they are a welcome, if silly, relief from the dreary tedium of the depths of the winter, long after the razzmatazz of the Holidays have past when everyone in cold climes is sick to death of snow, ice, howling winds, and leaden skies.  But a philosopher might speculate that the surging popularity of Groundhog Days mirrors the growing anti-intellectualism of modern America and the spreading animus to science now officially embraced by a major political party and reflected in rejection of evolution, denial of climate change, anti-vaccine hokum, and a general rejection of rationality.  Or maybe that would be reading too much into a harmless custom.

So how did all of this come to pass?  Some claim religious roots stretching back to Neolithic Europe.  The growing neo-pagan movement is explicit in laying claim to it, but Catholics have their own customs which may, or may not have been cribbed from older traditions.

Groundhog Day has been traced to pre-Christian Northern European folk traditions stretching back in the mists of time.  It isnotoriously difficult to pin down precise origins of such oral traditions or to know the complete religious significance of them.  Tales about a beast—usually envisioned as a bear or a badger that had powersto predict or control the weather seem to have originated in Norse and/or Germanic tribal societies and spread by diffusion or osmosis to other European peoples including the Slavs to the east and the Celts to the south and west.  The celebration of the animal was tied to the half-way point between Winter Solstice—Yule—and the Spring Equinox. 

The Celtic/Irish goddess Brigid awakening and emerging in lore.

Although most of the animal and weather lore that leads directly to Groundhog Day are of Northern European origins, modern Wiccans and neo-pagans have identified it with the Celtic festival of Imbolcone of the four seasonal quarter festivals along with Beltane (Spring/Easter), Lughnasadh (Mid-Summer) and Samhain (Fall/Halloween) that fall between the solstices and equinoxes.  Traditionally it was a festival marking the first glimmers of spring while still in the grip of the cold and dark of winter.  As such it was distantly related to transition predicted by the Norse totem animal, but had no known direct corresponding myth.

Instead it celebrated the goddess Brigid patroness of poetry, healing, smith crafts, midwifery, and all arts of hand.  In some stories her feast on February 1 celebrated her recovery after giving birth to the God—the Green Man—who will come into his own and rule from Lughnasadh to winter. 

In Ireland with the coming of Christianity the Goddess and her festival became identified with St. Brigid of Kildare, along with Patrick and Brendon one of the three Patron Saints of the country.  Now thought to be apocryphal, St. Brigid in lore was first recorded in the 7th Century and expanded upon by later monks and scribes.  She was described as the daughter of a Pict slave woman converted by Patrick himself. Born in 451 in Faughart, County Louth  she became a holy woman, nun, and abbess who founded a monastery on the site of an ancient temple to the Goddess Brigid in Kildare.  She assumed many of the pagan goddess’s attributes and performed many miracles.  Stories about the Goddess and the Nun are so intertwined that it is impossible to figure out if the holy woman was real or an invention of the Church intended to comfort convertswith familiar and beloved tradition.

Catholic St. Brigid, the old goddess of the same name and the off-center straw cross associated with both.

Today the best known tradition associated with the Feast of St. Brigid is the making of the off-center straw crosses from last season’s straw that are hung as talismans in Irish homes through Lent until Easter.

Almost all of the original traditions associated with the Goddess Brigid and Imbolc had been eradicated or simply faded away 18th Century even in Gaelic speaking regions.  In the 20th Century Wiccans and other neo-pagans have attempted to revive the old Celtic traditions and in the process invented rituals and lore to fill in the lost gaps.  Many believe the Quarter Festivals and old Gods and Goddesses are accessible spiritual metaphors for worshipof the natural world and the timeless rhythm of the seasons.

That included borrowing from St. Brigid, as well.  Her straw crosses are now described as not Christian at all but as ancient symbols representing the Four Quarter Festivals and the Four Cardinal Directions.  There is no way to prove or disprove that assertion.

The Rev. Catharine Clarenbach, a Unitarian Universalist minister explained how modern practitioners view Imbolc in an entry on Nature’s Path, a U.U. pagan experience and earth centered blog hosted by the religious site Patheos.  She called it “a light not heat holiday” in which the slowly lengthening days and first tenuous hints at Spring-to-come give hope to those trudging through the hard days. “When people are desperately ill, hope can fuel the long slog toward wholeness and healing, even if that healing is not a cure.

That certainly ennobles the day beyond the giddy fantasy of groundhog magic.

But our trail to modern Groundhog Day does not end with the re-invention of Imbolc.  Indeed other than sharing a date, the two celebrations have little in common.

This Christian Feast Day Candlemas, celebrated on February 2, has also been identified with Groundhog Day.

Over in England and Scotland a different Christian tradition evolved—Candlemas observed on February 1, the eve of St. Brigid’s Day and often confused as British equivalent.  But Candlemas has very early 4th Century Christmas roots as the Feast of the Presentationcelebrated by early Church patriarchsincluding Methodius of Patara, Cyril of Jerusalem, Gregory the Theologian, Amphilochius of Iconium, Gregory of Nyssa, and John Chrysostom.  It celebrated the presentation of Jesus at the Temple in Jerusalem as an infant. 

The celebration slowly spread from the Levant to the rest of the Church and Roman Empire.  When the date of Christmas was finally fixed on December 25, the Feast of the Presentation was added to the liturgical calendar forty days later on February 2.  That date by happenstance nearly coincided with the old Roman festival Lupercalia which simultaneously celebrated the Roman version of the Greek God Pan who was sacred to shepherds in the Spring lambing festival and Lupa the she-wolf who suckled Romulus and Remus, legendary twin founders of Rome.  In evolving Roman practice it had become a major popular holiday in Rome itself and associated with the revelry and abandon of other feasts.  Lupercalia was outlawed by the ascendant Christians but still widely, if covertly, celebrated by ordinary Romans.  The official Feast of the Presentation, coming just before Lent was hoped to ease acceptance of Church teachings.

The Roman festival of Lupercalia celebrating Faunus--the Latin version of the Greek god Pan--as well as the she-wolf who sucked Rome's legendary founders Romulus and Remus evolved into a wild orgy.  The Church may have cooped the celebration with Candlemas which also falls in the pre-Lenten Carnival season.

Pope Gelasius I began calling this festival, which set off the carnival season, the Feast of the Candles, later known as Chandelours in parts of France, the Alps, and the Pyreneesand as Candlemas in Britain.  It connections to Lupercalia have caused some modern neo-pagans to view that celebration as a Latin equivalent of the German and Norse totem animal observations.  That is highly speculative and tenuous at best.

But in Scotland we do find Candlemas as the first indication that the Northern European custom had been introduced to Britain.  An early Scots Gaelic proverb went:

The serpent will come from the hole
On the brown Day of Bríde,
Though there should be three feet of snow
On the flat surface of the ground.

Although it was a serpent, not a bear, that was mentioned, the emergence of a totem animal to herald Spring was clearly there.  Over time looking for badgers stretching their legs at Candlemas became a folk tradition in rural areas of Scotland and England. 

Without mention of an animal witness this early English verse asserts

If Candlemas be fair and bright,
Winter has another flight.
If Candlemas brings clouds and rain,
Winter will not come again.

But that custom was never wide spread and did not seem to have traveled to the New World with early settlers from the colonies.

It took German peasants lured to frontier areas of Pennsylvania in the late 1700s to do that.  The use of groundhogs for prognostication rather than bears or badgers—both of which were far more dangerous and hard to manage than the lumbering and common local rodents—was well established when the first recorded noteof the celebration was made in English in an 1841 diary entry by Morgantown shopkeeper James Morris:

Last Tuesday, the 2nd, was Candlemas day, the day on which, according to the Germans, the Groundhog peeps out of his winter quarters and if he sees his shadow he pops back for another six weeks nap, but if the day be cloudy he remains out, as the weather is to be moderate.

All across central and western Pennsylvania where Germans had settled in large numbers local Groundhog lodges sprang up in many towns to celebrate the annual appearance of the weather predicting critters.  An elaboratecommunal meal called a Fersommling featuring groaning tables, orations, skits, and music led up to a ritual presentation of the local groundhog.  These lodges and festival gatherings were also an important tools to preserve German culturalidentity in communities pressed hard by Englanders—native English speakers.  Only the Pennsylvania Dutch dialect was allowed to be spoken at 19th Century Fersommlings fines levied for each English word uttered.

19th Century cartoons like this helped spread Groundhog Day from the rural German communities in Pennsylvania.

In 1887 in a burst of civic boosterism Colby Camps, editor of the Punxsutawney Spirit promoted his home town as the official Groundhog Day home and the local beast, always named Phil generation after generation regardlessof gender, as the town’s official meteorologist.  The first story rapidly got picked up by other local and national publications which eagerly reported the result of Phil’s observation.  It became an annual tradition and publicity for the event and town grew year after year.

By the 1920 towns from the East Texas Hill Country and North Carolina, many with their own German immigrant populations, to Ontario and French speaking Quebec were hosting their own celebrations. 

Then, as noted, the 1993 movie inspired still more.

Groundhog Day will goes on again in Woodstock this year but with lots of snow, masks, social distancing, and reported sunshine.

Today the accuracyof the various groundhogs is in dispute.  Backers, including local Groundhog society boost accuracy rates of between 80 and 90%.  Cold hard statistical analysis refutes that unsubstantiated claim.  A study of several Canadian towns with Groundhog celebrations dating back 30 to 40 years found only 37% rate of accuracy.  The record at  Punxsutawney dating all the way back to that first 1887 outing is hardly better—only 38%.  Both are much worse than random 50/50 odds.


John O’Hara’s Sour American Dream

1 February 2021 at 13:22

                       John O'Hara at the time of his first success as a novelist at the age of 29.

John O’Hara was one of those mid-century American novelists who soared to fame and acclaim.  But like a supernova his flame seems to have burnt out.  In his day he was as controversial as he was famous.  His defenders like John Updike compared him to Chekhovand wag Fran Lebowitz tagged him “The real F. Scott Fitzgerald.  But many critics dismissed him as a hack turning out sensationalized pot boilers for a low brow audience.  O’Hara himself said simply, “Being a cheap, ordinary guy, I have an instinct for what an ordinary guy likes.”

Of course O’Hara never really considered himself neither cheap nor ordinary.  He spent a life time chaffing against the social slights suffered as an outsideron the edge of social respectabilityand resenting that his father never sent him to Yale.  All of this became grist for his short storiesand novels, but also earned him a well-deserved reputation as a needy social climber.

O’Hara was born in Pottsville, Pennsylvania on January 31, 1905.  The town, 90 miles northwest of Philadelphia, was in the heart of the state’s coal country on the banks of the Schuylkill River.  The river also provided power for a textile industry that included the Phillips Van Heusen Company of shirt fame.  The mines and textile mills generated enough local nabobs to populate mansions in a swanky part of the otherwise grimy city.  O’Hara’s physicianfather grew rich enough to live there.  But the O’Hara’s, Irish Catholics, were excluded from polite society tightly guarded by a WASP elite.  Both father and son bitterly resented it.

O'Hara yearned to shake the dust of his Pottsville, Pennsylvania roots off of his boots and join the ranks of the elite denied him as a Catholic,  Bitterness over his failure to do so tainted his life.

John’s father imbued him with the idea that if he went to Yale, it would be the ticket to respectability and acceptanceboth yearned for.  In pursuit of that dream his father had high academic expectations for his son and little tolerance for not meeting them. He was sent to Niagara Prep in Lewiston, New York where he was named class poet but was otherwise a lackluster student.  To teach the boy a lesson of what life would be like without college, his dad sent him to work in the steel mills over summer breaks.  John hated the humiliation even more than the back breaking labor.

His disappointed father felt he had not earned the right to attend Yale and refused to send him.  Moreover when the elder man died shortly after John’s graduation and he left no provision in his willfor his education.  It was a bitter blow from which he literally never recovered, spending the rest of his life pining for Yale and all it could have brought him.

Rather than attend a lesser school which he might be able to work his way through, O’Hara went to work as a reporter on the local Pottstown paper.  Among his assignments was covering the PottsvilleMaroons, the town’s short-lived entry into the infant National Football League. 

But he soon threw even that up, going, as he described it, “on the bum. I traveled out West, worked on a steamer, took a job in an amusement park.”    Great experience for a writer, but for him a constant reminder that he had been “cheated” of a better life.

Eventually O’Hara drifted to New York City determined to become a writer.  He took a cheap room and began writing.  He supported himself with book and film reviews while concentrating on short stories. In 1928 the first of those stories appeared in the still young New Yorker.  He would soon become a fixture in its pages, publishing more than 200 stories in the magazine over the next decades.  The stories featured a keen eye for the detailsof life and sharp, believable dialogue.  They were often set in a thinly veiled version of Pottsville named Gibbsville and chronicled the lives and foibles of both the local elite and those who aspired to crash their party.

The stories were highly regarded and established O’Hara’s reputation.  They were even said to have established the New Yorker style of short story.  Updike and other future contributors like Saul Bellow were directly in his debt.

The dusk jacket for the first edition of appointment in Samarra.  Crosset & Dunlap was not considered a top-flight literary publisher like Scrivners, yet another disappointment for the author.  It is best known today as the publisher of the Hardy Boys and Nancy Drew books.

In 1934 O’Hara published his first novel, Appointment in Samarra which he had been working on for years.  The novel describes how, over the course of three days, Julian English, the owner of the Gibbsville Cadillac dealership and a younger member of the WASP social clique, destroys himself with a series of impulsive acts, culminating in suicide. O’Hara never gives any obvious cause or explanation for his behavior, which is apparently predestined by his character.  The novel was a critical—mostly—and popular success.  No less than Ernest Hemingway enthused, “If you want to read a book by a man who knows exactly what he is writing about and has written it marvelously well, read Appointment in Samarra.”  On the other hand Sinclair Lewis castigated the book as vulgar for it oblique but frank sexual episodes.

Heady days at the Stork Club in New York O'Hara, left, with Ernest Hemingway and club owner Sherman Billinsgley.

What is left of O’Hara’s literary reputation today rests on the short stories and this first novel.  In 1998, long after the literary establishment had turned on O’Hara, Modern Library ranked Appointment in Samarra 22nd on its list of the 100 best English-language novels of the 20th century.  As a result at least one critic said its placement on the list “was used to ridicule the entire project.”  Harsh.

If contemporary critics thought O’Hara’s first book was vulgar, they hadn’t seen anything yet.  BUtterfield 8 was based on a real life juicy scandal of speakeasy days when the dead body of a young woman named Starr Faithfull was found drown on Long Beach in Long Island. She was shown to be a goodtime girlof easy virtue who drank and partied too much.  Her back story even included a childhood molestation by a former mayor of Boston. O’Hara made her Gloria Wandrous and put her in a mutually destructive an obsessive relationship with—you guessed it—a wealthy WASP.  A classic O’Hara story, according to one reviewer, in which he “He plumbs the fault lines of society where the slumming rich meet with the aspiring poor.”  Of course the book had plenty of juicy sex.

O'Hara's novels seemed best suited for the lurid covers of drug store paperbacks.

It is best known now for the 1960 film starring Elizabeth Taylor and Laurence Harvey which took considerable liberties from the book—including resetting it in contemporary New York.  But like the novel, it sizzled with sex and won Taylor an Academy Award as Best Actress.

In 1940 O’Hara stitched together a popular series of stories that he ran in the New Yorker about a second rate nightclub entertainer in Chicago, a certified heel and louse, with big ambitions.  Written in the form a series of letters from Joey to his much more successful pal Ted, Pal Joey was more character study than story. 

Richard Rodgers and Lorenz Hart inspired by the success of Porgy and Bess, which was based on a gritty novel, were on the lookout for darker, more serious material when they came on O’Hara’s book.  They enlisted the author to write the script for a new kind of musical.  The show Pal Joey opened to acclaim in 1940, just months after the book hit the stores with Gene Kelly in a star making turn in the lead.  The show featured two great American standards, If They Ask Me, I Could Write a Book and Bewitched, Bothered, and Bewildered.  It became the third longest running show of Rodgers and Hart’s long collaboration.  But it was also controversial.  Radioeffectively banned playing songs from the show through most of the 1940’s because of their frank lyrics.  It was considered un-filmable in a Hollywood built on sunny, optimisticmusicals.

The poster for the original Broadway production of Pal Joey in 1940, a production that made Gene Kelly, Irish like O'Hara, a star.

It was not until 17 years later that Pal Joey finally made it to the screen in an adaptation staring Frank Sinatra, Rita Hayworth, and Kim Novak and featuring additional Rodgers and Hart songs cribbed from other shows, including My Funny Valentine.  The play, now considered a landmark classic, has been revived several times on Broadway and in London.

During World War II O’Hara returned to journalism.  He was a war correspondent in the Pacific Theater, although he would have preferred a gentleman’s commission like the graduates of Ivy League colleges received—or maybe an OSS posting like so many old Yalies.

After the war he returned to New York more confident in his own greatness as a writer on one hand and more than ever resentful of what he believed was the back hand snubbing by the snooty aristocrats of publishing and critical circles.  The more wounded he was, the harder he tried to become one of them.  He aped their manners, style of dress, and distinctive speech patterns.   He studied and memorized trivia and minutia about the Ivy schools and even the elite prep schools that fed them.  He stalked social gatherings.

But in perfect imitation of the self destructive social climbers of his fiction, O’Hara only further alienated the closed club he yearned to join.  Then he would get belligerent.  A leading critic referred to him simply as “a well known lout.”  The harder he tried, the harder the critics—most of them—got on his work.

                                    Despite Gary Cooper's star power, the movie adaptation of Ten North Fredrick was not a success.

He continued to churn out novels—O’Hara was nothing if not prolific—but most did not catch on.  Finally in 1955, the same year his reputation was somewhat buoyed by the release of the film version of Pal Joey, he won a highly controversial National Book Award for Ten North Fredrick, the story of Joe Chapin, an ambitious man who yearns to become President and his long suffering patrician wife, two rebellious children, and mistress.  The book was made into a film in 1958 starring Gary Cooper.

O’Hara had one more moderate success as a novelist before critics started simply ignoring his work and the public stopped buying.  In From the Terrace he painted a picture of a young lawyer from a family of small city aristocrats.  His mother has been driven to drink by a neglectful and distant father.  His wife is socially ambitious, self-pitying, and unfaithful.  The man finds solace with a young, tenderhearted exotic—read Jewishdo-gooder in the city.  O’Hara himself wrote the screenplay for the 1960 film version starring Paul Newman, Joanne Woodward, and Ina Balin.

Probably contributing to O’Hara’s fading reputation as a novelist was his decision to become weekly book columnist for the Trenton Times-Advertiser, and a biweekly column, Appointment with O’Hara, for Collier’s magazine. In both venues he proved himself to be, “simultaneously embarrassing and infuriating in his vaingloriousness, vindictiveness, and general bellicosity.”  He bemoaned never receiving any academic honors, despite his firm conviction that he was the greatest living American Novelist.  He openly invited Yale to finally recognize his genius.  Yale considered it groveling and did not deign to respond.

But he still yearned for vindication. Privately, he told friends that he expected to be the next American recipient of the Nobel Prize.  He wrote to his daughter “I really think I will get it,” and “I want the Nobel prize... so bad I can taste it.”  It was not to be.  The next American to win the prize for literature was John Steinbeck in 1962.  He could barely conceal his disappointment.

When he took this act to a broader stage as a nationally syndicated columnist based at Newsday in 1964, O’Hara showed himself to be not just a conservative, but a vicious reactionary.  Many young writers had suffered the stings of class prejudice. Most of them became liberals, even radicals.  Not O’Hara.  Just as he assumed the proper suites and accents of the WASP elite, so did he assume what he believed were the politics of the very richest barons of theboardroom and denizens of the old school clubs.

In his first Newsday column O’Hara proclaimed his willingness to spit in the eye of his critics: “Let’s get off to a really bad start.” He endorsed Barry Goldwater for President claiming that he spoke for the stolid fans of Lawrence Welk and blaming the downfall of the country on those who loved the jazz of Black musicians like Lester Lanin and Dizzy Gillespie.  Then he railed at Martin Luther King’s Nobel Prize.  It was downhill from there, week by week more antagonistic and outrageous.  Papers started dropping the syndicated feature.  In 53 weeks Newsday canceled the column.

                                                O'Hara as critic--a crass curmudgeon masquerading in an Old School tie.

The super rich graduates of his beloved Yale might have nodded approval, but the literary establishment was notoriously liberal.  The columns were like thumbs in their eyes.  O’Hara had successfully poisoned the well.

O’Hara continued publishing to diminishing success.  The last novel published during his life time was The Ewings in 1970.  A sequel to that novel more came out posthumously.  Neither was successful.

O’Hara died in Princeton, New Jersey, his longtime home, on April 13, 1970 at the age of 65. Just to make sure that everyone knew just who he was, he had this inscription carved on his headstone, “Better than anyone else, he told the truth about his time. He was a professional. He wrote honestly and well.”  The final hubris of Pal Johnny. 

tag:blogger.com,1999:blog-5148048131502110089.post-5852167720122563580

31 January 2021 at 19:18



 

Warp Corps folks at a Compassion for Campers distribution in Woodstock.

Compassion for Campers, the programthat provides supplies and gear for the McHenry County homeless who have no reliable shelter, has announceda revised schedule of  distributionsfor the remainder of the cold weather months.  The program is going to once a month service instead of every two weeks in February, March, and April.   

According to Compassion for Campers coordinator Patrick Murfin, “After discussions with our great volunteers and in recognition of the difficulties we have in reaching the homeless population we aim to serve, all distributions will be held at Warp Corps, 114 North Benton Street in Woodstock, which is both centrally located and has existing contacts and relations with the homeless community and the social service agencies that serve them.”  Client access to Warp Corps will be from the rear entrance on Jackson Street.



Distributions will be held on Tuesday afternoons from 3:30-5 pm on the following dates—February 16, March 16, and April 13. 

Clients will be Covid-19 screened with a temperature check and standard screening questions.  No one failing the test will be turned away but we will ask what they need and  supplies will be brought outto them.  All clients are required to be masked before entering the building and a mask will be provided to anyone who does not have one.  Clients will be admitted one at a time and no more will be allowed inside at any time than the location can safely accommodate with correct social distancing.  At the conclusion of the distribution all remaining supplies will be packed for storage and the host area will be cleaned and disinfected. 

Camping gear laid out at First Church in Crystal Lake on January 19.

The Compassion for Campers warm weather outdoor program will resume in May at church sites and will probably resume rotatingbetween Crystal Lake, Woodstock, and McHenry.  More information on that will be forthcoming.

Compassion for Campers is grateful to the Faith Leaders of McHenry County, volunteers from Ridgefield-Crystal Lake Presbyterian Church, and Warp Corps for their invaluable support.

Volunteers are still needed to help with the distribution, especially younger folksin good health.  Contact Patrick Murfin at pmurfin@sbcglobal.net or phone 815 814-5645 if you are available on Tuesday afternoons.  Donations can be made by sending a check made out to Tree of Life UU Congregation, 5603 Bull Valley Road, McHenry, IL 60050 with Compassion for Campers on the memo line. The donations are placed in a dedicated fundand not used for any other purpose.  Tree of Life also donates all of the administrative expenses of the program.

Andrew Jackson First Used Troops to Quell a Strike

31 January 2021 at 14:27

For the last four years this portrait of President Andre Jackson hung in a place of honor in the Oval Office.  President Biden swiftly had it removed and replaced by Benjamin Franklin.

The recently departed in shame occupantof the White House hung a portrait of Andrew Jackson in the Oval OfficeOld Hickory was the president that the Resident admired most because they shared so many traits.  Both were vain, quarrelsome, given easily to offense, relentlessly vindictive to his enemies, autocratic while appealing to the poor, uneducated, and resentful as their champion.  He was also an unapologetic racist who gloated in his Indian removal policies and defended slavery.  He was also, as we will see, the sworn enemy of the just emerging labor movement.  All of these “virtues” made it easy for the Cheeto-in-Chargeto ignore Jackson’s opposition the Second Bank of the United States,  his opposition to protective tariffs, and his swift defense of the Union in the South Carolina Nullification Crisis.  But then Trump was a man of no firm convictions, only tactically useful stances.  Among President Joe Biden’s first acts of cleansing was replacing the Jackson painting with a portrait founding statesmanand scientist Benjamin Franklin.

Canal diggers called navvies  in the jargon of the early 19th Century did physically exhausting work for long hours in wretched weather,  Small wonder they rebelled.

A canal connecting the navigable waterways of Virginia with the Ohio River had been George Washington’s dream first.  And a big one.  Decades later it seemed that despite enormous obstacles, it was finally coming to pass.  But on January 29, 1834 the hundreds of immigrant Irish, Dutch, German laborers downed their picks and shovels in protest to the brutal conditions of hewing the ditch by hand from the stony soil of Virginia (now West Virginia) from first light to the descending gloaming seven days a week.  Blacks were also on the job—mostly slavescontracted from local plantations—but whether they joined the impromptu strike is unclear.  Slave or free all were ill clothed and given little more than a single thin blanket in the brutal winter weatherWages—for those who got paid at all—were less than a dollar a dayand the use of tools and such were charged to the workers.

As the laborers downed their tools Supervisors and foremen on the job were roughed up and some Chesapeake & Ohio Canal Company property was damaged

U.S. Army Regulars turned out against the starving, ragged, and unorganized canal diggers were handsomely turned out in parade ground uniforms.

The company claimed insurrection and riot and appealed for aid.  In Washington, DC the crusty and volatile Andrew Jackson wasted no time in ordering Federal Troops to suppress the “rebellion.”  It was the first time the Army was ever called upon to suppress a strike.  It would not be the last.

When they arrived on the scene the smartly dressed Army Regulars had no trouble putting down the strike by men armed only with stones and brickbats.  It is unclearif shots were fired or if the flash of bayonets was sufficient to dispersethe strikers, who had no organizationor union.  A few identifiedleaders” were arrested, others fled.  Most of the men sullenly went back to work under armed guard.  It is presumed that any slaves who participated where much more brutally handled by their ownersor overseers with the lash.

It all began before the Revolution.  Virginia planter, surveyor, and militia officer Col. George Washington had vast land claims in the Ohio wildernesswhich he dreamed of filling with settlerson 99 year leases to the land that he owned.  But besides persistent hostility by Native American nations, and the British policy of confining legal settlement to the east of the Allegany Mountains, the biggest obstacle to making those dreams come true was the near geographic impossibility of easy access to and from the land.  Those mountains divided the watershedsof the Ohio and Potomac rivers and provided a rugged barrier to even land access.

Washington wanted to build canals, complete with locks to raise boats to higher and higher elevations to circumvent and push past the rapidswhich were the navigable limits of the Potomac.  In 1772 he received a Charter from the Colony of Virginia to survey possible routes.  But before work could progress beyond the planning stage, the Revolution intervened and Washington was occupied elsewhere.

But he never forgot the pet project.   Back home at Mount Vernon in 1785 Washington formed the Patowmack Company in. The Company built short connecting canals along the Maryland and Virginia shorelines of Chesapeake Bay.  The lock systems at Little Falls, Maryland, and Great Falls, Virginia, were innovative in concept and construction. Washington himself sometimes visited construction sites and supervisedthe dangerous work of removing earthand boulders by manual labor.   

Now confident that his scheme would work, Washington began to plan more inland sections.  A call to another job—as President of the United States—interrupted his plans, but he looked forward to resuming work in retirement.

Unfortunately that retirement did not last long and when the great man died in 1799, the Patowmack Company folded.

Almost 25 years later, in 1823 Virginia and Maryland planters began to fret that the Erie Canal, which was nearing completion in Upstate New York would leave their region far behind in economic growthas all or most of the productionfrom the rapidly growing states north of the Ohio would be funneled to the Great Lakes, and via the Canal and Hudson Riverto New York City.  They organized and got chartered the new Chesapeake & Ohio Canal Company.

Five years later in 1828 Yankee born President John Quincy Adams, probably with some qualms about the possible effect on the westward spread of slavery, ceremonially turned the first spade of earth.

The route of the Chesapeake & Ohio.  The ditch was nearing Williamsport when the spontaneous strike broke out during harsh winter weather. 

Progress was slow and arduous as the canal ran parallel to the Potomac.  There had been other sporadic work stoppages.   Difficulties in the era of repeated financial panics also interrupted work.  Then there was bad weather, the increasingly difficult terrain, and even a cholera epidemic.  In late 1832 the ditch finally reached the critical river port of Harpers Ferry.  Workers were pushing on to Williamsport when the trouble broke out.

Work continued with more interruptions and a lawsuit between the Canal Company and the Baltimore & Ohio Railroad about a right of way to cross from the Virginia to the Maryland side of the river also complicated matters

In 1850 the canal finally reached Columbia, Maryland far short of the goal of connecting with the Ohio.  But by that time the rapid spread of railroads, particularly the B&O, had rendered completing the project obsolete.  Washington’s grand canal never got any further.

The Chesapeake & Ohio at Georgetown just outside of Washington in the post-Civil War era.  Trains using the iron bridge in the background were rapidly making the canal obsolete.

But the existing ditch was still useful.  Boats, originally romantically named gondolas and later called barges, used the water way until it finally went out of business in 1924.

Today you can visit the Chesapeake & Ohio Canal National Historical Park and hike along the tow path.

The bloody tradition of using Federal troops as strike breakers out lived the canal. 

Six Year Gone and a Centennial Birth Anniversary Pete Seeger Remains the Most Beloved American

30 January 2021 at 12:40

Over his long career Pete Seger signed thousands of notes and letters to fans, friends, family, aspiring musicians, activists, and folks who who had helped him in even the smallest of ways usually adding a cartoon of his long-neck banjo.  Those notes are some of the most treasured items many folks have.  

Note:  Pete Seeger passed away six years ago this week on January 27, 2014 at age 94. That makes this year the 100th anniversary of his birth, a milestone that will be well celebrated throughout the year. He missed some tumultuous times and we all missed his strength and encouragement.  Of course hard times and struggle was no stranger to Pete.  But despite decades on the front lines of fights for worker’s rights, civil rights, peace and environmental justice and the sacrifices that he made, Pete remained remarkably optimistic.  He had faith in We the People.  He would have loved to play this month at Joe Biden’s inauguration as he did with Bruce Springsteen and his grandson Tao Rodriguez-Seeger for Barack Obama.

Pete Seeger was born in New York City on May 3, 1919.  His father, Charles Seeger, was a noted musicologist.  Both of his parents taught at Julliard School of Music.  The whole family was musical.  His younger half siblings Peggy and Mike, born to his father’s second marriage, also became noted folk musicians inspired by travels with their father on music collecting trips to the rural South. 

Peter Seeger (on father's lap) with his father and mother, Charles and Constance Seeger and brothers on a camping trip in 1921.

On one of those trips young Pete first heard and was enthralled with the sound of the five string banjo. By the time he was 16 and a student at Avon Old Farms private prep school in Connecticut he was playing the instrument in jazz combos

Seeger began studies at Harvard, where he founded a radical newspaperand joined the Young Communist League.   But in 1938 at the age of 19 he took a job as an assistant to Library of Congress folk archivist Alan Lomax, a close friend of the family, on one of his song collecting forays through the South.  The recordings made on that trip included some of the most influential ever made.  Seeger helped record Huddy LedbetterLeadbelly—among others.

He moved to New York City in 1939 and was introduced by Lomax to a circle of folk musicians and activists clustered around Greenwich Village.  He adopted the claw-hammer banjo stylehe heard at mountain barn dances.  He dropped out of school and was soon performing many of the songs he had learned with Lomax as he bummed around the country.

In 1940 he met Woody Guthrie, the singing Oklahoma exile who had become a popular California radio performer, when they sang together at a benefitfor migrant farm workers. The experience electrified Seeger.  He now knew with certainty what he wanted to do with his life.  The two became close friends and sometime performing partners.    He sang and played in saloons, churches, and, most of all, in union halls

One iteration of the Almanac Singers perform in 1942--Woody Guthrie, Millard Lampell, Bess Haws, Seeger, Arthur Stern, and Sis Cuningham.

Back in 1940 the loose Greenwich Village crowd formed the highly political Almanac Singers, which became troubadours of the labor movement and of radical causes.  The group was more like a large collective of singers who performed together in various settings and combinations.  The core included Millard Lampell, Lee Haysand Sis Cunningham.  In 1941 Woody Guthrie joined the group.  Others who participated in the group at one time or another included Lomax’s sister Bess Lomax Hawes, Sonny Terry, Brownie McGhee, Cisco Huston, and Burl Ives.

Following Pete’s natural inclination toward pacifism and the Communist Party’s opposition to American entry into World War II prior to the Nazi invasion of the Soviet Union, the group released a three disc, six song 78 rpm album called Songs for John Doe.  Singing on the record were Seeger, Lampell, Josh White, and Sam Gary

Less than a month after the record was released, the invasion of Russiachanged everything, rendering the songs obsoleteand an embarrassment as the Party and singers rapidly shifted gears.

A second album, Talking Union was released in the summer of 1941 and featured the labor songs that members of the group had been singing in union halls and on picket lines for the previous two years.  The album included now classic union songs—Talking Union Blues, Get Thee Behind Me, Satan, Guthrie’s Union Maid, and Florence Reece’s coal mine strike song Which Side Are You On?  This time out Hays joined Seeger and Lampell in the lineup. 

A third and final album, Deep Sea Chanteys and Whaling Balladscame out later that year, this time with Guthrie also singing.

Despite an already developed pacifist streak, Seeger shared Guthrie’s fierce anti-fascism—Guthrie’s guitar had a sign on it, “This machine kills fascists.”  When the U.S. joined the war, the Almanac Singers broke up and Seeger, who had previously protested the Selective Service Act, was drafted and willingly entered the Army.  He spent his war in G.I. entertainment shows.

Seeger married Toshie-Aline Ohra in 1943 while in the Army.  Besides true love the marriage was a political statement at a time when Japanese-Americans were languishing in internment camps                

While in the Army in 1943 Seeger wed Toshi-Aline Ohta, the daughter of an exiled Japanese Marxist and American mother who he knew from his days in Greenwich Village.  The couple’s legendarily close and supportive marriage lasted nearly 70 years until her death in 2013.

Seeger quit his membership in the Communist Party in the late ‘40’s and after the revelations of the worst of Stalin’s crimeslater said he regretted not having done it earlier.  But he refused to apologize for it and said that he remained a “communist with a small c.”

The Weavers were one of the most popular recording artists in the late 1940s and early '50's.  Left to right Seeger, Lee Hayes, Ronne Gilbert, and Fred Hellerman.

Back home after the war Seeger resumed his career as an itinerant folk musician and activist.  In 1948 he joined with his former Almanac Singer partner Lee Hays, and with Ronnie Gilbert, and Fred Hellerman to form a new group, The Weavers.  In between performing for 1948 third Progressive Party presidential candidate Henry Wallace, the Weavers quickly became a popular touring and recording group.  They popularized songs like On Top of Old Smokey, Kisses Sweeter than Wine, and Seeger’s version of a South African song, Wimoweh (The Lion Sleeps Tonight).  By 1950 they were radio regularsand were called America’s favorite singing group.  No less a folk music aficionado than Carl Sandburg said, “When I hear America Singing, the Weavers are there.”  In 1950 they made a #1 hit recordwith their version of Ledbelly’s Goodnight Irene

The same year Seeger made his first solo record, a 10 inch album called Darling Corey, one of the first releases on the seminal Folkways label.  The Weavers’s popularity continued to grow with television appearances.  A Christmas Eve 1955 Carnegie Hall concert featuring the Weavers was regarded by many as the beginning of the folk music revival of the late Fifties and early Sixties. 

But trouble lay ahead.  Called before the infamous House Un-American Activities Committee Seeger asserted his First Amendment rights and scolded the committee for trying to outlaw political thought and speech.  The defiance made national headlines.  Seeger was a hero to many, but the Weavers were blacklisted from radio and television, lost their Decca recording contract, and saw concert dates cancelled across the country. 

Pete Seeger testifying before the House Un-American Activities Committee (HUAAC).  He refused to answer questions but did not invoke the Fifth Amendment but claimed that the hearing were an un-Constitutional attack on his First Amendment Rights of Free Speech and Assembly.

Worse, in 1957, Seeger was indicted on ten counts of contempt of Congress.  The case dragged on for years.  He was convicted on all counts and sentenced to ten concurrent one-year prison sentences.  The convictions were finally overturned on appeal in 1961. 

In the meantime the stress caused the Weavers to break up and Seeger struggled to make a living as a solo.  But times and attitudes were changing. The Kingston Trio picked up Seeger’s Where Have All the Flowers Gone? In 1961, even before his conviction was overturned his old friend, the legendary producer John Hammond, signed Seeger to a Columbia Records contract and released his first record on the label, Story Songs

Seeger was still banned from commercial television however.  Hootenanny refused to book him causing the show to be boycotted by Bob Dylan, Joan Baez, Peter Paul and Mary, and other top acts.  But in 1965 and ‘66 Seeger made the series Rainbow Quest at WNJU-T, a New York UHF station broadcasting mostly Spanish language programing.  Few people saw the first run, which was virtually directed by Toshi.  Pete and a guest would sit on straight back chairs by a simple table and swap songs and stories without a studio audience.  Guests included many old friends like Baez and the likes of Johnny Cash, Reverend Gary Davis, Mississippi John Hurt, Doc Watson, The Stanley Brothers, Elizabeth Cotten, Patrick Sky, Buffy Sainte-Marie, Tom Paxton, Judy Collins, Donovan, Richard and Mimi Fariña, and Sonny Terry and Brownie McGheeSome years later PBS picked up the 39 shows for syndication on their affiliates and millions finally saw them.

Seeger featured many of his folk musician friends like Richard and Mimi Fariña on his public radio program Rainbow Quest.

The Smother’s Brothers famously broke the network TV ban when they booked Seeger.  His first song was broadcast, but the second, his searing indictment of theVietnam War Waist Deep in the Big Muddy was cut by censors.  After a confrontation with the series stars, CBS relented and let Seeger perform the song on a subsequent program.  But the controversyhelped doom the popular TV show.

The folk music revival was in full swingand so was the Civil Rights Movement.  Seeger was often on the picket lines throughout the South.  In June of 1963, Seeger returned to Carnegie Hall.  An album recorded live at the event was released under the title We Shall Overcome. It reached number 41 on the album charts and remained on the charts for 36 weeks.  The title song was a re-working of a picket line song We Will Overcome by Lucille Simmons by Seeger and friends at the Highlander Center, the training ground of Civil Rights leaders and workers. A month later Seeger appeared at the Newport Folk Festival with Bob Dylan, Joan Baez, and Phil Ochs.  The era of protest music was officially launched

Pete Seeger with Dr. Martin Luther King, Jr., Rosa Parks, Rev. Ralph Abernathy and an unidentified teen a the Highlander Center where he adapted earlier versions into We Shall Overcome, the anthem of the Civil Rights Movement.

Seeger introduced his own songs, including Where Have All the Flowers Gonewhich became a hit for the Kingston Trioin 1962 and If I Had a Hammer, co-written by Lee Hayes, and recorded by Petefr Paul and Mary, to appreciative audiences in these years.  His recording of Malvina Reynolds’s Little Boxes even climbed into the pop music charts. Baez, Peter Paul and Mary, and The Byrds all had hitswith Seeger songs. 

Through the late sixties and into the seventies, Seeger threw himself into opposition to the Vietnam War.  He sung to innumerably rallies and at countless benefits and collected legions of new young fans.  The highlight came in 1968 when Seeger sang to 500,000 people at the anti-war March on Washington where his fellow performers included Woody’s son Arlo Guthrie, John Denver and Peter Paul and Mary. 

After seemingly rootless decades, Seeger decided to settle down on the banks of Hudson River where he and Toshi had bought land and built a log cabin in 1949. But the pollutionthat had turned that beautiful and historic river into an open sewer stirred Seeger to action again.  In 1968 he launched the restored sloopClearwaterfrom which he campaigned forenvironmental causes for the rest of his long life.

Seeger on the sloop Clearwater sailing the Hudson River for the environment.

His relentless attack on General Electric for dumping PCBs in the river led to a historic law suit and a clean-up that is still going on today.  About the same time he joined the U.U. Community Church of New York City and has sung at many U.U. churches since.

In 1994 the nation that had tried to put him in prison awarded Seeger the Presidential Medal of the Arts in a Kennedy Center ceremony.  In 1996 Arlo Guthrie and Harry Belafonte were the presenters when Seeger was inducted as a roots influence into the Rock and Roll Hall of FameAcclaim continued with an honorary degree from his alma mater, Harvard, which had once enforced the blacklist against him and a two Grammy Awards for Best Traditional Folk Album and one for his children’s album,  Tomorrow’s Children.  All told, Seeger recorded over 100 albums.

In his later years Seeger’s singing voice was ravaged and his fingers sometimes painful with arthritison the banjo.  But a good cause could still call him out.  He would scratch out a few bars of a song then, encourage the audiences to join in the familiar songs, and let younger musicians perform.  He remained clear eyed and clear headed with the same sense of selfless dedication and love of music that have propelled him for over his long life.

Seeger with grandson Tao Rodriguez-Seeger and Bruce Springsteen at a concert at the Lincoln Memorial for Barack Obama's first inauguration.

With grandson and frequent singing partner in his later years Tao Rodriguez-Seeger and Bruce Springsteen Seeger led a huge crowd to an emotional singing of Woody Guthrie’s This Land is Your Land at Barack Obama’s first Inaugural.

In 2012 he performed at Carnegie Hall again for his annual Clearwater benefit.  At the end of the show he invited the audience to walk with him down to the Occupy Wall Street encampment.  Hundreds followed him out of the hall and to the park where he stood on a park bench and sang for the protestors.  Vintage, irrepressible Pete.

Seeger needed a walker, but he led a spontaneous march from his annual Clearwater benefit several blocks to the Occupy Wall Street encampment in 2012. 

Pete Seeger finally took his last breathon January 27, 2014 at age 94.  When he died Pete was probably the most beloved American—unless you were among those who were the targets of his loving outrage.

  

Snow Flakes the Size of Watermelons Fell on Fort Keogh

29 January 2021 at 12:00

Enormous snow flakes fell on Ft. Keogh in Montana in 1887.


Note: 
By coincidence, yesterday’s post about the fate of the cow pony Old Blue touched on one of the same series of storms as this entry which made the winter of 1886-87 so memorable on the High Plains.  .

The winter of 1886-87 was the most brutal ever recorded over a wide swath of the West.  East of the Rocky Mountains from Indian Territory to Montana storm after storm dumped white stuff on the open range where much of the nation’s beef was raised.  The Great Blizzard of ’87, which lasted for ten days from January 9 to 19, was worst in Montana.  Sixteen inches of snow came down the first 16 hours amid driving winds and temperatures that dipped to -47˚.  And it just kept coming.

Cattle, already weakened by a summer droughtand poor grass, floundered and died by the hundreds of thousands.  As ranchers began to try to dig out of drifts that covered theircabins and reached high lofts of their barns, they hoped things would get better.

It was a good thing troopers at Fort Keogh were issued warm, heavy buffalo robe coats and hats.  They needed them in January 1887 when the snow was significantly deeper than in this earlier 1880 photo.


But on January 29 at Fort Keogh—named for a captain in General Custer’s doomed 7th Cavalry command—near Miles City in southeastern Montana huge flakes began to fall.  And I mean huge.  Flakes were gathered and measured at 15 inches across and 8 inches thick weighing several ounces.  Men, horses, and cattle were actuallyinjured by the falling flakes, the largest ever recorded anywhere.  The reports were so outlandish that they might have been dismissed as tall taleshad they not been witnessed and attested to by a whole Army post.

Charles M. Russell was a working Montana cow hand during the brutal winter of 1886-87.  He rose to fame on the basis of sketches and watercolors like this of the storm.  The Last of 5000 means the steer was a survivor of a vast herd killed by the storm--and it looks like his days are numbered.  Russell became one of the great Western artists, which was good because after the storm devastated ranching it was hard times for former cow pokes.

More blizzards fallowed in February.  When the spring thaw finally came, coincidentally unleashing devastating floods, the corpses of millions of cattlelittered the plains.  The industry was virtually wiped out and the old system of open range feeding neverrecovered.

So, campers, if it’s been a rough winter where you are, thank your lucky stars the flakes of Fort Keogh did not fall again on you.

 

Piling Stones on the Prairie for Old Blue—A Murfin Memoir

28 January 2021 at 08:00

Old Blue's grave circa 1900.
 

My Mom, Ruby Irene Mills Murfin, was my Cub Scout Den Mother—eight or nine squirrelly, squirming boys in blue shirts and caps and yellow bandanas.  I was a Bearso that made me what, eight or nine years old?  That would make it about 1957 or’58.

Mom liked projects.  Big projects.  Projects that were not necessarily in her Den Mother’s manual.  Projects that helped us learn about the country around us, which happened to be the environs of Cheyenne, Wyoming.

Once she had cut up a prized possession, an old mink coat that went out of style with Joan Crawford’s shoulder pads.  A furrier could have used the pelts for a fashionable stole or evening jacket, but she gave them to us.  We made Indian war shields trimmed in fur and lances dangling pelts like trophy scalps.  We all whooped it up, terrorized siblings and neighbor children, and massacred settlers to our hearts content for days.

We made all sorts of things from the pine cones she collected every summer on picnic trips along Happy Jack Road.

                            Ruby Murfin was going for glamor, not the Den Mother look in this photo.

But this day she heaved a peck basketfull of rocks she had collected from the bed of a fast, high country trout stream that my father fished the summer before.  They were smooth and oval or oblong and all rough edges long ago knocked off by some old glacier and millennia of rushing icy water.  They were about the size of a good big Idaho potato.  They had satisfying weight and heftin a boy’s hand.  Our minds naturally went to what we could heave them atand satisfactorily break because we were, after all, boys which meant we were as wild and vicious by nature as any pagan hoard.

But before we could commit mayhem, Den Mother Mom sat us in a circle and read to us from a picture bookOld Blue the Cow Pony by Sanford Tousey.  Blue was evidently a ranch horse of extraordinary talents.  Rounded up among the free and wild horses of the high plains he was an Appaloosa, a nimble, sure footed horse preferred by the Shoshoniand the far off Nez Percé.   He was tightly dappled.  From a light rump his coat shaded to blue-gray in the forequarters. Some folks called him a blue roan.

The front plate and title page of Stanford Tousey's Old Blue the Cow Pony

Once broken and tamed, he took to therigorous demands of working cattle—the intricate dance of cutting calves or steers from a herd for branding, running at full speed over broken ground as his rider threw his lariat, knowing just how to taut the rope so that the cowboy could leap from the saddle and throw the critter to the ground.  He had endurance for long days and nights of constant work and the speed to win the Sunday afternoon races at the home ranch.

Blue was also extremely loyal to his cowboy.  Together they rode through many seasons until the horse’s muzzle grew gray.  He was the stuff of cowboy folkloreyet he kept working.

A cowhand and his pony prepare to cut a steer from the herd.

Then one year—could it really have been 1886 the year of the Great Blizzard that buried the high plains from Colorado all the way up into Canada in several feet of white death?—Blue and his rider were caught in the high country near the Great Divide searching for strays when the storm hit.  As I recall the tale, if they could not make it to thesafety of the home ranch, they would surely die.

Through the raging storm with winds blowing icy pellets sideways, in the dreaded white out the man lost all sense of direction.  But Blue knew.  He kept plodding on breasting drifts up to his shoulders.  Two, maybe three days, the rider insensible and barely clinging to thesaddle.  When the storm finally broke they were in the midst of a featureless plain far from the Mountains. 


Fredrick Remington's Drifting Before the Storm captured the brutality of the Blizzar of '86 on men, horses, and cattle.

Finally they encountered riders from the home ranch not more than two or three miles away. When they reached Blue he gave up his burden to them, laid down and died.

They had to leave him where he lay.  The body quickly froze and was covered by drifting snow.

But as soon as it cleared that Spring the cowboys rode out with their shovels and buried Blue where he lay.  But now there was a new danger…the hungry coyotes that would find the shallow grave and dig it up.  So they began to haul stones from a distant stream to build a cairn over the grave to protect it the same as they would do for any fallen comrade.

A small pile a couple of feet high would have done the trick, but they wanted something more—a monument.  They built the pile high and fenced the plot with split rails.  And on a tall board stuck into the ground they painted, “Erected to the memory of Old Blue, the best old cow pony that ever pulled on a rope. By the cow punchers of the 7 X L Outfit Rest in Peace.”

When Mom finished telling the story to us she said, “That was a long, long time ago and some of the stones on Old Blue’s grave have fallen.  But we are going to help.  We are going to bring new stones!”

She let us each pick a stone and broke out the Tempera paints and brushes.  She had us each paint our rock and decorate it with the brands we had designed for ourselves the week before.  Mine was the P-standing-A-T, the capital letter A standing on the top of letters P and T with a leg on each.

At our next Den meeting Mom loaded us into my Dad’s Wyoming Travel Commission station wagon and drove out on the giant Warren Ranch.  We found the grave by a rutted dirt road not far from the Colorado line.  It was a raw and blustery day, the sky leaden, but the frozen ground clear of snow.  It must have been March.  The grave was there just like in the picture but the stones slipped along the ground on one side, the sign had faded, and the rail fencing long since replaced with wire.

One by one we each solemnly stepped forward and placed our stones on the pile.  Mom took some pictures with our old Kodak Brownie Box camera.  We may have said a prayer for Old Blue, or sung a song.  Or not.  We piled back into the station wagon and drove back to town in an odd silence, not a single boy trying to start a round of Ninety-nine Bottles of Beer on the Wall.

It’s hard now to realize that almost as much time has passed since those Cub Scouts piled their stones as there was then from the time the ranch hands began the cairn 135 years ago.

And that’s the story.  Make of it what you will.  There may have been miracles involved.


International Holocaust Remembrance Day Observed But Memories Dim

27 January 2021 at 12:02


The grim reality is that 76 years after the world got confirmation of the breadth of the Holocaust anti-Semitism is on the rise in the United States and in Europe.  As the last survivors of the death camps and the Allied soldiers who liberated them dwindle the collective memory has dimmedPollsconstantly show that younger people are at best foggy on the reality—many can’t place World War II within 50 years on a time line, are unsurewho the combatants were and on who was responsible for barely understood atrocitiesHolocaust denial is on the rise spread mainly by those who try to mask their own intentionsto “complete the job.”  Right wing nationalism is on the rise in Europe making substantial gains in several national parliaments and coming to power in Poland and other Eastern European Countries. 

Nazi paraphernalia and symbols were on display during the violent occupation of the U.S. Capitol by organized insurrectionists.  No one in the mob seemed a bit perturbed by this guy and his sweatshirt. 

In the U.S. White nationalism has broken out of the pariah fringe of society and is making a bid for respectability as it is given barely concealed wink and nod support from the former Resident himself.  Deadly mass shootings at the Tree of Life Synagogue in Pittsburgh and at a kosher grocery in New Jersey as well as a mass stabbing attack on a suburban New York home Hanukkah celebration were only some the most widely noted events.  Vandalism and attacks on synagogues, cemeteries, schools, and other Jewish institutions are on a sharp rise.  Anti-Semitic flyers and propagandaare being posted at colleges, universities, and high schools as well as in suburban communities.  The insurrectionist attack on the Capitol included individuals with swastika tattoos, a Camp Auschwitz sweatshirt in addition to members of anti-Semitic neo-fascist groups like the Oath Keepers and Proud Boys.  Even as White nationalist, racist, and anti-Semitic groups have lately been purged by Facebook, Twitter, and other platforms they find homes elsewhere and on the so-called Dark Web

Confounding attempts to counter these dangerous trends is the Israeli government’s campaign to tarevery critic of its brutal and unrelenting attacks on Palestiniansin Gaza, the occupied West Bank, and now in Jerusalem, Bethlehem, and other cities as anti-Semites.  The former Cheeto-in-Charge was happy to echo those charges and to support efforts to virtually outlaw calls for economic and cultural boycotts of the Jewish stateTrump, who was been largely silent during Israel’s escalating attacks and Prime Minister Benjamin Netanyahu’s announced plans to recognize and annex all of the illegal settlements in the West Bank, chose Holocaust Remembrance Day to host the Prime Minister and his chief political rival Benny Gantz to push a  secret “peace plan.” 

The Hall of Names keeps the memories of individual Holocaust victims alive at Yad Vashem in Jerusalem. 


Today is International Holocaust Remembrance Day.  It will be observedcelebrated is certainly the wrong word here—in ways big and small, significant and trivial in many places across the world.  The commemorationcomes on the anniversary of the liberation of Auschwitz-Birkenau death camps in Poland by the advancing Red Army on January 27, 1945.  American, British, Canadian, and other Allied Forces liberated other camps, but Auschwitz was the pinnacle of efficiency for the Nazi industrialization of mass murder.

On the sixtieth anniversary of the liberation the United Nations General Assembly held a special commemorative session.  The following November the General Assembly created the memorial day, which was first observed in 2006.

In November of 1944 as the Red Army advanced from the East and the Allies pressed on the Western Front, SS Chief Heinrich Himmler ordered the beginning to the eradication of evidence of the death camps in Poland.   Gassing operations were suspended and crematoria at Auschwitz were ordered destroyed or, in one case, converted into a bomb shelter.  As things got worse, Himmler ordered the evacuation of the camps in early January directing that “not a single prisonerfrom the concentration camps falls alive into the hands of the enemy.”

On January 17, 58,000 Auschwitz detainees were set on a death march west towards Wodzisław Śląski. Approximately 20,000 Auschwitz prisoners made it to Bergen-Belsen concentration camp in Germany, where they were liberated by the British in April 1945.

Some of the healthier inmates of Auschwitz after liberation by the Red Army.

But that left over 8,000 of the weakest and sickest abandoned with scant supplies.  The Red Army 322nd Rifle Division arrived 10 days later to find 7,500 barely alive and 600 corpses lying where ever they finally collapsed.  They also found much evidence of the greater crimes Himmler had hoped to hide—370,000 men’s suits, 837,000 women’s garments, and 7.7 tons of human hair. Coming in the midst of the Yalta Conference and other war news, the liberation received scant news attention at the time.  And the Soviets, who were at best ambivalent at the highest levels about what to do with the liberated Jews, did little to publicly celebrate their role in the liberation, at least at first.

It was only after survivors reached the West and eventually Israel as refugees, that Auschwitz emerged as a special, horrific symbol of the whole Holocaust.

Emaciated survivors at Buchenwald, a major extermination camp liberated by American troops.

The publication of the Diary of Ann Frank, Ellie Wiesel’s Night, and other memoirs by survivors, camp liberators, and on-the-scene journalists made deep public impressions in the West as did filmslike Stephen Spielberg’s Shindler’s List.  Evidence of the Holocaust has been carefully preserved at Israel’s Yad Vashem, the world central archiveof Holocaust-related information and at Holocaust museums in many major cities.  Public acknowledgement of the Holocaust probably peaked internationally around the turn of the 21st Century and has been eroding since then.

Last year the 75th anniversary was marked by a special meeting at the Fifth World Holocaust Forum at Yad Vashem in JerusalemOver 50 international leaders including French President Emmanuel Macron, Russian President Vladimir Putin, Britain’s Prince Charles, and American Vice-President Mike Pence were on hand for the event.  They heard Netanyahu denounce critics of Israel as Anti-Semites and to beat the band for an international attack against Iran.   Other leaders, except Pence, generally distanced themselves from Netanyahu’s remarks and spoke in platitudes of varying degrees of sincerity about preventing any future genocide.

Holocaust Remembrance was muddied last year a the World Holocaust Forum when Israeli Prime Minister Benjamin Netanyahu used the occasion to justify violent oppression of Palestinians and his apartheid regime, to attack all critics of his policy as anti-Semites, and to rouse support for an attack on Iran.

Today there will be solemn remembrance gatherings at the sites of most of the World War II death camps and in cities around the world

Together we can truly pledge “Never Again!”  and mean it for Jews and for the modern targets of repression, oppression, apartheid like ghettoization, and even actual genocidal attacks including the Kurds and the Palestinians.

  

Mary Tyler Moore —Twice a TV Icon

26 January 2021 at 11:55

Mary Tyler Moore in her self-titled TV show.

Mary Tyler Moore died January 25, 2017 in Connecticut.  The star of two of television’s most beloved, iconic, and influential sit-coms, a shrewd businesswoman and powerful producer, Oscar nominee for a type cast shattering dramatic role, philanthropist, activist, and feminist was 80 years old.  She had been suffering complications of Type 1 diabetes in recent years which had left her nearly blind.  Few actresseshave been as loved by fans and show business insiders alike,

Moore was born on December 29, 1936 to a comfortably middle class Catholic family in Brooklyn, New York.  When she was eight years old the family moved to Los Angeles where she decided to become a dancer at age 17 while attending Immaculate Heart High School in Los Feliz, California.

She got her first break as Happy Hotpoint, a tiny dancing elf onappliance commercials during aired during broadcasts of the Adventures of Ozzie and Harriet.  She auditioned for the role of Danny Thomas’s oldest daughter in Make Room for Daddy, but was turned down because “no daughter of mine could have a nose that small.”  She became the sultry voiced receptionist on Richard Diamond, Private Detectivewho was only shown from the waist down, and featuring Moore’s shapely dancer legs

Mary as the dancing elf Happy Hotpoint in Ozzie and Harriet commercials.

By the late ‘50s Moore was appearing regularly as a guest star in numerous TV series including, Bourbon Street Beat, 77 Sunset Strip, Surfside Six, and Hawaiian Eye—all detective shows from the Warner Bros. assembly line—as well Wanted Dead or Alive, Steve Canyon, Thriller,  and Lock-Up.  Finally it was Danny Thomas, Sheldon Leonard’s partner in the production company who remembered the “girl with three names” and recommended her to him Sheldon Leonard for the new show he was developing with writer/comedian Carl Reiner.

The Dick Van Dyke Show, which premiered on CBS on October 3, 1960 was something different—it split its time and attention between Rob Petrie’s—Van Dyke—job as head writer of a comedy/variety show and his home in suburban New Rochelle, New Yorkwith his beautiful and somewhat neurotic young wife, Laura.  In this it echoed the show biz/domestic split of the classic I Love Lucy and Thomas’s Make Room for Daddy.  The couple did have a child, a grade school age boy named Ritchie, but plots seldom revolved around him and he did not even appear in many episodes.  At home the story was all about Rob and Laura, played by raven-haired Mary Tyler Moore.

Although Van Dyke had a certain youthful Midwestern charm, Moore was noticeably younger than her husband which was explained in backstory episodes showing Rob meeting her while serving as a sergeantin an Army entertainment troupe and she was a 17 year old dancer.  That background also allowed Moore to dance in the series, both in the living room of their home and with other cast members in productions for the mythical Allen Brady Show.  It also showed of her long legs, but not as on Richard Diamond in short skirts.  Instead they were tightly encased in capri pants, a choice Moore herself insisted upon because unlike previous domestic icons on TV like Harriet Nelsonor Donna Reed, “real housewives don’t vacuum in full skirted dresses and heels.”  Sponsors and the network were mortified and fearful but Moore took the considerable risk of sticking by her guns.  It was a modest but real assertion of independence and even feminism.  Women, it turned out, loved the pants and they became a fashion rage.  As for the men, they thought they looked just great on her despite—or because of a “certain cupping under” which emphasized the shape of her butt

Mary as Laura Petrie with Dick Van Dyke in those practical but sexy capri pants and flats.

The show ran for 5 seasons and could have gone on but Van Dyke wanted to concentrate on his increasingly successful movie career which already included Bye, Bye Birdie and Mary Poppins.

The Dick Van Dyke Show was nominated for 25 Primetime Emmy Awards and won 15 including a nod to the program as Best Comedy and Best Achievement in Comedy, for Reiner as a writer and producer, for Jerry Paris as a director, and to all of the principal cast members.

In 2002, it was ranked at 13 on TV Guide’s 50 Greatest TV Shows of All Time.  And has been in continual syndication or on basic cable since its first run.

During the run of the show Moore married CBS producer Grant Tinkler.  It was her second marriage.  The first to the “the boy next doorRichard Carleton Meeker in 1955 produced a son, Richard Jr.  That marriage ended in divorce in 1961.  She married Tinkler a little more than a year later.

Moore moved on to movies under contract with Universal Pictures where she made 1967's Thoroughly Modern Millie in 1967 with Julie Andrews, and the 1968 films What’s So Bad About Feeling Good?with George Peppard, and Don’t Just Stand There! with Robert Wagner.  Memorably she played a nun opposite Elvis Presley in Change of Habit in 1969.  That flick was a box office disappointment on first release but has become a cult favorite.

Moore played a nun and Elvis Presley played a doctor with mixed feeling for each other in Change of Habit.

Meanwhile Moore and Tinkler formed a new production company, MTM Enterprises in 1969 and successfully pitched new sitcom to CBS for the 1970 season.  The Mary Tyler Moore Show turned out to be even more successful than The Dick Van Dyke Show and was culturally significant in profound ways.

In the show Moore portrayed Mary Richards, a thirty-something single woman who arrives in Minneapolis to start a new life and career.  Just what she was doing since presumably graduating from college is never quite clear but the lyrics to the show’s catchy theme song, Love is All Around by prolific 70’s tunesmith Paul Williams indicate she may have had a bumpy ride.

How will you make it on your own?
This world is awfully big, girl this time you’re all alone
But it’s time you started living
It’s time you let someone else do some giving.

Love is all around, no need to waste it
You can have a town, why don’t you take it.
You’re gonna make it after all
You’re gonna make it after all.

Mary landed a job as sort of a Girl Friday in the newsroom of a third rate local TV station and launched a career in which she would steadily advance first to a news writer then to a producer.  Earlier Marlo Thomas had been the first to portray and “independent single woman”—if you forget about early television’s Our Miss Brooksand Private Secretary—in That Girl!  But Thomas’s character was an actress/model who sometimes took odd jobs rather than a career woman and much of the show focused on her Doris Day-like virginal relationship with her boyfriend.  Although The Mary Tyler Moore Show did not spend a lot of time on Mary’s love life, it was tacitly understood that she was no naïve maiden saving herself for the right man.  One episode made headlines when Mary casually decided to go on the Pill.

Mary became the focal point of her work place, relied upon by her crusty managing editor Lou Grant (Ed Asner); the pompous, vain, and ignorant anchorman Ted Baxter (Ted Knight); world weary writer Murray Slaughter (Gavin McLeod); and was vexed by a seemingly sweet but back stabbing cooking show host Sue Ann Nevins (Betty White.) 

On the job Mary fought for equal pay with the men in the newsroom and gently confronted prejudiceabout what a woman could do.

Mary collecting Emmys with cast mates Ed Asner, Betty White, and Ted Knight.

She found a not terribly grand or glamorous apartment in a converted Victorian mansion where she made friends with another single woman, sharp tongued Rhoda Morgenstern, a Brooklyn Jewish transplant with a woeful love life, and somewhat more reluctantly with landlady Phyllis Linstrom, a middle aged woman with an always unseen husband Lars.

In seven seasons the show was almost always in the Nielson top 20 and was early appointment TV for many.  The episode featuring the funeral of Chuckles the Clown, the station’s children’s show host who was trampled by an elephant while walking in a parade dressed as a giant peanut, is usually considered one of the top five funniest TV comedy episodes of all time.   The show garnered a then record breaking 29 Emmy’s including 5 for Moore personally as an actress.

The city of Minneapolis commemorated the program with a life sized statue of Moore tossing her knit cap in the air on the site where the famous opening sequence was filmed.

Mary tosses her cap in this Minneapolis bronze.

MTM productions spun off successful programs featuring Rhoda, Phyllis, and Lou Grant.  The company also made The Bob Newhart Show, WKRP in Cincinnati, The White Shadow, St. Elsewhere, Hill Street Blues, and Remington Steele making it one of the most powerful companies in TV.  Moore was compared to Lucille Ball and her Desilu Productions, but she was the first to admit that she was never the hand-on producer Ball becameand that her husband Grant Tinkler managed the company.  Still, the company made her enormously wealthy and catapulted Tinkler to the position of Chairman and CEO of NBC from 1981 to 1986 after his divorce from Moore.  Moore left the management of the company in the hands of Arthur Priceunder whose management it went into a slow decline and was sold in 1986 to Jim Victory Television.  The company and its valuable catalog changed hand several more times and is now owned by the Walt Disney Company.

The end of her marriage to Tinkler was part of a dark time for the woman that the public associated with perkiness and spunk.  She had been diagnosed with Type 1 Diabetes at 33 in 1969 just as she was getting set to launch her eponymous show.  Although she was able to control the illness, the effects worsened over the years and were the cause of serious health issuesin the final decades of her life.  She became an activist for diabetes researchand was the long time chair and public face of the Juvenile Diabetes Research Foundation, now known as the JDRF.

After all of her success, Moore struggled establish a lasting new television program.  Later forays into series programming, including two variety shows and two short lived sitcoms were notable failures. Her movie career fizzled after the box office failure of Change of Habit.  To cope with the disappointments and frustrations she turned increasingly to drink and like her former TV husband Dick Van Dyke, she struggled with alcoholism.  She chronicled that battle in her 1995 memoir After All.

Moore starred with Timothy Hutton in Robert Redford's Ordinary People, a dramatic tour de force.

In 1980 Moore was cast against type as the cold mother who rejects her surviving son after his brother and her favorite died in a sailing accident in Ordinary People.  Robert Redford’s directorial debut was one of the most admired films of the year and earned six Academy Award nominations and won four including Best Picture and Best Director.  Moore was nominated for Best Supporting Actressand won a Golden Globe to add to her crowed trophy case.

She could hardly enjoy the success.  On October 14, 1980, less than a month after the premier of Ordinary Moore’s only child, 24 year old Richard died of a self-inflicted shotgun wound.  Moore always maintained that the death was accidental but it was ruled a suicide.  The loss was devastating to her.

In 1983 Moore found some peace and comfort when she married Dr.Robert Levine who she met while he was treating her mother.  They made their home in New York City and in Connecticut where he remained devoted to her through her increasingly fragile health until she died.

Moore appeared as a guest on various TV programs and starred in several made for TV movies including Stolen Babiesfor which she won another Emmy in 1993.  Notably she reunited with surviving members of Dick Van Dyke Show in a 2004 TV movie.  Her last work was on an episode of Hot in Cleveland in 2012 that reunited her with series regular Betty White as well as Mary Tyler Moore regulars Cloris Leachman, Valerie Harper, and Georgia Engel.  The reunion was partly the result of Harper’s announcement that she had inoperable brain cancer and Moore’s own fragile health.

Mar Tyler Moore at a Broadway Barks event.

Increasingly, Moore spent her energy in philanthropic pursuits.  In addition to her work with the JDRF she raised money for Civil War landmark preservation in honor of her father’s lifelong passion.  She was especially interested in animal welfare.  She worked with Farm Sanctuary to raise awareness about the process involved in factory farming and to promote compassionate treatment of farm animals.  A long-time vegetarian, she promoted a meatless diet.  With close friend Bernadette Peters she founded Broadway Barks an annual pet adopt-a-thon in New York CityThe two also campaigned together to get the city animal control agencies and shelters adopt a no-kill policy.


JFK Brought Live Pizzazz to Live TV Press Conferences

25 January 2021 at 14:01

President John F. Kennedy calling on a reporter in his first live TV press conference,  He won the room and the home audience, at that time mostly stay-at-home wives and mothers.

With Joe Biden’s incoming administration, there has been a lot of attention to his relations with the pressand plans for White House communications. He immediately reinstated routine daily briefings by his Press Secretary Jen Psaki, which his predecessor had abandoned entirely for months at a time before a Fox News-like blonde was brought on to calmly lie. 

The former Cheeto-in-Charge ditched formal press conferences when he found himself challenged and often being bested in sparring matches with reportersfrom the “Fake Newsmedia.  He held joint press appearances with visiting foreign dignitarieswhere he would often take the bait of off-topic questions and babble embarrassingly off-script.  Latter he appeared for a while at daily press briefings on the Coronavirus sharing the podium with his medical experts like Dr. Anthony Fauci, hack political appointees, and Vice President Mike Pence who was put in charge of the Covid-19 Task Force.  That pretty much ended when he suggested ingesting bleach as a treatment.  He went “over the heads” of the media to use Twitterto stir up his followers,  In the end most of his exchanges with the press were sometimes shouting answers to questions yelled at him as he boarded Marine One.

Joe Biden's Press Secretary Jen Psaki began daily press briefings on his first full day in office. 

Biden, by contrast, has been before the microphones and cameras daily as he announces his Cabinet appointments and policy initiatives, usual taking at least some questions.  He promises to conduct a transparent administration and the White House Press Pool has been assured that he will also conduct full-blown press conferences.

Biden is old enough to remember President John F. Kennedy’s adroit useof the televised press conference to speak to the American people.  On January 25, 1961 JFK had the first live TV press conference at the State Department auditorium where there was ample space for the more than 200 reporters then covering the White House.  Kennedy’s good-looks, wit, and charm and a bantering stylewith his questioners made the broadcasts some of the original must-see-TV and helped cement the image of Camelot.

Kennedy’s press conferences were so masterful and well-remembered that many people think he invented them.  Not so.  Presidents have been meeting with White House press corps since at least the Woodrow Wilsonadministration.  Before that chief executives occasionally sat for interviews but most communicated in speeches with the press not allowed to ask questions

From Wilson to Harry Truman’s early presidency, press conferences, as they came to be called, were conducted around the President’s desk in the Oval Office.  Other than still photographs no recordings were made. The sessions were held under the rule “for background only” meaning that the President could not be quoted directly without his permission.  In fact, by tacit agreement if the President inadvertently stuck his foot in his mouth, reporters often help him craft a more tactful response.  According to an article on the White House Historical Society web site:

President Truman, for example, was able to back away from a comment about Senator McCarthy that he made in a March 30, 1950, press conference. Truman said: “I think the greatest asset that the Kremlin has is Senator McCarthy.” When one of the reporters commented that the president's observation would “hit page one tomorrow,” Truman realized he had better soften the statement. He “worked” with reporters and allowed the following as a direct quotation: “The greatest asset that the Kremlin has is the partisan attempt in the Senate to sabotage the bipartisan foreign policy of the United States.”

During this period it may come as a surprisethat not-so-silent Calvin Coolidge conducted by far the most of these sessions—521 or an average of 93 a year.  But he seldom approved direct quotes.  Franklin D. Roosevelt cultivated war relationships with the rapidly growing press corps of the Depression and World War II often calling reporters “Boys” in an affectionate congenial way not as an insulting put-down. And of course they were, with rare exceptions, all male.

Reporters jammed arout President Roosevelt's Desk during an off-the-record press conference.  Note the martini shaker on the President's desk--he often held these at the cocktail hour, good for the morning papers, not so good for afternoon dailies.

During the Truman administration the press sessions outgrew the Oval Office and the President moved them to the Indian Treaty Room in the East Wing of the Old Executive Office Building now known as Eisenhower Executive Office Building.  The ornate and formal roomwith marble floors and vaulted ceiling had previously been used as a library for the War and Navy Departments. Initially the same off-the-record rules applied in the new venue.

Under Dwight Eisenhower the press conferences officially went “on the record.”  The old informality and familiarity was replaced with more structure.  The President had to prepare himself much more carefully for each encounter to avoid embarrassing misstatements or errorsresulting in a dramatic reduction in how often they were conducted. 

Even in the larger quarters of the Indian Treaty Room it was still a squeeze for the press.  Note the hand held film cameras recording the event and microphones placed around the room for questioners.  

Eisenhower held the first press conference to be broadcast on January 19, 1955.  He announced the event as an “experiment.”  It was filmed and segments were aired that evening on the short 15 minute network TV news programs and more extensive clips were sometimes shown on the Sunday morning news programs.  Newsreels, which were still a staple at movie theaters also showed clips.

After his success during his debates with Richard Nixon during the 1960 Presidential campaign Kennedy felt both confident and comfortable on TV.  He moved his first press conference from the over-crowded and noisy Treaty Room to the State Department auditorium and opted for a live broadcast.  He read a prepared statement on a faminein the Congo, the release of two American aviators from Soviet custody, and impending negotiationsfor an atomic test ban treaty. Then he opened the floor for questions from reporters, answering on a variety of topics including relations with Cuba, voting rights, and food aidto impoverished Americans.

His successors all tinkered with the format and location

The program broadcast during the day—and later sometimes in the early evening—was such a success that Kennedy repeated it about every two weeks, a more frequent schedule than any of his successors. Presidents Nixon and Ronald Reagan cut back the number of press conferences to approximately one every two months. They were moved to the more “Presidential” location of the East Room of the White House. And they were often held in the evening to attract a larger audience.  But that annoyed viewers and outraged network executives who lost lucrative prime time advertising revenue.  During the administration of Bill Clinton the networks rebelled and refused to broadcast the evening press conferences unless they were assured spectacular news would be made.  Chief executives turned more and more to prime time addresses from the Oval Office in times of crisis and found multiple other ways to communicate with the press.  The number of formal press conferences declinedadministration by administration.

An angry Trump scolding an irritating reporter in one of his increcingly rare press conferences.  In this photo note the reporter using a cell phone to record--or perhaps even live--stream the session.  

The press also changed.  In addition to traditional print and broadcast media, alternative web-based outlets, including those with heavy political bias on both the left and right became more important and demanded to be added to the official press pool.  Presidents also became more comfortable using those outlets.  The last disgraced occupant began to use them almost exclusively.

It remains to be seen how President Biden will adapt the tradition to his new circumstances. 

A Know Nothing Chicago Mayor Provoked Beer Riots

24 January 2021 at 12:00

                        Dr. Levi Boone, Chicago's Know Nothing Mayor.

Note:  Anti-immigrant demagoguery is nothing new in American politics.  Chicago’s Levi Boone was a spiritual and political Godfather to Donald Trump and his ilk.

Dr. Levi Boone was a mass of contradictions.  A twigof the expansive Boone family tree—he was Daniel’s great-nephew—he overcame early poverty to become a university trained medical doctor and established a practice in Chicago just as the former trading post villagewas establishing itself as a city.  He was admired for his skill, commitment to the community, and as a lay pillar of the Baptist Church.  Yet he was also an avowed racist and a nativist who made keeping the city White, native born, and Protestant the hinge of his political career which included a tumultuous term as Mayor.  You can see how well that project turned out.  When he died on January 24, 1882 it was in a city where the “alien scum he despised already outnumbered the “real Americans.”

Levi Day Boone was the seventh son of Squire Boone, Daniel’s nephew, and was born on the family farm near Lexington, Kentucky on December 8, 1808.  In the tradition of the Boone family Squire marched off to join General Andrew Jackson in his war against the Creeks in 1814.  He was severely injured at the climactic Battle of Horseshoe Bend which crushedthe Red Sticks.  Squire returned home a cripple and never really recovered. He died of the lingering after effects of the wounds in 1818 when Levi was only nine years old.

The family was left in dire poverty, but was still respectable.  That helped young Levi gain admission Transylvania University, the first college west of the Appalachians and the training ground of the upper South’s political and social elite. While Levi was reading medicine there, Henry Clay was professor of law.  He graduated in 1829.  His medical degree made him one of only a handful of college trained doctors in the West.

In the Boone family tradition, Levi looked for opportunities yet further west. By 1831 he established practice in Hillsboro, Illinois, a still rustic pioneer village southwest of Springfield.  When the Black Hawk War broke out he enlisted in the Militia.  He rode with the cavalry under the command of Major Isaiah Stillman and took part in the humiliating defeat known as Stillman’s run.  After his first enlistment expired, Boone re-enlisted in the more appropriate role of surgeon.

Back in Hillsboro, the young Doctor’s prospects immensely improvedby the time honored method of marrying up and well.  He wooed and won Louise M. Smith, daughter of Theophilus W. Smith, a Justice of the Illinois Supreme Court.  The fertile couple would go on to have 11 children.

The conclusion of the Black Hawk War opened up previously closed territoryto the west and north of Chicago and the village began its rapid expansion as aregional transportation hub.  Chances to advance in the world were much greater there than in a rural backwater like Hillsboro.  Boone relocated there and hung up his shingle in 1834.  A year later he was already a prominent citizen and was a founder and first Secretary of the Cook County Medical Board.

He was also an early and leading member of the First Baptist Church which was organized in 1833 just before his arrival and was just the third church in the town.  His tenure there as an Elder was not without controversy.  In 1843 he delivered a lecture at the church on the justification of slavery in The Bible which caused a schism in the congregation.  Outraged, thirty-two members resigned their memberships and founded the rival Tabernacle Baptist Church which resolved in its Charter that “Slavery is a great sin in the sight of God, and while we view it as such, we will not invite into our communion or pulpit those who advocate or justify from civil policy or the Bible, the principle or practice of slavery.”  Boone and pro-slavery Southerners remained in firm control of First Baptist.  In an ironic modern twist, First Baptist is now the Chicago anchor of the liberal American Baptist Convention (Northern Baptists) and has been an overwhelmingly Black church since the late 1960s.

Levi Boone was not the only member of the sprawling Boone clan to settle in Northern Illinois in those years.  Up north in western Lake County, soon to be split off as McHenry County, Levi’s cousins and Daniels grandsons George and John Boone became the first White settlers of McHenry Townshipand established a grist mill on the Fox River.  Within a few years after a nasty spate of land claim lawsuits, the brothers pulled up stakes and moved further west were they helped found Boone County.

The annex of Bridgeport to the City of Chicago suddenly added thousands of mostly Irish Catholic immigrants to the voting rolls setting off a Nativist panic that Levi Boon rode to the Mayor's office.

Meanwhile Chicago received it City Charter in 1837 and the construction of the wagon roads and work on the Illinois and Michigan Canalbegan to attract large numbers of immigrant laborers to the area.  Although most settled south of the new city limits, some had begun to bleed into the municipal boundaries alarming men like Boone.  For them, the situation rose to a crisis when the Canal was finally opened in 1848 causing an explosion in population.  Even more immigrants poured into the region spurred by the Potato famine in Ireland and the failed revolutions in the German states in 1848.

Bridgeport, at the head of the canal fast became a transportation hub and manufacturing centerwhere Germans refugees and more recent Irish immigrants crowded alongside the families of the Irish laborers who had built the canal.  When it was annexed into the City, the native Protestant ascendency was suddenly threatened.

Levi Boone saw the threat clearly and sprang into action.  He hitched his star to the rising American Party, the political face of the semi-secret Know Nothing anti-Catholic and anti-Immigrant movement that was reaching its peak of national influence.  In 1855 he swept to victory as the Mayor of Chicago over incumbent Lawrence Milliken with nearly 53% of the vote.  His coat tails were long enough to carry along with him 7 members of the Board of Aldermen. 

On close examination, Boone’s election might have been the result of the most massive voter fraud in the city’s tainted political history.  Somehow few of the ballots from newly annexed Bridgeport were collected or counted.

Drunken Irishmen and Germans were depicted as stealing elections by Know Nothing/American Party supporters.

Despite the sputtering outrage of his new, but disenfranchised constituents, Boone pressed forward with a broad and aggressive anti-immigrant agenda.  The first order of businesswas banning the non-native born from city employment regardless of citizenship status.  Next up was a complete reorganization of the city’s multiple police forces.  He combined the Day Police and the Night Watch into a single police forcewith 3 eight-hour shifts and requiredthe police to wear uniforms for the first time. 

Although this seems like a harmless, even progressive, step, the ouster of foreign born officers of the two original forces had disastrous consequences.  The Germans, who were on those forces in large numbers, were culturally attuned to order and discipline and made excellent, and by the standards of the time, largely incorruptible servants of the local power structure.  The Irish provided the muscle needed in crime ridden slum neighborhoods.  The American born street toughs recruited by the city turned out to be, form the outset, highly corruptible and undisciplined.  That was overlooked since their main function was not preventing crime or capturing offenders, but the intimidation of immigrants in their communities and at their jobs.  They were an occupying armyout to harass and intimidate a despised minority.  Sounds familiar, doesn’t it. 

Next on the agenda was a so-called Temperance campaign.  Boone himself was not an abstainer.  He indulged in the perfectly American beverage of choicewhiskey.  But as a Baptist he was pledged to temperance, which was understood as a movement to prevent the lower classes from becoming burdens on society from the abuse of alcohol and resulting crime, idleness, and destruction of families.  It had been a current in Protestant Reformism since the late 18th Century but had taken off as a social movement in tandem with the rise of immigrant populations in big cities.  It was the respectable, posing as beneficent, face of Know Nothing bigotry.  In Chicago respectable upper and middle class reformers who would not publicly associate themselves with the cruditiesof Know Nothingism had supported Boone’s slate because of his pledge to rid the city of saloons.

Boone's move to close working class taverns like this on Sundays led to the Logger Beer Riots.

It seems that the main enemy was that alien drink, beer.  Real Americans drank whiskey.  But Germans made their Beer Halls the social centers of theircommunities—and a place where their radicals could stir up trouble.  The Irish congregated in their grubbytaverns and although traditional consumers of poteen and other liquors, had taken to beer as a cheaper way to get falling down drunk. 

A state-wide ban on liquor sales and taverns backed by the Know Nothings and powerful Protestant preachers, based on a recently enacted law in the state of Maine was widely expected to pass.  Boone moved first in anticipation of that. He launched his assault by pushing through new license fees which raised the annual cost from $50 to $300, well beyond the means of many small proprietors, but affordableto the downtown Hotels, middle class resorts, and private clubs frequented by the better Protestant classes.  Not only that, but licenses had to be renewed every three months with all of the attending bureaucratic inconvenience, inspections, and opportunities to deny renewal for petty offences.  Almost immediately hundreds of taverns and beerhalls were unable to obtain or renew their licenses.  Many, probably most, defiantly remained open anyway or moved to thinly disguise their operations as restaurants or grocery stores.

Things really came to a head, however, when Boone ordered his new Police Force to enforce a long ignored ordinance forbidding alcohol sales on the Sabbath.  Sunday was the only day of rest for workers who labored ten, twelve, even fourteen hours the other six days at back-breaking jobs.  In working class neighborhoods men—and often their wives and whole families—adjourned directly from Sunday morning Mass to friendly watering holes for the only social conviviality they were apt to enjoy all week.  The attack on Sunday drinking was, directly, an attack on immigrants and Catholics.  The targets understood that perfectly.

On April 21 several tavern owners were arrested in a police sweep.  Outraged patrons chased the police and their Paddy Wagons—guess how they got that name—downtown to near the Cook County Court House where street fighting erupted.  As word spread across south side working class neighborhoods more headed to the central business district.  Mayor Boone ordered the swing bridges over the Chicago River pivoted to prevent access.  Scores were trapped on the bridges and police opened fire on them with their pocket revolvers.  Some armed rioters returned scattered fire. 

Boone tried to protect the central business district from rioters by opening the swing bridges over the Chicago River like this one at Ashland shown later in the century.

In the end the Lager Beer Riots resulted in tens of thousands of dollars of property damage in the business district, at least one dead rioter and scores more injured, and one police officer shot in an arm that required amputation.  Even many of the cities hard drinking native workers lost sympathy with the Know Nothings.  And the business classes who had supported the anti-saloon campaign were losing their enthusiasm for the project.

State wide the emerging new Republican Party checked the American Party’s ambitions and by means of an alliance with the growing German population largely engineered by a downstate lawyer named Abraham Lincoln, the state-wide alcohol sales ban was easily defeated.   Meanwhile the national American Party was deflatingalmost as fast as it had blown up, divided by the rising issue of slavery. 

In Chicago, Boone realized that he would not be able to disenfranchiseBridgeport and other immigrant neighborhoods a second time.  Armed militias were being organized to guard the polls and ballot boxes and make sure that votes would be delivered safely to the County Court House for counting.

Boone was licked and he knew it.  He didn’t even bother to run for a second one year term.  His aldermen also either withdrew or were dumped by voters. 

Boone’s short-lived political career may have been over, but not his brushes with controversy.  After the election of his old nemesis Lincoln as President and the outbreak of the Civil War the doctor swung his affiliations to the Copperhead Democrats.  His primary allegiance was to the South and the preservation of slavery.  In 1862 he was arrested on suspicion of helping a rebel prisoner of war escape and being part of network of southern sympathizers running a sort of reverse Underground Railroad.  He was held for several weeks without being formally chargedat Camp Douglas on the South Side until his friends secured his release on the grounds of his service to the community as a physician.

The Boone family plot at Rosehill Cemetery.  Levi's headstone far right.

After that, Boone lived out his life quietly, practicing medicine and presumably basking in the affectionof his large family and a few close friends.  The city practically forgot himand little notice was taken when he died at the age 73.  He was buried safely among the Chicago Protestant elite at Rosehill Cemetery.

 

Psst. They Made Nuclear Arms Illegal. Pass the Word

23 January 2021 at 13:55

Although it barely made a ripple in the American press and media something astonishing happened while we were focused on an insurrection, an inauguration, and the Coronavirus pandemic.  The Treaty on the Prohibition of Nuclear Weapons (TPNW), a/k/at the Nuclear Weapon Ban Treaty came into force yesterday, January 22 making the ultimate weapons of mass destruction internationally illegal.  Of course not a single bomb was disarmed and no defiant malefactor states held accountable.  Yet however simply symbolic, the Treaty represents a major breakthrough and offers some dim hope that the famous Doomsday clock might be turned back just a bit.

The Treaty came into effect after Belize, Jamaica, Malta, Nauru, Nigeria, Niue, Sudan, and Zimbabwe either signed or acceded to the agreement in 2020 bringing the total number of supporting states to 86 signatories and 51 parties

This map shows the parties to the Treaty in green and the signatories in yellow as of the agreement becoming international law.

Who didn’t sign?  Every acknowledged or suspected nuclear power—the United States, Russia, United Kingdom, France, China, India, Pakistan, Israel, and North Korea—or states on the verge of developing weapons like Iran.  Most reasonably advanced industrial nations with accessto plutonium or enriched uranium can probably jointhe nuclear club within a few years of intentional development.  Of these with at least rumored aspirations only Brazilhas signed.

Only a handful of small Western European nationsIreland, Austria, Liechtenstein, San Marino, the Vatican, and Malta are in the pact. No members of NATO are. In Eastern Europe Kazakhstan is the lonely member of the anti-nuclear agreement.

So who do we thank for this international breakthrough?  Almost all of Latin America and the Caribbean, much of Africa, Southeast Asia and Oceania.  Many of the signatories were among the smallest nations on Earth in both population and land masspunching way above their weight.

Some may wonder why if the treaty doesn’t include those with the ability to blow up the world and is apparently toothless for enforcementwhy it matters at all.  Its proponents assert that is an “unambiguous political commitment” to achieveand maintain a nuclear-weapon-free world.  Unlike a comprehensive nuclear weapons convention, it is not intended to contain all of the legal and technical measures required to reach the point of elimination. Such provisions will instead be the subject of future negotiations,  

The Ban Treaty will help stigmatize nuclear weapons, and serve as a catalyst for a move to elimination.  Unlike other weapons of mass destruction—chemical and biological—or recklessly indiscriminate to civilian populationsanti-personnel landminesand cluster munitions—nuclear arms are not prohibited in a comprehensiveand universal manner.  The Non-Proliferation Treaty (NPT) of 1968—the oldest and most important curb on such arms, contains only partial prohibitions, and nuclear-weapon-free zone treatiesprohibit nuclear weapons only within certain geographical regions.

Greenham Common Women’s Peace Camp was a series of protest camps established to protest nuclear weapons being placed at the Royal Air Force (RAF) base in Berkshire, England in 1981, a catalyst event for the international anti-nuke movement.  

The origins of the treaty can probably be traced directly back to the Ban the Bomb movement of the 1950’s and the Greenham Common Women’s Peace Camp in Britain in 1981, and 60 years of peace activism as expatriate American singer and activist Peggy Seeger, a long-time resident of the United Kingdom, pointed out yesterday.

That anti-nuclear activism as waxed and waned over the decades and has often been overshadowed by anti-war activism on specific conflicts from Vietnam to Afghanistan, Iraq, and Syria.  But it never went away.

Proposals for a nuclear-weapon-ban treaty first emerged following a review conference of the Non-Proliferation Treaty in 2010, at which the five officially recognized nuclear-armed state parties—the U.S. Russia, Britain, France and China—rejected calls for the start of negotiations on a comprehensive nuclear weapons convention. Disarmament advocates first considered starting this process without the opposed states as a path forward and a less technical treaty concentrated on the ban of nuclear weapons appeared to be a more realistic goal.

Three major intergovernmental conferencesin 2013 and 2014 on the humanitarian impact of nuclear weapons, held in Norway, Mexico, and Austria, strengthened the international resolve to outlaw nuclear weapons. The second such conference, in Mexico in February 2014, concluded that the prohibition of a certain type of weapon typically precedes, and stimulates, its elimination.

In 2014, a group of non-nuclear-armed nations known as the New Agenda Coalition (NAC) presented the idea of a nuclear-weapon-ban treaty to the NPT state parties as a possible “effective measure” to implement Article VI of the NPT, which required all states parties to pursue negotiations in good faith for nuclear disarmament. The NAC argued that a ban treaty would operate alongside and in support of the NPT.

In 2015, the UN General Assemblyestablished a working group with a mandate to address “concrete effective legal measures, legal provisions and norms” for attaining and maintaining a nuclear-weapon-free world. In August 2016, it adopted a report recommending negotiations in 2017 on a “legally binding instrument to prohibit nuclear weapons, leading towards their total elimination”.  The vote on the resolution was 123 in favor, 38 against, and 16 abstaining.  North Korea was the only country possessing nuclear weapons that voted for this resolution, though it did not subsequently take part in negotiations.

Ambassador. Elayne Whyte Gómez, Permanent Representative of Costa Rica to the United Nations Office in Geneva was President of the UN Conference sessions that drafted and adopted the Nuclear ban treaty.

The United Nations Conference to Negotiate a Legally Binding Instrument to Prohibit Nuclear Weapons, Leading Towards their Total Elimination first met in March 2017 at U.N. Headquarters in New York City.  132 nations participated.  At the end, the President of the negotiating conference, Elayne Whyte Gómez, permanent representative of Costa Rica to the UN in Geneva, called the adoption of a treaty by July 7 “an achievable goal”. Representatives from governments, international organizations, and civil society, such as the International Campaign to Abolish Nuclear Weapons, noted the positive atmosphere and strong convergence of ideas among negotiating participants. They agreed that the week-long debates had set the stage well for the negotiations in June and July.

After  Gómez presented a first draft of the treaty in May several European and NATO nations noted that draft Article 1, 2aprohibiting any stationing of nuclear weapons on their own territorywould require them to end contractson nuclear sharing with the U.S.  They therefore refused to participate in on-going negotiations.  The only NATO member participating in the treaty negotiations was the Netherlands which came under enormous diplomatic pressure from America and Germany.

The second conference started on15 June and was scheduled to conclude on July 7, with 127 out of 193 UN members participating.  On June 27 “Join and destroy” language was added for current nuclear powers which was somewhat modified later.  A new provision added acceptance of the peaceful use of nuclear technology.

A final third draft clarified language but also debated a limited escape card. The withdrawal clause provided “in exercising its national sovereignty, [...] decides that extraordinary events related to the subject matter of the Treaty have jeopardized the supreme interests of its country”. The majority perspective was that this conditionwas subjective, and no security interests can justify genocide, nor can mass destruction contribute to security. Since a neutral withdrawal clause not giving reasons was not accepted by the minority, the respective Article 17 was accepted as a compromise. Safeguards against arbitrary use are the withdrawal period of twelve months and the prohibition of withdrawal during an armed conflict.

The much tinkered with final draft was adopted on July 7 was with 122 countries in favor, 1 opposed (Netherlands), and 1 abstention(Singapore). Among the countries voting for the treaty’s adoption were South Africa and Kazakhstan, both of which formerly possessed nuclear weapons and gave them up voluntarily. Iran and Saudi Arabia also voted in favor of the agreement although Iran seemed to be in development of the weapons and the Saudis had financed Pakistan’s Islamic Bomb and was suspected of planning to buy the results for its own use.

Not every nation that voted for adoption ultimately officially signed the treaty or became parties to it.  57 nations signed in 2017.  Others followed in fits and starts over the last three years until the critical mass to make the treaty official international law.

Global Parliamentarians, many of them in Western nations but not in governments, campaigned for the Treaty's adoption.

Will the treaty have any effect on the nuclear powers or potential powers?  Probably not.  The incoming Biden administration is expected to resume negotiations with Iran over the agreement that Trumpabandoned in which they agreed to halt arms development.  It will also probably lean on Israel on their implied threats to use the nukes that they pretend not to have against regional rivals.  They may also attempt to help resolve volatile nuclear tensions between India and Pakistan.  Relations with North Korea are entirely unpredictable.  The administration remains committed to the traditional American position of nuclear deterrence, although it might be amenable to negotiations to stave off an expensive new arms raceand perhaps somewhat reduce the Pentagon nuclear arms budget.  Might being the operative word.

In Russia Vladimir Putin has been belligerent on nuclear weapons believing that they are essential to rebuilding Russian prestige and influence as a world power.  He has promoted the use of tactical nuclear weapons which could be deployed if NATO presses too closely in the old Soviet sphere of influence in Eastern Europe. He even hinted that they might be used in the ongoing low-grade war in Ukraine.  He has also touted the possible developmentand deployment of a new super weapon that would make Western nuclear deterrence and the doctrine of Mutual Assured Destruction (MAD) obsolete sort of like the Doomsday machine in Stanley Kubrick’s How I Learned to Stop Worrying and Love the Bomb.

A British demonstration at a Royal Navy base celebrated the Nuclear Weapons Ban Treaty.

The future of real nuclear elimination lies with the people of the world who might launch a major international uprising if annihilation once again overtly threatens us all.


 

The First American Novel Had Lust, Seduction, Incest, and Suicide

22 January 2021 at 12:09

The Power of Seduction: or, The Triumph of Nature, first edition with a sensational front piece. 


Note—
It has been a tumultuous time here at this modest blog and in the country.  It may now be some relief for us to return to our more customary humdrum business such as looking in the nooks and crannies for interesting tid bits.  If you have been missing that, here it is.

When The Power of Sympathy: or, The Triumph of Nature was issued anonymously in Boston on January 21, 1789 the publisher, Isaiah Thomas & Company, promised that the book was, “Intended to represent the specious causes, and to Expose the fatal CONSEQUENCES, of SEDUCTION; To inspire the Female Mind With a Principle of Self Complacency, and to Promote the Economy of Human Life.”  And sure enough the book was salted with pious admonitions to virtue and all of its sinners met disastrous ends. 

But perhaps the readers snatched up copies for another reason—the plot of what is considered the first American Novel was “ripped from the headlines,” a Roman à clef on a still fresh and juicy scandal involving Perez Morton’s incestuous seduction of his sister-in-lawFanny Apthorp who became pregnant and committed suicide, while Morton escaped legal punishment. And, hey, who wouldn’t want to read about that?

Perez Morton, the real life weathy cad who ruined a woman, drove her to suicide, betrayed his wife, and walked away with no legal consequences.

The author, William Hill Brown happened to be Morton’s neighbor and knew all of the juicy details, but the case was gossip fodder in Boston.  Brown was the son of a famous clock maker—the one who built the big clock for the steepleof the Old South Church.  He was born to the craftsman’s second marriage in 1765and was always sickly.  He was encouraged to take up literature by his older step brother, the artist Mather Brown.  He would go on to have a romantic story, Harriot, or the Domestic Reconciliation published in the first issue of Massachusetts Magazinelater in the year.  He would follow those up with a play based on the capture and execution of Major Andre in the Benedict Arnold West Point spy case, a series of verse fables, Penelope a comedy in West Indies style, essays, and a short second novel about incest and seduction, Ira and Isabella, all published posthumously.   

Later in 1793 Brown went south to study law in a climatemore suited to his health.   He died of tuberculosis inMurfreesboro, North Carolina on September 2, 1793 at the age of 28.  His literary reputation did not long out live him.

Sarah Wentworth (Althorp) Morton, the agrieved wife and sister to the disgraced and doomed mistress.

Of course not putting his name on that novel didn’t help.  Novels, which were coming into vogue in England, were considered trifles for bored housewives and probably dangerous to their morals.  The women of Boston were snatching up copies practically from the docks.  Preachers thundered condemnation of them as salacious, seductive, and sinful.  And of course most were, which was their appeal.

Gentlemen read lofty thingsendless volumes of sermons from the leading divines, bare knuckle partisan newspapers, the classics in Greek and Latin, philosophy in French and German, and, of course, poetry both epic and lyrical.  They could not deign to read such trash.  But if truth be told, late at night safely locked in their studies, I suspect many more than would admit it found themselves aroused and titillated by the popular tales of lust and just retribution. 

It is natural then that throughout most of the 19th Century The Power of Sympathy was popularly supposed to be the work of a woman, as were so many of the English titles reaching America shores.  When Arthur Bayley, editor of The Bostonian, republished it in serial on its centennial, he attributed it to Sarah Wentworth Morton, a poetessand the wife of Perez Morton and sister of Frances Apthorp.

It did not take later scholars, however, too much digging to uncover the true author.

As for the novel as an art form, it took decades to shuck its reputation—and in the loftier precincts of the New England elitenever quite did.  As many remember banning books in Boston—mostly novels—was still a big deal into the 1950’s. 

Slowly in the 19th Century British imports from Austin, Dickens, Thackeray, et al raised the level ofrespectability among the middle classes—but still mostly women.  James Fennimore Cooper in America began popularizing more masculine novels as adventure stories, broadening the appeal.  Serious writers like Nathaniel Hawthorne and Herman Melville began working in the form—Hawthorne bringing a new depth to the traditional tales of the wages of sin and Melville having a hard time making a living peddling adventure yarns with, you should pardon the expression, depth.  Julia Ward Howe became the first American to have a run-away, must-read best seller with her novel Uncle Tom’s Cabin that blended the novel’s traditional shocking themes with a searing abolitionist message.

It was not until the second half of the 19th Century that the novel really took off as a popular and literary art form in America and not until the early 20th Century that it finally blew poetry out of the waterto become the pre-eminent literary form.

The handsome Penguin Classics edition paired The Power of Sympathy with another early American novel and morality tail.  Despite the double dose of scandal and ruination almost nobody read the novel in any of several contemporary editions. 

The book that started it all, The Power of Sympathy, being out of copyright and therefor cheap, can be found today, if you look very hard, in paperback editions, including a Penguin Classic edition.  I never found any one who read it.  And neither have I.  

Barack Obama, Jimmy Carter, He Who Shall Not Be Named and Presidential Mercy

21 January 2021 at 14:08

Recipients of last minute pardons or sentence commutations from the former Resident indluded fascist mastermind Steve Bannon, below, and rappers Lil Wayne and Kodak Black, GOP fundraiser Elliott Broidy and former Detroit Mayor Kwame Kilpatrick.

Note—Four years ago after a sadder Inauguration I posted this contemplation.  It is relevant again because the former Cheeto-in-Charge spent his last day issuing pardons and commutations.  He surprised many when he did not pardon himself, his children and accomplices in numerous crimes, and close cronies like Rudy Giuliani.  He disappointed the followers who stormed the Capitol at his behest, Proud Boys, Q-Anons, and suburban moms alike.  The list did include the reptilian fascist Steve Bannon—at best an on again, off again ally who probably has some very damaging dirt on him.  Also the brother of former Chicago Bears great Brian Urch and an Illinois village president charged with an illegal gambling scheme, politically connected business moguls, real estate barons and disgraced former members of Congress.  He played a see-I’m-not-a-racist card by including rappers  Lil Wayne and Kodak Black and former Detroit Mayor Kwame Kilpatrick.  Most of his list included low level drug offenders serving long sentences, but on the balance those leand heavily to “nice White guys” over Blacks.  Of course Barack Obama pardoned or commented three times that total as he left the Oval office.  That prompted the following post.



Barack Obama spent the last days of his days in office churning out sentence commutations.  Hundreds were given to non-violent drug offenders facing draconian sentences under the exceptionally harsh Federal Sentence Standards, the most vindictive in the world.  But there are so many of those victims of the failed war on drugs that the commutations hardly made a dent in the American gulag.  Also given leniency were some white collar criminals, the kind of offenders that drew the more stingy grace of Obama’s predecessor George W. Bush.  Even a beloved baseball icon, Willie McCovey of the San Francisco Giants who was convicted on Income Tax evasion was one of 64 that drew and outright pardon from the President. 

Most controversially Obama commuted the sentences of whistleblower Chelsea Manning, the former Army Private Bradley Manning, and Puerto Rican nationalist leader Oscar Lopez.  Inexplicably he did not commute the sentence of ailing American Indian Movement leader Leonard Peltier who has been behind bars for 40 years and will now surely die in prison.

Barack Obama was unusually active with clemency orders and pardons in his last days in office.

However disappointing and mystifying that travesty of justice was, Obama gets credit for at least wrestling with the catastrophic effects of the lock-‘em-up-and-throw-away-the-key mania Americans.

No one, except possibly sex offenders, gun nuts, and White nationalist terrorists should expect any such displays of mercy from the incoming occupant of the Oval Office.  On the contrary.  Look for him and his administration to swell the prison population with those who resist his autocratic rule, immigrants, and minorities of every sort.

Forty-four years ago today another incoming president on his first day in office, January 21, 1977 issued a blanket amnesty of most draft evaders, including those who went to Canada or assumed new identities and went underground in the states.

On his first day in office President Jimmy Carter ordered a sweeping amnesty for Vietnam era draft resisters including those who had fled the country or gone underground.

President Jimmy Carter’s controversial act, which brought harsh criticism from veterans’ organizations and near mutinous grumbling from some high level officers in the military, was not unexpected.  It fulfilled a campaign promise.  The idea was to put the bitter national divisionsover the Vietnam War and Nixon years behind us, or in Carter’s own words, “to bind up the nation’s wounds.”

The accidental President, Gerald Ford, had issued a conditional pardon for draft offenders, including those who were abroad, in September of 1974.  That was mainly toprovide cover on the left for his pre-emptive pardon of his predecessor, Richard Nixon for any offenses that he may have committed.”  The Ford conditional pardon is generally better remembered than Carter’s much more substantial action because of that linkage despite requiring those who accepted the pardon to work in alternative service occupations similar to those of conscientious objectors for six to 24 months.  Far fewer men than expected took Ford up on his offer.

Carter’s action was much more sweeping, but a little noticed provisionsaid that amnesty would be given to all offenders who requested one.  Some resistors refused to make a requestbecause to do so was an admissionthat they had committed a crime in the first place.  Many, many more were unaware, because of hazy press coverage, that they had to make a request.  The Justice Department did not even make a cursory effort to inform the eligible by a letter to a “last known address.” 

The wording also was unclear on an important point for men like me—did the amnesty cover those who were already convicted and had served sentences for draft offenses?  I don’t think that last point has yet been fully answered.

None-the-less tens of thousands of draft refusers, evaders, and military deserters acted on the assumption that they were covered and the Justice Department de facto ceased actions against anyone who could have been covered by amnesty.  

More than half a million young men were either charged with draft evasion and resistance, or avoided or refused to serve in the Armed Forces but were never charged during the Vietnam War.

During the war, and continuing after it ended until Draft call-ups stoppedin 1973, 209,517 men were accused of violating draft laws, and another 360,000 were never formally charged.  Around 100,000 went abroad, 90% of them to Canada.  The exact number who went “underground” has never been established, but is thought to be in the tens of thousands.

Upwards of 50,000 of those in Canada chose to stay there rather than return home.  Most were granted Landed Immigrant status and eventually Canadian citizenship.  A highly educated group with significant resources, these people had an impact on Canada.  Many became leading figures in academia, the arts, and in politics.  They are widely creditedwith/accused of moving Canadian politics generally to the left.

Likewise a good, but unknown, number of those who went underground chose to continue to live their lives under the identities that they assumed.  In the 1960’s and early 70’s it was absurdly easy to establish a new identity.  It is thought that as this cohort becomes eligible for Social Security or die many of these assumed identities will unravel.

As for an old Draft con like me, I never got any amnesty papers.  But I have lived my life quite openly, and even drawn some modest attention to myself.  So far so good. 

Four Years Ago Today—Murfin Verse on a Very Different Inaugural

20 January 2021 at 19:40


 

Four years ago with Donald Trump taking an oath he never meant to keep, my mood was very different than the joyful celebration today.  This poem was an introduction to my Poems of Resistance, the bulk of all my verse these last years

January 20, 2017

The locomotives are aligned on a single track,

            throttles lashed wide open,

            the engineers jump as they pick up speed

            belching black smoke and urgency.

 

The time has come, nothing can stop it now.

 

There is nothing to do but stare slack jawed

            or turn your head and cringe.

 

If in your enthusiasm for the spectacle

            and to get your money’s worth

            for the excursion ticket,

            you crowd too eagerly close,

            you are riddled with cast iron shrapnel

            and scalding steam.

 

It’s exactly like that.

 

—Patrick Murfin

Lincoln’s Dangerous Path to Inauguration in a Time of Treason

20 January 2021 at 16:39
Lincoln's First Inaugural on the steps of the Capitol building with its unfinished dome. The big day that so many of us have been breathlessly awaiting, the inauguration of Joe Biden and Kamala Harris, is finally at hand.  But it is hardly what we had hoped for.  More than 25,000 National Guard troops and thousands more from Federal law enforcement agencies, state, and local police are encamped in Washingtonand standing guard around the city after the insurrectionist siege of the Capitol building on January 6.  Bridges and highways into the city are closed, mile upon mile of fencing and barricades have been erected, most of the center of the city is on lock-down, the National Mall is closed and flags fill the spaces where huge crowdsw...

Protesting an Inauguration—What a Difference Four Years Make

19 January 2021 at 13:39

The Women's March on Washington, January 21, 2020.

Four years ago after Donald Trump won an Electoral College victory over Hillary Clinton despite the fact that she won a clear majority of the popular vote outrage spread quickly, especially among women.  Feminists and their allies deplored the ascent of the misogynist, serial sex abuser, chronic liar, business fraud, charlatan, and sociopathic egomaniac.  So they did something about it.

Just a day after the 2016 election Teresa Shook of Hawaii created a Facebook event and invited friends to march on Washington in protest.  Several similar posts were made independently and soon the women and some feminist mendiscovered each other and began cooperating.  None of them were marquee names in the Women’s Movement, the Clinton campaign, or the Democratic Party.  In addition to middle class white women an informal core group of organizers included African Americans and other People of Color, immigrants, Muslims, members of the LGBTQ communities, and other oppressed groups.

The logo of the Women's March on Washington.

Their efforts were a classic example of bottom-up organizing taking advantage of new social media tools to create an organic movement.  And they did it in an astonishingly short time.  As planning went forward on a March scheduled for January 21, the two days after the inauguration organizers did get the endorsement and technical support from major organizationsincluding Planned Parenthood, the Natural Resources Defense Council, AFL–CIO, Amnesty International USA, the Mothers of the Movement, the National Center for Lesbian Rights, the National Organization for Women, MoveOn.org, Human Rights Watch, Code Pink, Black Girls Rock!, the NAACP, the American Indian Movement, Emily’s List, Oxfam, Greenpeace USA, and the League of Women Voters.  All of those organizations would help recruit marchers from their own memberships and be represented on the speaking platform the day of the march.  But so did scores of other less well known and local groups from a broader movement that was beginning to characterize itself as the Resistance.

March organizer made it clear from the beginning that they planned to adhere to “the nonviolent ideology of the Civil Rights movement.”  In addition to keep the momentumfor change going instead of being dissipatedin a one-time cathartic event organizers posted the 10 Actions for the first 100 Days campaign for joint activism.

Despite Trump's claim that his inauguration drew the biggest crowds in history--the first Big Lie of his administration--the Women's March dwarfed his pathetic turnout.

While organizers had originally expected over 200,000 people, the march ended up drawing between 440,000 to 500,000 in Washington D.C.  It dwarfed the feeble turn-outfor Trump’s inauguration by at least three to one and probably more.

The march was famous for the knitted pink pussy cat caps that many of the marchers wore initiated by Krista Suh and Jayna Zweiman.  More than 100,000 people down-loaded the pattern for the cap and dozens of small providers vended them on line.  The design was inspired by the resemblance of the top corners of the hats to cat ears and attempts to reclaim the derogatory term pussy, from Trump’s widely reported 2005 remarksthat women would let him “grab them by the pussy.”

Women flying all the way from Alaska showed off their Pink Pussy hats on the flight.

In addition to the hundreds of thousands pouring into the nation’s capital for the protest, hundreds of officially unrelated sister marchers were organized in cities big and small across the United States, Canada, and the world, including a massive march in Chicago which I joined along with three Metra train carloads from McHenry County.  Between 3,267,134 and 5,246,670 people participated in these marches in this country, approximately 1.0 to 1.6 % of the U.S. population making it by far the largest mass protest in American history. Worldwide participation has been estimated at over seven million.

Marching with women of Tree of Life UU Congregation to the rallying point of the Chicago Women's March on January 21, 2017

Nor did the movement fade away.  Annual marches continued and in 2016 there was a special Fall March to the Polls event to boost registration and voting in the midterm elections.

This year due to the Coronavirus pandemic and the heavy security in Washington after the storming of the Capitol by Trump’s minionsand White supremacist insurrectionaries, organizers discouraged mass events.  Instead a number of virtual events were posted around the country.

Compare a genuine mass movement of the people to the shady plot to overthrow democracy this year.  Don’t let anyone try to tell you, as some right-wing media is trying to do, that the two events had anything in common.

Compassion for Campers Has New Gear for the Unhoused in Crystal Lake

18 January 2021 at 18:00
First Church Crystal Lake will host Compassion for Campers distribution on January 19. With the support of The Faith Leaders of McHenry County, the host church, and Ridgefield-Crystal Lake Presbyterian Church volunteers Compassion for Campers, the program that provides supplies and gear for the McHenry County homeless who have no steady shelter, will hold a cold weather indoor distribution at First Church, 236 West Crystal Lake Avenuein Crystal Lake on Tuesday, January 19 from 3:30 to 5 pm.   “The distribution can be considered an extension of the National Day of Serviceassociated with the Martin Luther King Day holiday on Monday,”   according to Compassion for Campers coordinator Patrick Murfin.   “The unhoused who must spend a...

Old Crank Explains Why the Martin Luther King Holiday Pisses Him Off

18 January 2021 at 08:00


Note:  I have posted this in one form or another on or around the Martin Luther King Day Federal Holiday for 12 years.  Long time readers may be sick of it.  Some of those who were offended in earlier rounds have left the building in a huff—or come to see that maybe it was not so far off the mark after all.  The thing is, year by year, it becomes more relevant.  This year, of course, things are different amid the restrictions of the Coronavirus on most public observances and the looming inauguration of Joe Biden and Kamala Harris on Wednesday in the midst of an on-going racist coup attempt.

Today is the Federal Holiday celebrating the Rev. Dr. Martin Luther King, Jr. He was born on January 15, 1929 and was assasinated on April 4, 1968 in Memphis, Tennessee.  It was a long, hard fought effort to create a federal holiday, following proclamations in several states.  President Ronald Reagan signed the legislation creating the holiday in 1983 and it was first celebrated nationally in 1986.  The senior George Bush moved the date to the third Monday in January

Despite the national observance, several states refused to enact state proclamations. After a national economic boycott threatened the Super Bowl in Arizona, the holiday was officially observed in all 50 states for the first time in 2000.

Depending on your state, schools may or may not be open.  It they are you can count on some kind of touchy-feely programming that will assure children that once, long, long ago things weren’t so nice for Black people, but thanks to Dr. King everything is just fine now.  A tremendous amount of time will be spent emphasizing his non-violence and schools now routinely use the occasion as a center piece in their violence prevention programs.  They will also emphasize tolerance of those who are different—which it turns out may be the red-headed kid or the girl with a lisp

As laudable as these things are, children are not apt to be told that their grandparents may just have been the ones doing the oppression of Black folk.  Nor are they given any real sense of Dr. King as a truly revolutionary figurewillfully defying the power of the state, demanding true systematic change, addressing class inequality, and in time of war leading an opposition to that war.

In cities, towns, and villagesacross much of the country, there will be obligatorycivic observations.  These most often take the form of prayer breakfasts, dutifully attended by local dignitaries of all races.  While some local Black preacher may take the occasion to lay out some harsh truths or even demand attention to continuing injustices, everybody will applaud politely.  Politicians will parade to the podium with bromides.  Someone—preferably the precocious son of a Black preacher—will intone words from the I Have a Dream Speech, and at the end maybe everyone will join handsand sing We Shall Over Come.  I bet you have been to just this kind of event.  Hell, I’ve even helped plan and put them on.


In fact this morning here in the Northwest boonies of the Chicago area I will be attending the FaithBridge Annual MLK Breakfast featuring Dr. Mark A. Hicks of the UUA’s Meadville Lombard Seminary this morning at 8 am virtually.

The day is typically celebrated with nostalgic clips of the March on Washingtonon the news, maybe a documentary or two on Public Television.

Many of the people who hated Dr. King when he was alive or who are their spiritual descendants will blandly join in the celebrations.  And then they will turn his words against him.  When you hear a plump politico with a honeyed accent quote, as they all love to do, the one phrase from the I Have a Dream speech where he spoke about the little children being judged not on the color of their skins but on the strength of their characters, watch out.  That hack is about to use Dr. Kings words to attack that dream.  He will say that now that we have erased statutory discrimination, any lingering program that gives disadvantaged minorities the slightest leg-up is itself discriminatory.  He will claim that Dr. King would want a perfectly color blind society.  Unspoken is his deep conviction that in such a color blind society, white menwill rise like cream and be restored to their rightful place on top of the ladder—as if they had ever really lost it.


Two years ago among the leading hijackers of Dr. King’s legacy was the despicable Vice President Mike Pence.  In an appearance of CBS TV’s Meet the Press he actually quoted King to support trading Donald Trump’s phony Border Wall for temporary relief from deportation of the DACA DreamersFox News and newer, even more vicious alternatives will easily match that outrage today.

Dr. King will also be lauded for his non-violence, which will be translated into passivityLaw breaking—including the kind the Civil Rights Movement routinely used—will be denounced.  No word will be uttered that Dr. King’s non-violence actually expected toprovoke violent opposition and used that response to tweak the conscience of a democratic nation

Three years ago King's daughter Bernice called out reptilian fascist Steve Bannon attempt to hijack her father's legacy.

Since Dr. King’s time, police departmentshave been provided with new arms and tactics.  New crowd control methods and security provisions make the kind of marches, sit-ins, and demonstrations led by King either difficult or kept far away from threatening the safety of those being protested, as was seen repeatedly in attackson the Occupy Movement, Black Lives Matter protests, and at Standing Rock. New restrictions on the press—and when that doesn’t work outright attacks, arrests, and physical intimidation—keeps reporters from fully reporting on acts of civil disobedience so that the public consciousness may be safely left un-tweaked.  Of course as events at the Capitol showed that militaristic capacity was not used against White insurrectionists.

A few of years ago, rising to a new level of audacious gall, a senior Pentagon official, in a program marking Dr. King’s birth at the Department of Defense, actually argued that the Nobel Peace Prize winner would understand and approve of the “work of our soldiers in Iraq and Afghanistan.”

We are told that because Dr. King was a faithful Baptist, he would not today support Gay, lesbian, and transgendered people and that it is a mockery to compare their struggle to the Civil Rights Movement.  The Black church is divided on this—even Dr. King’s children are—but it is hard to imagine his rejection of justice for them.

Likewise some Black leaders will claim, especially in their own communities, that Dr. King fought just for them, that gains he fought for should not be extended to the growing Latino minorities that threaten to displace them as the most oppressed.

All of this is possible because more than 50 years after his death Martin Luther King has been sanitized.  He has been scrubbed clean of the any semblanceof actual humanity, any personal foibles or flaws, and midnight doubts or struggles of the soul.  He has become an empty vessel into which can be poured a safe and bland pudding which can placatepesky Blacks with a pat-on-the-headwhile protecting the status-quo.

Enough!  The real, flesh and blood Dr. King would have none of it

Let’s remember him today for who he was, not who the charlatans want to make him out to be.  And let’s remember that as great as he was, he was one man.  Let’s not denigrate the truly historic sacrifices of thousands and thousands of ordinary people who repeatedly literally put their lives on the line—and continue to do so today.  Let’s celebrate him and them by rededicating ourselves to standing up as they did, by putting our bodies, when necessary, on the line to achieve his true dream of an equitable and just society.

New generations, new faces--same struggle.

And let’s embrace the new generation of committed and imaginative young Black leaders who are making sure America learns that Black Lives Matter and have energized new civil rights/economic justice movements like the Moral Monday Marches and the new Poor People’s Campaign.  If we are White, let us battle our own egos and fragilities, our fantasies of being White rescuers, commit to understand White privilege and systematic racism, and allow us to become true allies respectful of the leadership of the oppressed.


Dr. King Speaks for Himself—A Voice for Fundamental and Radical Change

17 January 2021 at 12:38


 

Note: Friday was the actual birthday of the Rev. Martin Luther King, Jr.  The public Holiday in his honor will be tomorrow, Monday, January 18.  I will have more to say about that then in my annual rant.  Since the attempted coup attack on the Capitol last week was in many respects both a White insurrection against a multi-racial society, one of a long stream of such violent historical spasms and an assertion of the control of society by a wealthy elite, re-examining the real but radical vision of Dr. King is more important than ever.

When the Reverend Martin Luther King, Jr. was being held in jail in Alabama in 1963 he received a letter signed by several well-known White self-proclaimed racial moderates and liberal ministers who decried the unpleasantnessand social disruption of the on-going campaign against racial discrimination in Birmingham.  Since he had unaccustomed time on his hands he took the time to patiently, even lovingly explain the situation in America’s most segregated city and why he and the Black citizens of the city were compelled to launch their campaign of non-violent direct action braving beatings, dogs, firehoses, threats, bombings, and jail to do so.

Rev. Martin Luther King, Jr. in the Birmingham Jail. 

But he also chastised the ministers’ smug assumptions and refusal to either take any risks to correct the underlying cause of the unrest or dirty their handsin labor to correct it.  “Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more bewildering than outright rejection.” He said that the white church needed to take a principled stand or risk being “dismissed as an irrelevant social club.”

That message could not be more pointed or relevant today.  The decedents of those nervous and alarmed clergy can still be found in too many pulpitsand in the pews of good Christians who in today’s moral crisis fret that the simple declaration of the fact that Black Lives Matter is somehow racist; that a broken window, scuffle with police, or the disruption of holy commerce is somehow more terrible than Black bodies in the streets or whole communities living in the terror of a virtual occupation.  Ministers who do speak out, even in many liberal congregations face backlashfrom both pledging members and the wider communities in which they must work.

Despite conservative attempts to literally white wash Dr. King as an innocuous prophet of brotherhood and color blindness to discredit contemporary movements like Black Lives Matter and Moral Mondays, they are a direct continuation of his unfinished work. 

If he had lived the Reverend Martin Luther King, Jr. would have turned 92 years old.  Nothing would have surprised him more than that.

Most folks know and can quote snatches of two or three of his most famous speeches.  The TV will play clips of the I Had a Dream speech given at from the steps of the Lincoln Memorial at 1963’s March on Washington for Jobs and Justice.  Maybe they will also show a tad of his prophetic I Have Been to the Mountain Top speech given to a church audience in Memphis the eve of his assassination.

His more devoted fans treasure other things, perhaps most notably his Letter from the Birmingham Jail.  But that still make liberals uncomfortable.

Dr. King once again offended the tender sensitivities of white liberals, this time in the North, when he led a "disruptive and provocative" 1965 open housing march in Chicago's Marquette Park neighborhood where his head provoked a stone attack by the neighbors.

The quotes most apt to surface are about non-violenceor his blander paeans to brotherhood.  That’s because the largely White establishment media wants to use his birthday and the official holidayas a sop to Blacks on one hand and an only thinly veiled, almost hysterical plea to them “Don’t hurt us!” on the other.

Today, I would like to celebrate with a collection of quotes from Dr. King that illustrate exactly how radical, even revolutionary, he was.  Let him speak for himself.

Freedom is never voluntarily given by the oppressor; it must be demanded by the oppressed.

Change does not roll in on the wheels of inevitability, but comes through continuous struggle. And so we must straighten our backs and work for our freedom. A man can’t ride you unless your back is bent.

Every man must decide whether he will walk in the light of creative altruism or in the darkness of destructive selfishness.

Have we not come to such an impasse in the modern world that we must love our enemies—or else? The chain reaction of evil—hate begetting hate, wars producing more wars—must be broken, or else we shall be plunged into the dark abyss of annihilation.

History will have to record that the greatest tragedy of this period of social transition was not the strident clamor of the bad people, but the appalling silence of the good people.

Human progress is neither automatic nor inevitable... Every step toward the goal of justice requires sacrifice, suffering, and struggle; the tireless exertions and passionate concern of dedicated individuals.

I have decided to stick with love. Hate is too great a burden to bear.

I submit to you that if a man hasn’t discovered something that he will die for, he isn’t fit to live.

It may be true that the law cannot make a man love me, but it can keep him from lynching me, and I think that’s pretty important.

Philanthropy is commendable, but it must not cause the philanthropist to overlook the circumstances of economic injustice which make philanthropy necessary.

Property is intended to serve life, and no matter how much we surround it with rights and respect, it has no personal being. It is part of the earth man walks on. It is not man.

That old law about “an eye for an eye” leaves everybody blind. The time is always right to do the right thing.

The hottest place in Hell is reserved for those who remain neutral in times of great moral conflict.

The past is prophetic in that it asserts loudly that wars are poor chisels for carving out peaceful tomorrows.

We are not makers of history. We are made by history.

When you are right you cannot be too radical; when you are wrong, you cannot be too conservative.

Smedley Butler and the Lessons of Another Coup Attempt

16 January 2021 at 15:03

Retired Marine Corps Major General Smedley Butler, a veteran of multiple wars and two-time Medal of Honor recipient was tapped to lead a Fascist coup against the United States Government and President Franklin Roosevelt  The coup backers picked the wrong man.

In 1934 a shadowy figure approached a highly decorated retired Marine Corps Major General with a startling proposal.  The officer was offered the opportunity to lead a force of thousands of Veterans largely recruited from the ranks of the American Legion on a march on Washington intended to depose President Franklin D. Roosevelt.  As the “Man on the White Horse” the General would be installed as a figurehead dictator taking orders from a cabal of wealthy bankers and industrialists.  The plan was frankly modeled on Benito Mussolini’s Italian Fascists and Adolph Hitler’s use of disgruntled veterans as shock troops for a coup d’etat.  Boy, did they pick the wrong guy!

Smedley Darlington Butler was born July 30, 1881, in West Chester, Pennsylvania. His parents were descended from local Quaker families.  His father Thomas was a lawyer, a judge and was later served for 31 years as a Congressman who became Chairman of the House Naval Affairs Committee during the Harding and Coolidge administrations.

His son attended a local Friends school and then the prestigious prep school Haverford School where he was an outstanding athlete and scholar.  In his senior year and against his father’s wished the boy dropped out in his senior year to enlist in the Marine Corps for the Spanish American War.  The school later awarded him diploma anyway.

Butler lied about his age to receive a direct commission as a Marine second lieutenant.  In the short war he served briefly a Guantánamo Bayafter its capture by American forces and then spent four months as a Fleet Marine on the armored cruiser USS New York.  He mustered out of the service in February 1899 but re-enlisted in April with a promotion to first lieutenant.

                                   Smedley Butler as a Marine Second Lieutenant in 1898.

That was just in time to be sent to Manila for the Philippine Rebellion.  He experienced his first combat when he In October 1899, he saw his first combat action when he led 300 Marines to take the town of Noveleta from Filipino troops of the newly declared  Philippine Republic.  After this victory he showed his devotion to the Corps by getting a very large Eagle, Globe & Anchor tattoo started at his throat and extended to his waist

In 1900 as an officer in a company slated to be posted to Guam he instead was sent to China aboard the USS Solace to help put down the Boxer Rebellion.  He took part in the Battle of Tientsin on July 13, 1900, and in the subsequent Gaselee Expedition, during which he saw the mutilated remains of Japanese soldiers. When he saw another Marine officer fall wounded, he climbed out of a trench to rescue him and was shot in the thigh. Despite his leg wound, Butler assisted the wounded officer to the rear.  Although he was ineligible for the Medal of Honor which was then reserved for enlisted personnel only he was sited for bravery by his commanding officer and received a brevet commission as Captain.

Butler spent much of his subsequent career which saw a steady advancement in rank in the so-called Banana Wars in Central America and the Caribbean.  In 1903 he served in Hondurassupposedly to defend the U.S. Consulatebut in fact to defend the government held by large landowners and allies of American fruit companies against Bonillistarebels, Despite writing home that he was leading an expedition by boat to “to land and shoot everybody and everything that was breaking the peace,” he found that the mere presence of his troops caused the rebels to melt away only to return and take control of the town of Trujillo when he withdrew.

After returning home and marrying Butler was assigned garrison duty in the Philippines in 1908.  He always chaffed at the boredom of such assignments and was stressed by his separation from his family.  Despite a brief adventure of bringing supplies and rations to an isolated outpost in danger of starvation during a typhoon, he suffered a nervous breakdown and he received nine months sick leave, which he spent at home but returned to active duty at the first opportunity.

From 1909 to 1912 Butler served in Nicaragua enforcing U.S. policy. With a 104-degree fever he led his battalion to the relief of a rebel-besieged city, Granada. In December 1909 he commanded the 3d Battalion, 1st Marine Regiment on the Isthmus of Panama. On August 11, 1912, he was temporarily detached to command an expeditionary battalion for the Battle of Masaya on September 19, 1912, and the bombardment, assault and capture of Coyotepe Hill, Nicaragua, in October 1912.

Butler and his family were living in Panama in January 1914 when he was ordered to report as the Marine officer of a battleship squadron massing off the coast of Mexico, near Veracruz, to monitor a revolutionary movement.  He was sent on in mufti on a spy mission to Mexico City under the identity of a Mr. Johnson, a minor official of the Inter-Oceanic Railway.  He searched for weapons caches of Mexican Army, determined the size of units and states of readiness, updated maps and verified the railroad lines for use in a planned US invasion.  The invasion was scrapped by the Tampico Affair when a detachment of sailors ashore to buy gasoline were captured by forces of Gen. Victoriano Huerta

Butler (far right) with other Marines in Veracruz, Mexico, 1914.Lleft to right: Sgt. Maj. John H. Quick, Maj. Gen Wendell Cushing Neville, Lt, Geberak John Archer Lejune,. and a very nonchalant Major Butler. 

When President Woodrow Wilson discovered that an arms shipment was about to arrive in Mexico, he sent a contingent of Marines and sailors to Veracruz to intercept it on April 21, 1914. For his actions on April 22, Butler was awarded his first Medal of Honor

After the occupation of Veracruz, an unusually high number of the Medal were awarded—one member of the Army, nine Marines and 46 naval personnel.  Many felt that large number of awards diminished its prestige.   During World War I Butler attempted to returnhis medal, explaining he had done nothing to deserve it. The medal was returned to him with orders to wear it as well.

In 1915 Haitian President Vilbrun Guillaume Sam was killed by a mob. In response, the USS Connecticut was dispatched to Haiti with Butler in command of the Marines contingent on board. On October 24, 1915, an estimated 400 Cacos—peasant rebels—ambushed Butler's patrol of 44 mounted Marines when they approached Fort Dipitie. Surrounded by Cacos, the Marines maintained their perimeter throughout the night. The next morning they charged the larger enemy force by breaking out in three directions. In early November Butler and a force of 700 Marines and sailors returned to the mountains to clear the area. At their temporary headquarters base at Le Trou they fought off an attack by about 100 Cacos.  After the Americans took several other forts and ramparts during the following days, only Fort Rivière, an old French-built stronghold atop Montagne Noire, was left.

For the operation Butler was given three companies of Marines and some sailors from the USS Connecticut, about 100 men. They encircled the fort and gradually closed in on it. Butler reached the fort from the southern side and found a small openingin the wall. The Marines entered through the opening and engaged the Cacos in hand-to-hand combat. Butler and the Marines took the rebel stronghold on November 17, an action for which he received his second Medal of Honor, as well as the Haitian Medal of Honor.  Once the Medal was approved and presentedin 1917, Butler achieved the distinction of being the only of two Marines to receive the Medal of Honor twice for separate actions.

A Marine officer inspects Butler's Gendarmerie d'Haiti which ran roughshod over the people for more than 14 years in the service of U.S, interests and a compliant dictator, notorious for both brutality and corruption.

He was detailed to establish and command the new collaborationist force, the Gendarmerie d’Haïti, paramilitary police force that continued to shore up the U.S. supported Hattian dictatorship through 1926.

Much to his disappointment Butler was not assigned to a combat command on the Western Front in World War I despite repeated appeals and the endorsement of many if not most of the officers he had served with.  But he already had made enemies of some of his Marine superiors for his outspoken views and supposed “unreliability” i.e. a habit of challenging what he felt were wrong-headed orders.  Instead he was promoted to brigadier general and posted to command Camp Pontanezen at Brest, France, a debarkation depotthat funneled troops of the American Expeditionary Force (AEF) to the battlefields.  He found sanitary and living conditions in the camp were abominable.  Tents were pitched on oozing mud and sanitation was neglected.  He raided the wharf at Brest for duckboards no longer needed for the trenches and “carted the first one himself up that four-mile hillto the camp, and thus provided something in the way of protection for the men to sleep on.” Gen. John J. Pershingauthorized a duckboard shoulder patchfor the units. For his exemplary servicehe was awarded both the Army Distinguished and Navy Service Distinguished Service Medals and the French Order of the Black Star.  He also won the undying affection of the thousands of Doughboys and Lethernecks that passed through the camp.

Following the war, he became commanding generalof the Marine barracks at Quantico, Virginia transforming the wartime training camp into a permanent post and the showcase of the Corps.

In 1924 Butler received a unique new post.  At the request of newly elected Philadelphia Mayor W. Freeland Kendrick for the loan of a general officer to take command of the notoriously corrupt city police department President Calvin Coolidge selected Butler at the urging of his powerful Congressman father.  Coolidge authorized Butler to take the necessary leave from the Corps to serve as Philadelphia’s Director of Public Safety in charge Police and Fire Departments from January 1924 until December 1925.   He began his new job by assembling all 4,000 of the city police into the Metropolitan Opera House in shifts to introduce himself and inform them that things would change while he was in charge. Since he had not been given authority to fire corrupt police officers, he switched entire units from one part of the city to another to undermine local protection racketsand profiteering.  A reformed drinker turned ardent ProhibitionistButler organized raids on more than 900 speakeasies, ordering them padlocked and, in many cases, destroyed. More zealous than he was political, he ordered crackdowns on the social elite’s favorite hangouts, such as the Ritz-Carlton Hotel and the Union League Club, as well as working class watering holes.  In addition to raiding the speakeasies, he also attempted to eliminate other illegal activities including bootlegging, prostitution, and gambling.

Butler as Philadelphia Public Safety Commissioner and Mayor W. Freedland Kendrick.  After a fast start their relationship soured when Butler went after the haunts of the rich and powerful as well as the speakeasies and dives of the city's working class.

He established policies and guidelines of administration and developed a new police uniform that resembled that of the Marine Corps.  Other changes included military-style checkpoints, bandit-chasing squads armed with sawed-off shotgunsand armored police cars. The press praised the significant reduction in crime but also reflected the public’s growing negative opinion of their authoritarian Public Safety Director. Many felt that he was being too aggressivein his tactics and resented the reductions in their civil rights, such as the stopping of citizens at the city checkpoints. Butler also frequently swore in his radio addresses.

The Mayor was preparing to allow Buttler’s appointment lapse at the end of the year and the officer himself was requesting new duty with the Corps.  But when the public became aware of the imminent departure 4,000 supportersassembled at the Academy of Music and negotiated a truce between him and the mayor to keep him in Philadelphia for a while longer, and the President authorized a one-year extension.

Butler devoted much of his second year to executing arrest warrants, cracking downon crooked police and enforcing prohibition. On January 1, 1926, his leave from the Marine Corps ended and the President declineda request for a second extension. Butler received orders to report to San Diego and prepared his family and his belongings for the new assignment. In light of his pending departure, he began to defy the mayor and other key city officials. On the eve of his departure, he wrote an article in the press stating his intention to stayand “finish the job”.  The mayor demanded his immediate resignation. After almost two years in office, Butler resigned under pressure.  He later wrote that “cleaning up Philadelphia was worse than any battle I was ever in.”

Butler arrives to inspect the Marine Barracks at Shanghai, China, 1927.

Butler was posted to a command at the importantSan Diego Marine base in 1927 and moved his family there.  Barely a year later he was sent to an old stomping ground as commander of a Marine Expeditionary Force—the China Marines—in Tientsin, China during the chaotic period of War Lord conflicts in Sun Yat Sen’s unstable republic which threatened American interests and the lives of merchants, missionaries, and diplomats.  In fact Butler avoided direct intervention and conflict when he could and developed relationships with various hostile faction leaders who were eager to avoid a repeat of an international intervention like that of the Boxer Rebellion.  He served with distinction for two years and returned home to be made the youngest major general in the Corps at age 48.

But the death of his Congressman father shortly before hand removed an important protection from senior officers who mistrusted him.  With not much to do at home he became alarmed at the rise of fascism in Italy and bluntly repeated rumors that Benito Mussolini allegedly struck and killed a child with his speeding automobilein a hit-and-run accident. The Italian government protested and President Herbert Hoover, who strongly disliked Butler, forced Secretary of the Navy Charles Francis Adams III to court martial him. Butler became the first general officer to be placed under arrest since the Civil War. He apologized to Secretary Adams and the court-martial was canceled with only a reprimand.

That should have been a signal that his chances of further advancement or an important command were over.  But as senior General in the Corps, with his long combat record, and the endorsement of many of his peers in the officer corps, Butler hoped to be appointed Commandant of the Marine Corps when Maj. Gen. Wendell C. Neville died July 8, 1930.  In the end the position went to Maj. Gen. Bee Fuller, who had more years of commissioned service than Butler and was considered less controversialDisappointed and bitter Butler requested retirement and left active duty on October 1, 1931.

Butler on the stump in the Depression.  He donated speaking fees to feed the homeless in Philadelphia.

Butler took up a busy schedule of public lectures and appearances at conferences often expressing unorthodox opinions and sprinkling his addresses with colorful tales and salty language.  He became critical of the interventionist foreign policy that had so often sent him into combat in weak nations, warned of the rise of Fascism, and joined in the growing call for an early payment of a promised Bonus to World War I vets.  He donated much of his speaking income to hunger relief in Depression wracked Philadelphia.

Butler announced his candidacy for the U.S. Senate in the Republican primary in Pennsylvania in March 1932 as an ally of progressive Republican Governor Gifford Pinchot and a Dry on proponent of Prohibition.  He was a vocal critic of his nemesis Herbert Hoover for his inaction in meeting the rising crisis of the Great Depression.  He defeatedin the April primary election with only 37.5% of the vote to incumbent Sen. James J. Davis’ 60%.   

Butler gave a typically fiery speech to the Bonus Army camp on July 19,1933.

After the Senate campaign Butler and his wife and son visited the Bonus Marchers’ camp just outside Washington on July 19, 1932.  They stayed overnight in the camp and he told them that they were fine soldiers and they had a right to lobby Congress just as much as any corporation.  He warned them of any violence that might endanger wide-spread sympathy but essentially endorsed the March.  Less than a week later on July 28 troops under the command of Army Chief of Staff General Douglas MacArthur and cavalryman Colonel George Patton attacked the marchers on the streets of Washington with tanks, mounted troops, and tear gas.  Then they raided the encampment on the Anacostia flats.  Several veterans and some of their wives and children were killed, and many badly injured.  In response Butler declared himself a “Hoover-for-Ex-President-Republican.”

After the November election Butler set off on another speaking tour with James E. Van Zandt to recruit members for the Veterans of Foreign Wars (VFW). He described their effort as ‘trying to educate the soldiers out of the sucker class.”  In his speeches he denounced the Economy Act of 1933, called on veterans to organize politically to win their benefits, and condemnedthe Roosevelt administration for its ties to big business.  In his speech You Got to Get Mad which was printed in the VFW magazine Foreign Service. He said, “I believe in...taking Wall St. by the throat and shaking it up.”  He believed the rival veterans' group the American Legion was controlled by banking interests. On December 8, 1933, he said: “I have never known one leader of the American Legion who had never sold them out—and I mean it.”

So Butler was an astonishing choice to be asked to front a Fascist Coup most of whose boots-on-the-ground would be recruited from the Legion.  MacArthur, the storied commander of the Rainbow Division in World War I, was better known and perhaps more amenableto the allure of authoritarianism.  It’s not known if he was ever approached, but if so turned down the opportunity but declined to report the attempt.  Or perhaps the capitalist cabal behind the plot thought that the attack on the Bonus Marchers had made him too unpopular among veterans to gain wide-spread support.

The image of a military hero on a white horse who claims power dates back to Medieval times in both Western and Islamic culture but was epitomized by this famous painting of David of Napoleon. 

Perhaps they cynically believed that Butler would seize the opportunity for glory or that his personal grievances at having his career cut short by the government would make him ready for revenge.  They certainly hoped his popularity with many veterans would attract more support to the putsch and cloud the identity of the super-rich backers.  They badly miscalculated.  Not only did Butler turn down the offer, he went to Congress to expose what became known as the Business Plot.

In November 1934 Butler told a special House Committee headed byRepresentatives John W. McCormack of Massachusettsand Samuel Dickstein of New York that Gerald P. MacGuire, a bond salesman with Grayson M–P Murphy & Co told him that a group of businessmen, backed by a private army of 500,000 ex-soldiers and mercenaries, and he had been asked to lead it.  The nation’s most powerful bank J.P Morgan & Co was said to be a major backer.  Those implicated publicly dismissed the allegations as fantasyand that was echoed by much of the press which could either not believesuch a tale or were controlled by interests connected to the plot.

In its report to the House, the committee stated that, while:

“…no evidence was presented... to show a connection... with any fascist activity of any European country... [t]here was no question that these attempts were discussed, were planned, and might have been placed in execution...” and that “your committee was able to verify all the pertinent statements made by General Butler, with the exception of the direct statement about the creation of the organization. This, however, was corroborated in the correspondence of MacGuire with his principal, Robert Sterling Clark...

Subsequently the Committee received further confirmation of Butler’s testimony and in their final report stated:

In the last few weeks of the committee’s official life it received evidence showing that certain persons had made an attempt to establish a fascist organization in this country... There is no question that these attempts were discussed, were planned, and might have been placed in execution when and if the financial backers deemed it expedient.

Even the once skeptical New York Times was finally convinced.  But despite everything no official action or prosecution was ever undertaken, undoubtedly due to the power of the plotters and the targeted Roosevelt administration’s desire to let sleeping dogs lie as it pressed on with the progressive programs of the New Deal.

As for Butler, he wasn’t yet finished.  He was a from 1935 to 1937 a spokesmanfor the American League Against War and Fascism.  In 1935, he wrote his famous exposé War Is a Racket, a condemnation of the profit motive behind warfare. His views on the subject were summarized in the November 1935 issue of the socialist magazine Common Sense:

I spent 33 years and four months in active military service and during that period I spent most of my time as a high class muscle man for Big Business, for Wall Street and the bankers. In short, I was a racketeer; a gangster for capitalism. I helped make Mexico and especially Tampico safe for American oil interests in 1914. I helped make Haiti and Cuba a decent place for the National City Bank boys to collect revenues in. I helped in the raping of half a dozen Central American republics for the benefit of Wall Street. I helped purify Nicaragua for the International Banking House of Brown Brothers in 1902–1912. I brought light to the Dominican Republic for the American sugar interests in 1916. I helped make Honduras right for the American fruit companies in 1903. In China in 1927 I helped see to it that Standard Oil went on its way unmolested. Looking back on it, I might have given Al Capone a few hints. The best he could do was to operate his racket in three districts. I operated on three continents. 

Butler supported Socialist Party Presidential candidate Norman Thomas in the 1936 election and continued to speak out as Fascism and Nazism rose in Europe. 

On June 21, 1940, Butler died at Naval Hospital, Philadelphia of gastro-intestinal cancer at the age of just 58.  Toward the end of his life he harbored the unlikely hope that he might be recalled to active service if and when the USA entered the World War against Fascism.

Obviously the plot that Butler explored did not ever get put into action.  But similar shadowy business interests, especially billionaire Ayn Rand followers—think the Koch Brothers and others—have been quietly funding the rise of the militant ultra-right for years—overtlyletting their Super Pacs back Donald Trump and compliant Republicans in state legislatures, governors’ mansions, and Congress.  But there is mounting suspicion and some evidence that their money has also poured into astro-turf organizations, White supremacist organizations, and perhaps even armed militias.  Recent discoveries that key leaders received payments in Bit Coins shortly before the attack in Washington lends credence to the suspicion.

It is likely that the cabalist tendencies exposed by Butler never really went away.  They helped fan the flames of the Post-World War II Red Scare and the rise of McCarthyism and were behind the paranoid conspiracy theories peddled by the John Birch Society in the ‘50s and ‘60s.

There is certainly no reason to believe that they will melt away just because their first clumsy coup attempt failed.   They will be around, and dangerous for a long time to come.

 

From the Sidelines of a Coup—Murfin Verse

14 January 2021 at 13:12

Chicago Seed cover--imagining ourselves as revolutionaries. 
 

From the Sidelines of a Coup

Time was long ago  that I imagined myself sometimes

            on the barricades of some great General Strike

            turning the world upside down

            gleefully building that new society

            on the ashes of the old.

 

It was easy then to be a romantic revolutionary

            to image portrayal on some heroic poste        

            splashed in red and black.

 

Yet in fact I only marched, chanted

            and dodged the occasional baton

            or teargas cloud, 

            I came and went unarmed,

 

After Fred Hampton was perforated on his bed

            and students bled at Kent Stat

            my peeps on the Chicago Seed

            put a mop-head freak raising

            an AK-47 over his head

            in psychedelic color on the front page.

 

But no one I knew went out to buy one

            or to drill in their Dad’s old GI gear

            in the woods.

 

Time went on and I never abandoned dreams

            of a fairer world

            but put aside any fantasy

            that it could be won by force of arms.

 

Decades later that still holds true

            although I have made many

            compromises and accommodations.

 

Some might say I have gone soft, weak kneed,

            or just plain sold out. 

            Maybe yes, maybe no.

 

Now I watch other revolutionaries,

            White, not Red,

            storm the Capitol and make war

            on Democracy itself.

 

Like those old Catalonian anarchists

            I find myself to my astonishment

            called to defend a Republic.

 

I want to do my part.

 

But age, a treacherous heart,

            a pandemic, winter,

            and an accident of geography

            that has me far from the likely battle grounds

            have left me on the sidelines

            of maybe the greatest struggle

            of my lifetime.

 

All I seem to be able to do

            is spill some electronic in

            that will be seen, at most,

            by a couple of hundred people.

           

And it hardly seems enough.

 

Patrick Murfin

 

An aging radical, more feeble now than even then.


Drawing Lessons from History—Kristallnacht and the Beer Hall Putsch

12 January 2021 at 14:06

Not as ridiculous as they first looked, the insurrectionists who seized the Capitol had a plan and included and included military veterans, police, and well trained members of White Nationalist groups and militias.

The Left has always been far too quick and glib to compare movements, actions, and political figures to Nazis.  Many Jews have been sensitive to this, particularly when the comparisons invoke the Holocaust.  They believe it both trivializes real Nazis and insults the memory of the real victims the Terror.  The frequency with which the charges have been bandied about has reduced them to background noise for many—just more of the same from disgruntled liberalsand leftists.  But it has also muffled the voices of informed Cassandras who have seen and warned about real dangers for quite a while. 

But the storming of the Capitol last Wednesday which has been widely recognized as an insurrection and attempted coup d’etat launched by a sitting President and his supporters against their own government has made the chilling parallels to Adolph Hitler and his Brown Shirt thugs unavoidable.  The parallels have been drawn this week by sober historians, surviving witness to the rise of Nazism in Germany, Holocaust survivors, and both official and non-governmental security analysts.

Arnold Schwarzenegger's remarkable video denouncing the coup attemp as become a viral sensation.

This week former movie muscle man and popular Republican Governor of California Arnold Schwarzenegger spoke out in a dramatic seven minute video post which was widely circulated on media platform and on social media, As many have noted, Schwarzenegger is a man who knows something about Nazis.  He was born in Austria in 1947, the son of a policeman and Nazi Party member who may have been directly complicit in the arrests of Jews, leftists, and dissidents.  He described his father and others of his generation a “broken men” who were overcome by guilt for their “participation in the most evil regime in history.”  You can draw your own conclusion if most former Nazis were guilt ridden or just heartbroken over having lost.

The former governor particularly compared Stormtroopers to the Proud Boys and other White nationalist groups and militias.  He particularly compared the attack on the Capitol to Kristallnacht, the 1938 nationwide attack on Jews, their businesses, places of employment, homes, and synagogues.  The violent rampage of assaults, murders, abductions, arrests, and arson was carried out at the direction of Hitler himself in supposed reprisal for the assassination of a German diplomat by an exiled Polish Jew.  The attacks were conducted by the Sturmabteilung (SA)—the Party’s paramilitaryBrown  Shirts, Hitler Youth, and members of the SS supposedly acting on their own with the cooperationand complicity of the official  Sicherheitspolizei (Security Police) and local police forces.

Ordinary Germans seem amused the the destruction of Jewish buisnesses on Kristallnacht.

Several things make Schwarzenegger’s comparison apt.  It was conducted with a barely concealed wink-and-nod approval of a national leader already in power—Hitler, elected as Chancellor in 1932 had elevated himself to der Führer and the undisputed national leader with limitless personal power.  It was a level of national power that Donald Trump as a defeated incumbent President could only dream of.  But both men set their respective attacks in motion to gain and solidify power.

Kristallnacht was useful to Hitler in many ways.  It brought the persecution of the Jews that he had outlined in Mein Kamp (My Struggle) from a simmering background to undeniable policy.  It strengthened the loyaltyand support of his most radical followers and tested the resolve of less committed Nazis and members of the government opening the way to force them out or commit to the new reality.  The interests of powerful forces in society like the Capitalistand industrialist classes who believed that they could simply rentHitler and use the Nazis as a bulwark against Communism were put on noticethat there was no turning back and that the tool was now the master,  It was a test of whether the widely publicizedatrocities would so offend the sensibility of ordinary Germans and the resolve of foreign powers including the British, French, Soviets, and Americans that they would take decisive action to stop it.  Both failed the test miserably.

Are comparisons of Hitler and Trump fair and accurate?  What can usefully be learned from the comparison.?

But the comparisons are not exact.  Hitler decisively won his gamble largely because he could command large, well organized, and intimidating forces.  Trump’s minions did not have unified leadershipand included many deluded followerswho may not have really understoodwhat they were doing.  Although there was planning and cooperation between the leadersof some factions of the Trump movement and the presence of some trained current or former military and police who clearly understood their mission, Trumps coup attempt was in many ways a laughable failure.  Instead of consolidating power and over-turning a legitimate election, immediately so marginalized that he faces a second impeachment in his last days in office and will leave the White House in disgrace with the very real possibilitythat he will face Federal and state criminal charges.  As a would-be dictator Trump was no Hitler.

Perhaps a more apt comparison would be to Hitler’s first, failed bid for power—the Bavarian Beer Hall Putsch in Munich in 1923.  Like the Capitol rampage it was a comic opera fiasco but had long term serious consequences.

Stormtroopers in a truck,  mostly Great War veterans in their old uniforms with Nazi armbands, during the Beer Hall Putsch.

Hitler’s gambit was the result of the weakness and unpopularity of the post-war Weimar Republic; bitterness over the surrender of German forces in 1918; a growing belief that the country had been “stabbed in the back” by civilian leadership, Socialists and Communists, and Jews; and the economic crisis created by the payment of heavy war reparations to the victorious Allies.  The post-war period had been marked by a failed Communist uprising and continuing street battles between leftists and nationalists with combatants on both sides drawing heavily on Army veterans. 

In the immediate aftermath of the War Hitler, an Austrian citizen still in the German Army, was recruited to spy on the German Workers Party (DAP), a short-lived nationalist party in Bavaria.  But the young veteran was attracted to their message and rose rapidly in their ranks becoming a member of its Executive Committee.  In 1920 he triumphed over other factions of the Party and renamed it the National Socialist German Workers’ Party (NSDAP.)  He assumed formal leadership of the party in 1921 styled as der Führer.  As a charismatic leader and spellbinding orator he quickly became a force in Bavarian politics.

Like most western media Time Magazine could hardly believe that a little corporal who resembled Charlie Chaplain was the real leader of Munich insurrection.  Its post-putsch coverage featured the much more authoritative figure of General Erich von Ludendorff.

In September 1923 the NSDAP, becoming popularly known as Nazis and its para-military Sturmabteilung (SA) joined with the German National Socialist Party in Bavaria, and the militias of the Oberland League and the Bund Reichskriegsflagge.  With over 70,000 enrolled members and 15,000 in the SA the Nazis were the most powerful component of the Kampfbund (Battle-league).  Hitler was the political leader of the new movement but General Erich Ludendorff gave it the nominal leadership of a German nationalist from the old Imperial General Staff. 

Hitler was inspired by the seizure of power of Mustafa Kemal Atatürk in Turkey along with Benito Mussolini’s successful March on Rome.  He devised a plan to seize the Bavarian government in Munich as a base from which to launch a march on Berlin.

On September 23, 1923, following a period of turmoil and political violence, Bavarian Prime Minister Eugen von Knillingdeclared a state of emergency, and Gustav Ritter von Kahr was appointed Staatskomissar (state commissioner), with dictatorial powers to govern the state.

After a series of large rallies Hitler planned a march on the Bürgerbräukeller, a large public beer hall where Kahr was speaking with most of the members of his government in attendance. He did not even disclose the extent of his plans to many of his allies.  They believed that the march in force was simply meant to intimidate the government into turning over power.

Instead with more than 600 SA storm troopers Hitler surrounded the beer  hall, pushed his way in with many of his top followers at his side—Hermann Göring, Alfred Rosenberg, Rudolf Hess, Ernst Hanfstaengl, and others—and leapt to a chair firing a pistol into the air  yelling, “The national revolution has broken out! The hall is surrounded by six hundred men. Nobody is allowed to leave.” He declared the Bavarian government was deposed and the formation of a new government with Ludendorff.

Kahr and other leaders were taken from the main room at gunpoint.  Hitler tried to press them into accepting the coup and cabinet positions he selected for them   They either refused or demurred.

Hitler returned to the Hall to address the captive crowd.  “Outside are Kahr, Lossow and Seisser. They are struggling hard to reach a decision. May I say to them that you will stand behind them? [if they join the putsch]” The crowd in the hall backed Hitler with a roar of approval. He finished triumphantly:

You can see that what motivates us is neither self-conceit nor self-interest, but only a burning desire to join the battle in this grave eleventh hour for our German Fatherland ... One last thing I can tell you. Either the German revolution begins tonight or we will all be dead by dawn!

After Ludendorff finally reached the hall and put his stamp of approval on the action in a speech, the crowd was allowed to leave the building.  Hitler left the building and around 2:30 the next morning Ludendorff released Kahr and the others believing that he had secured their agreement to join the new government.

Shortly after fighting broke out on the streets as the local garrison of the Reichswehr—the Weimar armed forces—and  police clashing with militants trying to retrieve arms from secret caches and mobilize more Stormtroopers.  Chaos reigned as the putschists had no coherent plan.  Early in the morning Hitler ordered the arrest of the Munich city council as hostages.  An attempt to gain the endorsement of figure head Crown Prince Rupprecht of Bavaria failed.

By mid-morning with no clear objective Ludendorff let a march from the hall with about 2000 SA troopers and members of Ernst Röhm’s Bund Reichskriegsflagge.  Eventually they converged on the Bavarian Defense Ministry. At the Odeonsplatzin front of the Feldherrnhalle, they met a force of 130 soldiers blocking the way.  The two groups exchanged fire, killing four state police officers and 16 Nazis.  Hitler received a minor wound but escaped as the marchers dispersed in a panic.  Two days later he and Ludendorff were arrested.

Defendants in the Beer Hall Putsch trial. From left to right: Pernet, Weber, Frick, Kriebel, Ludendorff, Hitler, Bruckner, Röhm, and Wagner. 

In 1924 Hitler and other leaders were placed on trial before a judge who was largely sympathetic to them.  Hitler used his trial to make speeches that were widely reported in the press defending himself and his movement as patriots.  He served only a little over eight months in prison of this sentence before his early release for good behavior.  He also avoided deportation to Austria.  Other leaders got off even lighter.  Ludendorff was acquitted. Both Röhm and Wilhelm Frick, were found guilty but were released.

The Beer Hall Putsch had been a total failure.  But it was just the beginning of a rise to power by the Nazis.  Hitler famously used his time in prison to write Mein Kamp in which he clearly laid out his beliefs and programs, including the eradication of the Jews from Germany.  The book became a best seller and a powerful propaganda tool.  It also, according to Trump’s first wife Ivana was nightstand reading for her husband.  The 16 killed at the Feldherrnhalle were celebrated as first “blood martyrs” of the Nazi Party and used to rally support even through World War II.  In January 1933 less than ten full years since the Beer Hall Putsch Hitler was appointed Chancellor of Germany.

          

The Nazis exploited their 16 "first blood martyrs" for years.  Might Ashli Babbitt, the woman shot to death by Capitol police serve the same function?

The point of this sad recitation is that we cannot be smug in assuming that the failure of seizure of the Capitol represents a defeat of Trump, Trumpism, or neo-Nazi White Nationalism.  Trump will remain a potent symbolic figure even if he personally never regains power.  Others may claim his mantleDon Jr, Ivanka, Jared Kushner or some ambitious loyalist perhaps drawn to the ranks of the Senators and Congressmen who supported overturning the election.  Those may be figureheads for shadowy figures.  Or perhaps a new and much more talented figure will emerge and be even more dangerous.

We must be vigilant for the long haul.  Nothing is close to over yet.


The Real Last Battle of the Indian Wars— Bear Valley

10 January 2021 at 12:45

A white officer inspects his Black 10th Cavalry Buffalo Soldiers in Arizona, 1918.

Most history books will tell you that the last “battle” of the American Indian Wars was at Wounded Knee on December 28, 1890 when troopers of the 7th Cavalry opened fire on capturedrenegadeLakota.  It was more of a massacre than a battle in which more than 150 men, women, and children were killed in the snow and some troopers died in their own cross fire.  It was certainly the bloodiest of late Indian war battles.  But not the last.  The Drexel Mission Fight occurred a day later between fleeing Lakota and elements of the 7th and 9th Cavalry.

Those may have been the biggest engagements, but over nearly the next 30 years there were skirmishes between the Army and small groups of Native Americans across the West.  The final battle was fought on January 9, 1918 at Bear Valley near the Arizona border with Mexico. 

Yaqui troops in Sonora in 1916.  During the Mexican Revolution Yaquis fought with various factions in hopes of re-establishing autonomy on their traditional lands.  Progressive President Francisco Madero promised the tribe a homeland before he was killed.  Waring generals all betrayed them and the tribe fought all who tried to attack them.  

The episode was actually a spillover from a long war within a war by the Yaqui people of Sonora for an independent homeland in Mexico.  That war had essentially been going on for decades and had been enveloped by the larger Mexican Revolution.  Many Yaquis routinely crossed the porous border into the United States to work on the cotton farms of southern Arizona where they were prized workers noted for their diligence and endurance under brutal heat.  The Yaqui would pool the money they earned and buy firearms—mostly Winchester 30.30s or imported German Mausers—and ammunition to take back into Mexico to continue the fight.

Late in 1917 the military governor of Sonora, General Plutarco Elías Calles, informally requested help from the United States government to quash the cross border arms trade.  At the same time local ranchers were complaining that Yaqui bands were trespassing on their lands and sometimes slaughtering stray cattlefor food, or simply for their hidesto make quick, crude sandals for crossing the rugged desert terrain.

Most of the US Army, of course, was in or on its way to France.  But not the Buffalo Soldiers of the 10th Cavalry.  After seeing how British cavalry had been cut to ribbons by machine gun fire early in the Great War, the Army had decided not to deploycavalry in the American Expeditionary Forces (AEF).  Despite the fact that the AEF was commanded by a former Buffalo Soldier Cavalry officer, General John J. “Blackjack” Pershing, the tough and storied American Cavalry was stuck in remote western posts guarding against a vanishing threat of Indian uprising.  It was a bitter pill for both the white officers and Black troopers.

None the less, when The Nogales, Arizona subdistrict commander, Colonel J.C. Friersof the 35th Infantry ordered his men and the 10th to take up a string of positions along the border to try and interdictthe arms smugglers, the cavalrymen dutifully followed orders.  At the far end of the line of bivouacs was a position at Atascosa Canyon, a natural border crossing within Bear Valley.  It was wildand remote country, considered a no-man’s land where local ranchers and their families took precautions when traversing.  Frequent reports of slaughtered cattle in the area indicated relatively heavy usage by the Yaqui.

Captain Fredrick H.L. "Blondy" Ryder was in command at the last skirmish.

Early in January 1918 Captain Frederick H.L. “Blondy” Ryderand 30 men of Troop E took up the Bear Valley position.  They camped by an abandoned rancho on a high ridge.  A rock formation provided a sweeping panorama of the surrounding, flat desert land.  Ryder posted signalmen with high powered binocularson the summit to keep watch.

On January 8 a local cattleman rode into camp and reported that a neighbor had found a fresh beef kill, only parts of its hide stripped for sandals.  The Yaqui were in the immediate area and on the move.  First Lieutenant William Scott and a detail reinforcedthe observation post.  About mid-day on the 9th Scott used hand signals to show that the Indians were in sight and moving less than a quarter of a mile away.  By the time troopers in camp saddled up they had vanished but Scott used hand signals to show the direction of their movements.

When the Troopers thought they were near their objective they dismounted and advanced in a skirmish line through a rugged draw.  Capt. Ryder decided that they had lost contact and decided to return to the horses, returning to them down a different route.  He soon stumbled on a bunch of abandoned packs.  He knew he must be right on top of the Yaqui.  He reformed his skirmish line the troops advanced again.  They soon came under rifle fire. 

Colonel Harold B. Wharfield, a historian of the 10th Cavalry, wrote after interviewing both Army and Yaquis participants in the fight:

…the fighting developed into an old kind of Indian engagement with both sides using all the natural cover of boulders and brush to full advantage. The Yaquis kept falling back, dodging from boulder to boulder and firing rapidly. They offered only a fleeting target, seemingly just a disappearing shadow. The officer saw one of them running for another cover, then stumble and thereby expose himself. A corporal alongside of the captain had a good chance for an open shot. At the report of the Springfield, a flash of fire enveloped the Indian's body for an instant, but he kept on to the rock.

The troops slowly advanced and firing was hot and heavy for about half an hour, although casualties were very light because both sides were fighting under good cover.  Finally the troopers overwhelmed a small rear guard covering the retreat of the rest of the band successfully into Mexico.

Buffalo Soldiers of the 10th Cavalry guard Yaqui prisoners just after the fight at Bear Valley

There were 10 captives.  Ryder later wrote:

… It was a courageous stand by a brave group of Indians; and the Cavalrymen treated them with the respect due to fighting men. Especially astonishing was the discovery that one of the Yaquis was an eleven-year old boy. The youngster had fought bravely alongside his elders, firing a rifle that was almost as long as he was tall. ...Though time has perhaps dimmed some details, the fact that this was my first experience under fire—and it was a hot one even though they were poor marksmen—most of the action was indelibly imprinted on my mind. After the Yaquis were captured we lined them up with their hands above their heads and searched them. One kept his hands around his middle. Fearing that he might have a knife to use on some trooper, I grabbed his hands and yanked them up. His stomach practically fell out. This was the man who had been hit by my corporal's shot. He was wearing two belts of ammunition around his waist and more over each shoulder. The bullet had hit one of the cartridges in his belt, causing it to be exploded, making the flash of fire I saw. Then the bullet entered one side and came out the other, laying his stomach open. He was the chief of the group.

Ryder’s men treated the chief’s wounds as well as they were able.  The Captain sent a messenger to try to obtain an automobileto use as an ambulance to transport the gravely wounded man to a hospital.  When none was found the Chief and others were mounted on spare horses for the return to base at Nogales.  The Chief stoically endured the agonizing 20 mile trip and even the uninjured captives suffered because not being as Ryder said “horse Indians” they could barely stay on and suffered bloody chaffing on bare legs or through thin cotton trousers.

Under questioning the Yaqui told their captors that they had only fired on them because they thought they were Mexican and that they would have surrendered immediately if they had known that their pursuers were American.

The Yaqui captives were held for weeks at Nogales while the Army tried to decide what the hell to do with them.  They adapted well.  In fact with three meals a day of the same rationsas the troopers, warm tents and blankets they were probably more comfortable than any had been for years.  They adapted well to camp life and were soon doing clean up dutyand other chores around the base with little or no supervision.  They were exceptionally clean and orderly and one observer marveled. 

At the corral nearly any droppings were allowed to hit the ground. During the day the Indians would stand around watching the horses. Whenever a tail was lifted, out they rushed with their scoop shovels and caught it before the manure could contaminate the ground. It certainly helped in the decline of the fly population.

The troopers and the Indians reportedly became very friendly and admired each other.  All of the survivors—the Chief had died from his wounds—including the 11 year old volunteeredto enlist in the Army.

But it was not to be so.  Orders came down from Washington and the Yaqui were transported in chains to Tucson for trial in Federal Court where they were charged with “wrongfully, unlawfully, and feloniously exporting to Mexico certain arms and ammunition, to wit: 300 rifle cartridges and about 9 rifles without first procuring an export license issued by the War Trade Board of the United States,” the Yaquis plead guilty and the men were sentenced by Judge William Henry Sawtelle to only thirty days in jail.  Charges against the boy were dismissed.

The Yaquis were happy with the outcome.  They were afraid they would be deported to Mexico where they would surely have been executed.  Upon release, they vanished from history.  Some undoubtedly melted back across the border.  Perhaps they even renewed their cross border activities.  Others may have stayed in the growing community of Yaqui exiles in Southern Arizona.

Captive women and children in Mexico during the long Yaqui wars in Sonora.

If this were a last hurrah for the Cavalry, it was not for the Yaqui.  Their fight in Sonora continued until 1928 when the Mexican Army finally crushed the last holdouts in an offensive that employed heavy artillery, machine guns, armored cars, and aircraft.


Let Us Speak of Cabbages and Kings of Coups and Insurrections

9 January 2021 at 16:34
                                                                                The Siege of the Capitol.   Like many of you the Old Man spent much of that day into the wee small hours of Wednesday morningmesmerized by the slo-mo train wreck of the insurrectionist invasion of the U.S Capitol and the rescue—at least for now—of democracy when Congress was finally able to complete the business of certifying the Electoral College votes of the states.   What follow are my somewhat disjointedand barely coherent thoughts about the bizarre events. Since then I have tried repeatedly to sit down and write about one of the most historically significant events of my long life.   But events kept ...

We Three Kings The Epiphany—Murfin’s Carols for Corona and Winter Holiday Music Festival

6 January 2021 at 12:00

[youtube https://www.youtube.com/watch?v=YnvZ37wTrWA]
                                            We Three Kings performed by Blackmore's night.

The Christmas season officially ends today as the Catholic Church and WesternChristian denominations that borrow its liturgical calendar observe the Feast of the Epiphany. In the United States and some other countries the feast is now celebrated on the First Sunday after New Year’s Day which would have been January 3 this year.  Theologicallyit is a celebration of the revelation to the world of Jesus as the fully human God the Son.  As such it celebrates a facet of the Trinity.  Little wonder that my Unitarian Universalists, who deny the whole Three-in-one God deal, don’t make much of the day.

There are several components of the revelation.  The first is the visit by the Magi to the Child in Bethlehem—the announcement of the Holy presence to the Gentile world.  Second is the baptism of Jesus in the River Jordan by his cousin John, the half-mad preacher.  Third is the marriage party in Canawhere Jesus was said to have performed his first miracles—proof of his divine power.

The story of the Magi from the Bible morphed into three specific Eastern rulers in Western tradition.

Despite the complexity of the multiple stories, in the West the Feast of the Epiphany is largely all about those Magi.  In a fact in most Latin American countries it is most commonly known as the Feast of the Three Kings, which sort of diverts attention from the alleged star.  On the Eve the Magi are finally added to Nativity scenesand on January 6, children wake up to gifts from the Kings.  It was the main gift giving occasion of the Christmas season, or at least was until ubiquitous Santa Claus began invading traditional cultures.

In Jolly Olde England the 5th was Twelfth Night of Shakespearean fame. It was a traditional time for mummingand the wassail. The Yule Log was left burning until the 6th.   It was also a day for playing practical jokes, similar to April Fool’s Day Thus all of the foolery in the Bard’s play which was written to be performed on its namesake.  All of this gayety and mirth, was, of course, squelched by those pesky Puritans and few vestigesof these traditions are still celebrated.

Now about those alleged Kings…First, it they existed at all they were surely not rulers of any sort.  What we know of them comes from the Gospel of Mathew as described in the King James Version:

 

2 Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem,

 

2 Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him.

 

3 When Herod the king had heard these things, he was troubled, and all Jerusalem with him.

 

4 And when he had gathered all the chief priests and scribes of the people together, he demanded of them where Christ should be born.

 

5 And they said unto him, In Bethlehem of Judaea: for thus it is written by the prophet,

 

6 And thou Bethlehem, in the land of Juda, art not the least among the princes of Juda: for out of thee shall come a Governor, that shall rule my people Israel.

 

7 Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared.

 

8 And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also.

 

9 When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was.

 

10 When they saw the star, they rejoiced with exceeding great joy.

 

11 And when they were come into the house, they saw the young child with Mary his mother, and fell down, and worshipped him: and when they had opened their treasures, they presented unto him gifts; gold, and frankincense and myrrh.

 

12 And being warned of God in a dream that they should not return to Herod, they departed into their own country another way.

 

Note that they are not identified in any way as kings.  They are said to be from the east so it is likely that they were meant to represent Persian priests or Asian astrologers.  Nor is any number set.  The early church sometimes used figures up to twelve.  Eventually the number was settled at three and totally un-Biblical tales sprang up around them.  They even grew names and origin storiesMelchior, a Persian; Caspar, an Indian; and Balthazar from Arabia—perhaps from Yemen which then had Jewish kings. 

                    The Adoration of the Magi by Carlo Dolci.

There is no reason to believe that their visit fit neatly into the later liturgical calendar twelve days after a mid-winter birth.  In fact the kind of Biblical scholars who try to find historical accuracy in the Biblethink that the visit may have been up to two years after the birth and that the Holy family may have been in residence in Bethlehem for that long.  They infer this from the fact that Herod ordered the massacre of all male children under two years of age, not just infants.

Then there is the issue of the Star.  Of course if you are a literalist, you believe that an actual star either hovered over the City of David, or actually moved, leading the Magi on their journey.  But those seeking natural explanations for the phenomena have proposed various possibilities, most commonly a comet or the appearance of a near-solar systemsuper nova.  The problem with either of these suggestions is that the very careful records kept by Chinese astrologers make no note of either phenomenon in a five year window around the time of Jesus’s presumed birth.  And they surely would have noted it.

One explanation that has gained some traction is that the Star was actually a triple conjunction of Jupiter and Saturn in the constellation Pisces which is known to have occurred in 7 BCE, a little late for the story but close enough for some.  But contemporary Babylonian records show little interest in the event and does not suggest that the planets converged closely enough in the sky to create a super bright object.

Then perhaps it was a UFO.  That will probably be a History Channel two hour special next year.

Or the Star and the Magi are all pious fiction and poetry meant to inform the understanding of the birth of the Messiah to the Gentile world.  No mention of the Magi can be found in the simple nativity story found in Luke.  Presumably the sudden presence of well-dressed strangers in the stable would have been noted by those shepherds.  And why did they have to follow a Star when God apparently had no shortage of herald angels to tell the travelers just where to go.

But I don’t want to nit-pick a treasured story.  After all, much fiction can be truth in a broader sense, or at least symbolic of a truth.

Back to the Feast of the Epiphany.  The Copts and Eastern Orthodox also celebrate the feast but on different dates dependent on their calendars.  They also celebrate the incarnation of God in Man, but build their observances not so much on the Kings.  They concentrate on the Baptism as the great announcement.

An icon of the Baptism of Jesus by his cousin John shows the focus of the Orthodox Feast of the Epiphany.

It was also much more celebrated in the Medieval Western church as evidenced by many pre-Renaissance paintings of the Baptism and concerning Jesus’s relations with his cousin John.

But those virtually disappeared signaling a change of Christology in the Catholic Church.  Emphasis on John and other earthy relatives of Jesus such as his siblings like James of Jerusalem seemed uncomfortably close to viewing Jesus as a wholly mortal man, not a partner in a godhead.

Anyway, there you have it—The Feast of the Epiphany.  Celebrate or not as you choose.  But tomorrow it won’t be Christmas any more.

                                  We Three Kings author and composer the Rev. John Henry Hopkins, Jr.

The song most associated with the Epiphany is, of Course, We Three Kings of Orient Are.  It   was written in 1857 by John Henry Hopkins Jr., Rector of Christ Episcopal Church in Williamsport, Pennsylvania. He wrote the carol for a Christmas pageant in New York City at his alma mater, the General Theological SeminaryHe published the carol in 1863 in his book Carols, Hymns, and Songs. It was the first American Christmas carol to achieve international popularity, as well as the first to be featured in Christmas Carols Old and New, the prestigious and influential collection published in Britain in 1916 and was printed in the hymnal of the Episcopal Church

Founding and core members of Blackmore's Night Rithie Blackmore and Candice Night.

It has been recorded countless times.  Among the loveliest of versions is by Blackmore’s Night the British/American traditional folk rock bandformed in 1997 by multi-instrumentalist Ritchie Blackmore and vocalist and woodwinds player Candice Night with a rotating ensemble of from 3 to 12 five additional musicians on Medieval and modern instruments and singing harmonies.  This trackwas featured on their 2006 album Winter Carols.


Merry Christmas Darling The Carpenters—Murfin’s Carols for Corona and Winter Holiday Music Festival

5 January 2021 at 13:51
                                                       Merry Christmas Darling by The Carpenters. Just enough time for one last secular Christmas song.    We turn today to the sub-genre of Christmas romance songs.   These days they are ubiquitous and probably make up the bulk of new pop and country songs bidding to become lucrative radio perennials.   A slew of new songs by artists like Kelly Clarkson, Carrie Underwood, Dolly Parton, the Jonas Brothers, and others cracked this year’s Billboard Holiday Radio chartwith seasonal love songs.   And, of course, Mariah Carey’s megahit All I Want for Christmas is You , which inspired a stamped of amorous Yuletide tunes was #1yet again. But it wasn’t al...

Sleigh Ride The Boston Pops—Murfin’s Carols for Corona and Winter Holiday Music Festival

4 January 2021 at 11:26

[youtube https://www.youtube.com/watch?v=R9jKyI6N9rg]
                                           Sleigh Ride performed by Arthure Fiedler and the Boston Pops.

While most pop Christmas music may not still be appropriate, winter music that ends up on holiday play lists certainly is.  By far the most popular orchestral piecein that category is Sleigh Ride, a popular light orchestra standard composed by Leroy Anderson who had the original idea for the piece during a heat wave in July 1946 and finished the work in February 1948.  It was first recorded by in 1949 by Arthur Fiedler and the Boston Pops Orchestra and became the highlight of its annual Christmas concerts.

Leroy Anderson had a productive relationship with Arthur Fiedler, conductor of the Boston Pops.

Anderson was born in 1908 in Cambridge, Massachusetts to immigrant Swedish parents.  In the late 1930’s he developed a relationship with Fiedler and there after provided the Pops with a steady stream of original compositions. John Williams described him as “one of the great American masters of light orchestral music.”  Among Anderson other signature pieces were Jazz Pizzicato/ Jazz Legato, Blue Tango, The Syncopated Clock, and Plink, Plank, Plunk! Which was used as the theme for the CBS panel showI’ve Got a Secret.  Starting in 1950 Anderson led his own studio orchestrafor recordings while the Pops and other light orchestras premiered live performances.

Images of sleigh rides like the 19th Century Currier & Ives engraving, and his own New England childhood memories inspired Leroy Anderson to write Sleigh Ride.

In 1950 lyricist Mitchell Parish wrote words which were first recorded by the Andrews Sisters.  Since then many artists have covered the vocal version.  Johnny Mathis sang the most popular on his 1958 Christmas album.  Parish’s original lyrics referred to a sleigh race to a “birthday party” but some performers including The Carpenters and Air Supply have altered that line to “Christmas party.”  The Ronettes with producer’s Phil Specter’s wall of sound arrangement made a version on their 1963 album which has gone on to regular seasonal air play as well.

                        Sheet music for the vocal version of Sleigh Ride with lyrics by Mitchell Parish.

Parish went on to write lyrics for several of Anderson’s other orchestral creations.

The American Society of Composers, Authors and Publishers (ASCAP) consistently ranks it as one of the top 10 most-performed seasonal songs written by ASCAP members and named Sleigh Ride the most popularpiece of Christmas music in the U.S. in 2009–2012 including orchestral and vocal recordings, based on performance data from over 2,500 radio stations.

Anderson himself with his own Pops Concert Orchestra recorded Sleigh Ride on Decca Records in 1950 which became reached Cashbox magazine’s bestsellers chart when re-released in 1952.  Anderson’s version remains the most popular instrumental version based on holiday radio air play.

The 1959 album featuring Sleigh Ride.

But today we are featuring the conductor and orchestra who introduced and first recorded Sleigh Ride—Arthur Fiedler and the Boston Pops.  Together they made three recording of the piece in 1949, 1959 and 1970.  Fiedler’s successors John Williams and Keith Lockhart have also made multiple recordings with the Pops.  No matter the conductor the piece is a signature highlight of the Pop’s annual Christmas concert which broadcast every year on PBS stations.  It is as much a tradition with the Pops as their annual Fourth of July concert’s 1812 Overture timed to sync with Boston’s fireworks.

Compassion for Campers Has New Gear for a New Year in Woodstock

3 January 2021 at 18:00
Compassion for Campers volunteers and Warp Corp personnel at a November distribution With the support of the Faith Leaders of McHenry County, Warp Corps, and Ridgefield-Crystal Lake Presbyterian Church volunteers Compassion for Campers, the program that provides suppliesand gear for the McHenry County homeless who have no steady shelter, will hold a special New Year’s week distribution at be at Warp Corps, 114 North Benton Street in Woodstockon Tuesday January 5 from 3:30 to 5 pm.  Clients are asked to use the back entrance on Jackson Street. “The mild, relatively dry December has given way to frigid overnight temperatures, wet heavy snow, and worse ice,”  according to Compassion for Campers facilitator Patrick Murfin.  “The u...

The Wexford Carol—Murfin’s Carols for Corona and Winter Holiday Music Festival

3 January 2021 at 12:09

[youtube https://www.youtube.com/watch?v=yxDZjg_Igoc]
                                                        The Wexford Carol by Yo Yo Ma with vocal by Alison Krauss.

Today is the last Sunday of the liturgical Christmas Season and so an apt time to dip into a really ancient Christian carol which covers the whole arc of the Nativity story from the arrival of Mary and Joseph in Bethlehem through the visit of the Magi.  The Wexford Carol is a traditional Irish carol from Enniscorthy in County Wexford.

The Wexford Carol, sometimes known by the name of the town of Enniscorthy or by its first line “Good people all this Christmas time.”  It is sometimes ascribed to the be from the early Middle Ages, but musicologists and folklorists now believe that it likely was composed in the 15th or 16th Century based on its musical and lyrical style.

The Gaelic at the bottom is two titles for Wexford Carol in the Irish language.

The oldest recorded lyrics were in Gaelic. William Grattan Flood, the organist and musical director at St. Aidan's Cathedral in Enniscorthy, transcribedthe carol from a local singer and it was published in The Oxford Book of Carols in 1928.  From that it was included in many of the carol books printed around the world as well as some denominational hymnals.

Yet it remained a rather obscure song seldom performed, perhaps because it was originally circulated with the admonition that only male voice could perform it.  It began to have new found popularity when female singers including Julie Andrews in 1966 and Loreena McKennitt in 1987 defied tradition and recorded solo versions.  Notable choral versions include those by the English boy choir Libera in 2013 and the Mormon Tabernacle Choir three years later.

This album help rekindle interest in The Wexford Carol in Irish music circles.

The Wexford Carol has lately become more popular in Irish and Celtic music circles. The Celtic Womenincluded it on their 2006 Christmas album and it was title track on the 2014 collection of traditional Irish Carols by the Irish early-music singer Caitríona O’Leary, with Tom Jones,   Rosanne Cash, and Rhiannon Giddens. Irish folksinger Cara Dillon featured the song on her 2016 album Upon a Winter’s Night.

Yo Yo Ma's collaboration with Alison Krauss was featured on his Christmas album.

Today’s rendition is a collaboration by country and roots music star Alison Krauss and cellist  Yo Yo Ma recorded for Ma’s 2008 holiday album, Songs of Joy and Peace.  Krauss forgoes her fiddle to sing ethereally.  The arrangement includes traditional Irish instruments including bag pipe, bodhrán drum, and finger chimes.

Winter Wonderland Doris Day—Murfin’s Carols for Corona and Winter Holiday Music Festival

2 January 2021 at 10:46

[youtube https://www.youtube.com/watch?v=SHE0Jo82_34]
                                            Winter Wonderland sung by Doris Day.

Post New Year’s Day is a good time to share one of those holiday playlist songs that really have nothing to do with Christmas or any other seasonal fest.  Among the most common of these are the winter or snow songs—think Frosty the Snowman for kids, the seduction or date rape song (take your pick) Baby its Cold Outside, Snow from the movie White Christmas, My Favorite Things from the Sound of Music, and of course Jingle Bells.  But the most popular of the more modern of those songs is Winter Wonderland.

Winter Wonderland was written by composer Felix Bernard and the consumptive lyricist Richard B. Smith.

The song was written in 1934 by Felix Bernard and lyricist Richard B. Smith. Since its original RCA recording by Richard Himber and his Hotel Ritz-Carlton Orchestra, it has been covered by over 200 different artists, including Bing Crosby, Dean Martin, Johnny Mathis, Frank Sinatra, Amy Grant, Michael Buble, The Eurythmics, and Radiohead.

Smith’s lyrics were reportedly inspired by memories of his hometown Honesdale, Pennsylvania park freshly buried in snow but were written while he was being treated for tuberculosis in the West Mountain Sanitarium in Scranton.















Children played in Central Park in Honesdale, Pa., across the street from Richard Smith’s childhood home, which inspired him to write Winter Wonderland.

Among the most notable covers were by Johnny Mercer which reached #4 on the Billboard radio play chart in 1946 and by Perry Como the same year which was in the top ten songs in retail sales.

                        The song was featured in Billie Burke's unsuccessful attempt to revive her late husband Flo Ziegeld's Follies. 

Sinatra’s version is notable for changing the lyrics.  Despite the earlier success of the song, Sinatra was warned that powerful protestant clergy were prepared to demand that radio stationsban the song because of the line “In the meadow we will build a snowman/We’ll pretend that he is Parson Brown/He’ll say ‘are you married?’ We’ll say no man/But you can do the job when you’re in town.”  The preachers were alarmed that the words implied hanky-panky by the unmarried coupleOld Blue Eyes changed the word to the nonsensical “In the meadow we can build a snowman /And pretend that he’s a circus clown/We’ll have lots of fun with Mr. Snowman/Until the other kiddies knock him down.”

Some other later covers of the song used Sinatra’s version while other stood by the original words.  Some even used both versions.

Doris Day in the early 1950s.

Today we will share a version by former big band singer turned movie star Doris Day.  The video clips accompanying her singing are from two popular nostalgia fests she made opposite Gordon McCrea, On Moonlight Bay  in 1951 and By The Light Of The Silvery Moon  in 1953. 

Russian New Year’s Song—Murfin’s Carols for Corona and Winter Holiday Music Festival

1 January 2021 at 14:19

[youtube https://www.youtube.com/watch?v=xP0bLit3IRI]
                A Russian New Year's song from 1950's Soviet era film Carnival Nights sung by Lyudmila Gurchenko. 

As we noted yesterday, no one celebratesNew Year’s more intently than the the Scotts except perhaps the Russians and residents of several other former states of the USSR but for quite different reasons.  Christmas, celebrated by the Russian Orthodox church on January 7 by the Western Gregorian calendar and all other religious observations were banned by the Communist government following the Russian Revolution.  Eventually under Josef Stalin all “non-patrioticholidays or those glorifying Lenin and revolutionary events were also scrubbed, including a well-established New Year’s tradition.  In 1935 after the failure of the most recent Five Year Plan, regional crop failuresand famines, and the spreading influence of the world-wide Depression New Year’s was grudgingly acknowledge by Soviet to give Soviet citizens a glimmer of brightness as the bitter Russian winter closed in.

Tsar Peter the Great moved Russian New Year from September 1 to January 1 to conform his Empire with the European Julian Calendar. 

Russia had a long New Year’s tradition.  From 1492 until a December 1699 decree of Tsar Peter I mandated the adoption of the Christian Era in 1700 September 1 was the start of each new year.  Like many agricultural peoples the Russians considered the celebration of the harvest as an auspicious beginning.  According to the decree of Western and modernizing Peter the Great, the Russians had to decorate their houses with a fir tree, as it was done by the Germans between New Year’s on January 1 and Christmas on the Julian Calendar. But Slavs correlated the fir tree with funeral rites which is why there was long resistance to the new customs, especially among the deeply culturally conservative class of serfs—the vast majority of the population.  The peasantry held many different customs according to regions, but were generally allowed a holiday from their service to their feudal lords during the holiday period.

The Russian nobility and aristocracy celebrated the New Year with great balls like this one at the Winter Palace in St. Petersburg. 

As for the nobility, aristocracy, and a small but growing class of wealthy merchants, they celebrated with glittering balls—think of pre-Napoleonic invasion scenes from War and Peace.  All of that, of course, came to a screeching halt with the Bolshevik Revolution and subsequent Civil War.  In 1918 the Supreme Soviet officially abandonedthe Julian Calendar of the Tsars and Orthodox church synchronizing New Years with European calendars.

After the grim years of World War II—the Great Patriotic War to the Soviets, it became a holiday in 1947.  At first there was no paid day off, but that soon fell in line with other holidays.  In the post-Soviet era the Russian Federationfollowed by most non-Muslim former Soviet republics declared Novy God—New Year’s Eve and Day—a major public holiday in 1999.  Under Vladimir Putin Russia has reconciled with the Orthodox Church and relied on it as a pillar of his Russian nationalism and vision of a restored Russian Empire or Soviet Union.  He has recognized Orthodox Christmas, still celebrated on the Julian Calendar date, and the whole week between New Year’s Day and the Feast of the Nativity is taken by many as an extended winter holiday.

Ded Moroz--Grandfather Frost--and his granddaughter Snegurochka deliver children's toys in a Troika.

Given an inch Soviet citizens ran with the opportunity and took a mile.  Plucked from some folk tales and children’s books the Santa Claus-like figure of Ded Moroz—Grandfather Frost—was  soon bring toys to children on New Year’s morning or distributing them a houses of culture, theaters, or other public buildings with the aid of his granddaughter Snegurochka—the Snow Maiden.  Some of Ded Moroz’s costume and characteristics borrow not only from Western Saint Nicholas, but from pagan Siberian shaman figuresassociated with the Winter Solstice.

                                    A fancifully elaborate costume for a traditional Siberian Winter Solstice shaman.

Ded Moroz wears a heel-length fur coat, a fur hat, and valenki—warm felt boots—and has a long white beard. He walks with a long magic stick and often rides a troika sleigh.  Snegurochka wears long silver-blue robes and a furry cap or a snowflake-like crown.

New Year’s Eve the beginning of the celebration is marked by the Kremlin Clock striking midnight preceded by the New Year Address by the President of Russia—Putin—and followed by the playing of the Russian National Anthem.  Fireworks displays over Red Square and in most large cities attract large crowds. Of course this year most public gatherings are discouraged or banned due to the Coronavirus pandemic.

Novy God fireworks over Red Square and the Kremlin.  After the Kremlin clock strikes midnight.

On New Year’s Day evening a popular TV spectacular, Novogodni OgonekNew Year’s Party or New Year’s Light) includes performances from favorite pop singers and dance troupes with famous personalities and celebrities as presenters and is widely viewed in most of the countries of the former USSR.

Today we are featuring a New Year’s song from a hugely popular Russian musical comedy film—yes there really are such things—Karnavalnaya noch (Carnival Nights) made in 1955 in the post-Stalinist era and the Khrushchev Thaw.  It was the Soviet box office leader of 1956 with a total of 48.64 million tickets sold and remains a highly popular New Year’s Eve classic perennial broadcast publicly that night much like It’s a Wonderful Life or Christmas Story are annually shown on American TV.

A poster for the 1956 Soviet era New Year's film Carnival Nights.

The plot revolves around a Novy God program being planned by members of a House of Culture lots of dancing and singing, jazz bandperformance, and even magic tricks. The director of the House of Culture is suddenly replaced by a plodding Stalinist party functionary who tries to scrap the gay plans and replace them with a serious and grim evening of uplifting lectures, political discussions, and some classical music performed by an orchestra of limited talent made up Red Army pensioners.  The planners and performers of the original event scheme to sabotage the new director’s plans and keep him from the stage so that the original show can go on.  Small wonder that the story resonated with many Russians.

Lyudmila Gurchenko in Carnival Nights.

The nominal star of the film was comedian Igor Ilyinsky the hapless party functionary.  But 21-year-old Lyudmila Gurchenko in her first film role shined as the program’s lovely singer and a main organizer of the plot.  In this clip she sings a New Year’s song the title of which I cannot find in English.  Enjoy anyway.

Auld Lang Syne—Murfin’s Carols for Corona and Winter Holiday Music Festival

31 December 2020 at 18:00
                                                                      Auld Lang Syne by Siusan O'Rourke & Zig Zeitler. Note— The night cap for the New Year’s Eve two-fer. Although there have occasionally been other songs that made feeble attempts to displace it, New Year’s Eve belongs firmly to Auld Lang Syne and it promises to remain supreme in defiance of any and all changes in musical tastes and styles. Most of us know that the song comes from a poem by the revered Ploughman Poet and Scottish national icon Robert Burns .   But you may not know the whole story.                                      The Scottish Ploughman Poet Robert Burns. After his first blush of fa...

What Are You Doing New Year’s Eve? —Murfin’s Carols for Corona and Winter Holiday Music Festival

31 December 2020 at 08:00

[youtube https://www.youtube.com/watch?v=s-f1HcY4gAs]
                                                    What Are You Doing New Year's Eve? sung by Margaret Whiting.

Note—We will have another two-fer on New Year’s Eve.

Back in the day everyone who was not a misanthropeor a shut-in went out on New Year’s Eve.  The toffswore their white ties and tails and elegant evening gowns and furs to don paper hats and dance the night way to orchestras in sprawling Art Deco ballrooms.  At least that is what all of the old movies taught the rest of the Depression and war weary populous.  But those average Joes and Jills also went out and celebrated with their own funny hats and noise makers in urban ballrooms, lodge halls, piano bars, and neighborhood saloons.  And it was not just attractive young people.  Period photographs reveal that revelers include many middle age and older couples.

Drunk driving enforcement and cozy stay-at-home TV extravaganzas have been eating away at New Year’s Eve revelry for years.  And of course this year the Coronavirus precautions will leave the crystal ball to drop in an empty Times Square and in most places clubs and nightspots are shuttered or open to extremely limited capacity.  Dancing and smooching at midnight which cannot conform to social distancing or mask-wearingwill be discouraged in all but the kamikaze you-can’t-tell-me-what-to-do-libtard states.

New Year's Eve--the romantic dream.

But way back when for those who were not married or already romantically involved the question what are you doing New Year’s Eve was of vital importance.  Nobody wanted to be alone on New Year’s and everyone wanted someone to kiss at the stroke of midnight.  That is what songwriter Frank Loesser had in mind in 1947 when he made the question into a song—What are You Doing New Year’s Eve.  Although it was performed on radio shows that often featured the popular composer’s work, it didn’t become a hit until 1949 when the early doo-wopgroup The Orioles hit #9 on Billboard’sRhythm & Blues chart.

Ordinary folks of all ages celebrated in more modest venues like lodge halls and even church basements in Sears party dresses and off-the-rack suites.

Despite that success, the song did not become an instant standard or holiday favorite.  In fact it languished seldom recorded until Nancy Wilson hit #17 on Billboard’s Christmas Singles chart in 1965.  Two years later the same recording returned to the Holiday Chart.  Wilson’s silky and sexy, take helped make the song a something of a jazz standard sung by the likes of Ella Fitzgerald and Nat King Cole.

But the song still didn’t register as a pop standard until the new century and streaming video from YouTube made it go viral.  In 2011 an utterly charming impromptu duet with Zooey Deschanel and actor Joseph Gordon-Levitt made a splash ultimately attracting more than 20 million hits.   And in 2017 Scott Bradlee’s Post Modern Juke Box covered the song featuring vocalists Rayvon Owen and Olivia Kuper Harris and has registered more than a million views.   

But the song still didn’t register as a pop standard until the new century and streaming video from YouTube made it go viral.  In 2011 an utterly charming impromptu duet with Zooey Deschanel and actor Joseph Gordon-Levitt made a splash ultimately attracting more than 20 million hits.   And in 2017 Scott Bradlee’s Post Modern Juke Box covered the song featuring vocalists Rayvon Owen and Olivia Kuper Harris and has registered more than a million views.   

Margaret Whiting in the early 1950s.

But today we are featuring the earliest recording of Loesser.s song by thrush Margaret Whiting in 1947.  She was the protégé of singer/lyricist/record label executive Johnny Mercer who signed her to his Capital Records label in 1942 when she was just 13 years old.  Mercer helped her get established as a nightclub singer despite her youth and as a regular on radio.  He featured her as a vocalist on orchestras under contract with Capitol and eventually putting out her solo recordings.  At one point Whiting was a regular on no less than five radio programs at the same tune,  Two years after she recorded What Are You Doing New Year’s Eve she had a mega-hit duet Mercer on Baby It’s Cold Outside, a winter song that became a holiday standard.  

Bring a Torch, Jeannette, Isabella—Murfin’s Carols for Corona and Winter Holiday Music Festival

30 December 2020 at 08:00

[youtube https://www.youtube.com/watch?v=DYoAhVW4B4g]
                                Bring a Torch, Jeannette, Isabella by the Robert Shaw Chamber Singers.

The French have a very deep tradition of Christmas carols.  In fact the word carol comes from French country dances that celebrated events throughout the year, but especially during Christmas.  Words were put to these lively dances creating songs very different from the announcement and nativity hymns sung for masses.  Coming from the peasantry the songs often celebrated the lowly witnesses or participants in the birth story—the carpenter and his humble teenage wife, the animals in the stable, the shepherds, children, and peasants.  Thus these carols were subtly subversive, claiming the Christ child as one of their own.  Exactly such a song is the very old carol Un flambeau, Jeannette, Isabelle—Bring a Torch, Jeannette, Isabella.

The song originated in Provence in southern France which includes not only famous vineyard country, but mountains rising to the Alps.  It was first published in 1553.  The melody now sung is attributed to Baroque composer Marc-Antoine Charpentier a century later but he probably adapted an older folk tune à boire Qu’ils sont doux, bouteille jolie from the now lost Le médecin malgré lui.

It was first translated in English in the mid-18th Century.

                        An illustration for Bring a Torch, Jeannette, Isabella.

The song tells the story of two peasant girls who come upon the nativity and rush back to their village to tell the people and then leading them to the scene with torchesin the night.  At the stable all are awed and struck with silence so as not to disturb the baby’s sleep.

It is still a custom in Provence for children dressed as shepherds and milkmaids to carry torches and candles while singing the carol leading a procession on the way to Midnight Mass on Christmas Eve.

Today we feature a simple, lovely version by the Robert Shaw Chamber Singersfrom the album, Songs of Angels, Christmas Hymns & Carols.  Shaw was one of the best known conductors of the mid-20th Century leading symphony orchestras in Cincinnati, Ohio and Atlanta, Georgia but he is best known as a great innovator and popularizer of choral musicin many recordings by his Robert Shaw Chorale. The Chamber Singers were a smaller ensemble and their holiday recording was issued on the Telarc label in the late 1970s.  While he was in Cincinnati and Atlanta he also served as music director at local Unitarian Universalist churches and some of his armature church singers joined recordings by the Choral and Chamber Singers. 

Conductor Robert Shaw at the peak of his career.  Not only did he lead important symphony orchestras but popularized choral music.

Shaw was showered with honors in his lifetime including 14 Grammy Awards, the George Peabody Medal for service to American music, the U.S. National Medal for the Arts, the French Officier des Arts et des Lettres, and British Gramophone Award.  In 1981 he received the most prestigious American recognition in the Arts being selected for the Kennedy Center Honors.  He diedin 1999, in New Haven, Connecticut following a stroke, aged 82.

Deck the Halls Nat King Cole—Murfin’s Carols for Corona and Winter Holiday Music Festival

29 December 2020 at 11:53

[youtube https://www.youtube.com/watch?v=WgEVI8DEkF8]
                                            

Quiz—What popular British Christmas favorite is actually a Welsh New Year’s carol in disguise?  Hint—it is one of the festive street caroling songs and also celebrates a pagan-ish Yule without any mention of Christmas or the Christ Child.  AnswerDeck the Halls!

Blind Welsh Harpist John Parry first noted the melody for Nos Galan in a 1741 manuscript.

The melody for the song comes from a Welsh winter or New Year’s carol probably dating to the 17th Century or earlier and first found in manuscript by Welsh harpist John Parry as Nos Galan (New Year’s Eve), in 1741 and published in Musical and Poetical Relicks of the Welsh Bards by Edward Jones in 1784.

The English words to Nos Galan began as follows:


Oh! how soft my fair one’s bosom,

fal lal lal lal lal lal lal lal la.

Oh! how sweet the grove in blossom,

fal lal lal lal lal lal lal lal la.

Oh! how blessed are the blisses,

[instrumental flourish]

Words of love, and mutual kisses,

fal lal lal lal lal lal lal lal la.

That titillating lyric was representative of the revelry associated with New Year’s.  Additional Welsh lyrics added later and translated literally without attempt to rhyme included reference to drinking:

The best pleasure on new year’s eve,

fal lal lal lal lal lal lal lal la.

Is house and fire and a pleasant family,

fal lal lal lal lal lal lal lal la.

A pure heart and brown ale,

fal lal lal lal lal lal lal lal la.

A gentle song and the voice of the harp

fal lal lal lal lal lal lal lal la.

                            Scottish poet and musician Thomas Oliphant first penned the English language Deck the Hall.

The English lyrics were written by the Scottish musician Thomas Oliphant and first appeared in 1862, in Volume 2 of Welsh Melodies, a set of four volumes by John Thomas, and named Deck the Hall.  Note the singular form which referred to the common custom in Celtic societies like Wales, Scotland, and Brittany in France of decorating homes for New Year’s visiting and parties. 

Thomas’s collection included Welsh words by John Jones (Talhaiarn) which were once regarded as the source for Oliphant.  It was actually the other way around—Jones translated Oliphant’s version into Welsh. 

Oliphant’s song continued reference to drinking in the first verse and mentioned Christmas.  FYI—troul in the first verse means a round or lively folk song.

Deck the hall with boughs of holly,

Fa, la, la, la, la, la, la, la, la!

'Tis the season to be jolly,

Fa, la, la, la, la, la, la, la, la!

Fill the meadcup, drain the barrel,

Fa, la, la, la, la, la, la, la!

Troul the ancient Christmas carol,

Fa, la, la, la, la, la, la, la!

 

See the flowing bowl before us,

Fa, la, la, la, la, la, la, la, la!

Strike the harp and join the chorus.

Fa, la, la, la, la, la, la, la, la!

Follow me in merry measure,

Fa, la, la, la, la, la, la, la!

While I sing of beauty's treasure,

Fa, la, la, la, la, la, la, la, la!

 

Fast away the old year passes,

Fa, la, la, la, la, la, la, la, la!

Hail the new, ye lads and lasses!

Fa, la, la, la, la, la, la, la, la!

Laughing, quaffing all together,

Fa, la, la, la, la, la, la, la!

Heedless of the wind and weather,

Fa, la, la, la, la, la, la, la, la!

An Americanversion of the lyrics published in the Pennsylvania School Journal in 1877 removed references to drinking replacing “Fill the meadcup…” with “Don we now our gay apparel”, “See the flowing bowl…” with “See the blazing Yule before Us”, and “Laughing, quaffing all together” with “Sing we joyous all together.”  It also replaced “ancient Christmas carol” with “ancient Yuletide carol.”  These are the lyrics usually sung in the United States.

The title was not pluralized to Deck the Halls until 1892.


The song was perfect for street caroling, parlor sing-alongs, and in public school holiday programs which could be skittish about religiouscarols.  It is also popular with neo pagans who sometimes seem to believe that the 19th Century English words are much more ancient and perhaps even pre-Christian.

Deck the Halls has been recorded many times.  Nat King Cole had a charted hit with his version and it launched the jazz/syntho-pop/New Age instrumentalists Mannheim Steamroller as an annual Holiday Season touring phenomenon in 1984.

Nat King Cole on a 1970s TV holiday special.

Today’s version is from Nat King Cole’s 1960 Capitol Records LP The Magic of Christmas which was later re-mastered for stereoand issued as The Christmas Song three years later.  It was the best-selling Christmas album of the 1960s, and was certifiedby the RIAA for shipments of 6 million copies in the U.S.  The 1963 version reached #1 on Billboard’s Christmas Albums chart and remained for two weeks.  The song was included in several compilation records, was featured on Cole’s holiday TV specials and remains a perennial Christmas radio favorite.

Harambee Rita Marley for Kwanzaa—Murfin’s Carols for Corona and Winter Holiday Music Festival

28 December 2020 at 11:03

[youtube https://www.youtube.com/watch?v=GlQgC5IyPHw]
                                            Harambee by Rita Marley.

Today is the third day of Kwanzaa which was created in 1966 during the blossoming of a period of Black Nationalism by Maulana Karenga, a Black studies scholarand a leading Los Angeles militant who was born  Ron Everett  in Parsonsburg, Maryland on July 14,1941

Beginning on December 26 and running through January 1, candles are lit representing African values.  Each of the values is given a Swahili name.  Today is day three— Ujima (Collective Work and Responsibility)Kujichagulia “To build and maintain our community together and make our brothers’ and sisters’ problems our problems, and to solve them together.” 

Kwanzaa was meant to be a family centered celebration of African culture and values but father figures in private and men in public celebrations dominated the lessons.  Black women are  now more assertive in claiming a central place in the rituals.

Karenga was a graduate student in 1965 and already a veteran of several civil rights organizations when he became influenced by Malcom X in developing African-American unity, cultural pride, and a separatist militancy.  He was involved in many activities and organizations and was regarded as a rising intellectual leader.

Kwanzaa was designed in instill those values in a community he feared was still too dominated by “alienwhite ideology and religion.  It was to “give Blacks an alternativeto the existing holiday and give Blacks an opportunity to celebrate themselves and their history, rather than simply imitate the practice of the dominant society.” The name is derived from the Swahili for first fruit celebration, matunda ya kwanza.

Karenga used Swahili as the ritual language of its operations because it is a pan-Africanlanguage, the most widely spoken of Sub-Saharan African tongues.  But it is an East African language as are the customs on which the celebration was based.  The vast majority of African-Americans trace their lineage to the trans-Atlantic slave trade and West Africa, very culturally and linguistically distinct from the east.  Critics in the Black community charged that he could have taken inspiration from instead from the West African empiresand kingdoms.  But Karenga was a student of Swahili and the east, and not of the slave trade or origins of his own people.

The celebration, centered around lighting candles in the home over seven days, obviously is borrowed from Jewish Chanukah traditions, but Karenga has barely acknowledged that obvious parallel.

Karenga at first frankly hoped that his new celebration would supplant Christmas and New Year’s, both in his opinion instruments of White oppression.  But the deep connection of the Black community to the Church and to its celebrations stood in the way of the spread of his new observance.  Also, his allies in nationalism among Muslims, both followers of Malcom X’s traditional Islam and the Nation of Islamthe Black Muslims—also objected to Karenga’s non-theism and hostility to religion.

After 1970 Karenga changed his tune and now emphasizes that it is a secular observationthat does not conflict with or contradict religious celebrations.  “Kwanzaa was not created to give people an alternative to their own religion or religious holiday,” he wrote in 1994.

With that adaptation, Kwanzaa began to spread rapidly.  It was easy for families to adopt for private observation.  Most of those families also have a Christmas tree in the corner.  Public observations came to include many at major Black Churches.

Kwanza candles and associated symbols and books.

Candles are lit every night for the seven values.  Materials are available for study and reflection.  Songs and poems have been written.  The values are:

·       Umoja (Unity): To strive for and to maintain unity in the family, community, nation, and race.

·    Kujichagulia (Self-Determination): To define ourselves, name ourselves, create for ourselves, and speak for ourselves.

·     Ujima (Collective Work and Responsibility): To build and maintain our community together and make our brothers’ and sisters’ problems our problems, and to solve them together.

·       Ujamaa (Cooperative Economics): To build and maintain our own stores, shops, and other businesses and to profit from them together.

·       Nia (Purpose): To make our collective vocation the building and developing of our community in order to restore our people to their traditional greatness.

·    Kuumba (Creativity): To do always as much as we can, in the way we can, in order to leave our community more beautiful and beneficial than we inherited it.

·      Imani (Faith): To believe with all our hearts in our people, our parents, our teachers, our leaders, and the righteousness and victory of our struggle.

The final night concludes with a feast and gift giving. 

The spread of the observance was aided, ironically, in no small part to the attention given it in the mainstream, white dominated media, especially local television news coverage in major urban centers.  The attention always made the celebration seem much more pervasive than it ever was.

Maulana Karenga ,founder and leader of US/Organization,  a rival to the Black Panthers for leadership of the Black Nationalist movement.

Karenga himself became a controversial and polarizing figure among Black militants and nationalists.  The group that he founded in 1965 and led—US / Organization became a bitter rival to the Black Panther Party for leadership and influence in the West Coast African-American community.  That rivalry escalated into several episodes of violence including shootings, bombings, attacks on rival meetingsand at least four murders.

In 1971 Karenga was convicted of kidnapping and sexually torturing Deborah Jones and Gail Davis.  Karenga’s estranged wife, Brenda Lorraine Karenga, testified that she had participated in the abuse.  Karenga claimed that the women were plotting against him and were part of the FBI COINTELPRO harassment that sought to stoke divisions in the Black community.  He denied claims of abuse.

He was sentenced to ten years in prisonand held at the California Men’s Colonyuntil he was released with the support of high profile Black state politicians and office holders.  While he was in prison his organization fell apart and the reputation of Kwanzaa was damaged.  Karenga seldom speaks about the conviction, except to note that he was once a political prisoner.  The episode is left out of his autobiography and on the Kwanzaa web page.

Kwanzaa founder Dr. Maulana Karenga in a recent photo.

Upon being released, Karenga devoted himself to an organization promoting Kwanzaa.  He finished one PhD. at United States International University(now Alliant International University) and a second at UCLA.  He is now the Chair of the Africana Studies Department at California State University, Long Beach, the Director of the Kawaida Institute for Pan African Studies, and the author of several books.

Despite its ups and downs, Kwanzaa remains meaningful and is an inspiration for many in the Black Community.  Several songshave been written for Kwanzaa, many of them for children to teach them the Seven Values represented by the candles. 

Like Hanukkah, the Jewish tradition Kwanzaa was obviously modeled on, the daily rituals were designed to be performed at home and were thus less disrupted this year by Coronavirus restrictions than many celebrations.  Public events held in houses of worship, schools, and cultural centers like this one in Chicago, are being Zoomed or live streamed.

Today, however, we are sharing a song by Rita Marley, the widow and musical heir of Bob Marleythe reggae superstar, Jamaican nationalist, and Rastafari saint.  Cuban-born Alpharita Constantia Anderson was a back-up singer for Marley after two original members of the Wailers left the band under the name I Three.  After Marley’s death she launched her own career and worked tirelessly to preserve his memory.   Four of her children including Ziggy Marley have had significant musical careers of their own.

   Rita Marley

Rita’s 1984 song Harambee (working together for Freedom) has long been associated with Kwanzaa,                                              

What Child is This?—Murfin’s Carols for Corona and Winter Holiday Music Festival

27 December 2020 at 14:01

[youtube https://www.youtube.com/watch?v=N1cfCEzniEg]
                                                    What Child is This?  sung by Josh Groban.

The first Sunday after Christmas Day is a good day to present adoration carols, which naturally follow the hymns of announcement and nativity.  Although there is some overlap with the other two types, these songs are generally about those drawn to the manger  by the Herald Angels, Star, or simple word of mouthbeginning with the animals sharing the stable, those shepherds who abided in their fields, towns people (Bring a Torch Jeannette, Isabella,) children (Little Drummer Boy,) and ultimately the Magi.

Adoration of the Shepherds paintings like this were inspired by the living Nativities of Saint Francis of Assisi who emphasized the attendence of the humble shepherds at the Birth.  

What Child is This? was inspired by Renaissance paintings of the Adoration of the Shepherds and the lyrics ultimately paired  with the Medieval English ballad Greensleevesthe melody of which is sometimes attributed to King Henry VIII.

                                                Henry VIII may have been the composer of Greensleeves or not.

The lyrics were written by William Chatterton Dix, the manager of an insurance company after he was afflicted by an unexpected and severe illness that left him  bedridden and suffering from severe depression  in 1865.  It was published as a poem under the title The Manger Throne. 

What Child Is This? was published six years later in 1871, when it featured in Christmas Carols Old and New, the prestigious and influential collection of carols edited by Henry Ramsden Bramley and John Stainer.  It is not known with certainty who paired  three stanzasfrom the poem with the music from Greensleeves, The Christmas Encyclopedia by William D. Crump and Stories of the Great Christmas Carols both suggest that Stainer, who was also responsible for harmonizing the musical setting may have done so.

Sickly businessman William Chatterton Dix pen the words that were used for What Child is This? and other hymns.  

Despite its very English origins the song is much more popularin the United States than in the land that gave it birth, perhaps because Brits are much more aware of Greensleeves original words, a romp suggesting a summer seduction.

Josh Groban began as an actor and began to train as a singer only after being cast in a Broadway musical.  An early career break was being paired with blind Italian tenor Andrea Bocelli in a duet.

Many versions have been recorded by choirs and solo artists including Johnny Mathis, Andrea Bocelli, Marina McBride, Carrie Underwood, and Chris Tomlin.  Today we feature a recording by semi-classical singer, Broadway star, pop phenomenon, and heart throb Josh Groban.

Good King Wenceslas for Boxing, St. Stephen’s, and Wren Day—Murfin’s Carols for Corona and Winter Holiday Music Festival

26 December 2020 at 13:44

[youtube https://www.youtube.com/watch?v=XVoN1ZxjQMY]
A new setting of Good King Wenceslas by Canadian choral composer David Rain sung by Mathew Curtis.

Today is the second day of the 12 Days of Christmas, a day with multiple personalities as we will see.  We will celebrate with a brand new setting of an English carol about a Bohemian princeling/saint.

The Brits and the residentsof other former pink blotches on Queen Victoria’s globe like many Americans would usually spend today, Boxing Day, storming the malls and shopson what is usually the busiest retail sales day of the year, but, alas are subject this year to the strictest of Coronaviris lock-downs.  Disgruntled gift recipients used to hit the refund and exchange desks others spent the gift cards and even old fashion cash.   But unlike most Yanks they did it on an official National Holiday as a paid day off.  Officially December 26 is just another Bank Holiday.  But Boxing Day is a treasured tradition with long and deep roots.

On Boxing Day an early Victorian middle class family gives the postman a small gift.  The urchin sweeping the snow will also get something for his efforts.

The celebration in the British Isles owes its origins to the aristocracy, gentry, and wealthy townsmen and their households.  The master would give presents to his servants and staff, who would also have the day off work.  Sometimes the master’s family would even serve meals to their inferiors!  Needless to say, this custom was very popular among the servants, and sometimes observed resentfully by those unaccustomed to either manual labor or generosity.

It is also a remnant of an ancient tradition that may—or may not—go back to the Roman celebrations of Saturnalia and Sol Invictus, when there was a carnival-like turn around with slaves lording over masters for a day.  The tradition continued into the Middle Ageson into Elizabethan times, where it took on the wild excesses of street revelry.

That revelry doomed the whole seasonwhen Oliver Cromwell and his Puritans took over.  Eventually, Boxing Day restored a controlled dollop of the old festival.  The Church of England gave a religious cover to the day as St. Stephen’s Day. 

Stephen was the Deacon of Jerusalem the earliest days of Christianity known for his charities to the poor.  He was also the first Christian martyr, stoned to death for allegedly preaching the Trinity in the Temple.

Good King Wenceslas was celebrated on this English  biscuit tin.

The familiar carol Good King Wenceslas is a St. Stephen’s Day song meant for street begging.  In Ireland, the day is still officially called St. Stephen’s Day.

It is also known there as Wren’s Day there.  Boys in homemade hats and costumes carry a caged wren—or sometime a dead one pierced by a holly sprig—proclaiming it the king of the birds and begging for treats.  Once a fading country custom, in the cities men now re-enact it—often as a pub crawl.

Irish Wren's Day beggars 1903.

In the Bank Holidays Act of 1871, Parliament recognized Boxing Day as a Bank Holidayan officially recognized public holiday.  While time off from work was not originally mandatory, but has become nearly universal.

The holiday spread across the Empire and is still official in Canada, Australia, New Zealand, and other Commonwealth countries.  In South Africa it was re-named The Day of Goodwill in 1994.

Today small gifts are still given trades people and service workers, but in Britain the day has become all about shopping.  It is the biggest shopping day of the year and has been compared to American Black Friday, the day after Thanksgiving.  Stores mark the day with huge sales.

It is also a day of sport.  Football—that’s soccer to Americansand Rugby leagues would hold full schedules of games, teams usually playing their most serious rivals.  There would also prestige horse races and for the country gentry mounted fox hunts—more recently due to a bitterly resented law, sansfox.  The toffs are no longer allowed to chase real fox, but still got to ride to the houndschasing a scented bait.

The carol Good King Wenceslas is most closely associated with St. Stephen’s Day along with the street begging We Wish You a Merry Christmas and The Wren’s Song in Ireland. 

An icon of St. Wenceslas a/k/a Duke Wenceslas I of Bohemia.

Good King Wenceslas is a Christmas carol that tells a story of a Bohemian ruler going on a journeyand braving harsh winter weather to give alms to a poor peasanton the Feast of Stephen.  During the journey, his page is about to give up the struggleagainst the cold weather, but is enabled to continue by following his master’s footprints through the deep snow.

The legend is based on the life of the historical Saint Wenceslaus I, Duke of Bohemia who was murdered and martyred in 935. Wenceslas was considered a martyr and saint immediately after his death, when a cult grew up in Bohemia and in England. Within a few decades, four biographiesof him were in circulation which had a powerful influence on the High Middle Ages concept of the rex justus (righteous king), a monarch whose power stems mainly from his great piety as well as his princely power.

In 1853, English hymn writer John Mason Neale wrote the lyrics to Good King Wenceslas in collaborating with his music editor Thomas Helmore.  The carol first appeared in Carols for Christmas-Tide. Neale’s word were set to the melody of a 13th-century spring carol Tempus adest floridum (The time is near for flowering) first published in the 1582 Finnish collection Piae Cantiones.  The very old origins of the melody give the song an appropriately medieval cast that makes it popular with modern madrigal singers.

The song has been recorded many times notably by Mel Tormé and Canadian Celtic singer Loreena McKennitt.  It was modernized with a synthesizerand orchestra instrumental version by Mannheim Steamroller.  The most popular version in Britain and Ireland is by the Canadian/Irish folk quartet The Irish Rovers. 

Choral composer David Rain.

But today we are introducing an entirely now choral setting for the old lyrics.  Composer David Rain “wanted to create a different ‘feel’ to the story, to take it back in time to its origins in the Middle Ages—hence the medieval feel of the piece.  I also felt that since the Wenceslas story is all about a journey, a setting in 3/4 time would create a better sense of that feeling, rather than the traditional 4/4.

Rain dedicated to the piece to his uncle Duncan Shaw of Vancouver, who, as a retirement project, has developed his own theory of gravity.  He “has been a huge inspiration in my own compositional journey late in life.

Rain worked for 40 years in the fields of international development and refugee support, living in the East African country of Tanzania for 10 years. From 1993 to 2015, he worked for USC Canada (the Unitarian Service Committee) and has created a blog in honor of USC’s founder, beloved humanitarian Lotta Hitschmanova. In his mid-60s, as a retirement project, he caught the composing bug and has now written or arranged23 different songs for choirs.

Singer Mathew Curtis, formerly of Chanticleer.

This version of the song was recorded by Matthew Curtis, formerly of Chanticleer.

Go Tell It On the Mountain—Murfin’s Carols for Corona and Winter Holiday Music Festival

25 December 2020 at 16:00
Go Tell it on the Mountain --vintage recording by the Fisk University Jubilee Singers. Of all of the announcement carols Go Tell It On the Mountain is unusual for a number of reasons.   It is not European but rooted in the American Black Community and dated to the era when the end of slavery was being celebrated.   It is not an announcement by the Heavenly Hosts, but an instruction to a whole people to spread the good word.   And because of its connections to the Civil Rights Movement it doubles as a Christmas Carol and a liberation anthem. It has been dated to 1865 and may reflect the widely celebrated moment when the 13th Amendment to the Constitution that abolished slavery went into effect or even earlier to the Watch Night celebra...

I Heard the Bells on Christmas Day —Murfin’s Carols for Corona and Winter Holiday Music Festival

25 December 2020 at 12:10

[youtube https://www.youtube.com/watch?v=-UTLZyCYrpQ]
                                        Henry Wadsworth Longfellow's I Heard the Bells on Christmas Day by The Carpenters.

Note—The two-fer on Christmas Day includes two great American carols with echoing significance today.

The first carol is my own personal favorite.  I Heard the Bells on Christmas Day is unusual in that there is no reference to the Christ child, manger, Holy Family, shepherds, Magi, or even the Herald Angels.  Instead if focuses on the message of those angels amid the ghastly carnage of war.  It was written not by famed Unitarian hymnist Samuel Longfellow, but by his brother Henry Wadsworth Longfellow, then America’s most honored and adored poet who had created national epics like The Courtship of Miles Standish, The Song of Hiawatha, and Evangeline as well as the school recital pieces The Midnight Ride of Paul Revere and The Village Blacksmith.

America's most beloved poet Henry Wadsworth Longfellow in 1866, three years after penning I Heard the Bells on Christmas Day.

Longfellow was 56 years old, teaching at Harvard, and living in Cambridge, Massachusetts in 1863.  He had lost his beloved second wife, Frances Elizabeth Appleton, two years earlier in a grizzly accident when her dress caught on fire.  To compound his sorrow the Civil War was raging.  Like many New Englanders he was an ardent opponent of slavery but had also embraced pacifism since the Mexican War.  He was deeply conflicted about the war.  His eldest son, Charles Appleton Longfellow, had enlisted in the Union Army in March against his father’s wishes and was commissioned a Lieutenant.  Charles was severely woundedin November at the   Battle of New Hope Church in Virginia.  The young man’s life hung in the balance.

But just before Christmas Longfellow got word that his son would survive.  On Christmas morning, hearing the local church bells ring, the poet set down and wrote I Heard the Bells on Christmas Day.  It was as much an anguished plea for peace as it was a conventional Christmas piece.


I Heard the Bells on Christmas Day

I heard the bells on Christmas Day
Their old, familiar carols play,
    And wild and sweet
    The words repeat
Of peace on earth, good-will to men!

And thought how, as the day had come,
The belfries of all Christendom
    Had rolled along
    The unbroken song
Of peace on earth, good-will to men!

Till ringing, singing on its way,
The world revolved from night to day,
    A voice, a chime,
    A chant sublime
Of peace on earth, good-will to men!

Then from each black, accursed mouth
The cannon thundered in the South,
    And with the sound
    The carols drowned
Of peace on earth, good-will to men!

It was as if an earthquake rent
The hearth-stones of a continent,
    And made forlorn
    The households born
Of peace on earth, good-will to men!

And in despair I bowed my head;
“There is no peace on earth,” I said;
    “For hate is strong,
    And mocks the song
Of peace on earth, good-will to men!”

Then pealed the bells more loud and deep:
“God is not dead, nor doth He sleep;
    The Wrong shall fail,
    The Right prevail,
With peace on earth, good-will to men.”

Henry Wadsworth Longfellow

The poem was first published in Our Young Folks, a juvenile magazine published by Ticknor and Fields of Boston in February 1865 as the war was entering its bloody final months.

It was not set to music until an English organist, John Baptiste Calkin, used the poem in a processionalaccompanied with a melody, the Waltham, which he had used for another hymn in 1848.  Although other settings were used, Calkin’s became for many years the standard and remains the version most heard in Britain and Commonwealth countries.

In published texts of the song two of Longfellow’s verses that most directly referred to the Civil War are usually omitted making the song more universal.

Song writer Johnny Marks, composer of Rudolph the Red-nosed Reindeer was a prolific holiday music specialist but his haunting setting for I Heard the Bells on Christmas Eve was a departure from his usual seasonal novelty songs.  He considered it his greatest accomplishment.

In 1952 Christmas music specialist Johnny Marks departed from his usual novelty songs for children like Rudolph the Red Nosed Reindeer to create a lovely and reverent new melody for Longfellow’s words which has become the new standard in the United States.  In 1956 Bing Crosby had a mid-level hit with the song and joked to Marks “You finally got a decent lyricist.”

The Carpenters, Karen and Richard.  Her voice caressed the song.

Other notable recording of the Marks version were made by Kate Smith, Frank Sinatra, Harry Belafonte, Burl Ives, and Johnny Cash.  But this morning we feature the simple beauty of the song and lyrics in the lovely voice of Karen Carpenter for The Carpenters’ 1984 Christmas Collection album.

Stille Nacht, Silent Night —Murfin’s Carols for Corona and Winter Holiday Music Festival

24 December 2020 at 23:32

[youtube https://www.youtube.com/watch?v=kf16EBNTxGI]
                                            Silent Night by Celtic Women

By far the most beloved and sung of all Western Christmas carols is Silent Night.  It will be sung tonight at Catholic midnight masses, candlelight services like the Tree of Life’s virtual one on Zoom, by hardy carolers in neighborhood streets, in many versions on Holiday radio, and in family roomsaround the Christmas tree.

Two hundred and two years ago Stille Nacht, heilige Nacht was first performed at St. Nicholas parish church in the village Oberndorf on the Salzach River in the Austrian Empire.  Today Silent Night is by far the most popular traditional Christmas carol in the English speaking world, and has been translated from the original German into more than 140 languages.  It has been recorded by choirs, orchestras, and solo musicians in every possible genrebut Bing Crosby’s 1935 version is the bestselling solo rendition of all time.


A young priest, Father Joseph Mohr, wrote a poemin 1816 at Mariapfarr, the hometown of his father in the Salzburg Lungau region.  Two years later he had been posted as parish priest to the Oberndorf.  Circumstances of the creation of the song are hazy but the commonly told story goes like this.

Mohr was in need of a song for his Christmas Eve mass, but the church organwas damaged by a flood.  He needed something simple that could be sung to his guitar.  He thought of his poem and asked his organist Franz Xaver Gruber to set it to music.  The result was a lovely, simple tune that was easy to sing and was more of a lullaby to the infant Jesusthan the triumphant announcement carols commonly sung on Christmas Eve.

                    Stille Nacht composer Franz Gruber.

The song charmed Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, who copied the song and introduced it to two travelling families of folk singers, the Strassers and the Rainerswho were singing it in their shows in 1819.  The Rainers once performed the song for audience that included Emperor Franz I of Austria and Czar Alexander Iof Russia.  They also introduced the song to America in an 1839 concert in New York City.

The first edition of the song was published by Friese in 1833 in a collection of Four Genuine Tyrolean Songs.

The song was already beloved in the German speaking countries and was spreading across Europe.  Although Gruber was generally acknowledged as composer some people could not believe it could have been written by such a rustic provincial and attributed it variously to Haydn, Mozart, or Beethoven.  Mohr’s role as lyricist was largely forgotten outside stories told around Oberndorf.  But in 1995 a manuscript by Gruber dating to around 1820 was discovered and authenticated confirming Mohr as the author.

In 1859, the Episcopal priest John Freeman Young of Trinity Church in New York City, wrote and published the English translation that is most frequently sung today, translated from three of Mohr's original six verses.  His version of the melody varied slightly from Gruber’s original.  Soon the song was as popular in English speaking countries as it was in German.

A Renaissance triparch altar painting of the Nativity of the sort that inspired Let Us Be That Stable.

My poem Let Us Be That Stable was inspired by traditional nativity scenes in art and family crèches.  It was first read at a Christmas Eve service at the old Congregational Unitarian Church in Woodstock more than 20 years ago and was included in my 2004 collection of poetry, We Build Temples in the Heart.  It is my most widely reproduced poem and has frequently been used in Unitarian Universalist and other worships settings since and us often used with the singing of Silent Night

Let Us Be That Stable 

Today, let us be that stable

Let us be the place

            that welcomes at last

            the weary and rejected,

            the pilgrim stranger,

            the coming life.

 

Let not the frigid winds that pierce

            our inadequate walls,

            or our mildewed hay,

            or the fetid leavings of our cattle

            shame us from our beckoning.

 

Let our outstretched arms

            be a manger

            so that the infant hope,

swaddled in love,

may have a place to lie.

 

Let a cold beacon

            shine down upon us

            from a solstice sky

            to guide to us

            the seekers who will come.

 

Let the lowly Shepard

            and all who abide

            in the fields of their labors

            lay down their crooks

            and come to us.

 

Let the seers, sages, and potentates

            of every land

            traverse the shifting dunes

            the rushing rivers,

            and the stony crags

            to seek our rude frame.

 

Let herdsmen and high lords

            kneel together

            under our thatched roof

            to lay their gifts

            before Wonder. 

Today, let us be that stable.

—Patrick Murfin

Celtic Women in one of their annual Christmas concerts. 

There are so many wonderful renditions of Silent Night in English and German, by choirs, a capela groups, bands and orchestras, and soloists that it is hard to pick just one.  So almost at random, here is Celtic Women in their annual Christmas concert recorded at The Helix in Dublin, Ireland in 2013.

 

It Came Upon a Midnight Clear Ella Fitzgerald—Murfin’s Carols for Corona and Winter Holiday Music Festival

24 December 2020 at 12:36

[youtube https://www.youtube.com/watch?v=gwpT_G2CpVU]
                                            It Came Upon a Midnight Clear sung by Ella Fitzgerald.

Note—Both Christmas Eve and Christmas Day deserve bonus two-fer entries!

In churches around the world this evening announcement carols will be central to the services.   Many are bold and glorious whether sung by massed choirs or by congregations that know them by heartAdeste Fideles (O Come All Ye Faithful) and the Hallelujah Chorus from Handel’s Messiah are two of the grander example, although there are plenty of others in Christmas song books  but my personal favorite is much more modest.

It Came Upon a Midnight Clear is one of the oldest and most beloved of American Christmas carols.  It also never mentions the Christ Child but instead is all about the announcement that the angles made to the shepherds.  It was a not-so-subtle message for Americans who had just concluded a war that the author considered horribly unjust and immoral.

The Rev. Edmund Hamilton Sears, a Unitarian minister wrote the words to It Came Upon a Midnight Clear to celebrate "Peace on earth, goodwill to men" in the wake of the Mexican war.  Its popularity has grown and faded depending on American involvement in other wars.

Rev. Edmund Hamilton Sears was the minster of the Unitarian Church inWayland, Massachusetts in 1849.  It was a small congregation and a not-very-important-pulpit in the insular world of New England Unitarianism.  But like many of his peers Sears had been an ardent opponent of the just concluded Mexican War.  He considered it indefensible land grab by a powerful nation against a weak one.  It also had ramifications for his oppositionto slavery.  The most voracious War Hawks intended the newly conquered lands to eventually enter the Union as slave states and thus swing the balance of power in the nation permanently to the South.  And like other Unitarian ministers, the war confirmed Sears in a growing pacifism.

The war had concluded with the Treaty of Guadalupe Hidalgo signed in February 1848 and ratified by the two nations by that May.  Under its terms Mexico lost nearly half of its territoryincluding all or parts of the future states of California, Nevada, Utah, Arizona, Kansas, Colorado, Oklahoma, and New Mexico.

It was still weighing heavily on Sears’ mind when his friend Rev. William Parsons Lunt of First Parish Church in Quincy, Massachusetts asked him to write something for a Sunday school pageant.  Sears played and sang the song to friends and parishioners in his own parlor on Christmas Eve of 1849.  It isn’t known to what tune it was sung.

Dutch painter Govaet Flink based his 1639 painting of the Angels visiting the shepherds on Rembrandt van Rijn's famed etching first issued two years earlier. 

Sears ever after called carol his “little angels song.”

The next year Richard Storrs Willis, a composer who trained under Felix Mendelssohn, wrote the melody that quickly became most widely known tune to the song used in the United States.  With that tune it was added to the hymnals of not only the Unitarians, but Universalists, Episcopalians, Methodists, Lutherans, and most other Protestant denominations.

But in England and the Commonwealth nations It Came Upon a Midnight Clear is sung to a melody called Noel by Sir Arthur Sullivan of Gilbert and Sullivan fame.

Ella Fitzgerald's first 1960 Christmas album was an instant classic and she followed it up with a live LP in 1967.  Innumerable compilation albums have been issued based on this material and on recordings made from radio and TV appearances.

Today we will enjoy the version by the great Ella Fitzgerald whose albums of Christmas music have become almost as important to the canon of great holiday recordings as those of Bing Crosby.



I’ll Be Home For Christmas—Murfin’s Carols for Corona and Winter Holiday Music Festival

23 December 2020 at 13:45

[youtube https://www.youtube.com/watch?v=dL71eMc1blw]
                                            I'll Be Home for Christmas by Bing Crosby.

There was a whole genre of World War II separation songs that have become enduring classics of 20th Century popular music.  Think I’ll Be Seeing You, The White Cliffs of Dover, and Don’t Sit Under the Apple Tree to name just a few examples.  And of course there was a sub-genre of Christmas songs.  Irving Berlin’s White Christmas, the most popular adult secular holidaysong of all time, was written before the American entry into the War inspired by a hot day in Los Angeles.  But its record release by Bing Crosby in late 1941 and his crooning the tune in Paramount Picture’s Holiday Inn in 1942 struck a nerve with G.I.s far from home and many in desert or tropical locations.  I have written about how my Father, W.M. Murfinplayed it for the men of his Army Field Hospital and its patients in North Africa in ’42.


But another Crosby recording struck an even more direct chord with GIs and their families back home—I’ll Be Home For Christmas and this year of Coronavirus forced separations makes it more relevant than ever.

I’ll Be Home for Christmas was written by lyricist Kim Gannon and composer Walter Kent and recorded on October 1, 1943 by Bing Crosby with the John Scott Trotter Orchestra on Decca Records. Within a month of release, the song charted for 11 weeks, with a peak at #3. The next year, it reached #16.   It soon became a perennial on Christmas radio and after Billboard established a separate seasonal chart for air play it was frequently near the top.  The song was also featured on Crosby’s famous 1945 78 rpm albumand it’s LP release in 1949 which has itself been re-released and re-mastered several more times.

The original 1947 78 rpm cover of Crosby's Merry Christmas album.  The more familiar LP release featured him in his Santa cap.

Crosby won his fifth Gold Record and it became the most requested song at Christmas U.S.O. shows. The GI magazineYanksaid Crosby “accomplished more for military morale than anyone else of that era.”  But the British feared the song would actually lower morale and initially banned it on the BBC.  After the tide turned in the Allies favor, the ban was lifted.

After the initial release there was a copyright dispute when Buck Ram, later the manager and producer of The Platterssaid he had previously written a poem with the same name and theme.  Although the lyrics and music of the released version were entirely different, Decca lawyers feared that they could not prove that Gannon and Kent may not have been inspired by the title.  After the initial release Ram was credited as a co-writer and shared in the considerable royalties the song generated.

Bing Crosby on a USO tour in Europe. 

I’ll Be Home for Christmas has been covered by many most notably by Johnny Mathis on his seminal Merry Christmas album in 1958.  Other covers have included The Carpenters, Elvis Presley, Reba McIntyre, Rascal Flats, Josh Groban, Michael Bublé, and Kelly Clarkson.

 As fine as many of those versions are, Der Bingle’s remains the most heartfelt.

Santa Claus is Coming to Town Bruce Springsteen—Murfin’s Carols for Corona and Winter Holiday Music Festival

22 December 2020 at 13:40

[youtube https://www.youtube.com/watch?v=RcV8INh0d7g]
A live concert performance of Santa Claus is Coming to Town by Bruce Springsteen and the E Street Band.

Since tiny, teenage Brenda Lee belted out Rockin’ Around the Christmas Tree in 1958 there has been a mixed bag of Rock & Roll Christmas music.  That song had the edge of being co-writtenby Christmas music specialist Johnny Marks, the creator of Rudolph the Red Nosed Reindeer.  There have been a lot of shots fired at the elusive goal of becoming a seasonal perennial but there have been way more misses than hits.  Although not so ubiquitous as country music stars Christmas albums, plenty of rockers from Elvis Presley to some death metal bands have tried to get into the game.

Brenda Lee ushered in the era of Rock and Roll Christmas Songs.

In the ‘50s and early ‘60s the most successful holiday sides were basically novelty tunes like Lee’s.  Notably success included Chuck Berry’s Run, Run Rudolph, rockabilly Bobby Helms’ Jingle Bell Rock, and the Beach Boys’ recasting The Little Duce Coup into The Little Saint Nick.

But that began to change in 1963 with Phil Spector’s wall of sound Christmas album.  It notably included Christmas (Baby Please Come Home) by Darlene Love which Rolling Stone rated as the greatest Rock Christmas song of all time.  Unfortunately the album droppedon the day John F. Kennedy was assassinated and was swamped nearly to oblivion.  None of the songs on the album charted originally.  Over time the album and the song became cult favorites.  It got a huge boost in 1986 when David Letterman featured Love belting out the song the final new episodebefore Christmas.  He made it a tradition that lasted 27 years with ever more elaborate productions.


Darlene Love over the years in her annual performance of Christmas (Baby Please Come Home) on David Letterman's shows.

The Beatles got into Christmas music with annual almost throw away ditties meant as audio Christmas cards to fans.  Later both John Lennon and Paul McCartney had their own holiday hits.  Lennon’s Happy Xmas (The War is Over) in 1971 was a great rocking protest song and was produced by Phil Spector.  In 1979 McCartney stuck gold with Simply Having a Wonderful Christmas Time, which has made it to Christmas radio play lists but has also been derided as “the worst Christmas song of all time.”  Believe me, it isn’t as long as Dominick the Donkey or The Christmas Shoes still turn up.

John Lennon's great Christmas protest song.

For sheer star power and more than a dollop of self-importance nothing matches Irish rocker Bob Geldoph’s assembly of Rock and Pop superstars on Do They Know its Christmas in 1984 to raise money for famine relief in Ethiopia.

Mariah Cary’s diva performance on All I Want For Christmas Is You became the first new Christmas song in years to become a seasonal standard in 1994.  The infectious earworm has finally passed Bing Crosby’s White Christmas as the most played holiday song on radio as well as the biggest seller.

There are undoubtedly others that deserve mention.  But for sheer raw Rock and Roll powernothing matches the 1975 live recording of Santa Claus is Coming to Town by Bruce Springsteen and the E-Street Bandincluding Little Stevie—Steve Van Zant—and saxophonist Clarence Clemmons.  There is something playful and joyful in this rocker.

Not only was Eddie Cantor's record a huge hit but 500,000 copies of  the sheet music flew off the shelves within a day of his first performance of Santa Claus is Coming to Town on his radio show.

The song long predated Rock & Roll.  It was written by J. Fred Coots and Haven Gillespie and became a huge hit for Eddie Cantor after he featured it on his weekly radio program in 1934.  It has been recorded by over 200 artists, including Bing Crosby and The Andrews Sisters, The Crystals, Frank Sinatra, The Temptations,  The Jackson 5, Mariah Carey, Neil Diamond, Chris Isaak, and Michael Bublé.  It was also the title song of the Rankin and Bass 1970 animated TV special with Fred Astaire narrating the origin of Santa Claus.

Bruce Springsteen finishes his live performances in November and December with Santa Claus is Coming to town. The audience sings along and the jam can go on for a long time.

For sheer infectious ebullience, Springsteen’s version blasts all others out of the water. 

The Star Carol Tennessee Ernie Ford—Murfin’s Carols for Corona and Winter Holiday Music Festival

21 December 2020 at 22:31

[youtube https://www.youtube.com/watch?v=d8Gxb5ktxbk]
                                                        The Star Carol sung by Tennessee Ernie Ford.

Not only is today the Winter Solstice, it is the much anticipated Great Conjunction of Jupiter and Saturn—the two largest planets in the Solar System early this season.  If your sky is clear the two celestial bodies will seem to merge into a single bright object when observed low in the southwestern sky about an hour after sunset.  This extremely rare event has been hyped as the Christmas Star, and in fact some believe that a much earlier appearance may have been what the shepherdsand the Magi saw.

It has been nearly 400 years since the planets passed this close to each other in the sky—1623 just 13 years after Galileoobserved them through a telescope and nearly 800 years since the alignment occurred at night so that everyone could see it in 1226, when artisans were still building Notre Dame Cathedral in Paris and Genghis Khan held sway over Asia.

Did the Magi see the bright object created by a Great Conjunction?  Perhaps, but it would not have remained overhead leading them for days or weeks.

In the year 7 B.C.E they lined up, as seen from Earth, in May, September and early December in a rare triplet, astronomers say. At those junctures, though, the planets were relatively far apart and would have appeared much dimmer than the one expected tonight.  But since historians have noted that in ancient Israelshepherds only “abided in the fields” in the spring lambing season when wolves threatened the flocks, the May congruence is considered a candidate to be the Christmas Star.

Others, however, have speculated that a much brighter conjunction of Jupiter and much nearer-by Venus in 2 B.C.E. is a more likely suspect.  Since the exact year of the Nativity is not known—it could have occurred any time in a nearly 10 year window on either side of the B.C.E/A.C.E divide.

Tonight the earth well be between the Sun and Jupiter and Saturn in their resective orbits making them appear to conjoin into bright object

Tonight the closest alignment Neptune and Jupiter will appear just a tenth of a degree apart.  Although from our vantage point on Earththe huge gas giants will appear very close together, but they will remain hundreds of millions of miles apart in space. And while the conjunction is happening on the same day as the Winter Solstice, the timing is merely a coincidence, based on the orbits of the planets and the tilt of the Earth.

All in all the excitement is understandable.  That coincidence and the Christmas Star story have brought hopein the darkest hour of the year of the Coronavirus to many Christians, New Agers, and even the conventionally non-religious.

However some Fundamentalist Christians—the sort who deny evolution; insist cosmos, Earth, life, and human beings were all Created by God in seven days; that Jonah lived in the belly of whale; and Joshua stopped the Sun—are angry that anyone would dare suggest that the Star was not a literal star and did not miraculously appear to lead the Magi to Bethlehem.  Their resentment is fueled even further because scientistsare members of a satanic elite expounding Fake News about climate change, the global coronavirus pandemic, and vaccines. Trumpism has added a doseof rage to their long-standing science denial.

Jazzman and arranger Alfred S. Brooks wrote 14 carols and sent a new one to his Christmas card list evert year,  The last was The Star Carol.

But all of the Christmas Star chatter is reason enough to trot out The Star Carol, relatively modern American carol.  It was the last of 15 carols composed by jazz musician Alfred S. Burt between 1942 and ’55 which he shared privately as annual gifts to his family and friends.  The lyrics were written by Wihla Hutson, a friend and the organist at the Episcopal church in Pontiac, Michigan where his father was rector.  The only public performance of one of the carols during Burt’s life was in a service at the church.

The Star Carol was the last of the songs, completed just two days before Burt died in 1954 at the early age of 34.

Burt was living and working in California and working as an arranger for the Alveno Rey Orchestra when he asked the Blue Reys, vocal group with the band to sing it to test the harmonies of his latest composition in 1952.  They liked it and played it at the annual Christmas Party of the King Sisters.  One of the singing sisters, Donna, was married to James Conkling, then President of Columbia Records.  He liked it so well that he arranged a recording session with a full choir at the North Hollywood Latter Day Saints Churchin late 1953 which the terminally ill Burt directed from a wheel chair.  After Burt’s death additional recordings were made at St. Michael and All Angels Episcopal Church in Studio City. 

Columbia Records's 12 in LP version of The Christmas Mood featured 12 of Burt's carols and an instrumental medley.

For the 1954 Christmas season Columbia released a The Christmas Mood, 10-inch 33 rpm album including most of the carols and in 1957 came out with a 12 inch LP which included more songs for total of 12 and added an instrumental brass ensemble on a medley of the carols arranged and conducted by Ralph Carmichael.

All 14 of the carols were not issued on one recording until 1964 when James Conkling who had moved on the presidency of Warner Bros. Records released This Is Christmas: A Complete Collection of the Alfred S. Burt Carols by the Voices of Jimmy Joyce.  The album was nominated for a Grammy.

Caroling, Caroling and Some Children See Him are the two most popular of Burt’s carols.  The In 1958, Tennessee Ernie Ford made The Star Carol the title song for his first full-length album of Christmas music.   

In 1947 ex-bombardier Erie Ford was a disc jocky on WOPI in Bristol, Tennessee.  He soon moved up to big city California station.

Ford was a unique country music star.  The classically trained base/baritone, World War II bombardier, and post-war radio disc jockeyadopted an exaggerated hillbilly personacalled Cousin Ernie with the catch phrasebless his pea-pickin’ heart” for his radio program and took it to other country music shows where he sang.  The character was featured in a three episode arc on the I Love Lucy Show.  He had early recording success with up-beat boogie-woogies and his biggest hitwas his memorable version of Merle Travis’s coal mining ballad Sixteen Tons. In 1955 he recorded The Ballad of Davy Crockett which reached #4 on the country music chart.

From 1956-1961 he hosted his own prime-time TV variety program, The Ford Show, which ran on NBC.  On the program he changed his image, toning down and then virtually eliminating the bumpkin act.  He eschewed the cowboy hats and spangled attire of many Country acts for sharply tailored suits, razor cut hair, and his signature pencil moustache.  Despite the objections of both the network and his sponsor Ford Motor Company he ended each program with a gospel song. The hymns like The Old Rugged Cross and Were You There When they Crucified My Lord became the most popular feature on the show.

A closing hymn every week on Tennessee Ernie Ford's weekly TV program proved wildly successful and led to a series of best selling gospel albums and his firs Christmas collection The Star Carol.

That led to an album, Hymns, in 1956 which remained on Billboard’s Top Album chartsfor 277 consecutive weeks, The Star Carol in ’58, and a string of other religious albums including Great Gospel Songs which won a Grammy1964.

After his prime time series ended Ford moved to Northern California and hosted an ABC daytime talk/variety show from KGO-TV in San Francisco from 1962. 

Ford's voice and health were wracked by heavy drinking in his las years.

Despite all of his success years of heavy drinking began to take a toll on his health and voice.  He left his long-time Capitol Records home in 1975 and never again had recording success despite continuing to show u as a guest star on the Mandrel Sisters, Dolly Parton, and Dinah Shoreprograms.

On September 28, 1991, Ford suffered severe liver failure at Dulles Airportshortly after leaving a state dinnerat the White House, hosted by President George H. W. Bush. He died in a Reston, Virginia, hospital on October 17.

Ring Out Solstice Bells by Jethro Tull—Murfin’s Carols for Corona and Winter Holiday Music Festival

21 December 2020 at 08:00

[youtube https://www.youtube.com/watch?v=w3woM079L_4]
                                            Ring Out Solstice Bells by Jethro Tull.

Note—Today we will feature a two-fer!  First, in honor of the Winter Solstice and a second post honoring the Christmas Star planetary convergence this evening.

Call it Solstice, Yule, Meán Geimhridh, or any name you choose, today is the shortest day and longest night of the year—the official beginning of winter. Tomorrow the Sun begins its annual return. Despite claims otherwise, Solstice is the Reason for the Season—the overt or disguised inspiration of most Northern Hemisphere Festivals of Lightclustered around this date. To celebrate we turn to Jethro Tull’s classic 1977 album Songs from the Woods, Ian Anderson’s turn from jazz-infused rock to an embrace of his English roots and folk identities is a fitting carol for the day.

Today, the Solstice—the moment when in the Northern Hemisphere when has its maximum tilt away from the Sun will occur at 4:02 CST.  You can calculate it for your time zone.

                            The Holly King rules in the Germanic Yule celebration at Solstice.

In most so-called pagan traditions around the Northern Hemisphere there were two ways to celebrate the Solstice.  Some lit firesin the darkest night to summon the return of the Sun.  Others gathered at dawnto in some way capture the first light of that return.  The latter often involved human construction on or in which that light would strike a significant stone or altar.  Think pyramids in Egypt and the pre-Columbian Americas, Stonehenge, Greek temples, medicine wheels, certain Medieval Cathedrals, and far simpler wooden structures in Northern Europe and Siberia.  Either way, those who observe or re-createsuch rituals have found a way to do so.

Even if you do not observe the pagan doings—or shun them as the devil’s work—chances are that you to have been or will be celebrating the solstice yourself. 

Buried in traditionalfolklore, swathed in symbolism, and steeped in metaphor, Christmas and Chanukah share the same impulses as Yule and its Celticand ancient British cousins, Meán Geimhridh and Meán Geimhridhh beloved by contemporary neo-pagans of one stripe or another.  At their corethere was in each of them a physical or metaphorical re-kindlingof the light at the darkest hour of the year offering a glimmering of hope at a time of cold and starvation

The Moon Goddess is the spirit of Solstice in Celtic-based modern neo-paganism.

Archeological evidence shows that the event—the shortest day and longest night of the year, when the sun’s daily maximum elevation in the sky is the lowest—was marked, often using physical constructions to capture the rising sun, in Neolithic times across widely separated cultures in Europe, the Near East, Asia, and North AmericaStonehenge is just the most famous example.  

While the trappings of Christmas—the Yule log, the holly and the ivy, the Christmas tree, mistletoe, wassailingand other customs are commonly knownto be borrowed from pagan celebrations, the metaphor of the birth of theSon, bringing light and salvation to the world is often overlooked.  Among still nervous orthodox Christians, drawing parallels to pagan belief is still actively discouraged.

English Druids and other neo-pagans celebrate the winter solstice annually at dawn at Stonehenge, but alas not this year as England enters a near total Coronavirus lockdown.  Folks will have to witness the Sun shining through the key stones on the BBC.

The early Church actively squelched efforts to confabulate the Feast of the Nativity with the Festival of Sol Invictus, introduced to the Roman Empire in the Third Century under the Emperor Elagabalus.  It was a religious revolution that briefly upended Jupiter as the primary Roman God and put in his place the Invincible Sun, which combined the characteristics and cult practices of several sun godsincluding Syrian Elah-Gabal, the Greek Apollo, and Mithras, a soldier god of Persianorigin. 

The late Roman cult of Sol Invictus celebrated it Solstice Festival on December 25.  The Catholic Church ultimately adopted that date for the Feast of the Nativity to co-opt the pagan celebration which remained popular in the Mediterranean region.

The feast was set on December 25, during the Roman holiday period following Saturnalia.  Later, under the Emperor Aurelian as Christianity grew in influence and importance, attempts were made to incorporate worship of the Christ child into the cult as an incarnation of Sol.  When the Church became ascendantin the Empire, it did all it could to squelch the festival, but like many popular pagan customs, it was so integrated into many daily livesthat it inevitably influenced how Christmas, by then assigned to the same calendar day, was observed. 

Ring out Solstice Bells was featured on Jethro Tull's 1977 album Songs from the Woods featuring Ian Anderson.

Ian Anderson is a Scottish born multi-instrumentalist and singerbest known as the creative forcebehind the innovative and influential British folk/jazz/fusion/progressive rock band Jethro Tull.  Many of the band’s best known songs evoke a magical, even mystical spirit.  That is certainly the case in Ring Out Solstice Bells featuring percussion and Anderson’s signature flute.

 

Compassion for Campers Hosts Christmas Week Distribution in McHenry

20 December 2020 at 18:00
With the support of The Faith Leaders of McHenry County, the host church, and Ridgefield-Crystal Lake Presbyterian Church volunteers Compassion for Campers, the program that provides supplies and gear for the McHenry County homeless who have no steady shelter, will hold a special Christmas Week distribution at be at the First United Methodist Church, 3717 Main Street in McHenry on Tuesday December 22 from 3:30 to 5 pm.  The group is well supplied with tents, sleeping bags, pads, tarps, stoves and fuel, gloves, hats, scarfs, warm winter wear, personal hygiene products, and non-perishable food. Clients will be Covid-19 screenedwith a temperature check and standard screening questions.  No one failingthe test will be turned away but we wi...

Come, Thou Long Expected Jesus—Murfin’s Carols for Corona and Winter Holiday Music Festival

20 December 2020 at 08:00

[youtube https://www.youtube.com/watch?v=vRAFQCOkjgE]
                                            Come, Thou Long Expected Jesus performed by Red Mountain.

Today is the last Sunday of Advent and time for one more carol special to the season of anticipation and hope.  Today’s song is one of the oldest in the English Protestant tradition.  It was one of literally thousands of hymn lyrics written by Charles Wesley (1707-1788), the brother of John Wesley, founder of Methodism.  The prolific hymnist almost single handedly established the tradition of congregational singing among Methodists and by osmosis much of the rest of English language Protestantism. 

Prolific hymnist Charles Wesley, brother of the founder of Methodism John Wesley, wrote the words for Come, Thou Long Expected Jesus.

In 1744 Wesley considered the Old Testament Book of Haggai, chapter 2: verse 7 and compared it to the desperate situation of orphans around him and the class divide in England.  Come, Thou long expected Jesus published as a prayer at the time with the words:

Born Your people to deliver,

born a child and yet a King,

born to reign in us forever,

now Your gracious kingdom bring.

By Your own eternal Spirit,

rule in all our hearts alone;

by Your all sufficient merit,

raise us to Your glorious throne.

Wesley adapted his prayer into a hymn published it in his Hymns for the Nativity of our Lord and wrote it with an eye toward preparing for the Second Coming of Christ. 

Welshman /Roland Hugh Prichard wrote the tune now frequently used for Come, Thou Long Expected Jesus.

Come, Thou Long Expected Jesus has been set to a number of tunes. It is not known which melody Wesley originally intended for the hymn, which is why it was excludedfrom the Methodist Weslyan Hymn Book, until the 1875 Edition.  There is some evidence that the first tune it was set to was Stuttgart by Christian Friedrich Witt written in 1716.  Later Hyfrydol, a Welsh tune written in the 1800s by Rowland Hugh Prichard, was frequently used.  In the United Kingdom, it is now often set to the 4-line tune Cross of Jesus, by John Stainer, part of longer his work The Crucifixion.

Unitarian Universalists will recognize Prichard’s tune as the melody for My Blue Boat Home, the signature song of UU bard Peter Mayer.

Christian folk/gospel/Old Time music ensemble Red Mountain.

Today’s selection by the Christian/folk ensemble Red Mountain uses the Prichard melody.

Silver Bells (City Sidewalks)—Murfin’s Carols for Corona and Winter Holiday Music Festival

19 December 2020 at 11:03

[youtube https://www.youtube.com/watch?v=UNwGVgfkcgI]
Silver Bells (City Sidewalks) sung by Bob Hope, Marilyn Maxwell, and William Frawley in The Lemon Drop Kid.

The pages are flying off the calendar like in those old movies as we near Christmas.  It’s time to consider the most urban of what might be called the secular advent songs from the Golden Age of American holiday music.  Like It’s Beginning to Look a Lot Like Christmas and other songs it captures the vibrancy, bustle, color, and excitement of the season but sets it on the crowded streets of a big city.  Other songs captured nostalgia for by-gone Christmases, country villages, and sleigh rides but Silver Bells, sometimes called City Sidewalks, was set squarely in the modern post-World War II era.

In the year of the Coronavirus pandemic, those bustling sidewalks themselves seem a nostalgic glimpse of a vanished era.  This year most city streets are nearly deserted gone are the Volunteers of America Santas and the Salvation Army can’t recruit nearly enough attendants for their Red Kettles.  Those that are out, mostly in front of suburban strip mall stores have to offer the option of swiping credit cards to those afraid of the human contact of throwing coins or stuffing bills into the Kettles.  Those Silver Bells are mostly silent.

Songwriting team Ray Evans and Jay Livingston celebrated their first Academy Award win for Buttons and Bows with Jane Russell, Bob Hope's co-star in The Paleface.

The song writing team of Jay Livingston and Ray Evans were commissioned to produce a song for the movie The Lemmon Drop Kid in 1950.  The pair specialized in songs for film and their hits included Buttons and Bows for the The Paleface, Mona Lisa for Captain Carey, U.S.A., and Que Sera, Sera for The Man Who Knew Too Much, and Tammy for Tammy and the Bachelor.   After Buttons and Bows won an Oscar for the Bob Hope and Jane Russell vehicle with in 1947 Paramount Studios was eager to have the pair work on a song for Hope’s new movie.

Lyricist Evans first titled the song Tinkle Bells but in an oft told anecdote he described being calledoff by his horrified wife who reminded him of the mom slang for wee wee. 

As was so often the case, Bing Crosby first recorded the song with Carol Richards while the movie was in post-production.  It hit the charts in October of 1950.  In an already shot scene the song was almost a throw away with guff voicedvaudevillian William Frawley singing and the stars Hope and Marilyn Maxwell briefly chiming in.  With the success of the record Hope and Maxwell were called back to shoot a more elaborate street scene version with them carrying most of the song.

The title card for Paramount Pictures' 1951 release The Lemon Drop Kid which featured Silver Bells.

Released in 1951 The Lemon Drop Kid was based on one of Damon Runyon’s Broadway short Stories.  The title character was a small time race track tout and swindler who got into a jam with a gangster and had to raise $10,000 by Christmas or he “won’t see New Year’s Eve.”  The kid concocted a phony charity scam featuring street corner Santas collecting money for an Old Dolls retirement home.  Abetted by his trusting girlfriend, even assembled a bunch of old dolls—former girl friends of cheap hoods, chorines, and hostesses at mob joints—and plunked them down in an abandoned casino.  Needless to say, complications arose with both cops and gangsters closing in but the Kid determined to win back his disillusioned girlfriend and out of a genuine affection for the Old Dolls however reluctantly did the right thing and everyone lived happily ever after. 

Hope reprised the song, which had become almost a second theme song behind Thanks for the Memories, on his annual television Christmas specials in the ‘60’s through the ‘90’s teaming up with such guest stars as Gale Storm, Olivia Newton-John, Marie Osmond, Dolly Parton, Reba McEntire, and his own wife Dolores Hope on his final original special in 1993.

Frail and unwell, Bob Hope sang Silver Bells with his wife Dolores, a former band singer, on his last annual Christmas special.

Silver Bells has been covered by a host of artists becoming a staple of many holiday albums and seasonal specials.  Among them are Doris Day, Dean Martin, The Supremes, Elvis Pressley, Anne Murray, the Oakridge Boys, Martina McBride, Mariah Carey, Reba McEntire, and Michael Bublé. 

But by the 21st Century the song had become as much a nostalgia piece as the sleigh ride songs of fifty years earlier.  Even before the pandemic the urban street scene that Hope and Maxwell strolled with its thick crowds of shoppers, street vendors, cops on the beat, and now embarrassing ethnic stereotypes has long vanished.  It was supplanted first by the suburban mega malls and big box stores and now even those are now falling victim to on-line shopping.  Busy street life has been replaced by the isolation of the computer and smart phone.

So let’s go back to the original movie scene. 

Have Yourself a Merry Little Christmas Judy Garland—Murfin’s Carols for Corona and Winter Holiday Music Festival

18 December 2020 at 12:00

[youtube https://www.youtube.com/watch?v=CreWsnhQwzY]
                                Have Yourself a Merry Little Christmas sung by Judy Garland in Meet Me in St. Louis.

We are closing in on the big day and haven’t honored some of the greatest secular songs from the Golden Age of American Christmas Music.  In particular we have been remiss in failing to share the greatest performance of a modern Holiday song ever.  Period. No arguments.  The crown goes to Judy Garland singing Have Yourself a Merry Little Christmas to Margaret O’Brien in the 1944 film classic Meet Me in St. Louis.

This year amid the separations and loneliness caused by the Coronavirus pandemic the throat catching melancholy of Garland’s performance is more resonate than ever.

In some ways the role of the second daughter Esther of the comfortably middle class St. Louis Smith family was a step back for Garland to the juvenile parts in which she had gained she had gained fame.  She had finally broken throughto be cast as a young woman in Presenting Lilly Mars.  But here she was back to playing a love struck high school girl.

On the other hand producer Arthur Freedwas planning to biggest MGM musical to date in Technicolor and directed by studio ace Vincent Minelli.  In addition to Garland and O’Brien—the most popular child star since Shirley Temple—the cast included Mary Astor as Mother, Leon Ames at Father, Louise Bremmer as older sister Rose, and Tom Drake as the boy next door.  It also featured solid support by veteran character actors Henry Davenport, Marjorie Main, and Chill Wills.


The film was adapted from auto-biographical short stories by Sally Benson originally published in The New Yorker.  It was divided into a series of seasonal vignettes, starting with summer 1903 of a year in the life of the Smith family in St. Louis, leading up to the opening of the Louisiana Purchase Exposition—the St. Louis World’s fair in the spring of 1904.

Journeyman songwriters Hugh Martin and Ralph Blane were commissioned to write songs for the film, although other composers were also expected to add numbers including Boys and Girls Like You and Me by Rodgers & Hammersteinoriginal written for their Broadway musical Oklahoma! but cut prior to its opening.   The same fate befell the song when Minnelli reluctantly cutit because the film was running long.  Martin and Blane’s contributions became American classics and standardsThe Trolley Song, The Boy Next Door and of course the Christmas song all sung by Garland.

Judy Garland herself intervened to demand important changes to the lyric of Have Yourself a Merry Little Christmas.  Martin’s original lyrics began, “Have yourself a merry little Christmas / It may be your last / Next year we may all be living in the past.”  She recognized that it was way too depressing to sing to the inconsolable child mourning the imminent departure of the family from St. Louis to New York City.  “I’ll look like a sadist,” Garland complained.  The words were changed to the now familiar “Have yourself a merry little Christmas/Let your heart be light/From now on your troubles will be out of sight.”

Former child star Judy Garland formed a real emotional bond with her screen sister Margaret O'Brien that shone through in the film.  The child could cry copiously and the catch in Garland's voice was real.

A performer herself since the age of 3 and understanding the pressure that stage parents and the studio put children through, Garland formed a special protective bondwith young Margaret O’Brien and spent much of her time off camera with the girl.  It was a memory they would both treasure and often talk about.

Garland never looked lovelier than she did in this film with her hair dyed auburn and smitten director Minnelli literally caressed her face on screen.  The young actress and the middle age director fell in love on the set and were soon married.

In 1966 Garland reprised the song on her CBS Television series singing it to here younger children Lorna and Joey Luft.  The episode is the most down-loaded of the shows on YouTube.

Many other versions of the song have been recorded.  Frank Sinatra had lyricist Martin revise the words to “lighten them up” from the still melancholy version sung by Garland for his 1957 album A Jolly Christmas.  The only version to come near to the power of Garland’s performance was by The Carpenters from the 1978 album Christmas Portrait.  Karen Carpenter in The Carpenters the 1978 album Christmas Portrait nearly—but not quite—matchedthe original.

Uncle Carl (Came Out on Christmas) Aaron LaCombe—Murfin’s Carols for Corona and Winter Holiday Music Festival

17 December 2020 at 11:41

[youtube https://www.youtube.com/watch?v=zVIyJ_Psa3E]
                                                        Uncle Carl (Came Out on Christmas) by Aaron LaCombe

One of the best and most intriguing new Christmas songs this year is Uncle Carl (Came Out on Christmas which is actually not brand new. Austin based Americana Singer-Songwriter Aaron LaCombe released it a year ago on the digital album Pictures of Ourselves but because of its subject—Uncle Carl comes out to his Texas family at the Christmas dinner table—it got no traction and little air play.  Even the handsomelyand professionally produced video, which was both  authenticand had the feel of a non-Lifetime family holiday movie got only about 5,000 YouTube clicks—pretty much friends, family, and a small fan base.


But this year it got “discovered” by some music writers and a wider LGBTQ community and has created some serious social media buzz.  As of today the YouTube clip has reached more than 73,000 and is picking up steam.

One of those spreading the word was Randy Slovacek on his blog The Randy Report.  He noted that LaCombe’s Twitter account bio said “I write the songs that make most people mildly uncomfortable.”

Later in the article LaCombe explained the song’s origins:

A couple of years ago I was invited to participate in a Christmas Songwriting Contest. I maybe take myself a little too seriously as a songwriter, so the idea of writing a Christmas song just seemed cliché to me and I wanted to sort of see if there was a way to make it catch people off guard.

I took cues from some experiences some close friends and family have had, and once I got started I found myself on a tightrope of making it a little bit funny, a little sad, and a little sweet.  It came in dead last at the contest, which is when I started to think I might really have something.

Austin bases singer/songwriter Aaron LaCombe.

Like Randy Slovacek, I am now a fan myself.  I am betting that many of you will also become one.

Twelve Days of ChristmasCovid Edition—Murfin’s Carols for Corona and Winter Holiday Music Festival

16 December 2020 at 11:38

[youtube https://www.youtube.com/watch?v=4HTy60lcU3U]
                                                        Twelve Days of Christmas Covid Edition by Jon + Jon.

It was inevitable.  Coronavirus Christmas songs and parodies I mean.  I easily found a dozen on YouTube and there were many more, mostly homemade and amateur.  Celebs and semi-celebs posted professional videos featuring original songs—Justin Bieber and a choir made up of British National Health Service workerscollaborated on a charity song and video a remix of the star’s single Holy, Covid Christmas by rapper Trisha Paytas, and Disinfects the Halls by mid-level country star Chris Stapleton off of a whole album of pandemicChristmas music.  But parodies by YouTube stars dominate.

It is quite fitting that The Twelve Days of Christmas, the holiday song once voted the “most annoying,” was satirized by several performers each with their own take.  I understand why a lot of folks were irked by the original, but my personal listof annoying and/or detestable holiday songs include Dominick the Donkey, Grandma Got Run Over by a Reindeer, and is capped by the loathsome Christmas Shoes.  Be that as it may, The Twelve Days of Christmas is long and repetitive, just like days of Covid-19 isolation.


From several possible candidates I plucked one by a duo called Jon + Jon about who may be affiliated with the New Life Church in Eugene, Oregon.   I otherwise know nothing about them, but here is their take, Twelve Days of Christmas Covid Edition.

The Christmas Waltz Nancy Wilson—Murfin ’s Carols for Corona and Winter Holiday Music Festival

15 December 2020 at 11:56

[youtube https://www.youtube.com/watch?v=hHJ0thDHsMw]
                                                        The Christmas Waltz sung by Nancy Wilson.

The silken voice of jazz and pop chanteuse Nancy Wilson was stilled two years ago in the Christmas season when she died at age 81 after a long illness at her Pioneertown, California.  Although often identified as a jazz artist, she preferred to characterize herself as a song interpreter for the way she caressed lyrics, she said, “I do not do runs and—you know. I take a lyric and make it mine. I consider myself an interpreter of the lyric.”

Wilson was born on February 20, 1939 in Chillicothe, Ohio to working class parents who filled their home with recording by Billy Eckstine, Nat King Cole, Jimmy Scottwith Lionel Hampton’s Big Band, and especially Dinah Washington.  At an early age she was singing their songs around the house and was also featured in her church choir.  She said she knew she would be a singer by age 12.

The family moved to Columbus, Ohio where at the age of 15 and still in high school she won a talent contest.  The prizewas an appearance on Skyline Melodies, a twice-a-week local TV show on WTVN. She so impressed the station that she was soon made the regular host of the program.  Until graduating from high school two years later she regularly performed in local clubs.

Her parents were leery of the chances for a successful career as a singer, so she enrolled in Central State College, a historically Black school to prepare to be a teacher.  That did not last long.  She dropped out to pursue her dreams.  Wilson won a spot with Rusty Bryant’s Carolyn Club Big Band in 1956 and toured with them throughout Canada and the Midwest for two years.  She made her first recordings with the band on Dot Records.

Nancy Wilson with jazz sax legend Cannonball Adderley, her mentor and sometimes collaborator.

Her big break came when she met saxophonist and jazz superstar Cannonball Adderley who became her mentor and eventually collaborator.  He encouraged her to abandon touring with the band and to move to New York Citywhere there was opportunity for a singer of her talent.  Within weeks she secured a regular four-night-a-week gig at the popular night club The Blue Morocco.  Adderley’s manager John Levy hooked her up with Capital Records which released her first solo single Guess Who I Saw Todaywhich was so successful that Capital released five of her albums from 1960 to 62 beginning with Like in Love showcasing a Rhythm & Blues style.  The collaboration Nancy Wilson and Cannonball Adderley cemented her reputation as a jazz singer. 

By the mid-60’s Wilson was a star in her own right.  1964 she released what became her biggest hit on the Billboard Hot 100, (You Don't Know) How Glad I Am, which peaked at No. 11.  From 1963 to 1971 Wilson logged eleven songs on the Hot 100, including two Christmas singles.

                                    Nancy Wilson at the peak of her career.

Wilson was featured on all of the top variety shows including the Ed Sullivan Show, the Smothers Brothers Comedy Show, and Carol Burnett as well as on talk shows from the Tonight Show with both Jack Paar and Johnny Carson, to Mike Douglas, and Arsenio Hall.  She had her own series on NBC, The Nancy Wilson Show in the 1967–1968 season—a stunning breakthrough for a Black female artist—for which she won an Emmy.

Her good looks and statuesque figure led to acting.  At first appearing as herself or fictional singers on programs like I Spy and The FBI she was soon doing dramatic guest spots on several series including Room 222, Hawaii Five-O, and Police Story.  More recently she had recurring roles on Moesha, and The Parkers.

Nancy Wilson, Eartha Kitt, Sydney Poitier, and Sammy Davis Jr. at Martin Luther King's funeral.

Despite a booming career in the ‘60’s and ‘70’s and warning that it would kill her career with white audiences, Wilson found time to be an active supporter of and participant in the Civil Rights Movement including participation in the Selma to Montgomery March for voting rights.  In recognition of that work she was won the Urban Leagues Whitney Young Award, and NAACP Image Award, was honored by the Martin Luther King Jr. Center for Nonviolent Social Change, and was inducted into the International Civil Rights Walk of Fame at the Martin Luther King Jr. National Historic Site of which she said, “This award means more to me than anything else I have ever received.”

Although her days of hit singles were over by the mid-70’s Wilson continued to record critically praised albums for decades.  She won two of her three Grammy Awards—the first was in 1965 for Best R&B Recording for How Glad I Am—for jazz albums late in her career, R.S.V.P. (Rare Songs, Very Personal) in 2005 and Turned to Blue in 2007, both on the MCG Jazz label.

Wilson at the 2007 Grammy Awards.

Wilson reaped many more honors and continued to record, tour, and act until ill health forced her to retire from touring 2008.  She made a final public appearance on September 10, 2011, at Ohio University in Athens, Ohio where she noted “I’m not going to be doing it anymore, and what better place to end it than where I started—in Ohio.”

In 2001 Wilson released A Nancy Wilson Christmas with all proceeds benefiting the Manchester Craftsmen’s Guild, a Pittsburg non-profit that promotes music and the arts to poor and minority children.  That fine LP, did not, however, include her wonderful 1969 cover of The Christmas Waltz originally written by Sammy Cahn and Jule Stynefor Frank Sinatra in 1954.  No one has ever done that lovely song better.

Christmas in My Home Town Charlie Pride—Murfin ’s Carols for Corona and Winter Holiday Music Festival

14 December 2020 at 11:42

[youtube https://www.youtube.com/watch?v=lE1_35PlWI0]
                                            Christmas in My Home Town by Charley Pride.
 

Word came Saturday the Charley Pride, the first Black singer to carve out a long and successful career in country music died of complications of the Coronavirus at the age of 86.  Some other performers have speculated that he might have been exposed at the Country Music Association Awards (CMA), which were held indoors at the Music City Center in Nashville, Tennessee, on November 11 and where he was presented the Willie Nelson Lifetime Achievement Award.  

Although the CMA said it screened attendeesfor the virus and “took precautions” social distancing was not practiced and few, if any, wore masks.  Several acts had to cancel appearances when they or members of their bands or crew tested positiveincluding Lee Price, Lady A, Rascal Flats, and Florida Georgia Line.  Pride was reported to have tested negative “multiple times” after returning to his Dallas, Texas home, but those tests might have been conducted after he had become exposed but before he was symptomatic.

Charley Pride's performance on the CMA Awards show in November was his last major public appearance.

Despite the pandemic, 2020 had been a career crowning year for Price.  In addition to his CMA Lifetime Achievement Award he was at long last inductedinto the Country Music Hall of FamePrevious honors included three American Music Awards, four Grammys including a Lifetime achievement award, the Academy of Country Music Pioneer Award, and three previous CMA Awards for Entertainer of the Year and Male Vocalist of the Year.  He was one of just three Black members of the Grand Ol’ Opry along with harmonica whiz DeFord Bailey and Darius Rucker.

Country music roots were tangled inexorably with Black folk music, each influencing the other.  African slaves brought the banjo and Scotch-Irish fiddling was adapted to Black dancingBallads like John Henry, Frankie and Johnnie, and House of the Rising Sun were sung and adopted by both.  European hymns became Black gospel musicand showed up again in White churches in the new form. Field calls and shout and response laid the foundation of the blues.  Delta bluesmen introduced the slide guitar style that would become a backbone of country music and Western Swing on the electric steel pedal guitarLouis Armstrong played on Jimmer Rodgers’ famous Blue Yodel #9 recording.

According to Patrick Huber, a history professor at Missouri University of Science and Technology in his 2013 essay Black Hillbillies: African American Musicians on Old-Time Records, 1924-1932, hillbilly featured a higher frequencyof integrated recording sessionsthan any other genre except vaudeville blues. Nearly 50 African-American singers and musicians appeared on commercial hillbilly records between those years because the music was not a white agrarian tradition, but a fluid phenomenon passed back and forth between the races.  Black and white musicians often played the same barn dances even in the Deep South.

DeFord Bailey with a megaphone strapped to his harmonica at the WSM microphone.  He was a founding member of the Grand Ol' Opry and the last until Charley Pride.

But by the early 1930’s recording companieswere splitting their record labels and marketing into white hillbilly music and “race music.”  Only occasionally on the vaudeville stage were a handful of African-Americans allowed to perform with white acts as comic relief and usually adopting minstrel show stereotypesand even blackface.  DeFord Bailey was the only performer from the cross-fertilization period to finally allowed to join the early WSMGrand Ol’ Opry. But Bailey’s race was mostly hidden from his radio audience, and when he did go on tour with the Opry, he was forced to find separate accommodations in a segregated South. “He was a mascot—he was very much treated paternalistically,” Huber said. Bailey was fired unceremoniously in 1941 and spent the rest of his life shining shoes

As hillbilly music, cowboy music, and western swing blended together in post-World War II America as country music it was as whites only as a Mississippi drinking fountain or lunch counter.

Ray Charles' Modern Sounds in Country and Western Music was a smash hit on the Country, R&B, and pop charts, but it was an anomaly. 

Rhythm & Blues (R&B) star Ray Charles first breachedthe wall in 1962 with his phenomenally popular Modern Sounds in Country and Western Music which included his hit I Can’t Stop Loving You.   Not only did he top the R&B and Country Chartsbut also crossed over to pop chart success.  The album was so successful that it helped boost all of country music to a mainstream audience. Charles went on to make a follow-up Vol. II, but afterwards turned from country music to play bluesy jazz and soul music and to take a career hiatus while he battled heroin addiction.

That was the world Charlie Pride found himself in when he tried to break into country music in the mid-1960

Pride was born on March 18, 1934, in Sledge, Mississippi, the fourth of eleven children of poor sharecroppers.  He came by his love of country music because it was all he heard on the radio.  By his teens he was noodling around on an old guitar and trying to imitate the twang of his heroes like Roy Acuff, Hank Williams, and Ernest Tubbs.  

A baseball card from Charley Pride's time with the Memphis Red Sox of the Negro American League.

But his dream was to follow his older brother into baseball.  In 1952, he pitched for the Memphis Red Sox of the Negro American League. In 1953, he signed a contract with the Boise Yankees, the Class C farm team of the New York Yankees. During that season, an injurycaused him to lose the mustard on his fastball, and he was sent to the Yankees' Class D team in Fond du Lac, Wisconsin.  His career was interrupted when he was drafted into the Army in 1956. After basic training, he was stationed at Fort Carson, Colorado, where he was a quartermaster and played baseball team which won the All Army championship. When discharged in 1958, he rejoined the Memphis Red Sox.  As a Negro League player he was a two-time All Star and tried out with the Major League Angels and Mets in the early ‘60s but failed to make either team.

He was out of baseball and working construction in Helena, Montana when he was recruited to play for the semi-pro East Helena Smelterites where most of his earnings were from a job reserved for players at local Asarco lead smelter.  That was grueling, hot work and exposed him to all of the hazards of toxic lead.  But his seemingly dead-end baseball career open a door to another possibility when Pride’s manager heard him singing in the locker room and hired him to sing for 15 minutes before home games.  He was paid $10 for each performance, the same as he was paid to play.  Soon he was playing around Montana covering country music favorites with his rich baritone voice and authentic twang.

Before he even left Montana Price was trying to get Nashville interested in his music.  He was encouraged by some important singers like Red Sovine and Red Foley,  But in several trips there he found doors shut in his Black face at record labels.  Finally guitar legend and producer/executive Chet Atkins submitted a demo tape to the company without identifying him as Black.  The label signed him in 1966 and he released his is first two singles with little fanfareor support but they got behind the third, Just Between You and Me, received the full support of the label’s A&R team.  Copies were brought to disc jockeys with promotional brochures calling the artist Country Charlie Pride but the customary photo was omitted, as was any mention of Price’s race.  The song reached #9 on Hot Country Songs list in 1967 and was nominated for the Song the of Year Grammy the next year.

Charley Pride in the 1960s.  His first singles were sent to DJs without promo photos like this.

Pride race was not a total secret.  He and a back-up combo had played club dates in Montana, Tennessee, and Texas, but most radio listeners and record buyers were still unaware.  He had a hard time booking major venues or joining packaged tours of country star until he got a shot at a show at Olympia Stadium in Detroit. The Motor City was the home of a large Appalachian diaspora community attracted by the auto industry and World War II Defense plants.  Since no biographical information had been included with his singles, few of the 10,000 country fans who came to the show knew Pride was Black until he walked out on the and only discovered the fact when he walked onto the stage.  Enthusiastic audience applause trickled off to silence Pride later remembered. “I told the audience, ‘Friends, I realize it’s a little unique, me coming out here—with a permanent suntan—to sing country and western to you. But that’s the way it is."  His strong show won them over.

About the same time after 10 years in Montana, Pride moved his family to Texas where he could more effectively pursue his career.  Not moving to Nashville was intentional.

He never became involved in the Civil Rights Movement or made political statements, which helped the country audience eventually accept him as a “good Negro.” He was criticized for this by some Black leaders, but it was the only way his career could thrive.  Even so some of his appearances in the Deep South drew protests and occasional threats.  The public support of some of the biggest names in the business like Johnny Cash gave him some protection.

Pride’s career really took off with several singles charting over the next few years, his albums selling well, and he was booked on national TV shows.  In 1967, he became the first Black performer to appear at the Grand Ol’ Opry since founding member DeFord Bailey, who had last appeared in 1941—but he was not invited to officially join the Opry until 1993,

Between 1969 and 1971, Pride had eight singles that reached #1 on the US Country Hit Parade and also charted on the Billboard Hot 100 culminating in his 1971 crossover hit Kiss an Angel Good Mornin’ which became his signature tune and most honored song.  In 1969, his compilation album, The Best of Charley Pride, sold more than one million copies, and was awarded a Gold Record. Elvis Presleywas the only artist who sold more records than Pride for RCA Victor. 

He continued to chart hits through the ‘70s and early 80s.  Eventually, like most other older country stars he was banished by the new tightly formatted country radio stations that favored hot younger acts with a rock-influenced style.  But a loyal fan base continued to attend Pride’s concerts.

In the first two decades of the 21st CenturyPride was re-discovered by young country artists.  While the genre remained white dominated, he paved the way for Darius Rucker, the formerfront man of the pop group Hootie & the Blowfish and now a handful of new artists including Mickey Guytonr, Rhiannon Giddens, and even rapper Lil Nas X.  He was also showered with career capping honors.

Today we will turn to Charlie Pride’s title song from his 1970 RCA Victor album Christmas in My Home Town.

People Look East—Murfin ’s Carols for Corona and Winter Holiday Music Festival

13 December 2020 at 10:32

[youtube https://www.youtube.com/watch?v=2V3B1is7ddw]
                            People Look East, an Advent carol sung by the Houston Chamber Choir.

Today is the Third Sunday in Advent and past time to share a true Advent Carol.  As you might recall churches that honor the liturgical calendar traditionally did not sing Christmas hymns and carols until Christmas Eve and continued singing them until the Feast of the Epiphany.  The Advent season had its own songs, the best known of which is O Come O Come Emanuel.  In practice many American churches blur the distinction these days.

Each Christian denomination has its own selection of Advent carols in their hymnals, some widely shared with others, some unique and tailored to the sect’s particular Christology or theology.

British poet and writer Eleanor Farjeon wrote the words for People Look East.

Among the loveliest is People Look East. The lyrics were written by London poet/writer Eleanor Farjeon (1881-1965) best known for her text to the Irish tune Bunessan, and Morning Has Broken which became a pop hit for Cat Stevens as well as children’s poems.   Originally titled Carol of Advent, it appeared in the Oxford Book of Carols in 1928 as a “Modern text written or adapted to a traditional tune.  The tune was Besançon, a spritely French carol or dance melody from the Franche-Comté region.  Its popularity grew when it was included in the annual Festival of Nine Lessons and Carolsat King's College, Cambridge which was broadcast nationally by the BBC.


It took a while to catch on in the U.S.  Neither the 1948 or 1981 editions of the Episcopal Hymnal included it.  It has since become a favorite of choir directors especially among High Church Anglicans and Lutherans but has also made it into the Unitarian Universalist Singing the Living Tradition. 

The Houston Chamber Choir with musical director Robert Simpson.

Today’s version was featured by the impressive Houston Chamber Choir under the direction of Robert Simpson in their 2013 Christmas concert.

Le Canta a la Virgen de Guadalupe—Murfin ’s Carols for Corona and Winter Holiday Music Festival

12 December 2020 at 18:00
                                             Le Canta a la Virgen de Guadalupe sung by Beatriz Adriana. Note a rare Holiday two-fer today! Today is the Feast of Our Lady of Guadalupe, Queen of Mexico and Empress of the Americas, Patroness of the Americas, and most recently Patroness of the Unborn.   An image of her preserved on cloth in a Mexico City Basilica is the object of almost universal adoration in Mexico and among the large Mexican diaspora in the United States.   She has been called the “rubber band which binds this disparate nation into a whole.”   Mexican literary icons have attested to her importance.   Carlos Fuentes said that “you cannot truly be considered a Mexican unless you be...

Candlelight The Maccabeats—Murfin ’s Carols for Corona and Winter Holiday Music Festival

12 December 2020 at 08:00

[youtube https://www.youtube.com/watch?v=qSJCSR4MuhU]
                                            Candlelight by The Maccabeats.

One more for Hanukkah!  This might be the most popular contemporary Hanukkah song with over 15 million YouTube views since it was released 20 years ago by The Maccabeats.  It has since become a mainstay in Jewish religious education and music classes for its hip retelling of the Maccabean rebellion against the Greeks and the customs surrounding the observanceof the Miracle of the Temple Lamp.

A hip retelling if the story of the Maccbees who whooped Seleucid Greek ass and reconquered Jerusalem after a long, bloody war.  Hanukkah celebrates the miracle of the Temple Lamp burning for eight days although only one day's worth of ritually purified oil was on hand.

Candlelight was the first of what became annual holiday videos by The Maccabeats, then students at the Orthodox Yeshiva University in New York City.  The 14 member a cappella group was organized by Julian (Chaim) Horowitz in 2007.  By 2010 the were in the university’s graduate school when they released their first CD, Voices from the Heights which was underwritten by a grant from the school.  The album initially sold only 5,000 copies but their Hanukkah video attracted two million hits in its first ten days.  The group was invited to sing at both the Israeli Knesset and twice at Barack Obama’s White House.

Now all graduated, members married, started secular careers, and movedall over the country but they continue to meet virtually weekly to rehearse and record.  A quartetof the members makes personal appearances

In 2015 they released an EP collection of their first five Hanukkah songs, A Maccabeats Hanukkah

All 14 members of the Orthodox Jewish  a capella group The Maccabeats. 

Candlelight is a parody of Mike Tompkins’ a cappella music video for Taio Cruz’s Dynamite.  The video was directed by fellow Yeshiva student Uri Westrich who left medical schoolto pursue a career in filmmaking and continues to direct all of The Maccabeats’ videos. 

Hanukkah’s Flame by Woody Guthrie—Murfin ’s Carols for Corona and Winter Holiday Music Festival

11 December 2020 at 08:00

[youtube https://www.youtube.com/watch?v=QcCrP24_Rww]
                        Hanukkah's Flame by Woody Guthrie performed by Nefesh Mountain.
 

Today’s Hanukkah song may come to a surprise to many.  It was pennedby a non-Jewish OkieWoody Guthrie, the American folk music icon and radical activist.

When Nazi Germany invaded the USSR Guthrie and the other members of the loose collaboration of musicians known as the Almanac Singers had to pivot on a dime and abandon their earlier anti-war pacifism and become anti-fascist/anti-Nazi.  In songs like The Good Ruben James about an American freighter torpedoed and sunk by a U-boat Guthrie and his pals tried to whip up public sentiment to enterthe war. 

When the U.S. finally did get in the fight after the attack on Pearl Harbor Guthrie joined the Merchant Marine with Almanac pals Cisco Huston and Jim Longhi.  He shipped out in trans-Atlantic convoys during the Battle of the Atlantic until the government yanked his seaman’s papers for being a “premature anti-fascist” and probable Communist. 

Woody Guthrie in his Army fatigues in 1945.  The rebellious Okie was not a very good soldier.

Beached he was drafted into the Army in 1945.  Entering the service late in the war as an over-age private, Guthrie never got overseasand his deep natural anti-authoritarian streak made him a bad soldier.  He spent most of his time on KP. 

But he did make it back to New York from time to time on leave.  He had divorcedhis first wife Mary Etta Jennings and soon took up with Marjorie Mazia, the former principal dancer in Martha Graham’s famous troupe and a dance teacher.  They already had their first child together, Cathy, in 1943.  The couple wed on one of those leaves in 1945. 

                        Woody and Marjorie--a happy couple in Coney Island.

Marjorie was Jewish and the couple settled in Coney Island, a working class neighborhood around the famous amusement park.  Guthrie became entranced with her religion and traditions learning from and collaborating with his mother-in-law, the Yiddish poet Aliza Greenblatt and also enjoyed playing on neighborhood stoops for the Jewish, Italian, and other immigrant children.

During this time he wrote several poems or song lyrics inspired by Judaism in his voluminous notebooks.  Among them was Hanukkah’s Flame.  It is unclear what melody Guthrie intended for the song, or if he ever performed it even for the local children. 

Nefesh Mountian--Old Timey music with a Jewish twist.

Years after her father’s death Nora Guthrie, Marjorie’s daughter and Arlo’s sisterbegan to curate Woody’s notebooks and launched a project to give the unpublishedsongs in them new life by asking contemporary musicians to put them to original music in a wide variety of genre.  Music for Hanukkah’s Flame was written by Frank Londonand recorded Nefesh Mountain, a bluegrass and old-time band with a Jewish perspective at the Chapel at Beth Elohim in Park Slope Brooklyn with founders, and husband and wife, Eric Lindberg and Doni Zasloff, with Alan Grubner on violinand Tim Kiah on bass.

Hanukkah Songs—Murfin ’s Carols for Corona and Winter Holiday Music Festival

10 December 2020 at 08:00

[youtube https://www.youtube.com/watch?v=ntyoVaAHWM8]
                                            Yiddish Hanukkah songs from Israel.

Hanukkah begins tonight with the lighting of the first candle on the Menorah at sundown.  This is the celebration of the miracle of light that occurred when Judah Maccabeeliberated the Temple in Jerusalem but only had enough purified oil to burn one night.  But the oil was enough to light the Menorah for 8 days until more could be ritually purified.  It is a joyful celebration of liberation and of enduring through dark and dangerous times.  It is primarily observed privately over eight days in Jewish homes rather than being a synagogue ritual.  It is especially treasured because it persisted through the darkest hours of the Holocaust and was even kept secretly in Nazi death camps.


This year this coincides with Human Rights Day, a United Nations celebration commemorating the adoption and proclamation, of the Universal Declaration of Human Rights (UDHR) on this date of that charter which was shepherded to adoption by former U.S. First Lady Eleanor Roosevelt.  The declaration was deeply influenced by the horror of the Holocaust.

For years American Jews swamp upstreamagainst the torrent of Christmas music this time of year.  Only the children’s song about a traditional gambling game, Dreidel, Dreidel, Dreidel was commonly played.  That is what encouraged comedian Adam Sandler to write and perform The Chanukah Song on Saturday Night Live in 1994.  Since then a number of artists, including American singer/song writers and Israeli ensembles have added new music.  

                                                           

Today we will begin with a selection taken from the album Hanukkah Songs—a comprehensive collection of Hanukkah songs including songs in Hebrew, English and Yiddish featuring traditional and folk performances by leading artists from Israel.

Happy Holiday—Murfin ’s Carols for Corona and Winter Holiday Music Festival

9 December 2020 at 13:17

[youtube https://www.youtube.com/watch?v=VHiFDmyC-kw]
                                            Irving Berlin's Happy Holiday by Peggy Lee.
 

Hanukah, which begins at sunset tomorrow night, reminds us why many folks use Happy Holidays or Season’s Greetings as an alternative greeting this time of year when there are multiple holidays celebratedby different faiths.  And until not so very long ago folks were just fine with that.  Then came the ludicrous and entirely mythical War on Christmas which was cooked up by right wing propagandists as a hand grenade to be lobbed at Jews, secularists, and liberalsto rally conservative Evangelicalsand Catholics to a real culture war.  Now enraged guys in MAGA hats are out screaming at harried retail clerks, filling newspaper letters to the editor columns with vitriol, and of course trolling social media.  So much for the season of Peace on Earth, Goodwill to Men.

Happy Holiday was the opening number of the Irving Berlin movie musical Holiday Inn 

Irving Berlin penned the song Happy Holiday for the 1942 Paramount musical Holiday Inn staring starring Bing Crosby and Fred Astaire, with Marjorie Reynolds, and Virginia Dale.  It was a frothy confection thin on plot but featuring a dozen of Berlin’s holiday themed songs including the introduction of the secular classic White Christmas and Easter Parade.  The song Happy Holiday commonly regarded as a Christmas song, was performed as the movie’s opening number on New Year’s Eve, and expressed a wish to enjoy “happy holidays” throughout the entire year.  Recorded many times by various artists it was called the plural Happy Holidays as often as not.

It is unclear if Berlin, a very secular Jew married to a Catholic woman, had a broader sense of holiday inclusion when he wrote the song.  But many have embraced Happy Holidays as a cheerfully inclusive seasonal song.

But it wasn’t until the mid-1950s that the song became a staple of holiday albums.  Jo Stafford was the first to release it on a Christmas album in 1955.  In 1963 Andy Williams sang it in a medley with The Holiday Season Kay Thompson on his album and it has become an oft-played staple of specialty Christmas radio.

Peggy Lee's Happy Holiday album cover as re-mastered for stereo.

Two years later sultry jazz chanteuse Peggy Lee included it as Happy Holliday on her album of the same name.  It became her seasonal signature song and was repackaged on several other albums.  The version we are sharing today features a charming animation that is currently making the rounds.


Wishing you all Happy Holidays plural!

Groups Call on the McHenry County Board to End ICE Contract

8 December 2020 at 12:38

 New McHenry County Board Chair Mike Buehler and Board members Board Members—Republican Tracie Von Bergen and Democrats Jessica Phillips, Theresa Meshes,  and Tanya Jindrich  will soon  have to considering ending the County Jail contract with ICE.
 

Yesterday new McHenry County Board MembersRepublican Tracie Von Bergen and Democrats Jessica Phillips, Theresa Meshes,  and Tanya Jindrich  as well as new Board Chair Mike Buehler were sworn into office at a special meeting in Woodstock.  The new Board will soon take up deferred considerationof ending the contract to use the top floor of the County Jail as Federal immigrant detention center.  Buehler has not yet tipped his hand on his attitudeon the issue but the addition of the new Democrats and another to be appointed to fill out the term of Suzanne Ness who was elected to the Illinois General Assembly the Board will have more friendly ears on the subject.

In addition the death of Chuck Wheeler, the Board’s most voracious critic of ending the contract, will give Buehler the opportunity to appoint a replacement.  Will he appoint a moderate, as he painted himself in his campaign, or will he bow to local Republican leadership which is firmly in the hands of right-wing ideologues and Trumpists.  Pending that appointment there may be a few Republicans who might be open to ending the contract on fiscal but not moral grounds.

Members of many of the signatory groups participated in rally at the McHenry County Jail on December 4 to demand an end to the ICE contract.  Another event is scheduled there on Thursday, December 17 from 8:30-9:30 am.

A coalition of social justice, Latino, and racial justice groups joined together to issue an appeal to the new Board.  The Tree of Life Unitarian Universalist Congregation Social Justice Team was proud to be a signatory.  The following press release  discussed the message to the Board.

Supporters and organizations have come together to form a coalition to demand that you, the McHenry County board, cancel the contract with ICE.  Immigrant organizations are leading this fight and together we will all work tirelessly to continue to create awareness in our community and beyond.

From our Immigrant organizers: Nosotros rechazamos la expansión de la migra en nuestro estado. Sabemos que la migra existe para perfilarnos, acosarnos y dividirnos de nuestras familias con un presupuesto exagerado y una historia malévola y racista tanto aquí como en la frontera.  A la vez ha sido muy lucrativa para la migra y sus subcontratistas que forman para de un sistema que se aprovecha tanto de nuestra labor como de nuestra detención. Immigrants are not for sale!  Es nuestro derecho y nosotros lo merecemos.

We believe that immigrants are deserving of the same human rights we are all entitled to. We should not let borders stand between us and compassion. In a country founded on immigration and the conquest of foreign land, it is hypocritical of us to decide who deserves dignity based on the origins of birth. In the land of freedom and opportunity we should be understanding of those who want to seek a better life. The crimes committed against individuals by caging, separating and restricting the mobility of another are ones that come at the expense of our own humanity.

Our country claims to pride itself on diversity, inclusion and strives for equity, yet the actions of ICE are in direct contradiction of those values and our beliefs as community members of this society.

The actions of ICE are deplorable and morally reprehensible both locally and nationwide. Some people are still unaware that McHenry County has housed an ICE facility for 16 years in our community of Woodstock, Illinois. Immigrants from all over the Chicagoland area and throughout our nation are sent here to be incarcerated.

We are all descendants of immigrants, and as immigrants it is our obligation to help improve the quality of life for all. Instead of creating family separation and upholding systemic oppression and human rights violations, we can help people navigate the systems of this country in order for them to thrive and continue to be active members of society. We believe that we should treat asylum seekers with dignity and respect.

We can no longer be complicit in detaining immigrants at the cost of community values putting profit over people. We have witnessed the atrocities that ICE partakes in at the national level and refuse to have this type of violence. 

Immigrants are not for sale!  We will not rest until the contract is cancelled.

Federación de Migrantes Unidos por Veracruz

Solidaridad de Dupage/Centro de Trabajadores Casa DuPage

Coalición de Migrantes Mexicanos

Federación Hidalguense en Illinois y Medio Oriente

Immigrant Solidarity Dupage

Standing Up Against Racism- Woodstock

Elgin in Solidarity with Black Lives Matter

Activists for Racial Equity (Crystal Lake)

Elgin Coalition for Immigrant Rights

Tree of Life UU Congregation Social Justice Team

Occupy Elgin

Fox Valley Citizens for Peace and Justice


Jingle Bells—Murfin ’s Carols for Corona and Winter Holiday Music Festival

8 December 2020 at 08:00

[youtube https://www.youtube.com/watch?v=SABWU6im1do]
                                                     Diana Krall recording Jingle Bells.

Today we delve into the category of Christmas songs that really aren’tJingle Bells never mentions Christmas and was nevermeant to be associatedwith the holiday at all.  Yet it has become the most oft-recorded secular seasonal songbecause its catchy, bouncy melody is easily adaptable to almost any musical style.  Also because it is in the public domain and thus a cheap addition to any holiday album.

The song’s origins stretch back more than 150 years. James Lord Pierpont was the prodigal younger son of the Rev. John Pierpont, a close associate of William Ellery Channing and an influential figure in the founding of American Unitarianismwho latter rose to prominence as an ardentabolitionist . AmongJames’s siblings were John Jr.,another future Unitariancleric and a sister, Juliet, who became the mother of arch capitalist J.P. Morgan.

                      James Lord Pierpont.

The artistically inclinedyoung James was the preverbal preacher’s son—restless with restrictions at home, rebellious, and often in trouble. Born in 1822, he ran away to sea at the age of 14 aboard the clipper ship Shark. Another rebellious Unitarian lad of the same period was Richard Henry Dana, whose account of misery at sea in his book Two Years Before the Mast that shocked the sensibilitiesof mercantile New England.

Returning to New England he married and fathered three children while casting about in a series of failed business ventures. Lured to California by the Gold Rush of 1849 he thought to strike it rich not by mininghimself, but by taking tin types of the newly rich prospectors. But like his other ventures, his San Francisco photography shop ended in failure.


The historic Savannah Unitarian Church, the largest in the South, where James Pierpont's brother was the minister and where he was employed as the organist.  The church posts it claim on Jingle Bells on the historical marker out front.


After his first wife died in 1853 he took his young family to join his brother, the Rev. John Pierpont, Jr., minister of the Unitarian Church in Savannah, Georgia, which was the largest Unitarian congregation in the South.  He took up residence and earned a modest living as organist in his brother’s church. Eventually he also set himself up in business selling house paint, varnish, wallpaper, window glass, and art supplies.  In 1857 he married the daughter of a prominent Savannah civic leader who would go on to serve as the city’s Civil War mayor.

Sometime during those years, restless as ever and lonesome for his lost New England childhood, he penned a song he called The One Horse Open Sleigh.  He may have drawn as inspiration a sleighing party that he had rapturously reported to his mother in an 1832 letter.

This popular Currier & Ives print embodied the fun and romance of New England winter sleighing, although this couple was pulled by a pair of horses and their tails have not been bobbed.

In snow bound New England the sleigh was both a necessary form of transportationand a winter diversion. There was a whole genre of sleighing songs. The best known today, Over the River and Through the Woods is associated with that quiescently New England holiday, Thanksgiving.  But it accounted a family expedition in a large, multi-passenger sled of the sort often pulled by a team. Pierpont's song was about a cutter, a fast two seat light sleigh often pulled by a thoroughbred trotter. It is a courtship song, with a young man out to impress Miss Fanny Bright with his speed and daring until he miscalculates the depthof a drift and the sleigh becomes “up sot.”

The song may have mystified his brother’s Southern parishioners, but James mailed copies home and it was sung in Medford, Massachusetts at Thanksgiving parties sometime in the mid 1850’s. This would lead to a later spurious claim that the song had been written there.

James copyrighted and publishedthe song in 1857. Two years later it was issued in a new edition as Jingle Bells or the One Horse Open Sleigh. Within a decade it was a popular American parlor sing-a-long favorite, linked in the public’s mind with the colorful Currier & Ives prints of sleighing scenes that adorned many homes.  It was considered a winter song, but not a Christmas one.

Unfortunately, James never profited much from royalties from the song. 

Dark clouds were gathering that would change his life forever.  As  the  passions  stirred  by  the  1860 presidential election grew heated brother John,  an  abolitionist  like his  father,  was  forced to give up his pulpit and return to the North costing James his job  at  church.  James remained in Savannah, now an ardent supporter of the Southern cause.  After war broke out the combination of a war economy and the increasingly effective blockade of Southern ports destroyed James’s shaky business venture.

At the age of 40 he enlisted as a clerk in the First Georgia Battalion, which became a part of the 5th Georgia Cavalry. Although he was a gentleman with connections to a leading aristocratic family, James never rose above the rank of private. He remained in the Confederate Army for the duration of the war, although his rear echelon unit saw little action, mostly patrolling in defense of railroad lines and later scouting Yankee positions during the Atlanta campaign.  His greatest contribution to the Confederate war effort came as the composer of patriotic songs including We Conquer or Die, Our Battle Flag, and Strike for the South.   Meanwhile his father and brother served as chaplains in the Union Army.

After the war there were hard times in the South and James and his family shared in them. Eventually he found a niche as professor of musicat Quitman Academy. He spent his last years in Florida at his son’s home in Winter Haven before dying in 1893.

Jingle Bells may not have been his only contribution to seasonal music. According to the 1994 book American Christmas by Jim Harrison, “For many years Martin Luther was credited with writing one of the best loved Christmas songs, Away in a Manger .. .but history now has evidence to dispute his authorship. An American, James Pierpont, is currently believed to be the author.” UUA historian Peter Hughes doubted the claim, however. Although the song is undoubtedly American dating from some time in the 1880’s, its origins are murky, probably Lutheran although the lyrics were first published as a poem in a Universalist periodical.

Sleigh bells are featured in many recordings of Jingle Bells.

Away in a Manger aside, James Pierpont’s claim on our seasonal culture is indisputable.  By the early 20th Century, as the automobile was replacing the horse, Jingle Bells was being melded into the general sentimentality of the Christmas season. In the days before the explosion of popular secular holiday songs like White Christmas, I’ll Be Home for Christmas, Have Yourself a Merry Little Christmas, and The Christmas Song, it provided a much needed non­ religious song suitable for performance in public schools and in mixed gatherings. The simple, lively tune was easy to sing and easy to adapt to a host of musical styles. It has become an indisputable Christmas classic.

Diana Krall is a contemporary jazz pianist and vocalist with pop appeal.

There are so many versions of Jingle Bells in so many styles that it is difficult to pick one.  This year let’s go with some sleek, modern jazz   courtesy of this 2005 Verve recording session featuring Diana Krall and a swinging studio band.         

 

Mele Kalikimaka—Murfin ’s Carols for Corona and Winter Holiday Music Festival

7 December 2020 at 10:49

[youtube https://www.youtube.com/watch?v=hEvGKUXW0iI]
                                                    Mele Kalikimaka by Bing Crosby and the Anderson Sisters.

Seventy-nine years ago today the Japaneselaunched their devastating surprise attack on Pearl Harbor thrusting the United States into a bloody worldwide conflagration and forever altering the lives and destinies of millions.  It also cast a somber pall over Christmas festivities getting underway stateside, but how, exactly, do we find inspiration for a Winter Holiday Music Festival post?.  The answerHawaiian music!

World War II Gobs paid good money to pose with "hula girls" at Honolulu storefront photo studios.

Millions of GI’s, sailors, and airmen were either based in the Islands or stopped there on their way toor from the theaters of operationsin the Pacific and Asia.  Most had enough time in paradise to come home with souvenirscarved coconuts, paper leis, flowery shirtshula girl tattoos, and maybe a doseof VD picked up in Honolulu’s infamous brothels which were much grittier than the one depicted by James Jones in From Here to Eternity. And, of course, they came home with memories of and affection for Hawaiian music.

Traditional Hawaiian Polynesian musicians with gourd drums and rhythm sticks.

The Hawaiians, of course had traditional music before Captain Cookdiscovered” the islands.  They shared a Polynesian traditions of drums, other percussion instruments like striking sticks and rattles, simple flutes, and conch shell trumpets accompanying chants and dances.  Visiting sailors, mostly whalers, introduced some Western music and instruments in the early 19th Century

The Hawaiian royal family was deeply interested in music and fostered the importation of European classical and band music into the cultureKing Kamehameha V (1863-’72) secured the services of Prussian military bandleader, Henri Berger from Kaiser Wilhelm I to instruct the royal family and train native musicians and also formed the Kings Own Band, now the Royal Hawaiian Band under the direction of William Mersberg, from Weimar.  Liliʻuokalani was the lastQueen of Hawaii before the Hawaiian monarchy was overthrown was an apt pupil of Berger and a prolific composer.  Among her works was the most universally recognized Hawaiian song, now a virtual unofficial anthem,  Aloha ‘Oe.

Liliʻuokalani, last Queen of Hawaii, composed  Aloha ‘Oe in 1878 while she was still a princess.

Guitars were likely introduced on the islands by Mexican vaqueros, brought there by King Kamehameha III in 1832 in order to teach the natives how to control an overpopulation of cattle.  Portuguese  sailors  introduced the called the braguinha, a small, four-stringed of the cavaquinho and the precursor of  the `ukulele. In 1879 ship called the Ravenscrag arrived in Honolulu bringing Portuguese field workersfrom Madeira. Legend has it that one of the men, João Fernandes, later a popular musician, tried to impress the Hawaiians by playing folk music with a friend’s braguinha; it is also said that the Hawaiians called the instrument `ukulele (jumping flea) in reference to the man’s swift fingers.

Steel-string guitars also arrived with the Portuguese in the 1860s and slack-key style had spread across the chain by the late 1880s. Slack-key was a uniquely Hawaiian style of tuning a steel-strung guitar They re-tuned the instruments to sound a chord—now  called open tuning—and played not with a flat pick, but plucking the strings.   Together the new guitar style and the `ukulele were central to the development of a unique new Hawaiian music. 

In 1904, Joseph Kekuku, inventor of the Hawaiian steel guitar, left Hawaii to perform on the American West Coast. Newspaper critics called him the “world’s greatest guitar soloist.”

About 1889 Joseph Kekuku began sliding a piece of steel across the strings of a guitar inventing steel guitar (kikakila) about the same time, traditional Hawaiian music with English lyrics became popular.  From about 1895 to 1915, Hawaiian music dance bandsbecame in demand. Typically string quintets they were influenced by Ragtime rhythms  and English words were commonly used in the lyrics. This type of Hawaiian music was called hapa haolehalf whitemusic.  In 1903, Albert “Sonny” Cunha composed My Waikiki Mermaid, the first popular hapa haole song.

The Victor recorded their first Hawaiian sessions, twenty songs in all, in 1906 in Honolulu and Hawaiian bands were introducing the music to California.  A Broadway show, Bird of Paradise introduced Hawaiian music to many Americans in 1912 and the Panama–Pacific International Exposition in San Francisco followed in 1915. Just one year later, Hawaiian music sold more recordings than any other style in the country.  Hawaiian acts by both natives and American performers were a staple of the Vaudeville stage until it ultimate demise.


                                                An advertisement promoting Victor's Hawaiian records.

The influence of Hawaiian instruments would be even greater in American music.  Mississipi Delta blues men were quick to adopt the slide guitar style and from them it was picked up by early “hillbilly” recording artists.  The steel guitar and dobro resonator guitars played with a slide became a defining sound of emerging country music in the 1930’s and later western swing.  The slide steel was first electrified and then adapted into the modern steel pedal guitar.

The easy-to-play uke became a fad instrument of the Roaring Twenties symbolized by Harold Teen and Joe College in the raccoon coats, bell bottom pants, and porkpie hatsAmateur ukulele bands similar to earlier mandolin bands became popular.  Cliff Edwards a/k/s Ukulele Ike was a singer and actor, who enjoyed considerable popularity in the 1920s and early 1930s, with jazzy renditions of pop standards and novelty tunes on the instrument along with his high tenor and falsetto voice.  He is best remembered now as the voice of Jiminy Cricket in Walt Disney’s Pinocchio.  Other noted uke players have included Arthur Godfrey and Tiny Tim. 

For some years the ukulele came to be considered a toy instrument for childrenbut has lately had a resurgence of popularity largely due to social media posts.

During World War II all of those Americans on the islands got a big dose of a mature, thriving, and unique Hawaiian music scene.  But they did not hear the song we are featuring today.  Instead Mele Kalikimaka was a product of the post-war years when new, powerful land-based commercial air craftlike the four engine Constellations made the islands quickly available to mainlanders at affordable prices.  Many ex-GIs were among those who brought their wives and families to a now bustling tourist destination.

R. Alexander Anderson, composer of Mele Kalikimaka and other Hawaiian Hapa haole standards.

Mele Kalikimaka was written in 1949 by Robert Alexander Anderson, a Hawaiian-born former World War I Army pilot, a successful businessman,  and the composer of many Hapa haole songs.  One of his employees casually wondered why there were no Hawaiian Christmas songs, “they take all the hymns and they put Hawaiian words to the hymns, but there's no original melody.”    Anderson set about correcting that.  He had good connections with several Hollywood figures who spent time on the Islands and was a friend and golfing partnerof Bing Crosby.  Crosby was so taken with the song he recorded it in 1950 with the Andrews Sister and sent a copy of the 78rpm single to Anderson as a surprise.  The song was popular and successful after Crosby crooned it on his annual Christmas radio broadcast.  It was also included on Crosby’s classic 1955 compilation album Merry Christmas guarantying a place for it in the Holliday canon.

The Decca single of Mele Kalikimaka by Bing Crosby with the Anderson Sisters.

The song has been covered many times including versions by Hawaiian-born Bette Midler and Hawaiian music superstar Don Ho. It has also been used in several films including L.A. Confidential, Catch Me If You Can, and National Lampoon’s Christmas Vacation. 

First Church Crystal Lake to Host Compassion for Campers this Tuesday

6 December 2020 at 18:00
First Church Crystal Lake will host Compassion for campers on December 8 . Compassion for Campers , the program that provides supplies and gear for the McHenry County homeless who have no steady shelter, will hold its next indoor distributionat First Church Crystal Lake at 236 West Crystal Lake Avenue on Tuesday, December 8 from 3:30 to 5 pm.  Compassion for Campers is rising to the challengespresented by the latest Coronavirus mitigation orders while making sure the unhoused are served. Homeless clients at the November 24 Compassion for Campers distribution at Warp Corps in Woodstock Clients will be Covid-19 screenedwith a temperature check and standard screening questions.  No one failingthe test will be turned away but we will ask w...

Jolly Old St. Nicholas—Murfin ’s Carols for Corona and Winter Holiday Music Festival

6 December 2020 at 08:00

[youtube https://www.youtube.com/watch?v=dCl4eP-pmB8]
                                                        Jolly Old St. Nicholas by the Ames Brothers.

This is St. Nicholas Day, a day when children in the Netherlands and across much of Northern Europe awake to find their stockings or shoes filled with candy, nuts, oranges, and small toys left behind in the night by the sanctified Bishop.  It is also still observed in some American families, though the practice seems to be fading.  Our three daughters always found their stockings filled until they were adults.  It is also a good day to trot out Jolly Old St. Nicholas, America’soldest secular Christmas song—if you discount Jingle Bells which was not intended to be linked to the holiday.

A traditional Catholic Feast Day in the West, it celebrates the day Nikolaos of Myra, the Greek Bishop of Myra in Asia Minor died in 346.  He is one of the most important Saints in the Orthodox traditionas well and is venerated in Greece and especially in Russiawhere he is the national patron.

                                St. Nicholas in a traditional Byzantine Orthodox icon.

But in the West Nicholas was celebrated as a patron of children and gradually morphed into the lanky, bearded Bishop in a red miter or cowl dolling out the goodies.  In America he was ultimately transformed into Santa Claus with a workshop full of elves at the North Pole, a jolly cookie baking wife, and a sleigh pulled by flying reindeer.  And he makes his rounds on Christmas Eve, not on the Feast of St. Nicholas.  Quite a transformation.

St. Nicholas came to North America with the Dutch settlers of New York and the Hudson Valley.  He was alien to the rest of the colonies, especially in New England which frowned of Christmas and all things smacking of Bishops, Saints, and Popery.

By the post-Revolutionary era he had passed on to English residents of New York.  Washington Irving, who preserved the old Dutch folk tales—and made more than a few up himself—noted that at some point prior to the 1820’s, St. Nicholas had shifted his gift giving to Christmas in areas of the Hudson Valley.

In 1823 a newspaper in Troy, New York published an anonymous poem titled A Visit from St. Nicholas that was later attributed to Clement Clark Moore.  Within years it was being re-printed annually in newspapers across the United States.  In the poem, Moore invented many of the “traditions” associated with St. Nicholas’s visit on Christmas Eve, including his reindeer and sleigh transport and a physical description of the jolly old elf that strips him of his Bishop’s regalia, dresses him in fur, and transforms him from a tall, regal figure to a rotund, bearded little man.

This new character was called Santa Claus,derived from the Dutch Sinterklassregionally, but remained better known as St. Nicholas through most of the following century.  Thomas Nast’s mid-century cartoonshelped define his appearance, including the fur trimmed cap instead of the miter, top hat, or cowl depicted in earlier illustrations.  There was not much agreement on the color of his outfit, which was often pictured as brown fur trimmed in ermine or as green or blue, until the spread of cheap popular color lithography in which artists used the bishop’s red of Europe because it showed up so brilliantly.

Jolly Old St. Nicholas on a tea box circa 1880--not quite yet our Santa Claus.

Enter Emily Huntington Miller who submitted a poem called Lilly’s Secret to The Little Corporal Magazine in December 1865, just as Nast’s drawings were cementing the new vision of St. Nickand a war weary nation was eager to devote time and love to their families and children. 

In 1867 John Piersol McCaskey, a school principal and former Mayor of Lancaster, Pennsylvania adapted Miller’s words with a few changes to music.  McCaskey included the song and his songwriting claim in his 1881 book, Franklin Square Song Collection, No. 1 and noted that it had previously been published in 1874 in School Chimes, A New School Music Book compiled by hymnist James Ramsey Murray.  McCaskey, by the way, is a direct ancestor of the Chicago Bears team owners familyMake of that what you will.

By the late 19th Century the song was a parlor piano sing-along favorite and was a staple at the Christmas pageantsthat were becoming a fixture in public schools.

                             Santa by Norman Rockwell.

St. Nicholas, St. Nick, and Santa Claus were all commonly used, with St. Nicholas holding the edge until Santa Claus won out sometime around 1930 and popular magazine cover art and commercial art by the likes of Norman Rockwell and the Saturday Evening Post and Haddon Sundblomfor Coca Cola firmly fixed the modern image of the gift giver.

The song has been recorded many times beginning with Edison cylinders and early RCA discs.  Among the more notable versions were by Ray Smith in 1949, Chet Atkins in 1961, Eddy Arnold in 1962, The Chipmunks in 1963, Andy Williamsin 1995, Anne Murray in 2001, and Carole King in 2017.  Perhaps the most commonly heard version was included in the Ray Conniff Singers 1963 album We Wish You a Merry Christmas.

But today we are listening to a version by the popular quartet the Ames Brothersrecorded in 1951 on Coral RecordsSiblings Joe, Gene, Vic, and Ed hailed from Malden, Massachusetts.  Their surname at birth was  Urickand they were the sons of  were Russian Jewish immigrants from Ukraine.  During World War II the three youngest brothers and a cousin entertained at Army and Navy bases then were booked into The Fox and Hounds nightclub, one of the fanciest night clubs in Boston under the name the Amory Brothers

As their local post-war popularity grew, older brother Joe joined the group replacing the cousin.  In 1948 they signed with Decca Records in New York but could not record for a year when American Federation of Musicians (AFM) President Joe Petrillo imposed a ban on commercial recordings to improve royalty payments to musicians.  When the ban was lifted the group, renamed again as the Ames Brothers, was the first act to record on Decca’s new Coral label. 


                        The Ames Brothers in 1955--clockwise from top: Ed, Vic, Joe and Gene

They were swept into national top billing with their first hit record, Rag Mop, in January 1950.  Over the next 13 years until the group broke up, the Ames Brothers reached the charts 49 times, were featured regulars on Arthur Godfrey’s radio show, and were one of the first acts on Ed Sullivan’sTalk of the Town TV show, and frequent guests on other shows on both media.  After the group broke up Ed Ames went on to even greater fame as a solo artist with hits like Try to Remember from The Fantasticks and portraying side kick Indian Mingo on Fess Parker’s TV series Daniel Boon.

The version of Jolly Old St. Nicholas feature an orchestra directed by Marty Manning. 

Louis Armstrong Cool Yule—Murfin ’s Carols for Corona and Winter Holiday Music Festival

5 December 2020 at 08:00

[youtube https://www.youtube.com/watch?v=oxTSxQcCWLI]
                                            Louis Armstrong with The Commanders, Cool Yule.

Louis Armstrong was the acknowledged King of Jazz when he laid down the track Cool Yule with a studio all-star pick-up band called The Commanders in 1953,  He had been practically present since birth as a young cornet player in New Orleans and had come North to Chicago to play with the King Oliver Band at Al Capone speakeasiesin the ‘20s then switched to trumpet to play with Fletcher Henderson. He fronted his own combos and even a Big Bandfor a while in the 30’s, became a radio star performing with pals like Bing Crosby and in the post-World War II era led the Esquire Jazz All-Stars at annual Carnegie Hall concerts.  In 1953 he was at the peak of his form.

Young Louis Armstrong with Fletcher Henderson's orchestra.

For the session the Commanders included arranger and conductor Toots Camarata; trumpeters  Billy Butterfield, Andy Ferretti, Carl Poole; trombonists Lou McGarity, Cutty Cutshall, Phil Giardina, and Jack Satterfield; trombonist; Alto and Baritone Sax player  Hymie Schertzer; Al Klink on tenor sax; pianist Bernie Leighton; guitarist Carmen Mastren;  bass player Sandy Block;  and drummer  Ed Grady.  Not as big names as Armstrong’s All-Stars, but an impressive list of solid session men.


Cool Yule was one of two Christmas songs recorded in the sessions.  The other and better known song was Benny Carter’s funky Christmas in New Orleans.  Cool Yule was written by Steve Allen.  It was later covered Bette Midler on her 2000 album of the same name and by The Brian Setzer Orchestra on their 2005 album Dig That Crazy Christmas.  The song was also featured in the 2001 film  Serendipity starring John Cusack and Kate Beckinsale.

John Prine Christmas in Prison—Murfin ’s Carols for Corona and Winter Holiday Music Festival

4 December 2020 at 12:29

[youtube https://www.youtube.com/watch?v=00Ig33jctXs]
                                            Christmas in Prison by John Prine.

We lost John Prine this April, another victim of the first Coronavirus.  He was 71 and had been wracked with health problems for years but continued writing, recording, and performingalmost to the end.  His once luxuriant brown locks had receded to a thin gray brush.  His face was contorted by the removal of half a cancerous jaw.  His distinctive twangy tenor had become something of a gravely rasp.  He was often in pain and sidelined for various hospitalizationsbut was soon back on the stage and the recording studio.

He had come a long way from his days as the singing Maywood Mailman and stand-out star of the old Chicago folk music scene.  His 1971 debut self-titled album on Atlantic Records was a treasure trovememorable songs—the rollicking and irreverent Illegal Smile and Your Flag Decal Won’t Get You into Heaven Any More; the bittersweet ballads Hello in There, Paradise, and Angel From Montgomery; and the gut wrenching Sam Stone.  It was a virtuoso collection that rivaled anything Bob Dylan could put out.  Two follow up albums added more great songs to his portfolio.

                             Young John Prine.

But despite that song bag and an electrifying stage presence as a solo artist; in duets with pals like Steve Goodman, Kris Kristofferson, or Iris DeMent; or with a kick-ass band Prine never became big star with his own hit records, radio play, or stadium tours.  Other people scored hits with songs.  He was idolized by other musicians and had a devoted cult following.  Late in life some fans followed him from city to city on his tours like Deadheads.  He was too dangerous and radical for country music establishment and country radio; too country for rock & roll; and too rock for fans of laid back folk singer-songwriters.

Prine switched labels and moved to Nashville, but Asylum did not seem to know what to do with him and he grew to mistrustmajor labels for exploiting songwriters.  In 1981 he founded his own label, Oh Boy which gave him creative control but limited distribution.

He regularly released albums—live shows, compilations, collaborations some new material until Fair & Square in 2010.  Now battling two different cancers, heart disease, and a compromised immune system that made him susceptibleto pneumonia and infectious diseases he finally began to achieve the popular acclaim that has eluded him.  In 1918 album Prine’s first album of new material in 13 years, The Tree of Forgiveness became highest-charting album on the Billboard 200.

Prine in maturity/

In 2019, he recorded several tracksincluding Please Let Me Go 'Round Again which warmly confronted the end of life his final recording session.  The last song Prine recorded before he died was I Remember Everything  released on June 12, 2020 with a music video. It was released following the two-hour Tribute Celebrating John Prine aired on June 11, which featured Sturgill Simpson, Vince Gill, Jason Isbell, Kacey Musgraves, Bonnie Raitt, Rita Wilson, Eric Church, Brandi Carlileand many other country artists and friends. On the first night of the 2020 Democratic National Convention, I Remember Everything was the soundtrackto the COVID-19 memorial video.

Prine collected many honors—14 Grammy nominations, three wins, and the Lifetime Achievement Award; six wins from the Americana Music Honors & Awards;   thePEN New England Song Lyrics of Literary Excellence Award; and election to the Songwriters Hall of Fame.  And more honors may be coming—he is likely to finally enter the Country Music Hall of Fame and perhaps even the Rock & Roll Hall of Fame. 

Prine 1993 Christmas album featured a picture of him as a boy on a department store Santa's lap.

Today’s Holliday Music Festival selection is Christmas in Prison, surely the most melancholy seasonal hall this side of the Pogues’ Fairytale of New York.  It first appeared on Prine's second album Diamonds in the Rough in 1972 and was also included on A John Prine Christmas in 1993, and Souvenirs in 2000.

Mariachi Sol de México Christmas Medley—Murfin’s Carols for Corona and Winter Holiday Music Festival

3 December 2020 at 11:31

[youtube https://www.youtube.com/watch?v=oIUMQRdD77o]
                                            Mariachi Sol de México--Christmas Medley 

How about we warm up the season with a spicy Latin sound?  No, not salsa or Afro-Cuban this time, but the signature music of Western and Northern Mexico and U.S. border regions—marriachi.  The style had its roots in rural string bandsin Guadalajara but took on new vigor when introduced to urban areas and fused with the brass of military bands.  Often identified as wedding music by the mid-20th Century it became the virtual national music of Mexico.

Bands traditionally outfit themselves in elaborate charo [traditional Mexican rodeo] costumes and decorated sombreros.  Ensembles vary in size but typically include fiddles, guitars, an acoustic bass guitar called a guitarrón, and trumpets.  Accordions, harps, and other brass instruments are also sometimes included, but typically there is no percussion instrument.  Musicians trade off on the lead and singing in a signature high tenor. The bands perform a variety of stylesrancheras, corridos, cumbias, boleros, ballads, sones, pasodobles, marches, polkas, and waltzes. Most song lyrics are about machismo, love, betrayal, death, politics, revolutionary heroes, and country life.

 Mariachi Sol de México and founder José Hernández, center

Despite its name Mariachi Sol de Méxicois an American band based in Los Angeles.  It was founded in 1981 and continues to be led by José Hernándezwho came to the States with his parents from Mexicali at age 4 in 1962.  He grew up in Pico Rivera, California and began to sing at four and play trumpet in his school music program at age ten. His interest in music eventually led him to study arranging and composition at the Grove School of Music in Hollywood from 1979 to 1982.

Hernández became the leading exponent of Mariachi music in the U.S.  Mariachi Sol de Mexico tours internationally and sells records in the U.S., Mexico, and across Latin America.  His Mariachi Heritage Society, a non-profit organization has taught the music to over 7,000 young people.   He received a Grammy nomination in 2001 for the album Tequila con Limon. He has arranged and produced recordings for Vikki Carr, Jose Feliciano, and Shaila Durcal and collaborated with Selena, Luis Miguel, Linda Ronstadt, Vicente Fernández and Lola Beltrán.  He also founded Mariachi Reyna de Los Angeles, America’s first all-female professional mariachi ensemble.

Platinum selling Sol de México has broken countless barriers in mariachi music, including becoming the first mariachi ensemble to be nominated for a Grammy. Their original rhythms, fresh sounds and inspiring ideas have energized the world of mariachi for over 30 years.   They are especially noted for adapting non-traditional music to the genre including classical numbers, pop songs, and other world musical traditions.


On their 2008 album Navidad en América and in their annual concerts they display that versatility with numbers like The Nutcracker—Merry-Achi Christmas, a 12 minute adaptation of Tchaikovsky’s Nutcracker Suite.  But today we will enjoy the band’s Christmas Medley which mixes American and Mexican seasonal music—Sleigh Ride, Noche de Paz, White Christmas, and Feliz Navidad.

Etta James—Murfin’s Carols for Corona and Winter Holiday Music Festival

2 December 2020 at 13:32

[youtube https://www.youtube.com/watch?v=RKyuaTun5R8]
                                                                        Etta James, This Time of Year (When Christmas is Near.)
     

Let’s settle in for a bluesy, soulful Christmas song.  Set down by your fire or that burning Yule log on TV, Put your feet up and pour yourself a generous glass of your favorite libation.  You are in for a treat.

Jamesetta Hawkins was born to a teen age mother and possible prostitute in Los Angeles, California on January 25, 1938.  Her mother was Black and her unknown father was White giving the child a very light complexion was she described as both a blessing and a curse.  Her childhood was very difficult.  Her mother periodically abandoned her mother and she was placed in a series of foster homes before she was placed with “Sarge” and “MamaLu James.  The couple, recognizing the girl’s natural gift at singing signed her up with the Echoes of Eden choir at St. Paul Baptist Church, in South-Central LA under the direction of James Earle Hines.  Both her choirmaster/mentor Hines and father-figure Sarge physically beat her.

In 1950 when Jamesetta was 12 Mama Lu died and her mother re-entered her life taking her to the San Francisco Fillmore District, even then an enclaveof hipsters, musicians, and viper drug culture.  Influenced by the doo-wop sound she heard on the street she formed her own girl group, the Creolettes, named for the members’ light-skinned complexions at age 14 and soon attracted the attention of the singer, DJ, and producer Johnny Otis, a pioneer of West Coast Rock and Roll and Rhythm and Blues.  Under his tutelage the Creolettes were re-named the Peachesand their lead singer became Etta James.

Their first collaboration was an answer song to Hank Ballard’s Work With Me, Annie.  Etta was given co-writer credit when Dance With Me Henry was recorded in early1955 and shot to the top of the Billboard Hot Rhythm & Blues Tracks chart that February.  That led to joining Little Richard’s national tour as the opening act.

Young Etta James recording.

After the fast start the teenage phenome charted another R&B hit, Good Rockin’ Daddy but struggled to get traction on follow-ups.  Her label, Modern, dropped her in 1960.  That turned out to be a very good thing.  She signed with Chicago-based Chess Records which open up new worlds for her.  At Chess subsidyArgo records she dueted with Harvey Fuqua scoring hits with If I Can’t Have You and Spoonful, the Willie Dixon song that became a blues classic for Howlin’ Wolf and later Cream. 

Leonard Chess reimagined James as a classic ballad singer and saloon chanteuse recording her with lush string arrangements on her Argo LP debut, At Last!  Although not a huge hit on its initial release, it has entered the musical canon as one of the greatest albums of all time.  The sultry title song became James’s signature song.  The album and its follow-up, The Second Time Around featured a wide mix of styles—jazz standards, blues, doo-wop, and smooth R&B.  James continued to expand her range of styles by adding gospel overtones on hits like Something’s Got a Hold on Me and Stop the Wedding.  She released her first live album in 1963.  In 1967 she recorded at the legendary FAME Studios in Muscle Shoals, Alabama with gutsier R&B numbers including her hit Tell Mama.   

Etta's classic album At Last!

Despite her success James fought periodic depressions and sank into pill-poppingand heroin addiction.  She did not record and seldom performed live for two years and when she struggled to return she was devastated by the death of Leonard Chess in 1969.

During her late ‘60’s absence she bounced checks, forged prescriptions, and stole from her friends.   She was arrested in 1966 for kiting bad checks, placed on probation, and ordered to pay a $500 fine. In 1969, she spent 10 days in jail for violating probation.  Her musician friends included many addicts including Ellington “Fugi” Jordan with whom she co-wrote I’d Rather Go Blind after visiting him in prison.  That year she also married another user, Artis Mills.

James had a string of legal hustles during the early 1970s due to her heroin addiction. She was in and out of rehabilitation centers. Her husband accepted responsibility when they were both arrested for heroin possession and served a 10-year prison sentence finally released in 1981.  In 1973, James was arrested for possession of heroin and the following year was sentenced to drug treatment instead of serving time in prison. While there she became addicted to methadone and would mix her doses with heroin. She was in the Tarzana Psychiatric Hospital for 17 months. After leaving treatment, however, her substance abuse continued after she developed a relationship with another addict.  In 1988, at the age of 50, James entered the Betty Ford Center, for treatment.  But in 2010, she was back in treatment for a dependency on painkillers.

In between these struggles James continued to record and perform live, but despite scoring a few mid-level R&B hits in the early ‘70s never again matched the success of her glory years with Chess.  She recorded her last Chess album in 1976 and moved to Warner Bros.  In ’78 to record a more rock based album that caught the attention of the Rolling Stones who had her open some American tour dates in ’79.  But after that promising flash, James did not record again for ten years as she battled her demons. 

She slowly began to perform live again with musicians who admired her in the 1980s  including two guest appearances at Grateful Dead concerts in as a guest on John Mayal’s Blues Breakers 1982 reunionshow in New Jersey . In 1984 she contacted David Wolper and asked to perform in the opening ceremony of the 1984 Summer Olympics, at which she sang When the Saints Go Marching In.  In 1987, she did Rock & Roll Music with Chuck Berry in the documentary film Hail! Hail! Rock ‘n’ Roll.  That set a pattern of her being periodically rediscovered by new generations of musicians and fans.

In 1989, she signed with Island Recordsand released two albums Seven Year Itch and Stickin’ to My Guns.  Once again expanding her range she worked rap singer Def Jefon the song Droppin’ Rhymes on Drums, which mixed James's jazz vocals with hip-hop.  In 1993 James was inducted into the Rock & Roll Hall of Fame.

James signed with Private Music Recordsthat year and recorded a Billie Holiday tribute album, Mystery Lady: Songs of Billie Holiday—a tribute to a singer whose troubled life mirrored her own. The album set a trend of incorporating more jazz elements in her won her first Grammy Award, for Best Jazz Vocal Performance, Female, in 1994. In 1995, her autobiography, A Rage to Survive, co-written with David Ritz, was published.

She was achieving the status of a revered roots artist.  In 2001, she was inducted into the Blues Hall of Fame and the Rockabilly Hall of Fame. In 2003, she received a Grammy Lifetime Achievement Award. On her 2004 release, Blue Gardenia, she returned to a jazz style. Her final album for Private Music, Let’s Roll, released in 2005, won the Grammy Award for Best Contemporary Blues Album. In 2004, Rolling Stone magazine ranked her number 62 on its list of the 100 Greatest Artists of All Time.  She performed frequently at the Montreux Jazz Festival, Monterey Jazz Festival, San Francisco Jazz Festival, Playboy Jazz Festival, North Sea Jazz Festival, and the New Orleans Jazz & Heritage Festival.

Etta with Beyoncé Knowles who portrayed her in the film Cadillac Records.

In 2008, James was portrayed by Beyoncé Knowles in the film Cadillac Records, a fictional account of Chess Records.  In April 2009, at the age of 71, James made her final television appearance, singing At Last on Dancing with the Stars. In May 2009, she received the Soul/Blues Female Artist of the Yearaward from the Blues Foundation, the ninth time she won the award. She carried on touring but by 2010 had to cancel concert dates because of her gradually failing health, after it was revealed that she was suffering from dementia and leukemia. In November 2011, James released her final album, The Dreamer, which was critically acclaimed upon its release.

She died on January 20, 2012, five days before her 74th birthday, at Riverside Community Hospital in Riverside, California.  Her funeral was presided over by Reverend Al Sharpton.  Stevie Wonder, Beyoncé, and Christina Aguilera each sang a musical tribute. She was buried at Inglewood Park Cemetery in Los Angeles County.

Etta's 1988 Christmas album.

Today’s Winter Holidays Festival selection, This Time of Year (When Christmas is Near), with music and words by Cliff Owens and Jesse Hollis was included on her 1988 album Etta James Christmas

Gay Men’s Chous of Los Angeles—Murfin’s Carols for Corona and Winter Holiday Music Festival

1 December 2020 at 08:00

[youtube https://www.youtube.com/watch?v=9U0hBp8UkJY]
Christmas Wish by the Los Angeles Gay Men's Chorus featuring the Aftershock ensemble.
 

December 1 is World AIDS Day.  In honor of that we feature the Gay Men’s Chorus of Los Angeles (GMCLA), the oldest, largest, and most prestigious Gay Chorus in the United States.  It was formed in 1979 at Plummer Park Community Center in Los Angeles, with 99 members.  Its first public performance was at the National March on Washington for Lesbian and Gay Rights that October and they also performed at n the first ever national LGBT concert at the Washington Memorial.


As GMCLA continued to grow throughout the late 1970s and early 1980s the AIDS crisis did not spareits members, the chorus suffered the loss of its musical director, Jerry Carlson, as well as over 20 other members by 1988. Ultimately, over 150 members were lost to the AIDS pandemicleaving only eight original membersof the chorus as members now known as the “First Nighters.”

The Chorus has grown in size, gained professional artistic and administrative staff, toured nationally and internationally, released 16 CDs, and appeared with numerous stage, film, and television celebrities including Billy Porter, Lily Tomlin, Angela Lansbury, Bea Arthur, Jerry Herman, Melissa Manchester, Mary McDonnell, Stephen Schwartz, Liz Callaway, Lance Bass, Jennifer Holliday, LeAnn Rimes, and Christy Metz. The Chorus has appeared on several television broadcastsincluding the 85th Academy Awards, Access Hollywood, Will & Grace, The Ren & Stimpy Show, Mad TV, and a six-episode arc on Six Feet Under.

Members of the GMCLA doned ugly Christmas sweater in a holiday performance.

Back in 2011 I was honored and astonished when Chorus members commissioned an original choral setting from my poem Rainbows Are Not Enough as a retirement salute to their long-time music director. The poem was included in my 2004 Skinner House Books collection We Build Temples in the Heart.


GMCLA’s annual Holiday Spectacularconcerts are highly awaited seasonal programs.  This year due to another plague, the Corona Virus, the annual holiday show will be shared virtually on Saturday, December 12.

Today’s selection, Christmas Wish was featured in the 2016 program and featured the Aftershock ensemble in an arrangement by Brad Stephenson and conducted by Gavin Thrasher.

 

Christmas Is—Murfin’s Carols for Corona and Winter Holiday Music Festival

30 November 2020 at 12:58

 

[youtube https://www.youtube.com/watch?v=Za-eum8I4f0]

Who doesn’t love Dolly Parton?  The poor little girl from Pidgeon Forgewith big dreams and a coat of many colors.  The country music legend who warbled with Porter Wagoner.  Penned hundreds of songs that were hits for her and many others who celebrated 50 years on the Grand Ol’ Opry this year.  Big hair, big smile, big boobs and cheerfully honest about it—“It takes a lot of money to look this trashy.”  A biggermore generous heart than anyone could imagine.  A loyal wife and a successful business personwho met and conquered the world on her own terms leaving nary and embittered enemy.

That generosity of spirit extended to her family, shirt tail relatives, friends, and neighbors.  She began giving books to school children in her home town and ended up endowing a program that has provided more than 100 million books sent monthly directly to children from toddlerhood to kindergarten around the country and the world to get them excited about reading.  And this year her $1 million gift to Coronavirus research was partly used to fund Moderna’s promising Covid-19 vaccine. 

Like I said, what’s not to love!

Dolly loves Christmas and we love Dolly loving it.

Dolly really loves Christmas.  This year she released her fourth or fifth—who’s counting—holiday album which mixes new material with old chestnuts.  She is showing up on late night talk shows, day-time women’s gab fests, and at the virtual Macy’s Thanksgiving Parade and the Rockefeller Center Christmas Tree Lighting program this Wednesday on NBC.

Our Murfin Winter Holiday Music Festival selection today from the album, A Holly Dolly Christmas is one of her new songs features her duet with her real-life Goddaughter Miley Cyrus.  Most of the Nashville Country Music establishment turned viciously on the former Hannah Montana star when she rebelliously shed her good-girl image embracing tattoos, twerking, flashing her boobs, licking a wrecking ball, and generally flipping off prudes and fuddy-duddies.

Miley Cyrus celebrated her most shocking music video with a Christmas ornament in 2013.

Dolly never wavered in her love and support for Miley.  The girl from a mountain Baptist upbringing has become a shining example of what Unitarian Universalists call the inherent worthand dignity of every person and justice, equity, and compassion in human relations.  That has been shown in her embrace of feminism—she wrote the anthem 9 to 5, the Civil Rights movement, support for the LGBTQ community and marriage equality, and this year vocal support for the Black Lives Matter movement after the murder of George Floyd.

Miley outgrew the rougher edges of her rebellion but like Dolly stakes out her own personhoodregardless of criticism. 

Together Dolly and Miley are a seamless duo on What Christmas Is.


It’s Beginning to Look a Lot Like Christmas—Murfin’s Carols for Corona and Winter Holiday Music Festival

30 November 2020 at 08:00

[youtube https://www.youtube.com/watch?v=XRTFQtPLfoU]

This year Coronavirus restrictions have whettedthe appetite for some Christmas Season joy.  We really do want the world to begin to look a lot like Christmas!

There are many subsets in the categoryof the Golden Age of American Popular Christmas Song.  One might be called the secular Advent songs—tunes that conjure up the growing excitement of the Holiday season invoking winter scenes, decorations, shopping, and general merriment.  At their best they deftly mixed daubs of nostalgia, with a snappy, jazzy modernity.  They could evoke the rustic past, but were most at home in bustling urban streets.

                      Meredith Willson in his radio days.

Perhaps the most beloved of the genre is It’s Beginning to Look a Lot Like Christmas written in 1951 by Meredith Willson, then a prolific pop composer and the musical director of poplar radio programs like The Big Show hosted by actress Tallulah Bankhead and the Jack Benny Show.  Later he would become best known for his mega-hit Broadway shows, The Music Man and The Unsinkable Molly Brown.


The original hit recording was laid down on September 18, 1951 by Perry Como and The Fontaine Sisters with Mitchell Ayres and His Orchestra.  Less than two weeks later the ultra-prolific Bing Crosby, who seemingly recorded every promising new song and was already carving out a special niche as the voice of Christmas, made his own version which also charted that season.


We Gather Together —Murfin’s Carols for Corona and Winter Holiday Music Festival

29 November 2020 at 08:00


[youtube https://www.youtube.com/watch?v=G930-jhXLJc]


It looks like the annual Murfin Winter Holiday Music Festival comes just in the nick of time this year.  As we go Coronavirus stir crazy and reel from a year of body blows to our psyches of every imaginable sort, the TV news informs us that Americans are rushing headlong into the Holiday Season.  Decorations are going up inside and outside homes almost as soon as they are showing up in the stores.  There is a run on real trees as folks try to re-connect with Christmas traditions.  Even though in store shopping is curtailed to one degree or another around the country, on-line sales and virtual month long Black Friday sale are breaking records.  Economy and plague be damned folks, want giftsfor those they may not be able to see.  People who have not mailed Christmas cards for years are buying boxes of them and holiday stamps to send them.  Charities are finding creative ways to keep up and expand distributions of food, warm clothes, and toys and people are digging deep to help out.

Significantly some folks have been playing Holiday music for weeks now and the usual No-Christmas-music-‘til-after-Thanksgiving militants are even cutting them some unexpected slack.

If you have been Jonesing for some festive tunes, this is the place.

The Annual Murfin Winter Holidays Music Festival works like this.  Every year on the First Sunday of Advent until the Feast of the Epiphany—the Day of the Three Kings—on January 6, I will post a seasonal song, not only sacred and secular Christmas favorites, but songs celebrating the many winter festivals observed during this time of year including Hanukkah, St. Nicholas Day, Santa Lucia, Winter Solstice, Boxing Day, and New Year’s.  I try to mix up the familiar with what might not be so well knownincluding songs from different cultures and new music.  Of course there will be plenty of time and space for the old chestnuts.   Regular followers know that I am especially fond of the secular songs of the Golden Age of American Christmas Musicwhich stretched roughly from the early 1930’s to the late 1970’s.

I am also eager to get suggestions and requests.  You can message me on Facebook, e-mail pmurfin@scbglobal.net, or post a comment to a blog entry.

Lighting the Candle of Hope on the Advent Wreath.

Today in most Western Christian churchesis the first Sunday of Advent, the four week liturgical seasonof anticipation of the birth of Christ.  Although most Americans call the whole time from Thanksgivingto December 25 the Christmas Season, Christmas was the 12 day period from the Nativity to the Feast of the Epiphany on January 6.  In churches only hymns of prophesy of a coming Savior, songs of Joseph and Mary on their journey to the City of David, and finally announcement carols on Christmas Eve were sung during Advent.  Songs of celebration of the Birth come after.

In most churches in addition to specific Bible readings light the first of the four candles on an Advent wreath as part of their services.  The first candle represents Hope.

In the U.S. unless there are 5 Sundays in November, the First Sunday of Advent follows Thanksgiving and elements of that holiday are often also part of the services in many Protestant congregations.

Adrianus Valerius wrote the patriotic Dutch song Wilt heden nu treden in 1597 and is still considered  national Hero in The Netherlands. 

So it is fitting to start off our Music Festival with one of the most beloved Thanksgiving carols, usually known as We Gather Together.  Origin written in 1597 by Adrianus Valerius as Wilt heden nu treden to celebrate the Dutch victory over Spanish forces in the Battle of Turnhout. It was thus a patriotic song rather than a religious one.  But of course it had religious overtone in that it celebrated the defeat of CatholicSpain over the mostly Reform Dutch patriotswhose congregations could finally worship safely free from fear of the Inquisition.  Which is why you will probably rarely here it sung at a Mass

It was originally set to a Dutch folk tuneand was introduced in America an American hymnal in 1903.  When the Dutch Reformed Church in North Americadecided in 1937 to abandon the tradition of singing only Psalms and add hymns in church services, We Gather Together was chosen as the first hymn in their first hymnal.  It soon spread to other denominations, notably in the influential Methodist hymnal.  Church music historian Michael Hawn explained the song’s new popularity, “by World War I, we started to see ourselves in this hymn,” and the popularity increased during World War II, when ‘the wicked oppressing” were understood to include Nazi Germanyand Imperial Japan.

The Minneapolis based Dale Warland Singers.

There are several different translations from the Dutch and other adaptationspublished under a varietyUnitarian Universalists warble We Sing Now Together with lyrics by Edwin T. Becher.  But probably the most popular version   has lyrics by Thomas Baker was arranged for Choir and congregation by Stephen Paulus.  That is what we will hear today performed by the Dale Warland Singers




Lotta Hitschmanova—A Canadian Hero in a Unitarian Uniform

28 November 2020 at 13:13

Lotta Hitschmanova as she began service as the Executive Director of the Unitarian Service Committee of Canada in October 1946.

If you live this side of the border of the Land of the Great White Grandmother, chances are that you never heard of Lotta Hitschmanova.  But you should learn about her.  She was awesome.

Canadians of a certain age will remember her for her once ubiquitous annual fund raising appeals on radioand television and in smartly produced short films for the Unitarian Service Committee of Canada (USCC) which she served as Executive Director for many years.

Her story begins in Prague when the Czech city was still a part of the Austro-Hungarian Empire on November 28, 1909.  Her birth name was Lotte Hitschmann.  Her father was a prosperous malt merchant and the secularized Jewish family lived in modest wealth and comfort.

She was a gifted student who excelled at the progressive and co-educational Stephans Gymnasium. She studied philosophy and mastered several European languages at the University of Prague and then went on to study political science and journalism at the Sorbonne in hopes of entering a career in international diplomacy.

In 1935 Lotte returned to Prague where she completed her Ph.D. studiesand launched a successful career as a freelance journalist often contributing material to Czechoslovak, Rumanian, and Yugoslav newspapers.  As the menace of Hitler and Nazism rose she became noted for her outspoken anti-fascist beliefs and articles.  By 1938 she changed her name to the SlavicLotta Hitschmanova as a protest to German hegemonic ambitions. 

When Germany annexed the Sudetenland Hitschmanova learned that she was on a list of hostile journalists to be detained.  She was forced to flee her homeland leaving her parents and a younger sister behind. She first fled to back to Paris and from there she went to Brussels, Belgium, where she resumed her journalistic career.  But the warkept catching up with her and for the next few years she alternated between a variety of journalism and humanitarian jobs while often finding herself a stateless refugee. By late 1941 she was in Marseilles in Vichy Francewhere she worked as a secretary at charity for refugees.  It paid next to nothing and the tiny woman faintedon the streets of starvation after which she was taken to a clinic run by Unitarian Service Committee.

After being taken to an Unitarian Service Committee clinic in Marseilles, Hitschmanova went to work for the agency as a translator.  The USC was a rare beacon of hope for desperate refugees from all over Europe.  Here the agency distributes relief bundles.

It was a fortuitous match.  Soon she was volunteering her services with the USC as a translator and then as a liaison officer with the Czech relief agency, Centre d’Aide Tsechoslovaque.  Her work was valued by the USC, but officials recognized that she was still in danger.  In 1942 they arranged her escape from Europe via Lisbon on a converted freighter crammed with other refugees and headed to New York.

Like many Jewish refugees even with the help of the USC, Hitschmanova could not gain permanent refuge in the U.S.  After stopping in Boston to deliver highly sensitive documentsdetailing the dangerous work of the USC in Europe, she went to Canada, which offered her asylum.

She later recalled “exhausted, with a feeling of absolute solitude in an entirely strange country...I came with $60 in my pocket. I had an unpronounceable name. I weighed less than 100 lbs, and I was completely lost.”  Yet relentlessly resourceful, within two days she found employment as a secretary and three months later was in Ottawa where she worked as a Department of War Services postal censor.  She read the letters of German prisoners of war and scoured them for useful military intelligence.

Still deeply impressed by the selfless work of the USC, Hitschmanova joined the Unitarian Church of Ottawa.  She also continued her work for refugees with the Czechoslovakian National Alliance and by raising money for Czech War Servicesin London.  She regularly contributed articles to the Canadian press and made speecheson behalf of her causes.  Toward the end of the war she went to work for the United Nations Relief and Rehabilitation Administration.

All during the war she never gave up a desperate search for her parents and sister Lilly.  She learned that for a while her parents were held at Terezin, a model concentration camp used as a showplace for the Red Cross and international diplomats.  Then she got the devastating news that they had been taken from that relative comfort and safety and had died in the gas chambers of Auschwitz.  Eventually she located her sister living in Palestine with her husband.  Both eventually joined her in Canada.

With no family to return to, Hitschmanova decided to remain in Canada.  She turned down several excellent job offers.  Instead, she determined to serve the uprooted refugees still in Europe.  In July 1945, she helped to organize the Canadian branch of the Unitarian Service Committee, which was affiliated with both American Unitarian Association and the Unitarian Church in Canada.  Senator Cairine Wilson, a liberal icon in Canada, was named the Honorary Chairwoman, but as Executive Director, Hitschmanova ran the show with systematic energy and efficiency.

At first registered under the War Charities Actthe Canadian committee was restrictedto fundraising only through Unitarian congregations and to individual Unitarians.  When the law changed in February 1946 Hitschmanova energetically began her public appeals citing the great need.  At first funds were directed to Czechoslovakia and France.

That spring she made her first annual tour to inspect the work in the field.  She adopted a military style uniformmodeled after that worn by American WACs.  She found the outfits useful in gaining admission to even restricted areas.  Besides they were comfortable and made packing for her extended trips easy.  She wore the uniforms at home and abroad for the rest of her life.  They became her trademark as she rose as a public figure in Canada.

Despite her affection for the Boston based USC, it didn’t take long for her to come into conflict with its leadership.  They insisted that all field operationsbe headed by an American.  She felt that those on the ground and familiar with the situationknew best.  She preferred to empower local partner organizations and their leadership by providing them with needed funds and perhaps technical support.  Her secondary goal was to make those partner organizations self-sustaining and independent as quickly as possible.

There are three basic principles in the field of the art of giving aid. To come as an open-minded friend and good listener, when offering help; to say goodbye to a project when it can continue on its own; to serve with a personal touch, because a relationship of confidence must lift your aid beyond the realm of a simple business proposition and prove that you really care.

To accommodate that philosophy in 1948 she re-organized the Canadian Committee completely independent of not only the Boston based USC, but of the Canadian churches as well.  Despite its independent status, the USC Canada continued to draw support and volunteers from Unitarian congregations and most proudly considered it “ours.”


The current logo of the Unitarian Service Committee Canada.

In the first full year of operations in 1946, Hitschmanova set a patternwhich she would repeat yearly—three months of intense fund-raising in Canada, four months overseas to supervise programs and investigate possible new partners, and months at home reporting on her findings and producing an annual film about the Committee’s achievements.  That first year she raised $40,000 and collected 30,000 kg of clothing for distribution in the refugee camps.

She particularly homed in on the needs of children, making a project to supply prosthetic limbs to maimed victims a high priority, and establishing one of the first adopt-a-child sponsorship programs that became a model for many others. 

Hitschmanova with Korean orphans on one of her annual world-girdling inspection tours of  USCC humanitarian aid projects.  The organization expanded beyond Europe to include projects like this in Korea and others in India, Africa, and serving Palestinian refugees.

She found herself showered with honors.  According to a biographical sketch in the Dictionary of Unitarian and Universalist Biography by Joyce Thierry:

Dr. Hitschmanova received numerous awards, including the 1975 Woman of the Year for India by Prime Minister Indira Gandhi. By this time, grateful governments around the world had acknowledged her work in their countries in a variety of ways: the Chevalier of Public Health from the Government of France and the Gold Medal from the Red Cross of France, 1950; the Medal of St. Paul from Greece, 1952; Public Service Medal from the Government of South Korea, 1962; Athena Mesolora Gold Medal from the Government of Greece, 1967; Officer of the Order of Canada, 1972; the Royal Bank of Canada Award, 1979; and Companion of the Order of Canada, 1980. In 1983, she received Officer of Meritorious Order of Mohlomi, Lesotho, and was only the third person to be given the Rotary Award for World Understanding. She refused to accept honorary doctorates from universities, saying she had worked hard enough in Paris and Prague to earn her own doctorate.

In 1982 after 37 years at the helm, ill health finally forced Hitschmanova to retire.  Sadly in her remaining years she suffered from Alzheimers.  She died of cancer on August 1, 1990 at the age of 79.  She was widely mourned across Canada and by the hundreds of thousands whose lives she touched around the world.  Her memorial service was held at her beloved Ottawa Unitarian Church.

Hitschmanova is so highly esteemed in Canada that she adorned the $100 bill.  She is the only Unitarian enshrined on a nation's currency and one of a relative handful of  women who were not heads of state or government given such an honor.

In perhaps an even more profound tribute to her vision the modern Unitarian Universalist Service Committee, heir to the old Boston based organization, now follows Hitschmanova’s model of partnering and nurturing organizations on the ground.


A Murfin Memoir Snapshot in Time—Cañon City, Colorado After Thanksgiving 1953

27 November 2020 at 11:07

Dad was Secretary of the Chamber of Commerce which would have been responsible for this sign greeting circa 1950.


Note
: My memoir of a distant place and time has become a post-Thanksgiving tradition here.

It was 1953. My father was the secretary of the Chamber of Commerce in Cañon City, Colorado.  We rented a big old stone ranch house just outside of town.  Kit Carson was reputed to have signed a treaty with the Utes underneatha massive old cottonwood in the back yard.  Behind the tree was a big screen house and beyond that the barn, assorted sheds and outbuildings, the caretaker’s cottageand the spring house built into the side of hill with its entry way of cut sod.

The day after Thanksgiving the men from town—the merchants, their sons plus some of the teachers from the high school, police and sheriff’sdeputies, and even a real cowboy or two from nearby ranches came to buildthe Christmasstreet decorations.  

They had two farm wagons drawn by enormous hairy-footed draft horses filled with spruce boughs.  Thesharp smell of the sap still runningfresh from the cut branchesknifed through the crisp air. There was a lot of laughingand shouting and some cussing as the men broughtarmloads of the boughs into the screen house.

                                 Dad, W.M. Murfin, in Cheyenne about a year after the street decoration project.

They wore black and red checked hunting coats, overalls, wool caps with the earflaps down and yellow workman’s boots caked in mud.  My dad stood out—tall, slim and handsome, his gray Stetson on his head, bundledin a maroon corduroy jacket and olive twill trousersfrom his Army uniform, shoes slick soled and polished.  He pointed this way and that, creatingorder out of the chaos, sure authorityresting lightly on him. He would take his turn with the bundlesand the other work, an extra hand where needed.

They strung heavy wire between steel fence posts sledged into the frozen ground by the screen house.  They carefullywound the boughsaround the cable twisting bailing wire to hold it in place. They twined the greenery with garlands of silver tinsel off of big reels. They laced strings of multi colored Christmaslights along the length of wire.

Inside the screen house on trestle tables made of rough planks other men made wreaths for the lampposts. Inside each wreath was a celluloid sign with a light bulb inside. Some were greenand said Happy Holidays others were red andsaid Season’sGreetings.

Even larger wreaths were made to tie to the center of the garlands.  Multi-pointed stars or bells made of canvas and painted with bright red and yellow air craft dope were suspended inside the wreaths andlit from inside with a light bulb. The work went on for hours while the men laughedand smoked and sometimestook pulls from pocket flasks and passed whiskey bottles.

                                    Mom, Ruby Irene  Mills Murfin, around 1950.  She  commanded the kitchen that day.

Meanwhile the wives had taken over the kitchen.Mom built a wood fire in an old range on the screened-in back porch.  Two big enamel pots of coffee—onewhite and one blue with white speckles—bubbled on the fire.Stacks of heavy tan coffee mugs from the cafe downtown sat on a redwood table. The men would stomp up the back steps knocking the mud from their boots. They would remove their sap-encrusted gloves, blow on their hands and then wrap them around the mugs steaming with scalding blackcoffee.

Inside was a flurryof print dresses, clouds of flour, and high pitched chatter.Pies were going into or coming out of the oven. Thick stew simmeredin enamel pots that matched the coffeepots onthe porch.  Intothe stew went potatoes, carrots, turnips and celery,jars of last summer’shome canned tomatoes,huge white lima beans that had soaked in the dish pan over night, and chunks of beef, venison, and the remains of more than one of yesterday’s turkeys. There were corn bread and biscuits, jars of pickled beets.

At noon the men lumbered in and piled the food on enameled tin plates and then took them outside to eat sitting on the fenders of their Buicks, Packards, and Studebakers or the runningboards of battered ranch pickup trucks.  When the feast was gulped down, the women took turns over the steaming dishpans, scrubbing until theirarms turned pink.

The Cañon City downtown were the Christmas decoration were hung about the time this postcard was published for sale over at City Drugs.

By mid-afternoon the job was done. The screen house and yard were strewn with trampled spruce twigs and scraps of tinsel.  The garlands were carefullylaid out in the wagons that had brought the boughs.  The men got into their cars and trucks. Horns blaring they drove off behind the wagons to string the five blocks of downtownMain Street with the decorations.

Silence descendedon the yard with the gray coming of evening.  A boy danced with unimaginable excitement.  Christmas was coming!

Thanksgiving in the Time of a Plague and Murfin Verse

26 November 2020 at 13:20


It will be a Thanksgiving like no other.  Over the river and through the woods to Grandmother’s house is off the table for many of due to soaring Coronavirus infection rates, deaths, expanded mitigation rules, and desperate pleas.  Many of us will be hunkered down with our immediate family or limited bubble.  Others will be locked down alone in dorm rooms, nursing homes, and apartments.  Some will even be sequestered in basements, garages, and single bedrooms in their own homesexpecting only a plate to be left by the door.  For most of us the y’all come family, friends, and lonely strays feast around a groaning table is this year a super spreader event that just might kill Grandma.

So I am taking a pass this year on my most requested annual holiday blog entry, Murfin’s Thanksgiving Rules which was written for just such a sprawling gathering in mind.  Hopefully we can dust it off and haul itout again next year.

Of course too many of us are ignoringthe tearful pleas of exhausted nurses, the gloomy prognostications of Dr. Fauci trooping legions of public health officials, and the nagging of governors and mayors.  Some of those folks are motivated by Trumpian fake news syndrome, you-can’t-tell-me-what-to-ism, and take-that-libtards defiance.  But most of those crowding airports and bus terminals, jamming highways, and showing up at home, where ever that is are simply pandemic burnt out and desperate for the embrace of loved ones whatever the risk.

The controversy over Thanksgiving gatherings reflects the deep divides in our country, and often in our families.

Social media, naturally, has broken out shaming and smearing those who have made different choices than our own.  It echoes the relentless social and political divides among us, but is also a new twist on Thanksgiving controversies.  More on those in a bit.

Despite this, the passion on all sides shows just how important today is for almost all of us.  it is our only national feast day, something else common to most cultures.  Here we have no other common feat, accessible to all unless you count burgers and brats on the grill on Memorial DayMembers of the many religious groups that populate our country may have their particular feasts—Christmas and Easter, the Passover Seder, Eid ul-Fitr, Diwali for example—but only Thanksgiving allows us all to gather around one table and is largely devoid of the chest-thumping jingoism connected to other Federal Holidays. 

For generations it has brought us together like no other occasion and has often encouraged our greatest virtuesgenerosity, acceptance of our differences, our love not only of family but our communities, and fostered a sense of gratitude for what we have even in the most trying of times.  This year many of us feel what Thanksgiving represents even more deeply.  And so do those over yonder who don’t agree with you about much of anything.

Ron Cobb's iconic 1968 cartoon from the Los Angeles Free Press perfectly illustrates the critisism of Thanksgiving as a settler/colonist travesty.

Of course Thanksgiving has been fraughtwith controversy in recent years.  For years Native American protests that the holiday represents European settler colonialism, American racism, cultural erasure, and actual genocide have begun to register with many of the rest of the current inhabitants of this country.  It is hard to deny that our First Nations, as the Canadians call their aboriginal peoples, have an excellent point.  The people we call Pilgrims represented a tip of the spear of a virtual invasion.  Despite their reliance on the wisdom and assistance of the natives to survive their first brutal year at Plymouth and the shared harvest feast they reportedly had, in less than a generation the settlers were engaged in brutal warfare to annihilateor displace their former neighbors.

Growing numbers joined in a boycott of the holiday.  Others, bowing to family pressure showed up to dinner armed with arguments that the whole affair is a racist travesty.  Next to those who tried and inflict their own brand of religion on a typically diverse American family or brought their political chips-on-the-shouldersto the table these folks were the cause of an epidemic of eye-rolling, groans, and occasional full blown family drama.

As if that weren’t enough, there seemed to be no end of other reasons to hate Thanksgiving—the ecological damage of factory farming, the ethical and health horrors of carnivorism, gluttony in the face of a starving world, wanton consumerism in the launch of the holiday shopping season, and the brutal enjoyment of men hurtling themselves at each other in a modern re-creationof the Roman gladiator spectacles.  Whew! And if all that wasn’t enough, we should not gloat in the embrace of our families and friends because too many are alone.

Now there is more than a kernel of truth to all of these criticisms.  And there is nothing wrong with taking time at the holiday to consider them—and to consider how we can all do and be better.

The cornucopia, a horn shaped basket of ancient Greek origins that overflows with bountiful produce, is a symbol of Thanksgiving as a harvest festival.  

On the other hand, there is much to admire in Thanksgiving.  First, it is, after all at its heart, a harvest festival.  Virtually every culturethat has been dependent on agriculture marked the critical completion of the harvest, which staved off starvation for another year, with some sort of festival.  Just because we are Americans, doesn’t mean that we don’t deserve a festival, too. 

A discussionof those divisions, an explanationon how to separate the Pilgrim First Thanksgiving myth from our celebration, and a history of our observances can be found in full here if you are interested.

Buy maybe our physical separations this year will let those particular controversies slide, if only for a year.  Our need for each other may just be enough to bring us together even if it is only on Zoom.

Whatever your circumstances you are welcome to share a prayer or meditation I devised a while back for a typically diverse family gathering.  I found myself asked to say grace at a typical extended family Thanksgiving.  Around the table were Catholicsardent and lapsed, liberal Protestants, Jews (mostly secular), a practicing Buddhist, and unchurched secularists.  And I, of course, was a Unitarian Universalist with Humanist leanings.  To be inclusive, to whom should I addressa prayer?  What deity, if any, should I invoke?  Should I lead with a Chinese menu of options—pick a god from column A and a spiritfrom column B?

This is what I came up with.  You may find it useful—or not.  Feel free to use it if it fits.  Or adapt it to your needs and circumstances.  No pressure.

A Thanksgiving extended family and friends meal like the one where I first said my prayer.  Mine is the empty seat.

A Thanksgiving Prayer for Those Who Don’t Pray

 

Thanks for the hands.

All of them.

            That dug and scratched,

            reaped and loaded,

            milled and butchered,

            baked and cooked,

            served and scrubbed.

 

The cracked,

            the bleeding,

                        the blistered hands.

 

The hands that

hewed and smelted,   

            sawed and hammered,

            wove and sewed,

            put together and took apart.

 

The calloused,

            the greasy,

                        the grimy hands.

 

The hands that

            wrote and painted,

            plucked and keyed

            carved and created.

 

The graceful,

            the supple,

                        the nimble hands.

 

The hands that

            caressed and fondled,

            stroked and petted,

            held and are held,

            grasped and gave,

            played and prayed.

 

The warm,

            the soft,

                        the forgiving hands.

 

And today bless even the hands that

            shoved and scourged,

            slapped and smote,

            bound and chained us.

 

The harsh,

            the hateful,

                        the heavy hands.

 

Today they cannot still our hands

            from their pleasure and their duty.

 

The void of anger they create,

            our hands fill with love.

 

The gentle,

            the clasping,

                        the reaching hands.

 

Patrick Murfin

The Greenbacks Flourished and Faded But Their Platform Finally Triumphed

25 November 2020 at 12:28

The Greenback Party logo was rather charming.

On November 25, 1874 a new political party was born at a convention held in Indianapolis, Indiana.  They called themselves the Independent Party.  In some states they would first appear on the ballot as the National Party.  But within months the new party was widely known as the Greenbacksas they grew at an astonishing rate challenging the entrenched Republican and Democratic Parties.

The Party was formed out of frustration with both major parties as major eastern banking interests demanded that the Federal Government stop issuing paper money and return the issuance of currency to the banks.  Federal paper money, popularly known as greenbacks, had been first issued under Secretary of the Treasury Salmon P. Chase to help finance the Civil War.  Inflation had been an inevitable result.

The banks and conservative hard money politicians in both parties, wanted not only to stop the government printing presses,they wanted to require that bills be redeemed in speciegold.  This would create instant deflation.  But farmers and others who took outloans in inflated dollars would be required to repay the full face value of the loan plus interest in the much more expensive new currency or gold.  This alone would wipe out many farmers and small businesses.  It was also a blow at western mining interests by demonetizing silver coinage.  Silver coins would continue to circulate, but notes—printed currency—would have to be paid in gold.

The banks got their way with the passage of the Coinage Act of 1873.  Facing ruin, borrowers and their soft money supporters in both parties, organized to challenge the banking oligarchs of the Gilded Age.

Within months the new party was established and running under different names in most states.  Although its greatest strength was in the Mid-West and West, it also found support among small farmers in the South, and Northeast.  In fact, with Democrats and Republicans fracturing mainly along the lines of the Civil War, it looked for a time like the Greenbacks were the only truly national party.

The Species Payment Restoration Act of 1875 completed what the Coinage Act had begun.  It limited remaining Greenbacks in circulation to $300 million and The Secretary of the Treasury was directed to “redeem, in coinlegal-tender notespresented for redemption by January 1, 1879.

A poster for the 1876 candidate Peter Cooper.

In 1876 the new party nominated the distinguished, but eccentric 85 year old Peter Cooper as its candidate for President.  Cooper was an industrialist who had built the first practical locomotive in the U.S.; a philanthropist who had founded the Cooper Union, a college open to students of all economic, religious, racial, and ethnic backgrounds; and a leading liberal voice in New York City politics.  The party knew it had no chance to win the presidency, but the prestige of Cooper led to success in getting on the ballot in most states and helping elect local office holders.

The Greenbacks crested in the off-presidentialyear of 1876 when they elected 13 members of Congress. Thomas Ewing, Jr. of Ohio a pre-war Kansas Free Soil leader and post-war soft money Democrat, was the leading spokesman for the party in Congress and the most widely known and influential public figure.

In 1880 the party broadened its base and attracted new support from industrial workersin the Northeast, especially the politically savvy Irish, by adopting a staunchly pro-labor platform advocating a progressive income tax and the eight hour day.  It also made a bid for the support of middle class reformers, previously primarily Republican, by endorsing women’s suffrage.  The rise of the Grange Movement mirrored Greenback popularity among its original farmer base.

Iowa Congressman James B. Weaver got the 1880 nomination.

The 1880 Presidential Candidate was Iowa’s James B. Weaver. He received 305,997 popular votes, 3.3% of the total and the high water mark of the Greenbacks in Presidential elections.

Despite the continued popularity of their core demand—the return to a system of government issued currency detached from gold—in some areas, the party began a decline.  Those middle class reformers never did abandon the Republicans in any significant degree.  Southern Democrats gained in popularity as Reconstruction ended and they seized state governments from Black Republicans and fusion or pro-union whites leading to the Jim Crow Era.

The conservative press of both major parties savagely attacked the Greenbacks as wild eyed radicals in 1884.

Meanwhile the Knights of Labor largely collapsed following the Great Railroad Strike of 1877 and the rising craft union movement was both conservativeand actually hostile to mass industrial workers greatly weakening their political power and influence.  The Irish returned to the traditional Democratic loyalties in most big cities.

Back in Indianapolis the 1884 Party convention nominated Benjamin F. Butler for President.  Butler had also received the nomination of an even smaller Anti-Monopoly Party.  The sitting Governor of Massachusetts, Butler was a polarizing figure in American politics.  A pre-war Democrat, Butler was a political general famous for his occupation command of New Orleans and the order to treat disrespectful ladies as “women of the streets plying their trade.”  He had a later command of the Department of Virginia where he refused to return runaway slaves that reached his lines to their owners, declaring the “contraband of war.”  He was also widely suspected ofcorruption.  Elected to Congress after the war he became a leading Radical Republican and one of the managers of the President Andrew Johnson’s unsuccessful impeachment prosecution before the Senate.  Back in his home state of Massachusetts he ran three times for Governor, finally winning in 1882 on a Democrat-Greenback fusion ticket. 

The nomination of controversial former Civil War Union general and Massachusetts Governor Benjamin Butler killed the remaining support of the Greenbacks in the South. 

Butler’s presence on the ticket, despite a Mississippi running mate, virtually killed the Greenbacks in the South.  As head of the ticket he won only 177,096 popular votes, just 1.7% of the total.  The party was also reduced to just two seats in Congress, one of them taken by former Presidential candidate Weaver.

By 1888 local party apparatus around the country had collapsed.  Only 8 delegates showed up for a nominating convention.  They gave up and went home.  The party was essentially dead.  But not its ideas.

In the 1890’s the new Populist Party took up most of its core platform.  The Populists’ first Presidential Candidate in 1892 was the last Greenback in Congress—James B. Weaver.  In 1896 fiery Nebraska orator William Jennings Bryan got the nomination of both the Populists and Democrats, campaigning on the old Greenback demand of the free coinage of silver and end to the de-facto gold standard.

 

Long Before Colbert or Trevor Noah Was That Was the Week That Was

24 November 2020 at 12:30

David Frost, in front, and the cast of the BBCs ground-breaking weekly satire That Was the Week that Was.

Long ago before there was a John Stewart or Stephen Colbert show, even before there was a Smothers Brothers Comedy Hour there was a little thing on TV called That Was the Week That Waswhich brought political satire and cutting edge social commentary into the unsuspecting and unprepared living rooms of millions.

TW3, as it was soon nicknamed, premiered on November 24, 1962 across the Puddle on the BBC.  The show came on the air in the midst of a delicious sex scandal known as then Profumo Affair which rocked the Conservative government of Prime Minister Harold Macmillan so it was off and running in the business of biting political satire at an opportune moment.

Producer Ned Sherrin tapped a young a little known broadcaster David Frost to host the show and manage a three ring circus composed of a large cast, writers scribbling away furiously even as the show was on the air and a good deal of improvised material.  It was slated to run for 50 minutes, but as the last program on the BBC’s Saturday night line up, it often ran over time—and once or twice simply stopped short of the mark.  Frost and Sherrin resisted network pressures insisting that the material should determine the length of the program, not an arbitrary time slot.

In the show’s second season the BBC decided to put re-runs of the series The Third Man on afterwards to hem the program in to it allocated time.  Frost responded by reading synopsizes of the upcoming episode at the end of his program spoiling it for the audience.  The BBC soon abandoned its plans and the show was once again happily running long.

 
Singer Millicent Martin was the sole woman in a testosterone heavy cast,  

TW3 opened every week with a snappy theme song by Ron Gainer and sung by Millicent Martin that would incorporate mentions of news stories of the last week which the show would satirize.  Gainer proved other songs as needed and actor Lance Percival would often ad lib calypso songs from suggestions by the studio audience.  Besides the sketch comedians the cast included cartoonist Timothy Birdsall and political commentator Bernard Levin.

Dozens of writers contributed to the program including a who’s who of rising and established British comedians and writers—Graham Chapman, John Cleese, Peter Cook, Roald Dahl, and Kenneth Tynan.

Radio Times was the BBC's widely circulated program guide

Predictably, the show drew howls of protest from its targets who besieged the staid BBC to reign in the program or cancel it.  Among those with their panties in a twist were the Tory Party, the Boy Scouts Association (for a jab at the sexual orientation of Scouts founder Lord Baden-Powell) and the government of civil war wracked Cyprus on behalf of Greek leader Archbishop Makarios.

On September 23, the day after the assassination of President John F. Kennedy, the show scrapped its usual format and produced a moving 20 minute tribute to the fallen president featuring a new song by Gainer, The Summer of His Years, which later became an international hit for Martin and Connie Francis.   Film of the program was jetted across the Atlantic and was shown on NBC the following day during the marathon coverage of national mourning. 

The recording of TW3's somber and emotional program on the Kennedy Assassination included Martin singing In the Summer of His Years which also became an international hit single. 

Despite continued strong viewership, the BBC elected not to slate a third season.  There was an upcoming election in the United Kingdom and officials were afraid that their political neutrality would be called into question.

But the show lived on in another incarnation in the U.S.

NBC aired a 60 minute pilot episode of an American version on November 10, 1963 with Henry Fonda as host, radio star and celebrity game show panelist Henry Morgan, improvisational stars Mike Nichols and Elaine May, and a supporting cast that included a young Gene Hackman.

The program was well received.  The imported British JFK memorial also gained the respect of viewers and NBC brass alike, who green lighted the series to begin in January of 1964—an American election year.

The series premiered as in a 30 minute format on Friday nights with actor Elliot Reid as host.  With his BBC program canceled, Frost took over as host later and flew over weekly to host, making him as familiar this side of the Atlantic as back home.  The regular cast included Morgan, Buck Henry, Alan Alda, Tom Bosley, Sandy Barron and Nancy Ames singing the opening song.  Other regular contributors were Gloria Steinem, William F. Brown, and Calvin Trillin.  The celebrate Harvard mathematics professor, Tom Lehrer performed an original song most weeks.  Guest stars included Woody Allen and on the final broadcast Steve Allen.

Tom Lehrer, the singing mathematics professor, was already an established musical satiriest when he signed on to do an original song most weeks on the American version TW3

In addition to barbed satire, TW3 also had its serious moments.  Puppeteer Bur Tilstrom, creator of Kukla, Fran and Ollie contributed what he called a hand ballet about the Berlin Wall which won an Emmy.

The show was renewed that fall, but ran into difficulties when it was moved to Tuesday nights opposite CBS’s popular corn Petticoat Junction and ABC’s night time soap opera Peyton Place.  It also ran into the Goldwater campaign, which was convinced the show was hostile to it, probably not a bad assumption despite jibes at President Lyndon and Vice Presidential candidate Hubert Humphrey.  The campaign preemptively bought out the time period for the scheduled premier and did it again three more times before Election Day.  And, of course the show was off the air for election night coverage.  So that in the heat of the campaign the satire program was off the more weeks than it was run.

The show returned to the airwaves November 10th and opened with a film of Goldwater’s concession speech and an announcer telling viewers “Due to circumstances beyond control, the regularly scheduled political broadcast scheduled for this time is pre-empted.”

In provincial Cheyenne, Wyoming this young misfit, already a news junkie, was enthralled.  It was the one program where I claimed the TV no matter what.  I even triumphed over my Dad’s soft spot for rural hijinks and Mom’s attachment to Dorothy Malone’s heaving bosom.  But I was not enough.  Rating never recovered from the disastrous move to Tuesday nights.  NBC cancelled the show at the end of the season in May of 1965.

Lehrer's compilation album of his songs from TW3 became an instant classic. 55 years later a generation of geezers and many younger fans can still sing the lyrics of many of the songs.

In September of 1965 Tom Lehrer released a compilation of his contributions on the show on That Was the Year That Was on the Reprise label.  I may have been first in line to buy it.  And I nearly wore it out.

 

Obama Pardoned Turkeys and Republicans Hated It*

23 November 2020 at 08:00

Pardoning a turkey for Thaksgiving in 2019.  Trump plans to emerge from his bunker this week to do it again.  Be sure that he will make the tradition about him and not the Tom.
 

Note—On Tuesday Donald Trump is scheduled to perform the annual Turkey Pardon in a brief White House ceremony.  He has not had a public event on his schedule in 16 days, made just four official appearances since November 3, and only spoken publicly three times. With exception of golf outing like the one he did on Saturday when he ditched a virtual G7 economic summit event, buzzing a MAGA rally on the mall with his motorcade, a visit to Arlington National Cemetery on Veterans Day, he has not left the White House.  Presumably he has decided that the tradition is popular enough with his base to be worth the effort to tear himself away from Tweeting and plotting to subvert democracy to make the effort.  It may also offer an opportunity to ad lib some remarks that will scandalize most of the nation—perhaps riffs on pardons for his cronies or himself.  If he does his base will adore him even more.  But as I discovered five years ago Republicans had a different view of turkey pardons when Barack Obama did it.  Our divide was deep and festering even then as is plain from this blast from the Blog past.

It’s mid-afternoon and I am still working on the blog post I had planned for this morning.  Look for it tomorrow.  But on a breakfrom working on it I found a post on Facebookthat intrigued me.  But it was from PoliticusUSA, a liberal web site I have learned not to trust. It often skews news items, misrepresents the contents in headlines, exaggerates, and passes on from sources even less reliable.  Having been embarrassingly burned a couple of times I have learned no matter how much their stuff might appeal to my natural political leanings, positions, and prejudices not to pass it on or share on social media.  My conservative friends—and I still have a few—might do well to review their own sources of information confirming their preconceptions.  But then if they did so sites from The Drudge Report and Breitbart not to mention Fox News might go out of business.  Those have been proved to have their pants on fire repeatedly by neutral fact checkers.

But in the case of the post that grabbed my attention, I decided to investigate if there was even a morsel of truth in the Politicus meme.  And lo and behold this time there was.  The story checked out.  And it was too good, and revealing not to pass on from the original source material—Public Policy Polling (PPP)

PPP is a North Carolina based polling organization ranked for its reliability, accuracy, and methodologyas one of the best in the business.   The company only works for Democratic or Liberal campaigns which value it for telling them the truth about public opinion, not just parroting back to them what they want to hear.  Separate from the polls that they conduct for campaigns, the company of conducts “temperature measurement” polls which reveal the depth of ideological commitment of some voters—and often reveals remarkable gullibility.  Questions in these polls sometimes seem whimsical or ridiculous—but some voters take them with absolute seriousness.

They have polled questions like the approval rating of God, whether Republicanvoters believe President Obama would be eligible to enter heaven in the event of the Rapture, and whether hipsters should be subjected to a special tax for being annoying.  Although these polls are sensational enough to attract media attention and thus boost the PPP brand, they are conducted as straight forwardly as any campaign polling.  Unlike the notorious push polls favored by Republican operatives, the questions are not framed in inflammatoryor prejudicial language intended to push the pollee to the desired response.  They are put forward matter-of-factly an in neutral language.  They use Interactive Voice Response (IVR), an automated questionnaire used by other polling firms including SurveyUSAand Rasmussen Reports.  Sample sizes are large enough to be meaningful and guard against anomalies.

In other words PPP polls tend to reflect what people are really thinking.  Which can sometimes be frightening.  It’s a Bizzaro world out there folks.

President Obama officially pardoning Cheese the Turkey in 2014.  Apparently Macaroni was camera shy.  Or was it a conspiracy to convince Americans he had only pardoned the traditional single bird?  Also remember the daughters Sasha and Malia were attacked by conservative operatives for their alleged violations of approved attitude at this occasion.  

The poll question that grabbed my attention asked “Do you approve or disapprove of President Obama’s executive action to pardon two turkeys rather than the customary one turkey at Thanksgiving?”

You might recall that last year to white gobblers named Macaroni and Cheese were saved in a holiday tradition dating back to John F. Kennedy spontaneously spared the turkey donated to the White House annually by the National Turkey Federation and the Poultry and Egg National Board on Nov. 18, 1963, just four days before his assassination.  Other presidents informally followed suit, making for a nice heartwarming annual story.  Ronald Reagan was the first to call it what the press already was—a pardon, but it was George Herbert Walker Bush who first drew up and issued a formal pardon.  The birds are generally donated to a local petting zoo.  The First Families, if they are so inclined, dine on a traditional non-celebrity turkey feast.

Republicans apparently had no objections when Ronald Reagan first used the word Pardon  in sparing Charley in 1973.

You would think such a charming little tradition would be non-controversial.  You would, of course, be wrong.  Nothing Barack Obama does is non-controversial in these hyper partisan times.  If Fox News were to suddenly report that Obama respires oxygen a significant portion of their viewership would be dead of asphyxiation by morning.


Let PPP itself report the outcome of their question.

The examples of the GOP’s reflexive opposition to President Obama’s agenda are many but this may be the best one yet: by a 27 point margin Republicans say they disapprove of the President's executive order last year pardoning two Thanksgiving turkeys (Macaroni and Cheese) instead of the customary one. Only 11% of Republicans support the President’s executive order last year to 38% who are opposed- that’s a pretty clear sign that if you put Obama's name on something GOP voters are going to oppose it pretty much no matter what. Overall there’s 35/22 support for the pardon of Macaroni and Cheese thanks to 59/11 support from Democrats and 28/21 from independents.

So there you have it.  Are you surprised?

PPP’s complete report on this round of polling also included questions on which Presidential Candidate would be the most likely to say something inappropriate at the table and ruin Thanksgiving Dinner (Donald Trump in a run-away), Thanksgiving menu choices (cranberry sauce or not turns into a generational divide) and Christmas issues—Americans are united in thinking the Starbucks coffee cup issue is ridiculousand in opposing too early playing of Christmas music.  Perhaps there is some dim hope for unity after all.  Check out PPP’s report a here.

*Just the sort of inflammatory headline to avoid like the plague.  This has been a Public Service Example.

 


The Maiden Flight of the China Clipper and the Romance of the Air

22 November 2020 at 08:00


 

She was without doubt the most famous—and romantic—single commercial aircraft ever to take wing, an icon of a shrinking world, and an honest-to-god movie star in her own right.  It all began on November 22, 1935 when the Pan American World Airways China Clipper lifted out of the water off of Alameda, California with a cargo of airmail bound for Manila in the Philippines. 

Heavily laden with cargo and fuel the mighty four-engine Martin M-130 struggled to gain altitude.  A scheduled loop around San Francisco for the benefit of an eager press and newsreel cameras had to be scrubbed and pilot Edwin Musick realized he could not get over San Francisco-Oakland Bridge, then still under construction, so he dramatically flew under the span.  It was a rocky start, but the plane was on her way.

It was epic, arduous and took seven days with lay-overs for fuel and to rest the crew at Honolulu, Midway Island, Wake Island, and Guam.  Setting down in Manila Baywith her cargo of 110,000 pieces of mail was cause for national celebration.  The Clipper was soon in regular scheduled service and also carrying passengers.

Pan Am President Juan Trippe charts out trans-oceanic routes for his flying boats.


The flight was a long time coming.  It was the vision of Pan Am founder and President Juan Trippe, a swashbuckling Wall Street investor turned aviation entrepreneur.  After earlier forays into the infant industry, Trippe founded the Aviation Corporation of the Americaswhich opened Latin American air mail service with a flight from Key West to Havana in 1927 with Musick at the controls.  He saw the future of international commercial aviation was in flying boats and put Pan Am’s resources into helping develop and put them in operation.  With planes like the Sikorsky S-42 which made trans-Atlantic service feasible.  With well-established routes to South America, Africa, and Europe, which made Pan Am the unofficial United States flag carrier, Trippe turned his gaze east. 

But Asia was far away and regular service would require a new, larger, and more powerful aircraft.  Trippe commissioned a new plane from the Glenn L. Martin Company of Baltimore, Maryland.   The builder designated the new planes as the M-30 Martin Ocean Transports, all-metalflying boats with streamlined aerodynamics and four powerful Pratt & Whitney radial engines.  The planes could accommodate 36 day or 18 overnight sleeper passengers and carried a flight crew of 7 plus cabin attendants for passenger service.  Three were built for Pan Am.

The China Clipper was first built and was test flown on December 30, 1934.  It was delivered to the Pan Am fleet on October 9, 1944.  Her sister ships were the Philippine Clipper and the Hawaii Clipper.

Meanwhile Trippe sent Musick, now Pan Am’s chief pilot on two flights in a Sikorsky S-42 to scout routes to the Philippines and from Manila to China.  Musick was then one of the most famous aviators in the world holding more than 10 records for long distance and flying boats.  He was also, by far, the most experienced pilot in the world having racked up nearly 2 milliontrans-oceanic air miles. 

Pan Am Chief Pilot Captain Edwin Musick, the most experienced aviator in the world, mapped out the Trans-Pacific route and flew the inaugural service of the China Clipper.

With the route laid out, Musick was the easy choice for senior captainon the inaugural flight of the China Clipper.  The rest of the crew were also respected veterans and included First Officer R.O.D. Sullivan and navigator Fred Noonan, later famed for doing the same duty on Amelia Earhart’s doomed round the world flight.

Weekly passenger flights across the Pacific began in October 1936 with Hawaii Clipper.  Connecting service from Manila to Hong Kong began in 1937 using S-42’s with the Clipper class Martins taking over that leg of the route a year later.  All three of the Martins flew these routes, but in the public’s eye they were all the China Clipper.  


A lobby card for Warner Bros. 1936 China Clipper starring Pat O'Brien, Humphrey Bogart, Henry B. Walthall, Ross Alexander and, of course, The China Clipper herself.

Public fascination with the Clipper was so high that Warner Bros./First National Pictures rushed into production with a film China Clipper starring Pat O’Brian as a thinly disguised Trippe single minded and ruthless in his aim to establish trans-Pacific service no matter the cost.  The turgid melodrama is noted for an early non-gangster role for Humphrey Bogart as a safety conscious pilot at odds with O’Brian who eventually saves the day by flying the plane safely through a storm and into a mail contract.  The film used much newsreel and stock footageof the real China Clipper, including dramatic footage of passing under the Bay Bridge.

The China Clipper was featured in other films including 1937 comedy Fly-Away Baby and the 1939 adventure film Secret Service of the Air and referenced in several others.  Later Alec Baldwin would play Juan Trippe in the bio-flick of his rival Howard Hughes in The Aviator starring Leonardo DiCaprio. It also figured in radio serials and popular pulp fiction.

The China Clipper and her sister ships as well as the famous pilot of that first flight all met disastrous ends, a reminder of how dangerous long distance air travel still was even in the most advanced aircraft.

On January 28, 1938 Musick and his crew of six died in the crash of the S-42 Samoan Clipper near Pago Pago, American Samoa, on a cargo and survey flight to Auckland, New Zealand.  A few months later in July the Hawaii Clipper disappeared between Guam and Manila with the loss of nine crew and six passengers.

The Philippine Clipper survived a Japanese air raid on Wake Island, an event depicted in the 1942 film Wake Island.  Pressed into wartime service for the Navy along with the China Clipper, she was lost in January 1943 between Ukiahand Boonville, California on a flight from Honolulu killing Pacificsubmarine force commander Admiral Robert H. English and 18 others. 

Pan Am promoted the return of its most famous and glamorous plane to post-war civilian service by putting her on a heavily promoted new route from Miami to Leopoldville in the Belgian Congo via South America.  With an inexperienced flying boat pilot at the controls, she crashed attempting to set down in Trinidad on the inaugural flight killing all on board.

That left the original China Clipper the sole survivor of the fleet.  Released from Navy service she was assigned to the inaugural flight of Pan Am service between Miami and Leopoldville in the Belgian Congo via Rio de Janeiro.  The plane was attempting to touch down at Port of Spain, Trinidad with an inexperienced pilot at the controls but under the supervision of a veteran pilot.  After aborting one approach the pilot misjudged his altitude and came in nose downhundreds of yards short of his designated landing zone.  The plane hull smashed on impact, took water, and quickly sank.  All 28 on board were killed.

Trippe would go on to lead Pan Am for decades introducing new innovationslike the Boing 747, workhorse of international aviation.  He died in 1981 at the age of 81.  Mercifully he did not live to see the ignominious failure of what had been one of the world’s premier airlinesa decade later.

Warp Corps to Host Compassion for Campers Distribution in Woodstock

21 November 2020 at 08:00

Camping gear laid out at First United Methodist Church in McHenry for the first indoor distribution of the season on November 10.

Compassion for Campers, the program that provides supplies and gear for the McHenry County homeless who have no steady shelter, will hold its second indoor distributionfor the winter at Warp Corps, 114 North Benton Street, Woodstockon Tuesday, November 24 from 3:30 to 5 pm.  

Warp Corps is dedicated to preventing suicide, substance use disorder, and homelessness particularly among at-risk youth.  Clients are asked to use the rear entrance on Jackson Street.  The door will be marked.

Pictured from left to right are members of the Warp Corps Team--Carlos Salgado, Julius Coronado, Jesse Soto, Warp Corps founder Rob Mutert, Heather Nelson,  and Natalie Hume.

Compassion for Campers is rising to the challenges presented by the latest Coronavirus mitigation orders while making sure the unhoused are served.

Clients will be Covid-19 screened out side with a temperature check and standard screening questions.  No one failingthe test will be turned away but we will ask what they need and  supplies will be brought out to them.  All clients are required to be maskedbefore entering the building and a mask will be provided to anyone who does not have one.  Clients will be admitted one at a time and no more will be allowed inside at any time than the location can safely accommodate with correct social distancing.  At the conclusion of the distribution all remaining supplies will be packed for storage and the host area will be cleaned and disinfected. 

Volunteers are needed to help with the distribution, especially younger folks in good health.  Contact Patrick Murfin at pmurfin@sbcglobal.net  or phone 815 814-5645 if you are availableon Tuesday afternoons.  Distributions are scheduled two weeks apart and will rotate between sites in Woodstock, Crystal Lake, and McHenry.  Donations to continue this work can be made by sending a check made out to Tree of Life UU Congregation, 5603 Bull Valley Road, McHenry, IL 60050 with Compassion for Campers on the memo line to the church.

This distribution is sponsored The Faith Leaders of McHenry County, Warp Corps, Compassion for Campers, and Ridgefield-Crystal Lake Presbyterian Church volunteers.


Transgender Day of Remembrance—A Candle for the Forgotten and Despised

20 November 2020 at 08:00


 

Maybe because their names and faces get lost in the grim glut of crime reporting. Maybe because no one knew their story—or their secret.  Maybe it’s because the Guardians at the gate want to protect our tender sensibilities.  Maybe it’s because outside of “those people” no one cares.  Or maybe it’s because some see a kind of rough justice acted out on the streets and prefer to let it go on as they used to whistle-by-the-graveyard-in-the-dark at lynchings that kept Black folk in their place.

But someone must remember these Transgender people murdered every year simply because of who they are.  According to transrespect.org:

… a total of 369 cases of reported killings of Trans and gender-diverse people between 1st of October 2017 and 30th of September 2018, constituting an increase of 44 cases compared to last year’s update and 74 cases compared to 2016. The majority of the murders occurred in Brazil (167), Mexico (71), the United States (28), and Colombia (21), adding up to a total of 2982 reported cases in 72 countries worldwide between 1st of January 2008 and 30th of September 2018.

The actual numbers are likely higher.  There is no uniform reporting of crimes against trans and gender-diverse people ranging from those who have completed surgical reassignment, those who identify with a gender other than the one assigned at birth, those who embrace gender ambiguity, cross dressers, and drag performers who may be perceived as trans regardless of their orientation.  Many police reports identify victims only by their genitals and, especially in urban, crime plagued areas, most murders not involving children, multiple victims, or white, or prominentvictims are not poorly covered by the press.

Levels of violence have risen in the United States but there is antidotal evidence that the general rise of intolerance and hate crimesfostered by Donald Trump, his Republican Party, and semi-hysterical right wing Evangelicals has disproportionally affected those who are identified as Transgender, especially Blacks, Latinos, and other minoritiesdue to the double-whammy of the rise of White Nationalism.

Haters respond to none-to-subtle cues from the Administration and Republican state legislators.  For example The Trump administration tried  to define transgender identity “out of existence” and erase civil rights protections for LGBT people.

According to a horrifying report from New York Times the Trump administration tried to narrowly define genderas a biological, immutable conditiondetermined by genitalia at birth.

The Justice Department rescinded Obama era protections for Transgender individuals in prison despite irrefutable evidence that placing prisoners in general populationsbased solely on birth genitalia is an open invitationto assault, rape, and even murder—precisely the outcome recently former Attorney General Jeff Sessions had in mind.

Meanwhile those red state legislatures worked over-time on their own attacks including ludicrous Bathroom Bills, removing protections of trans students in schools, and blocking or stripping out existing inclusion in hate crime laws.

Black Trans women are over represented by percentage of the population among American victims.  Often tenuous and sometimes strained relations between activistsin the Trans, Black, Gay, and feminist communities have sometimes stood in the way of common action and protest.

Perhaps ironically the International Transgender Day of Remembrance had its origin with the murder of Rita Hester, transgender African-American woman murdered in Allston, Massachusetts on November 28, 1998

Like so many memorial days do, an outpouring of community grief and anger led to a candlelight vigil held the following Friday, December 4 with 250 people in attendance. 

That vigil inspired the Remembering Our Dead web projectand the International Transgender Day of Remembrance.  Gwendolyn Ann Smith, a transgender graphic designer, columnist, and activist helped organize the first public vigil in honor of all victims the next year in San Francisco in November of 1999.

Since then, the observation has spread across the world. By 2010, the occasion, now held annually on November 20, was observed in over 185 cities in more than 20 countries.  Many more are observed every year although the raging Coronavirus pandemic will limit public gatherings and memorial many of which will move on-line.


Many local, national, and international organizations now participate in and promote the Day of Remembrance.  I am proud to say that the Unitarian Universalist Association has played a leading role.  Many UUA congregations include some part of their services this time of the year to the memorial.  And this year the UUA and its signature Side With Love campaign will host a Transgender Day of Remembrance Chapel Servicefeaturing Jaelynn Scott and Rev. Mykal Slack today, November 20 from 1 to 2 pm Central Standard Time (CST.)


Joe Hill—I Never Died Said He

19 November 2020 at 10:55



This oil portrait of Joe Hill hung in a succession of IWW General Headquarters offices.  When I worked late into the night as General Secretary Treasurer in the early 1970's I seemed to feel those intense eyes looking over me.  I wondered if I was living up to his legacy.

One hundred and five years ago on November 19, 1915 Utah authorities took Joe Hill from his prison cell, tied him to a straight back chair, blindfolded him and pinned a paper heart on his chest.  Then, in accordance with the local custom a firing squad of five men, four of them with live rounds in their rifles and one with a blank, perforated that paper valentine.

No one was better at setting words to popular or sacred songs for use in educatingand rousing up workers than Joseph Hillstrom, a Swedish immigrant who drifted into the migratory labor life of the American West shortly after the dawn of the 20th Century. He was born as Joel Hägglund in Gävle, Swedenand immigrated to the U.S. under the name Hillstrom in 1902 learning English in New York and staying for a while in Cleveland, Ohio before drifting West. 

He joined the Industrial Workers of the World (IWW) in 1910 and was soon sending songs to IWW newspapers, including his most famous composition, The Preacher and the Slave, meant to be sung to the music of the Salvation Army bands who were frequently sent to street corners to drown out Wobbly soapbox orators.

As a footloose Wobbly Hill was likely to blow into any Western town where there was a strike or free speech fight.  He was a big part of any Little Red Songbook from 1913 on with such contributions as The Tramp, There is Power in the Union, Casey Jones the Union Scab, Scissor Bill, Mr. Block, and Where the River Frasier Flows.  He also began to compose original music as well, the most famous of which was The Rebel Girl which he dedicated to the teen-age organizer of Eastern mill girls, Elizabeth Gurley Flynn. 

Hill also dispatched caustic, if crude, cartoons to Industrial Solidarity, the union’s newspaper, some of which ended up on silent agitatorsstickers meant to slapped up in mess halls, in lumber camps, in city flops and beaneries, and even on the factory floor.

Joe Hill in a photo taken in prison awaiting his execution.

Joe Hill was often the first fellow workerready to take the stump at a free speech fight and the first arrested.  He was loved by his fellow working stiffs and feared as an enormous pain in the side of Western bosses.

Hill came to Salt Lake City where the local copper barons feared he might bring their miners out on strike.  The small IWW miner’s local there was a target of police harassment.  But Hill apparently had no specific plans and was just booming around looking for work and possibly a place to winter over with sympathetic local Swedes. 

After he showed up at a doctor’s officewith a bullet wound, he was arrested and charged with the robberyand murder of a grocer, a former policeman named Morrison—and his son the night before.  He told police that a woman’s honor was involved and would say no more.  He was tried, convicted, and executed by firing squad in 1915.  He was just 36 years old.

Most scholarsagree that it was physically impossible for him to have been involved in the robbery or to be shot by the grocer.  But questions always lingered about the bullet wound and that vague alibi. 

William M. Adler apparently solved many of the mysteries surrounding Joe Hills life and death.

Finally in 2013 writer William M. Adler did remarkable spade work and an exhaustive investigation of Hill time in Salt Lake in his book The Man Who Never Died, The Life, Times, and Legacy of Joe Hill, American Labor Icon.  Adler identified the likely real murderof grocery store owner and his son as Magnus Olson, a career criminal with a long record who was known to be in the area and who had beef with the former policeman.  The police had even picked him up as a possible suspect but he talked his way out of it and hid his identityunder a welter of aliases.  Olson also matched the physical description of the assailant given by Morrison’s surviving son, which Hill did not.

Then Adler identified the mysterious woman—20 year old Hilda Ericson, the daughter of the family which ran the rooming house in suburban Murray where he was staying.  She had been engaged to Hill’s friend, fellow Swede, and Fellow Worker Otto Applequist who also boarded at the house.  Joe won thegirl’s heart and she threw over Applequist for the Wobbly bard.  An upset Applequist shot Hill in a fit ofjealousy, but immediately regretted it and was the man who took Joe to the doctor for treatment.  After taking Hill back to the rooming house he packed his bag and left at 2 am with the excuse he had gone looking for work.  Hill refused to name Applequist out of loyalty to his friend, and refused to identify the girl to spare her public humiliation—or perhaps to spare her and her family the risk of persecution from the police for providing an alibi.   And despite all that it cost him, Hill refused to say more.

The judgment of history is that Joe Hill was framed.  He became a martyr to labor in no small measure because of his Last Words, a letter to IWW General Secretary Treasurer William D. “Big Bill” Haywood,

Goodbye Bill. I die like a true blue rebel. Don’t waste any time in mourning. Organize... Could you arrange to have my body hauled to the state line to be buried? I don’t want to be found dead in Utah.

That has been shortened as a union mottoto “Don’t Mourn Organize.

He also composed a memorable Last Will:

My will is easy to decide,
For there is nothing to divide.
My kin don’t need to fuss and moan,
“Moss does not cling to a rolling stone.”

My body? Oh, if I could choose
I would to ashes it reduce,
And let the merry breezes blow,
My dust to where some flowers grow.

Perhaps some fading flower then
Would come to life and bloom again.
This is my Last and final Will.
Good Luck to All of you,
Joe Hill.

 

In keeping with Hill’s wishes his body was shipped by rail to Chicago, home of the IWW’s General Headquarters where it was cremated.   His funeralwas attended by thousands at the Westside Auditorium on Thanksgiving Daywhere Haywood, spoke along with tributesin several other languages and performances of Hill’s songs.  The funeral possession was reportedly one of the largest ever held in Chicago up to that time.  It took Hill’s remains to Waldheim Cemetery—now known as Forest Home Cemetery—where the bulk of his ashes were scatteredaround the Haymarket Martyrs Memorial.


One of the packets of Joe Hill's ashes distributed around the world and to every state but Utah.

The rest of his ashes were dividedinto small manila envelopes which were sent to IWW locals or delegates in all 48 states except Utah as well as to Sweden, and other countries. 

Over the years some packets of Hill’s ashes have surfaced—some that were seizedby the Federal Government in its 1919 nationwide raids on IWW halls and offices were returned to the union by the National Archives in 1988.  The packets have been disposed of in various ways, some ceremonial, some not.  British labor singer Billy Bragg reportedly ate some.  West coast Wobbly singer Mark Ross has some inside his guitar.  Former Industrial Worker editor Carlos Cortez scattered ashes at the dedicationof a monument to the six striking coal miners killed by Colorado State Police machine gun firein the 1927 Columbine Mine Massacre.   An urn kept at General Headquarters in Chicago contained his last known ashes but reportedly has been lost in a series of moves.  

Hill entered American culture as a folk hero along with the likes of John Henry and Casey Jones largely thanks to the memorable 1936 song I Dreamed I Saw Joe Hill Last Night with lyrics by Alfred Hayes and music by Earl Robinson.  As performed and recorded by the great African-American actor, activist, and singer Paul Robeson it became an anthem of the labor movement and eventually more famous than Hill’s own songs.  More than three decades later Joan Baez introduced it to a new generation of radicals and activists when she sang it at the Woodstock Festival in 1989. 

Phil Ochs, one of the heirs of Hill’s protest bard legacy also wrote and recorded his own Ballad of Joe Hill complete with a detailed account of his fate. 


The 1980 Swedish postage stamp commemorating Joe Hill.

Hill is also a revered figure in his native Sweden where he has been commemorated on postage stamps and where his childhood home is reverently preserved as a museum.  In 1971 director Bo Widerberg came to the States to film his Joe Hill.  Despite his reputation as the lyrical auteurof the internationally acclaimed Elvira Madigan, Widerberg botched the job by sacrificing much of the gritty class war content for a sappy and unbelievable romance.  The film sank like a stone when released in English in the U.S. 

IWW artist Carlos Cortez produced several large format lino-cut hand printed posters of Joe Hill.

But even a bad movie could not erode Hill’s fame.  He has appeared in fiction, poetry, and plays and has inspired several works of art, perhaps most notably in linocut posters hand produced by Wobbly artist, poet, and editor Carlos Cortez.

For the centennial of Hill’s execution events were held around the country and the world all year, including a series of Joe Hill Road Show tours featuring contemporary IWW musicians and other performers of people’s music.

Truly, Joe Hill is the Man Who Never Died.

 


Seasonal Murfin Verse from the Vault—Mid-November Dawn

18 November 2020 at 11:27


 

It seems like a good day to resurrect a poemthat appeared in a slightly different form in my 2004 collection We Build Temples in the Heart published by Beacon Press, Boston.

The poem came to me early one morning on my daily walk from the Metra train stationin Cary, Illinois to Briargate Elementary School where I was the Head Custodian.  After I opened the building and classroomsand hoisted the Flag outside, I grabbed a cup of bad coffee in the Teachers’ Lounge and set down to scribblea first draft.

 

Mid-November Dawn

 

The time has come,

            I know, I know.

 

The soft frosts that fade

            at the first blush of light

            are over.

            The grass snaps now

            with each step,

            the cold seeps around

            the buttons of my coat,

            up my sleeves,

            down my neck.

 

Of a sudden the leaves,

            just yesterday the glory

            of the season,

            are shed in heaps and drifts.

            The bare arms that held them

            Shiver in the dawn.

 

Long clouds of starlings

            swirl and trail across

            the lowering sky,

            crows clamor over

            carrion earth.

 

The time has come,

            I know, I know.

 

But just when the wail of grief

            wells in my throat,

            the keening for utter loss

            that crowds my senses

            and my soul—

a simple doe ambles unconcerned

across the scurrying road

into a remnant patch of wood,

somewhere just out of sight

the half-maddened buck

thrashes in the brambles.

 

The time has come,

            I know, I know.

 

My blood quickens in the cold,

            death falls away.

 

--Patrick Murfin

 



I have copies of We Build Temples in the Heart still available and will send you or your loved ones a personally inscribed copy for the low, low priceof $8.  I’ll even pay the postage!  They make great stocking stuffers for your literate friends.  Or you can piss off your children by using it instead of a lump of coal—they will be just as disappointed and angry!

Message me privately on Facebook or e-mail pmurfin@sbcglobal.net and we can exchange postal addresses so you can send me a check and I can send you a book.  Such a deal!

International Students Day—Why You Have Been Kept in the Dark About It

17 November 2020 at 12:55


 International Students Day is such a hot potato that even the United Nations will not support it.  Wonder why?

Note to all of my younger readers—if I have any. Today is International Student’s Day but you would not notice it at any American school, college, university.  Why? Because the day honors students not just for academics, but for their traditional role as being a kind of collective public conscience, the bearers of high ideals, and a thorn in the side of arbitrary authority everywhere.   In other words pretty much exactly what our oligarchs and authorities do not want.  They would prefer you train quietly and diligently to seamlessly become cogs in the machinery of their prosperity.  Or if you must blow off steam, do it at football games, keggers, or meaningless hook-up sex.  Anything but protest.

I come from a quaint generation that took student activism as a given inspired by the Civil Rights Movement and protests against the War in Vietnam.  We paid our dues in innumerable marches, sit-ins, Freedom Rides, the Streets of Chicago, university occupations, and at Orangeburg, Kent State, and Jackson State.  But after the war wound down and the Draft became an empty threat, campuses quieted.  Not that student activism ever entirely disappeared—there was always a level of activity and issues that raised the passions of some.  But no mass movement, no sense of common purpose.  In fact in many places conservatives organized effective counter presence.

Millions, including students, joined in mass protests and marches to try and stop a post-9/11 invasion of Iraq, when the war actually started there was not much of a sustained movement against it and what there was wanedas the War on Terror  dragged on interminably, becoming just background noise.

The most significant new mass social movement in decades, the Occupy Movement, was spearheaded by young post-college adults whose lives and hopes had been disruptedby the economic crash of 2008 and crushing student debt.  As it spread across the country from city to city students became involved and there were some actions on campus as the infamous pepper spraying of non-violent students at Santa Monica College, it never really became a student movement.

But more recently things have begun to change.

Students have often taken the lead in Black Lives Matter protests.

Youth, including high school and college student did become the driving force behind the next important development—then Black Lives Matter Movement.  But at first they were acting and reacting on the streets not as students per se.  That escalated this year after the murders of George Floyd, Briana Taylor, and others.  In many communities students spearheaded efforts to remove police from their schools.

Parkman Florida school shooting survivors helped mobilize and sustain a nation-wide movement.

After yet another school mass murder at Marjory Stoneman Douglas High School in Parkland, Florida student survivor organized what became a national anti-gun violence movement, #NeverAgain with school walk outs and local and national protests and marches.  They were also very sophisticated in the use of both social media and messaging in mainstream media.   And they sustained activity well beyond the first flush of actions in 2018 lobbying state and Federal lawmakers for significant action on gun control, organizing boycotts of businesses supporting the National Rifle Association (NRA), and conducting youth voter registration drives,

There were other stirrings—the Dreamers movement and immigration protests, the anti-rape culture movement.  Students seem no longer so domesticated.  But they were not alone on campuses anymore.  A vicious Alt-right movement—read racist and white supremacist—has been emboldened. All of which recalls the events that inspired the creation of International Student’s Day.

Student-led Climate Strikes around the world have been diverse and multi-cultural befitting a global vision.

But by far the most significant development is the world-wide movement inspired by Swedish teenager Greta Thunberg and her Friday Climate Change strikes.  In September 2019 those scattered actions became the Global Climate Strike and continues as Extinction Rebellion.  Importantly Third World students have joined privileged Europeans and North American in leadership of the still growing movement.

International Student Day owes its origins to the dark days following the Nazi occupation of Czechoslovakia in 1939.  The country was perhaps the most sophisticated in Eastern Europe with a large and prosperous middle class which placed value on what was called high culture.  Education was particularly esteemedand it had one of the highest percentageof its young people enrolled in universities in the world.  In Prague many of those students had watched glumly as German troops poured into the city in March.

The death of student Jan Opleta who was shot during an anti-Nazi march in Prague sparked an even greater protest at his funeral. 

Some students fled the country with their families, it they were able.  Jewish students were expelledand Jewish professors fired.  Some students, particularly young Communists and left Social Democrats went underground and began to form what would become a resistance movement.  Most stayed fearfully at their studies, but many were determined to protest the subjugation of their country.

On October 29, the anniversary of the Declaration of theCzechoslovak Republic in 1919, students of the Medical Faculty of Charles University held a street rally which was violently suppressed by the Nazis.   Among the wounded was Jan Opleta who was shotand died of his wounds on November 11.

Opleta's funeral on November 17, 1939 turned into a mass protest that sparked a vicious Nazi repression.

Students from all over Prague and the now splinteredCzechoslovakia turned out by the tens of thousands to make Opleta’s funeral procession into a mass protest on November 15.  Students expected reprisals.  What they got was beyond any of their imaginations.

On November 17 the Nazis stormed the University of Pragueand other campuses.  All universities around the former nation were immediately closed and their students ejected.  1,200 were rounded up and deported immediately to concentration camps.  Others would be picked up and arrestedover the next year.  Few of those sent to the camps survived the War.

Nine professors and students were shot without trial the same day.  Their names have become a litany of heroes to CzechsJosef Matoušek, Jaroslav Klíma, Jan Weinert, Josef Adamec,    Jan Černý, Marek Frauwirt, Bedřich Koukala, Václav Šafránek, and František Skorkovský.

In 1941 the International Student Council (ISC) which included many refugees, proclaimed November 17 International Students Day with the approval and encouragement of Allied governmentswhich used the proclamation in their propaganda broadcasts to the Continent.

The celebration was kept alive in the post war years by the successor organization to the ISC the International Union of Students.  Along with the National Unions of Students in Europe and others there has been an on-going attemptto get the United Nations to officially recognize the day along with celebrations for Women, Children, Indigenous Peoples, and such.  The effort has been met with what might be called benign neglect.  It turns out a lot of governments are worried about politicized students.  And support has been forthcoming and withdrawn depending on whose ox is being gored by students in the street.

Take the case of the old Soviet Union and its Eastern Bloc allies.  They originally embraced the celebration as an extension of anti-fascism.  But that changed after another incident in Prague.

Czech students to the streets again on November 17, 1989, the 50th anniversary of the anti-Nazi protests.  The uproar over the violent repression of the march led directly to the Velvet Revolution and the ouster of the pro-Soviet government.

In 1989 independent student leaders and the official Student Union organized mass demonstration for the 50th anniversary of the attack on Czech schools and students.  The 15,000 students who took to the streets in a peaceful paradeused the opportunity to criticizethe Communist Party and government on an array of issues.  Police responded with a predictable baton attackleaving many wounded and one dead.  The dead man turned out to be a secret police agent who had infiltrated the students but had gotten too close to his own government’s clubs. 

Students did not realize the dead man was an agent, however, and rumors of the death of a comrade swept the capital.  A student strike was proclaimed and supported by actors and others.  The subsequent uproar led directly to the Velvet Revolution and the ouster of the Communist Government breaking the hold of the Soviet Union on Eastern Europe.

 After the fall of the Berlin Wall and the collapse of the Soviet Union, European student groups fractured on ideological lines.  In the chaos, international coordination of Student Day observances fell by the way side, although many countries and national Student Unions carried on independent celebrations.

Since then students have been at the forefront of protestand rebellion throughout the former Soviet empire, in China’s Tiananmen Square, in the Arab Spring, in anti-austerity protests across Europe, in Istanbul, and dozens of other places around the world.  They protest against tyrants of the Left and of the Right, against oligarchic wealth, and religious zealotry.   No wonder governments are so skittish about encouraging them with United Nations recognition.

At the World Social Forum held in Mumbai, India in 2004 various student groups and national unions began to discuss a re-launch an official, coordinated movement.  The movement has picked up steam, particularly in Europe.

In 2009 there was a massive commemoration of the 70th Anniversary and a major conferenceheld at the University of Brussels.  Among the actions taken was a resolution pressing for the adoption of a European Student Rights Charter.

But still no participation in the USA.  Hey, here’s an idea, young readers.  What say you start something….

 

Workers and Wobblies—In November We Remember

16 November 2020 at 10:21

Ralph Chaplin, then the editor of the Industrial Worker wrote this poem, later set to music.  Pictured is Frank Little, the tough IWW hard rock miners organizer who was lynched in Butte, Montana in 1917.

For many of us November is a melancholy month.  Often slate gray skies silhouette naked trees in a chilling wind.  Death seems at hand.  But so is its handmaiden—remembrance.  After all, the month begins with All Souls/Day of the Dead when the memories of ancestors and loved onesare honored. 

English school children still chant “Remember, Remember the Fifth of November,”  now a harmless nursery rhyme about Guy Fawkes and the Gunpowder Plot but was once an annual call to riot and mayhem against Catholics not only in Britain but in pre-Revolutionary War New England.  Here in the American Midwest we are often reminded of the Edmund Fitzgerald, the Great Lakes iron ore freighter that sankwith all hands in a gale on Lake Superior on November 10, 1975 and is commemorated in Gordon Lightfoot’s haunting ballad.  On November 11 Americans celebrate Veterans Day on the anniversary of the Armistice that ended the First World War.  But in Britain and most Commonwealth nations it is a somber Remembrance Day, more akin to our Memorial Day in honoring war dead.

This 2015 cover of the Industrial Worker was in the continuing tradition "In November We Remember" issues.

But the month carries special meaning to the American labor movement.  Beginning in the early 1920’s the Industrial Workers of the World (IWW) began annually commemorating a string of radical and union martyrs under the heading In November We Remember!  Aside from articles in the union press—theIndustrial Pioneer and the Industrial Worker and often local programs and memorials, the month was used to raise funds for the General Defense Committee for the legal defense of persecuted unionists and aid for class war prisoners.

Most often cited in annual observances were the following cases, each with a unique and tragic story.  In each case I will link to a blog post with full story.

The execution of the Haymarket Martyrs in 1887.

The Haymarket MartyrsOn November 11, 1887 four of the original eight anarchists and unionists charged with murder after a bomb exploded killing several attacking police at a protest rally at Haymarket Square in Chicagoon May 4, 1886.  Albert Parsons, August Spies, Adolph Fischer, and George Engel were hung at Cook County Jail.  A fifth defendant, Louis Ling, had committed suicide in jail to deprive the state from executing him.  Their death galvanized the international labor movement and led directly to the establishment of May Day as International Labor Day.


The Everett Massacre--The IWW lost at least 5 dead and 27 injured when Sheriff's deputies and timber industry gun thugs opened fire on the Verona and another boat bringing Seattle Wobblies to Everett, Washingtonfor a free speech fight on November 5, 1916.  About half a dozen other Wobs were missing and presumed drowned after jumping from the ambushed boat to evade the lethal cross fire from shore. 

Wobblies  recently raised money for a new headstone for Wesley Everett in Centralia.  The backside tells the story.

The Centralia Massacre—See my Armistice/Veterans Day post.  November 1l was also the centennial of the Centralia Massacre.  Westley Everest, an IWW member and veteran in uniform, was lynched following an attack on the IWW hall in Centralia, Washington by members of a lumbermen’s Citizen Committee and American Legionaries.

The post-mortem photo of Joe Hill's body show four firing squad bullets that killed him.

Joe HillLegendary IWW songwriter and footloose agitator Joe Hill (a/k/a Joel Haglund and Joseph Hillstrom) was executed by firing squad in Utah for a murder he could not have committed on this date in 1915.  Many of his songs continue to be printed in new editions of the IWW’s Little Red Song Book and he help establish a tradition of labor music inherited by Woody Guthrie, Pete Seeger, Utah Phillips, and Si Kahn and others.  He may be best known to the public for I Dreamed I Saw Joe Hill Last Night, a song by Alfred Hayes and Earl Robinson famously recorded by Paul Robeson and Joan Baez.

Mother Jones celebrated her birthday on May 1, 1930 a few month before she died.

Mother Jones—Although not a martyr and directly related to the IWW only through her attendance at its 1905 founding convention, Mary Harris Jones, the miners’ angel, is often included in later versions of this litany.  She died on November 30, 1930 well into her 90’s after more than forty years of tireless activism and hell raising.

Both the IWW and the labor movement also use this month to remember the countless others who have given their lives during the years of more or less open class warfare in the United States and down to this day.

For instance D.J. Alperovitz as part of his massive IWW archive project at the University of Washington has documented the deaths of more than 170 individual associated with the union from its founding to the 1970’s in the file IWW Members Killed Year by Year.  The list includes some bystanderskilled when police, militia, or gun thugs shot at strikers and picketers, the unborn babies of women who miscarried due to violence, members who died in jail often after abuse, and some who were killed in fights or while allegedly committing crimes that may or may not have been related to their membership.

Among the earliest listed are several members killed in the IWW’s 1909 Press Steel Car Strike in McKees Rocks, Pennsylvania.  Seven members were gunned down and murdered in the ColumbineMassacre in 1924 in Colorado when the state Militia opened fire with machine guns on a camp of coal strikers and their families.  Several other strikes had multiple fatalities.  The list also includes Wobs who died in the Baja Rebellion of 1913, Mexican Revolution, in the Soviet Union during and after the Russian Civil War, and while fighting as volunteers in the Spanish Civil War.  The last two listed were Frank Terrugi, a student, journalist, IWW member killed in the 1973 Chilean Coup whose story was an inspiration for the film   Missing with Jack Lemon and Sissy Spacek and journalist Frank Gould who disappeared in 1974 while covering the Moro Rebellion in the Philippines.

Of course we should remember the labor dead beyond the IWW.  A far from comprehensive list would include those killed in the Great Railway Strike of 1877, decades of mine wars in Pennsylvania, West Virginia, Kentucky, Illinois, and Colorado including the Battle of Blair Mountain, the 1919Steel Strike, and the 1937 Memorial Day Massacre in Chicago.

So much to remember….


To Look Sharp and to be Sharp too—King Gillette Gets a Patent

15 November 2020 at 14:36
                              Kindly looking King R. Gillette's visage became the trademark of his products. On this date in 1904 King R. Gillette  secured a patent on a safety razor and the disposable blades to use in it.  The products quickly changed the lives of American men and the and the culture.  Men were liberated from straight razors which required daily stropping to keep sharpand except in the deftest of handsapt leave minor or major cuts—a day without blood on the towel was a victory for many.  A major victim of the safety razor were the ubiquitous neighborhood barbershops and the ones that were in virtually every major office building and many factories where many men gathered daily for a professional ...

The Victory of Light Over Darkness—Diwali in the Shadow of the Coronavirus Pandemic

14 November 2020 at 10:34


There are many Festivals of Light celebrated by religions and cultures around the world including Christmas, Chanukah, and Winter Solstice observances familiar in the West.  But none are more colorful or enjoyed with such gleeful abandon a Diwali, the Hindu festival of the victory of light over darkness, good over evil, and knowledge over ignorance.  In most of the Northern Hemisphere the five day holiday began this year on November 19, but reaches its peak on today, the third day of the celebration. 

But this year India has reported more than 8.6 million COVID-19 cases and more than 127,000 deaths, second only to the United States which has more than 10.2 million cases and nearly 240,000 deaths, according to data from John Hopkins University.  The rapid spread of the virus through densely populatedIndia has been blamed largely on other religious festivals this year celebrated by Hindus, Muslims, Sikhs, Jains, Buddhists, and local cults.  Each religion has it zealous observers and entrenched customs and has been deeply suspicious that any attempt to curb rituals and parades represents oppression and/or persecution by other groups.

Masking has been enforced and widely observerd, especially in urban centers during the Covid-19 emergency, but people still throng the streets like these women doing shopping for Diwali.

Diwali is more widely observed than any other festival and is celebrated not only by Hindus but by Sikhs, Jains, Buddhists and secularIndians, and even unofficially by some Muslims.  The national and Indian state governments are trying to discourage the traditional large public gatherings and emphasizing family gatherings and on-line observances but are loathe to enforce lockdowns or bansin fear of stoking religious rebellionsand riots.  The national government is in the hands of Hindu nationalists and is especially reluctant.

The large Indian diaspora in the United Kingdom, South Africa, the Caribbean, Canada, Fiji, the United States and elsewhere face restrictions which will put a damper on South Asians’ most visible celebrations that have extra elements of cultural pride and claiminga part of the larger societies in which they live.

A lot of lights will have to be lit to dispel this particular darkness.

Typically during the celebration, temples, homes, shops, and work placesare brightly illuminated.  In most of India the climax of the festival occurs on the third day coinciding with the darkest night of the Hindu solar month Kartika. In the Gregorian calendar, it generally falls between mid-October and mid-November. 

Young women of the Hindu diaspora light diyas.

During the climax, revelers adorn themselves in their finest clothes, illuminate the interior and exterior of their homes with diyas(oil lamps or candles), offer puja (worship) to Lakshmi, the goddess of prosperityand wealth, light fireworks, and enjoy family feasts, where mithai (sweets),  and giftsare shared.

Details of the celebration vary across regions and even the names of each feast day change with local dialects and languages.  In much of southern India and in Sri Lanka Tamils celebrate the first day of Diwali as most significant.  Diwali is also a major cultural event for Jains and other religious minorities on the Indian Subcontinent.   The Sikhscelebrate Bandi Chhor Divas to mark the release of Guru Hargobind from a Mughal Empire prison,  Newar Buddhists, unlike other Buddhists, celebrate Diwali by worshipping Lakshmi, while the Bengali Hindus generally celebrate Diwali, by worshipping Goddess Kali.  Except for Muslims and the small minority of Indian Christians, pretty much the whole country takes off to party. 

William Simpson labelled his chromolithograph of 1867 as Dewali, feast of lamps. It showed streets lit up at dusk, with a girl and her mother lighting a street corner lamp

The Diwali festival is likely a fusion of harvest festivals in ancient India.  It is mentioned in Sanskrit texts such as the Padma Purana and the Skanda Purana both of which were completed in the second half of the 1st Millennium CE. The diyas  are mentioned in Skanda Kishore Purana as symbolizing parts of the Sun, describing it as the cosmic giver of light and energy to all life and which seasonally transitions in the Hindu calendar month of Kartika. 

Most British, Commonwealth, and North American Hindu communities have their roots in the north of India and commonly celebrate these five days:

Day OneDhanterasmarks the beginning when people traditionally purchase some gold or silver or at least one or two new cooking utensils for good luck.

                                The goddess Lakshmi.

Day TwoNarak Chaturdasi is also called Choti Diwali when people take oil baths before sunrise with ubtan, a homemade paste of herbs that can be used as asoap, and a face or body mask.

A family celebrates with sparklers and new clothes.

Day ThreeLakshmi Puja is the main and most festive day of the festival when people keep the house spotlessly clean and pure to welcome goddess Lakshmi. After a day of fasting sweets and gifts are shared.  Lamps are lit in the evening, and Lakshmi puja, a home religious observance celebrating the goddess with chants, mantras, and honoring of ancestors.  Celebrations spill from homes and businesses into the streets with more lamp lighting, singing and dancing and public fireworks.

Day FourGovardhan Puja or Padwa celebrates the love between husband and wife in commemoration of Parvati and her husband Shiva as well as the lifting the Govardhan mountain by Krishna to save a cowherd and farming communities from incessant rains and floods triggered by Indra’s anger.  It is thus also a harvest fest and day of thanksgiving marked by Annakut, the mountain of food. Communities prepare a meal over one hundred dishes from a variety of ingredients, which is dedicated to Krishna before shared communally. Hindu temples on this day prepare and present mountains of sweets to the faithful who have gathered for darshan, a visit. In Gujarat, the day is also called Annakut is the first day of the new year and celebrated through the purchase of sabras, the  good things in life, such as salt, offering prayers to Krishna and visiting temples.

Family prayers before the Mountain of Sweets in a North American temple.

Day FiveBhai Duj celebrates the bond between brotherand sister.  Women of the family gather, perform a puja with prayers for the wellbeing of their brothers, then return to a ritual of feedingtheir brothers with their hands and receiving gifts. In some Hindu traditions the women recite taleswhere sisters protect their brothers from enemiesthat seek to cause him either bodily or spiritual harm. Often brothers travel to meet their sisters, or invite their sister's family to their village to celebrate their sister-brother bond with the bounty of seasonal harvests.

A sister feeding her brother on Bhai Duj.

Variations on these are almost infinite in the complex world of Hinduism and customs can even vary from village to village in the same regions.  But the joy of the season is celebrated by more than 800 million people worldwide making it one of the largest religious festivals on the planet.


Bloody Sunday at Trafalgar Square—Victorian Class War

13 November 2020 at 12:36

A popular British magazine illustration of the police charge on marchers in Trafalgar Square in 1887.

There sure are one hell of a lot of Bloody Sundays.  Could make your head spin.  A Wikipedia Disambiguation page lists 18 between 1873 and 1991 and I am not sure the list is definitive.  The first was a Reconstruction Era race riot in Colfax, Louisiana in which White Democrats attacked Black Republicans and Militia members trying to defend the ballot results of an election.  Between 50 and 160 Blacks were killed, most executed after surrendering and their bodies dumped in the river.  The most recent was on January 13, 1991 in Vilnius, Lithuania when Soviet troops opened fire on civilians protesting rising prices in newly independent nation.  In between most of the incidents were cases of police, military, or armed security guardsopening fire on protestors.  A handful like a 1939 massacre of civilians at Bydgoszcz, Poland by Nazi Germany were war crimes.

Most Americans associate Bloody Sunday with the attack on voting rights marchers at the Edmund Pettus Bridgein Selma, Alabama on March 7, 1965 setting the stage for the historic Selma to Montgomery March on March 21.  They may also recall a Bloody Sunday on January 30, 1972 when British Army Paratroopers opened fire on unarmed Catholic demonstrators in Belfast, Northern Ireland leading to a twenty year-long guerilla war and bombing campaign by the Provisional IRA.  It is remembered as much for protest songs by Paul McCartney, Give Ireland Back to the Iris; John Lennon, Sunday Bloody Sunday; and U2’s song of the same name.

The events in London’s famed Trafalgar Square on November 13, 1887 are virtually unknown to Americans, but this particular Bloody Sunday was pivotal in British political, class, and labor history and helped shape a generation of struggle.

Times were hard in Britain in the 1880’s.  Had been since a crash in 1873 and would continue to be until the turn of the 20th Century.  The period is remembered as the Long Depression.  There were many contributing causes but among the most significant was a collapse in agricultural commodity prices that combined with the introduction of modern farming equipmentdisplaced rural agricultural laborers and tenant farmers who with nowhere else to go flooded the cities.  The infusion of so many unskilled laborersinto the cities led to a collapse of wages.  Unemployment skyrocketed and depressed wagesled to wide spread want.

Nowhere was the agricultural depression felt more strongly than in Ireland where despite huge losses in population due to starvation and diseasein the Potato Famine decades earlier and mass emigration to the United States, Canada, and Australia, continuing consolidation of landed estates forced more peasants off the land, many of them piling into English cities when they could not raise fare for new worlds. 

Discontent had been building in the cities where there had been demonstrations of the unemployed and clashes with police for two years.  And in rural Ireland there were rent strikes, boycotts, rioting, and unrest which caused the Coercion Act of 1881 allowing for persons to be imprisoned without trial.  The act was introduced by the Liberal Government of William Gladstone and, along with continued harsh measures in Ireland, led to the abandonment by the radical wing of the Party.  With the old Whigs shattered, the Tories—now officially the Conservatives, swept to power and would remain in the saddle almost continually through the rest of the century.  Their hold was secured by the allocation of seats in Parliament that still vastly underrepresented urban and working class districts while preserving rural safe ridings for the Conservatives.

The Conservatives ideologically refused to consider measures of domestic reliefor economic reforms that might have interfered with a free market.  They were also most interested in the maintenance and extension of the Empire through which the vast wealth of the world settled into the hands of banks, corporations, and an entrenched elite who were thus insulated from the domestic economic crisis.

Starving men from London's East End slums line up for meal tickets from the Salvation Army.  Private charity was the only form of relief for the desperate.

These conditions had given rise to new movements—a small but growing socialist movement including the Marxistsof the Social Democratic Federation(SDF) and Socialist League, and the middle class and intellectual Fabian Society of reformist socialists.  Discontented Liberals and former Liberals had rallied around organizations like the National Secular Society, various free thought movements, and radical dissenters including the Unitarians.

There were also organizations of the Irish diaspora, increasingly radicalized by the Coercion Acts.  These were galvanized by the recent arrest of Irish nationalist Member of Parliament William O’Brien who was imprisoned for incitement as a result of an incident in the Irish Land War.  The Irish National League called for a mass demonstration to demand O’Brien’s release.

The SDF, led by William Morris, better known to American viewers of Antiques Road Show as the textile and furniture designer who was the father of the Arts and Crafts Movement, was eager to curry favor with the burgeoning Irish populations of the London slums and joined in the call for a demonstration.  They broadened demands to include unemployment relief.  They were able to attract fairly significant numbers of native English workers, many of them members of the struggling trade union movement.  The Fabians were not official sponsors, but most prominent members offered their support, including Irishman George Bernard Shaw, as did some of the radical Liberals and Freethinkers.

Artist and designer of furniture, wall paper, and domestic decorations, was also a leading radical and leader of the Social Democratic Federation which took the lead in organizing the Trafalgar march.

The march was well publicized in advance.  The Conservative government of Lord Salisbury vowed not to be intimidated and assigned infantry companies and cavalry troops in support of hundreds of massed Metropolitan Police who were armed only with their truncheons.

The flash point would be Trafalgar Square where the working class East End met the upper-class West End of London.  On that Sunday afternoon as many as 30,000 “respectable citizensringed the square in hopes of witnessing the suppression of the march as if it were a spectator sport.  Ironically, although many of the crowd probably hoped to see violence unleashed against the demonstrators, the presence of so many witnessescaused authorities to order that troops carry unloaded weapons and that the cavalry refrain from drawingtheir sabers.  There would be no repeat of the bloody military attacks on Chartist demonstrators 40 years before.

Annie Besant of the National Secularist League was the firs speaker physically restrained from speaking but she was not beaten or arrested like other march leaders.

The march was well organized and coordinated.  Various feeder marches converged on the Square from different points in the East End.  Columns were led by Morris, fiery trade unionist and SDF leader John Burns, National Secularist League speaker Annie Besant, Scottish radical Liberal MP Robert Cunninghame-Graham, and the socialist feminist Elizabeth Reynolds.  Their prominence is an indication of how much of the leadership of the movement had slipped from the hands of the Irish nationalists to the socialists and radicals.

But the majority of the marchers, estimated at around 10,000 in numbers were Irish.  And they were plenty mad.  By all accounts many had come armed with clubs, iron bars, gas pipes, and knives.  They were met with a force of 2,000 police and 400 troops.  As soon as Annie Besant attempted to address the crowd, she was restrained by police, who despite her insistence declined to arrest her.  But police did attack other leaders including Burns and Cunninhame-Graham beating both men badly before dragging them away.

Police and a "respectable citizen" detain a stereotypical Irish rioter. Most of the press was hostile to the demonstrators and supported the government.

Police charged the crowd with truncheon’s swinging.  They were met and resisted by many of the armed Irish in a bloody meleein which dozens on both sides were seriously injured.  Perhaps biased press accounts claimed that the Police suffered greater injuries. Troops surged forward to disperse the crowd, the cavalry trampling many and some demonstrators were stabbed by bayonets.  Scores were injured and at least two demonstrators, Alfred Linnell, a young clerk and W. B. Curner died later of their wounds.

Burns and Cunninhame-Graham and others who were arrestedwere sentenced to seven weeks in prison.  In Parliament most Liberal MPs supported the Conservative government’s use of force and its refusal to offer any concessions to the demonstrators.

William Morris's Memorial illustrated by Walter Crane was widely circulated in cheap editions for the poor.

One week later a second protest meetingwas broken up by police.  Shortly after Linnell, who had not even been a participant in the march, but an unlucky spectator run down by a cavalry horse, died.  William Morris composed a memorial hymn which was published and widely disseminated.  Morris spoke at a memorial for Linnell telling thousands assembled that, “It is our business to begin to organize for the purpose of seeing that such things shall not happen; to try and make this earth a beautiful and happy place.”

When the prisoners were released in February an open meeting lead to a breach between the radical Liberals, secularists, and reformist socialists and the more radical Marxists.   SDF leader Henry Hyndman violently denounced the Liberal party, and singled out for criticism even radicals like Cunninghame-Graham for being insufficiently committed to the working class.  It represented a rejection of “respectable” middle class leadership leading eventually to a new strategy centering on the Trade Union movement and the creation of a working class led social democratic Labour Party.

The British labor and socialist movements would look back on Bloody Sunday as an almost mythic event in their self-defined origin stories.

Ellis Island—Where Immigrants Were Once Welcomed Roughly

12 November 2020 at 15:22

Ellis Island around the turn of the 20th Century.


A guy who should have been a joke became the leading contender for the Republican Presidential nomination in 2016.  He got elected largely on his promise to build a high tech version of the Great Wall of China across our Southern boarders at a cost of billions of dollars, to round up and deport 11 million so called illegal aliens, and even to revoke the citizenship of millions born in the U.S. to immigrant parents.  In addition to casting Latino immigrants as criminals and rapists, he targeted Muslims and African immigrants.  His policies resulted in the infamous separation of childrenfrom their families and a vast network of internment facilities for immigrants and asylum seekers.  The translation of all of this is that America would be made White again.  He tapped into a deep reservoir of nativism and xenophobia that has surfaced repeatedly in American history in various ugly guises.

Take, for instance, the end of the great symbol of immigration and the doorway to millions.  Many of the decedents of the wretched refuse who entered that doorway and who were despised, abused, and exploitednow believe that they are White Real Americans and cheer on the billionaire who holds them in as much contempt as the Mexicans he disparages.

Ellis Island,the main port of entry into the United States for immigrants arriving from across the Atlantic Ocean for sixty-two years closed on November 12, 1954.  Since 1898 over 12 million peopled had entered the country through the immigration processing center on the island.  About 100 million people, one third of all Americans alive today either came through the Island themselves or have at least one ancestor who did.

The local native tribes called it Kioshk (Gull Island) for the birds that gathered on the stony 3.2 acre outcropping off the New Jersey coast of New York Harbor.  The Dutch and English settlers named it after the abundant oysters that attracted the gulls.  Nearby is even smaller Bedloe’s Island on which was built Ft. Wood, a harbor defense 11 point star fort completed in 1801.  When that instillation was abandoned as obsolete after the Civil War, the fort’s thick stone walls supported the base and pedestal for the Statue of Liberty, which was unveiled there in 1886.

Ellis Island, which the Federal Government purchased in 1808, was also part of the harbor defense system, featuring a parapet with three circular levels of gun platforms named Fort Gibson.  Like its neighbor, the fortification was abandoned after the Civil War.

In the late 19th Century the State of New York employed Castle Garden as an immigrant receiving station.. 

By the time that big statue was erected next door, millions of emigrants had already poured through the harbor.  At the time there was no Federal screening or regulation of immigration.  If it was done at all, such screening was left to the states.  For decades New York had funneled immigrants off the ships to Castle Garden in the Battery. From 1855 to 1890 an approximately eight million immigrants, mostly from Northern and Western Europe, passed through its doors.

The first great wave of European immigrants, especially the huge numbers of Catholic Irish had set off a wave of nativism that culminated in the Know Nothing Party.  The continuing need for massive numbers of workers to for the huge construction projectscanals, railroads, turnpikes, harbor dredging—as well as in mining and the growing industrial sector, had made absorption of the growing numbers easier.  And the Civil War both diverted the country’s attention from immigration issues and used plenty of off-the-boat immigrants as cannon fodder.

By the 1870’s, however, economic depression in Europe, famines, political instability, and a rising wave of anti-Semitism was bringing a new wave of immigrants from Southern and Eastern Europe, especially Italy, Poland, and portions of the Russian, Austro-Hungarian, and Ottoman Empires which was resented by “Americans” and earlier immigrants alike.  The Labor Movement, struggling to maintain craft unions and high wages in the skilled trades, and to establish any kind of unionism among the semi-skilled and unskilled laborers of the humming new factories, mills and mines, was fearful that a surplus of cheap labor would drive wages down and that “ignorant” immigrants would be used as scabs.   The Protestant middle class was aghast at swarthy new hordes of Papists and worse, Jews.

Pressure was growing on the Federal government to step in and regulate immigration uniformly.  The Federal government assumed responsibility in 1890.  It immediately recognized that New York’s Castle Garden facility would be unable to handle the huge numbers that seemed to increase yearly.  Work to convert abandoned Ellis Island to a receiving stationbegan almost immediately.

On January 1, 1892 the Ellis Island receiving station opened under the auspices of the new Bureau of Emigration.  Fifteen year old Anne Moore and her two brothers from Cork, Ireland, were the first to be processed.   They would be far from the last. 

The first reception center burned down within 5 years.  In December 1900 the impressive main hall which still stands was opened and processed 2,251 immigrants on the first day.  Over the years the facility was greatly expanded as was the island itself.  From 1890 onward fill from unloaded ship ballast and from construction projects in the City, especially from the Subway system, was used to expand the island.  Eventually it covered more than 27 total acres with the bulk of the land in two large sections on either side of a ferry slip connected by a narrow strip of land.  Numerous buildings dotted both sides of the island.

Immigrants arriving at Ellis Island carried all of their possessions with them.

Most people believe that all immigrants arriving by ship in New York passed through the island.  That is not quite true.  First and second class passengers were cursorily interviewed on board ship and generally passed directly through for landing in New York unless they showed signs of illness.  It was presumed that those who could afford such passage had sufficient assets to prevent them from becoming “burdens on society.”  But the vast majority of immigrants were booked third classand steerage.  Steerage passengers were treated as virtual cargo, held in cramped conditions below deck and not allowed to mingle in any way with their betters.  These were the millions that were funneled through Ellis Island’s screening process.

These passengers were transported by ferry from the docks to the island and entered the Great Hall to begin the process of evaluation.  If all went smoothly, this could take a little as two hours.  Most spent the better part of a day on the island.  But if anything went amiss, or if medical inspection detected an illness, passengers could be detained for weeks.  Besides medical screening, which typically looked out for infectious disease, blindness and other disabilities, chronic illness, infirmity, and insanity, immigrants were asked 29 questions including name, occupation, and the amount of money carried.  About 2% were sent back for various causes including having a criminal background, illness, insanity, and a total lack of funds and skills which might lead them to become a burden.  Children who arrived without a parent or guardian also were frequently rejected.

Women and children inspected for eye disease. 

Upon approval immigrants were released to welcoming family, if they had any, or to the arms of labor agents prowling the docks.  Many settled in New York, others were whisked away by rail to points all across the country, often dispatched to factories and mines by the labor agents.  These agents frequently shook down the immigrants for cash in addition to getting paid by potential employers.  Some were total frauds and immigrants found themselves trapped in towns far from the coast or supportive communities with no money and no job.

The peak year for Ellis Island was 1907, with 1,004,756 immigrants processed including an all-time daily high on April 17, 1907, when 11,747 arrived. 

A deep recessionin America slowed immigration somewhat, and World War I disrupted immigration patterns.  But the country braced for a huge new wave of immigrants and refugees after the war just as the great Red Scare was identifying immigrants as likely Communists and subversives.

In fact the War and the Red Scare combined to give the Island a new use as a detention facilityand a debarkation point for deportation.  During the war thousands of enemy aliens were detained there and during the Red Scare many more thousands rounded up in the infamous Palmer Raids were held there for deportation.  While the Island was being used for these purposes the greatly reduced flow of regular immigrants were screened on board ship.

In 1920, Ellis Island reopened as an immigration receiving station and a greatly reduced 225,206 immigrants were processed that year.

The clamor to restrain immigration, especially from those pesky Southern and Eastern European areas—and by Asians on the West Coast—led to increasingly restrictive immigration laws.  The 1921 Quota Law was refined by the 1924 National Origins Act.  Together they sought to maintain the balance of “real Americans” and earlier immigrants of Western and Northern European extraction by imposing strict quotas based on national origin that would allow new immigrants from any nation in proportion to theirrepresentation in the current American population and the totalfor all immigration was capped at a figure much lower than pre-war levels. 

After 1924 potential immigrants were supposed to apply for and be screened by American embassiesaround the world.  Those approved were given papers that would allow them to land directly in the country after clearing normal customs.  From 1924 onward only a trickle of immigrants claiming refugee status were processed through the island.  The bulk of the facilities continued to be used for detention of one sort or another.

During World War II the island again became a detention center for enemy aliens.  More than 7,000—mostly Germans and Italians, but some Japanese and some from Axis allied or occupied countries—were held on the island.  It also housed a large Coast Guard training facility.

In the post war years another Red Scare caused some suspected communists to be held there as well.  In 1952 changes in the law dropped the number of detainees from a post-war peak of 1,500 to just 30.  In fact the last were not released until 1954.   The same year the last of a trickle of immigrants was also processed—Norwegian sailor Arne Peterssen.  With the days of the trans-oceanic passenger ships drawing to a close and the arrival of more and more immigrants by air, the giant old facility was simply an expensive dinosaur when it was closed by the Eisenhower Administration the same year.

The Great Hall as restored reflects a certain architectural grandeur, but seems curiously devoid of the teaming, chaotic life that filled it in the peak immigration years.

The facilities on the island were allowed to deteriorate.  But in the 1960’s public interest in re-discovering ethnic roots began to pick up as the children and grandchildren of immigrants reached the middle class.   In 1965, President Lyndon Johnson declared Ellis Island part of the Statue of Liberty National Monument. The deteriorating buildings were opened to the public on a limited basis between 1976 and 1984 when a major restoration, the largest historic restoration in U.S. history, got under way. The $160 million dollar project was funded by donations made to the Statue of Liberty—Ellis Island Foundation in partnership with the National Park Service. The Main Building was reopened to the public on September 10, 1990 as the Ellis Island Immigration Museum. The museum now receives almost 2 million visitors annually.

A Holiday With an Identity Crisis—Armistice or Veterans Day

11 November 2020 at 13:02

Admiral Sir Rosslyn Wemyss, First Sea Lord, and Marshal Ferdinand Foch (standing), the French leader of the Allied forces  accept the German surrender ending fighting in the Great War.
 

Note:  A return of a semi-regular post.  But it will be new and news to some of you.

11/11/11.  That’s how Americans remembered the Armistice that went into effect on November 11, 1918 at 11 a.m. local time in France ending hostilities on the Western Front in what was up to that time the most catastrophically bloody war in history.  The German High Command signed the armistice just two days after revolutionariesin Berlin overthrew Kaiser Wilhelm and proclaimed a Republic. The shooting part of the Great Warwas over.  It would not officially end until the Treaty of Versailles was signed on June 28, 1919.

President Woodrow Wilson issued a proclamationdeclaring the day as Armistice Day, an occasion for national Thanksgiving and prayer.  Americans and the world were thankful, but they were more in the mood for wild celebration that day than for sober reflection and prayer.  From the great cities of Europe to the simplest of rural American villages spontaneous celebrations erupted in the streets.

These Doughboys may never have made it to the Front, but had plenty to celebrate in an impromptu New York City parade celebrating the Armistice on November 11, 1918.

By the time of the first anniversary most Allied nations had officially adopted November 11 as a holiday.  In Britain, Canada, and other Commonwealth Countries it is called Remembrance Day or Poppy Day for the red paper flowers almost universally worn on that day.    In the United States, where holiday proclamations were traditionally left to the states, only a handful had yet designated a formal holiday.  But with troops only recently come home, cities and towns across the country marked the day with parades and speeches.

Colonel Theodore Roosevelt, Jr. issued the call for the Paris Caucus where Officers and enlisted men still in France in May 1919 laid the groundwork for the establishment of the American Legion.

The spread of the day as an official holiday was promoted by veterans’ organizations.  One such organization was envisioned by Colonel Theodore Roosevelt, Jr. as a group analogousto the Grand Army of the Republic, the organization of Civil War Veterans which dominated American public life for more than 50 years.  Within days of the Armistice Roosevelt gathered officers in Paris to plan for the organization.  In March 1919 the Paris Caucus of over 1000 officers and enlisted menadopted a temporary constitution and the name American Legion.  Congress granted the Legion a charter in September and a founding convention was held in Minneapolis, Minnesota over three days that coincided with the 1919 Armistice celebrations.

Unlike the Veterans of Foreign Wars (VFW), an existing organization of Spanish Civil War, Philippine Insurrection, Boxer Rebellion, and Mexican Expeditionary veterans which began accepting Great War veterans into their existing network of Posts, the American Legion had a distinctideological tone.  From the beginning, its leadership was in ultra-conservative hands and some were eager to mobilize the ranks in campaigns against the Red Menaceof the post war period.  Legion officers often encouraged their members to act as organized strike breakers.

On that same Armistice Day in 1919, an American Legion parade in Centralia, Washington, the heart of lumber country and long running labor strife, broke ranks on a pre-arranged signal and attacked the local hall of the Industrial Workers of the World (IWW). 

 

The American  Legion  in Centralia, Washington parading on Armistice Day 1919 moments before they  broke ranks to attack the IWW Hall.

Wobblies in the hall opened fire in self defense as the Legionaries tried to charge up the stairs.  Four Legionaries were killed in the attack and several others were wounded inside the hall in a confusing melee before most of the union men were disarmedWesley Everest, himself a veteran and in uniform, escaped although woundedand was chased down to the river where he shot two or more of his pursuersbefore being overwhelmed.   

That night a mob of Legionaries, with the complicity of authorities, seized the wounded Everest from his jail cell, dragged him behind an automobile, castrated him, and hung himfrom a railroad bridge.  Several IWW members including those captured in the hall and others tracked down by posses in a massive man hunt were put on trial.  Eight Wobblies were convicted of second degree murder and sentenced to long prison terms.  No Legionnaires were charged in the initial assault.

President Warren G. Harding, standing left at the entombment of the Unknown Soldier on Armistice Day 1921.  He also proclaimed a one-time Federal Holiday for the occasion.
 

When the Tomb of the Unknown Soldier was dedicated on Armistice Day 1921, a onetime Federal Holiday was declared.  In 1926 a Congressional Resolution proclaimed the “recurring anniversary of should be commemorated with thanksgiving and prayer and exercises designed to perpetuate peace through good will and mutual understanding between nations” and that the President should issue an annual proclamation calling for the observance of Armistice Day.  It still fell short of the declaration of a Federal holiday.  At the time 27 states had official observances.  Spread of the holiday, although popular with the public, was strongly opposed by business interests.

Although the rival veterans’ organizations both campaigned for the establishment of Armistice Day as an official Holliday and supported wounded veterans, their emphasis, and political agenda, was clearly different.  The VFW was more interested in obtaining benefits and support for veterans while the Legion promoted respect for the military and patriotism.  The VFW spearheaded the campaigns that resulted in the first Veterans medical benefits, vocational training for wounded veterans, the establishment of the Veteran’s Bureau, and an act of Congress to pay Great War veterans a Bonus in 1942. 

When the Depression hit veterans especially hard, the VFW endorsed efforts to get Congress to authorize an early payment of the promised Bonus.  Although not officially supporters of the Bonus March on Washington in 1932, they were outraged when troops under General Douglas MacArthur violently dispersed the demonstrators and destroyed their camp.  The Legion, on the other hand, supported the Army and painted the Bonus Marchers as Communists.

 

Retired Marine Corps Major General Smedley Butler, a Medal of Honor winner, was recruited by business leaders and high American Legion official to be the "Man on a White Horse" to front a coup d'etat overthrowing Franklin Roosevelt in 1933 instead, he exposed the plot to Congress.

In the early days of the Franklin Roosevelt administration some Legion leaders were involved in the aborted plot to stage a military coupagainst the President and replace him with a military Man on a White Horse.  They planned to use legion members as Italian Fasciitisand German Nazis had used their Black and Brown Shirts, largely drawn from the ranks of their own veterans.  The plot was exposed when an officer who was offered the titular role military savior, Marine Corps General Smedley Butler publicly exposed the cabal.  The plot was averted but its leaders were so powerful that none were ever charged or tried for treason.

On May 13, 1938 Congress finally approved of a Federal Holiday on November 11 “dedicated to the cause of world peace and to be hereafter celebrated and known as ‘Armistice Day.’”

By then another world catastrophe was on the horizon.  After World War II veterans organizations and the public were both divided between creating a new public holiday making the end of that war, mostly likely on V-J (Victory over Japan) Day, or if Armistice Day should be renamed to include the new wave of veterans.  Veterans of World War I, as the first conflict was now called, were unitedin their desire to keep Armistice Day for themselves.  The huge wave of young vets was split.  What ever happened, business interests were strongly opposed to the creation of any more Federal holidays for any reason.

After signing legislation creating the official new Federal Veteran's Day holiday, President Dwight D. Eisenhower posed with leaders of the American Legion, left, and the Veterans of Foreign Wars, right. Representative Edwin Rees of Kansas, the sponsor of  the legislation is to the immediate left of Ike.
 

Finally the issue was settled when on June 4, 1954 with a whole new crop of veterans from the Korean Waralready coming home, President Dwight D. Eisenhower signed the Act of Congress that transformed Armistice Day into Veterans Day.

Traditionalistsstill grumbled.  But they were really given something to complain about in 1968 when Congress passed the Uniform Holidays Bill, which sought to ensure three-day weekends for federal employeesand to encourage tourism and travel by celebrating four national holidays, Washington's Birthday, Memorial Day, Veterans Dayand Columbus Day on Mondays.  Federal Veterans Day was moved to the last Monday in October.  When the first observance under the new scheme was held on October 21, 1971 the public was outraged and most states refused to go along, maintaining November 11 as state holidays.  In many states that meant two observances—and competing claims for paid holiday by workers in private industry covered by labor contracts.  Businesses hated that. 

Bowing to public pressure President Gerald Ford signed a new law returning the observation of Veterans Day to November 11th beginning in 1978. If November 11 falls on a Saturday or Sunday, the Federal government observes the holiday on the previous Friday or following Monday.

In recent years mid-week observance of Veterans Day have lowered its public profile.  Fewer and fewer cities and towns held Veterans Day parades.  Participation in local commemorations faded as first the World War I veterans passed and then the ranks of World War II and Korean Veterans shrank.  Veterans of the unpopular Vietnam War often felt unwelcome in Legion and VFW posts and were stigmatized by the public as troubledand possibly dangerous.

Veterans organizations became outraged as a wide-spread movement to keep kids in school resulted in Veterans Day being dropped as a school holidayin many places.  Ironically, with schools in session and many state legislatures mandating veterans’ curricula on that day, the holiday may have gotten a boost in interest among studentswho previously would have just enjoyed a day away from studies.

The long, lingering wars in Iraq and Afghanistan produced new rounds of veterans, many of them National Guardsmen and Reservists, older soldiers with deep roots in their home communities.  They are giving the day new meaning.

 

Younger Vets have replaced aging World War II, Korean, and Vietnam vets in parades like this one last year in New York City.  This year the Coronavirus pandemic has caused most parades and public observance to be canceled.

Both pro and anti-war people have used the day to advance their causes.  Despite the predictably bellicose stance of the national leadership of the American Legion and to a lesser extent the VFW, most of these new veterans adamantly refuse to allow the holiday to be politicized.  They want to honor the service of all veterans regardless of opinions on the wars by the public—or by veterans themselves.

Unfortunately that determination was ignored by Donald Trump who famously yearned to stage an epic military parade including tanks and missiles to roll by a reviewing stand like observances in France—and Russia.  While that wild dream was hosed down by the almost unanimous opposition of military leaders, technical difficulties, and the enormous expense, the Cheeto-in-Charge has continued to exploit veterans even as he personally cheated on millions of Dollars of promised charitable donations, short changed and mismanaged veterans’ health care, and has imprisoned and deported immigrant veterans including wounded heroes who were promised a path tocitizenship for their service.

In the past year revelations that he had disrespected American by refusing to travel to a World War II American military cemetery in France when he was in Europe for a 75th Anniversary commemoration of D-Day and again at Arlington National Cemetery.  On both occasions he referred to the war dead as “losers” and “suckers.”  Many outraged veterans and active duty military turned against the Resident.  Now in the wake of his humiliating but unacknowledged loss to Joe Biden odds are long against him emerging from his White House bunker and daring to appear and lay the customary wreath at the Tomb of the Unknown Soldier.  He may delegate the task, as he has in the past, to Vice President Mike Pence or some other lackey while he sulks, rages, and Tweets

Final Jeopardy—The Answer is the Most Beloved Game Show Host

10 November 2020 at 16:40
A few years ago Alex Trebek showed of the Day Time Emmy Awards that he and the show  had won.  Many more since then.  Among many other honors Trebek especially cherished his Peabody Award.   Amid the celebration of the deliverance of democracy and decency 2020 slapped us once again alongside the head.   On Monday came word that the long-time host of Jeopardy! Alex Trebek died peacefully at his home after a valiant and public two year battle with stage 4 pancreatic cancer. He was 80 years old. Trebek was not just a departed celebrity to be remembered in the In Memorium reels at the end of the year and on next year’s Emmy Awards—he was a cultural icon who was an important part of the lives of so many of us.   It was almost a pers...

Dancing in the Streets—The Witch is Dead

9 November 2020 at 13:04

Jubilant throngs in Washington took their celebration to the to the White House where Donald Trump cowered inside after returning from a morning of golfing.

Who knew that Martha and the Vandellas’ 1964 soul hit would become the semi-official theme song of Joe Biden victory celebrations not only in the U.S. but around the world? 

[youtube https://www.youtube.com/watch?v=GuCBXTfoVq8]

And people did dance, in American streets, in Coronavirus sequestered homes, even in Supermarket aisles.  In far-off Belorussia where their own streets have been crowded with protests against authoritarian regimes and the oppressionof women took heart from the American defeatof a fascist regime and danced as well.  There was jubilation in London, Paris and the capitals over other allies who had felt abused and neglected by a United States gone mad.

Commentators were stretching for anything to comparewith the spontaneous eruptions after the AP and other news outlets finally officially declared Biden the President Elect when Pennsylvania finally fell decisively in his column.

Certainly nothing like it had been seen in a Presidential election in memory.  Let’s face it, Joe Biden is a nice enough guy and a steady hand, but in a normal election celebrations would have been confined to a hotel ballroom packed with his staff, donors, and party operatives.  Even Vice President Elect Kamala Harris’ glass ceiling shattering success as the first woman, first Black, first Asian, and first bi-racialon the ticket would not normally have triggered such jubilation.

The celebrations were much more about the defeatof Donald Trump and Trumpism than for Biden and Harris.  After days of nail biting anguish the announcement unleashed spasms of relief.

But it is still a deeply divided country.  Trump supporters are as dejected as Biden fans are elated—and many of them are enraged.  They are taking their cues from their beloved idol who not only refuses to concede, but is still screaming fraud and totally unsubstantiated charges that the election was rigged and a vast conspiracy of just about everyone is lying.  His lawyers, including the clearly deranged Rudy Giuliani are busy filing law suits that stand no chanceof reversing the outcome even with his packed Supreme Court.

On the day and night of street celebrations, Trumpistas laid mostly low and avoided confrontations.  There were demonstrations in Arizona, Detroit, Philadelphia, and elsewhere but they were dwarfed by the displays of jubilation.

Trump supporters were mostly subdued during the Biden victory celebration, but that restraint is not apt to last.

The danger is in coming days when individual psychos may feel empowered to get their revenge on any of the alleged conspirators to steal the election for Trump or simply against their neighbors who put out the wrong yard signs.  More serious yet are the Militiasand White Nationalist extremist groupswho are heavily armed and semi-organized might take the opportunity to launch their longed dreamed of civil war/race war.  The Boogalooers, Proud Boys, Oath Keepers, and others remain incredibly dangerous.

In the meantime Biden is pressing forward with transition plans with which Trump has no intention of cooperating.  On the contrary, look for him to sabotage everything, destroy documents, and leave executive offices and Cabinet Departments in chaotic shambles.

And, of course, there is the uncertainty over control of the Senate.  Pending the result of two run-off elections in Georgia where Democrats face up hill races, the best that can be expected is a 50-50 split with new Veep Harris voting to make Chuck Schumer Majority Leader.  Odds are however that Mitch McConnell will keep his job and declare a strategy of total obstruction to all administration appointments and initiatives.  Biden will be handcuffed on his biggest objectives that he cannot achieve by executive order.  Look for at least two years of Congressional trench warfare.

Despite it all, we have enjoyed our moment of triumph and on January 20 Biden and Harris will be officially sworn in as President and Vice President.

I return today to a favorite quote from Thomas Jefferson.  In 1798 Jefferson was Vice President to his old Revolutionary friend and comrade John Adams do to the original Constitutional provision that awarded the vice presidency to the man who finished secondin the Electoral College.  The Founders had not foreseen the rise of political parties.  But Adams and Alexander Hamilton created the Federalists who were interested in protective tariffs, a central bank, a vigorous executive, protection of the privileges of the landed elite, and opposition to the radical egalitarianism of the French Revolution.  All of that was an anathema to Jefferson, James Madison, and other who created an opposition Democratic-Republican Party. Things were looking particularly glum that year with an undeclared naval war with France brewing and Adams packing his appointments of judges, marshals, land agents, and other functionaries with Federalist loyalists.  The Alien and Sedition Acts potentially criminalizedRepublican activity.

In a letter to John Taylor on June 4, 1798 Jefferson wrote:

A little patience, and we shall see the reign of witches pass over, their spells dissolve, and the people, recovering their true sight, restore their government to its true principles. It is true that in the meantime we are suffering deeply in spirit, and incurring the horrors of a war and long oppressions of enormous public debt… And if we feel their power just sufficiently to hoop us together, it will be the happiest situation in which we can exist. If the game runs sometimes against us at home we must have patience till luck turns, and then we shall have an opportunity of winning back the principles we have lost, for this is a game where principles are at stake.

Jefferson, of course, did not believe in actual witches, but he was adept in the use of metaphor.  And he was prescient.  A little more than two years later he was swept into the Presidency and the power of the Federalists largely smashed in the election that has gone down in history as the Revolution of 1800.


Thar quote has given me comfort before including when Democrats dramatically lost control of the House of Representatives in 2002 and when Trump defeated popular vote winner Hillary Clinton in 2016.

And now it seems that once again the Reign of Witches has been vanquished

 

Election 2020—Shaking Out Illinois and McHenry County

7 November 2020 at 16:11
As expected, Joe Biden won deep Blue Illinois.   Over the last couple of decades Illinois has gone from a swing state in Presidential elections to being among the deepest and most reliably Blue States along with the likes of Massachusetts, New York, and California.   It has gone for every Democratic Presidential candidate since Bill Clinton in 1992.   Not only does it deliver a near landslide popular vote and reliable Electoral College vote, but it keeps both Senate seats in Democratic hands, as well as almost all state-wide offices.   If it once showed a soft spot for Republican governors despite the shenanigansof bad-boy Rod Blagojevich the disastrous term of millionaire “reformer” Bruce Rauner may have put an end to that excep...

Compassion for Campers Moves Indoors for Winter Distributions

5 November 2020 at 13:21

The last out side Compassion for Campers distribution was held at St. Ann's Episcopal Church in Woodstock on October 27.  Starting this month things move inside for the cold weather season.

Note--The promised  analysis of Illinois and McHenry County election results will be posted on Friday.

Compassion for Campers, the programthat provides supplies and gear for the McHenry County homeless who have no steady shelter will move indoorsthis winder at three locations—First United Methodist Church, 3717 Main Street, McHenry (enter basement from rear parking lot); Warp Corps, 114 North Benton Street, Woodstock (enter marked door on Jackson Street side), and First Church, 236 West Crystal Lake Avenue, Crystal Lake (enter marked door only.)  Each location will host at six week intervals for the duration of the season.

Here is the schedule for the November-April season. 

First Methodist McHenry—Nov. 11, Dec. 22, Feb. 1, March 15, April 12

Warp Corps—Nov. 25, Jan. 4, Feb.15, March 29

First Church—Dec. 8, Jan. 18, March 1, April 12

Distribution will be from 3:30- 5 pm on each of these Tuesday afternoons. 


Clients will be Covid-19 screenedout side with a temperature checkand standard screening questions.  No one failing the test will be turned away but we will ask what they need and bring supplies out to them.  All clients are required to be masked before entering the buildings and a mask will be provided to anyone who does not have one.  Clients will be admitted one at a time and no more will be allowed inside at any time than the individual location can safely accommodate with correct social distancing.  At the conclusion of the distribution all remaining supplies will be packed for our storage and the host area will be cleaned and disinfected. 

Volunteers are needed to help with the distribution, especially younger folks in good health.  Contact Patrick Murfin at pmurfin@sbcglobal.net  or phone 815 814-5645 if you are available on any of the dates listed.  Donationsto continue this work can be made by sending a check made out to Tree of Life UU Congregation, 5603 Bull Valley Road, McHenry, IL 60050. with Compassion for Campers on the memo line to the church.

The distributions are sponsored The Faith Leaders of McHenry County, host churches, Compassion For Campers, and Ridgefield-Crystal Lake Presbyterian Church volunteers.


Election Angst but Hope

4 November 2020 at 14:36

An election too close to call yet, but leaning to a Biden victory.

I am sorry to turn in my customary post-election report incomplete.   As I write this it is 5:30 am CST and we don’t know much more about the outcome of the Presidential race than we did when I finally turned in four hours earlier.  We do know that the predicted Red Mirage of a Trump Election Day surge came true and that Democratic hopes of a Blue Wave once again fell short.  But with critical states still undecided—although various media outlets have not yet agreed on calling some races—and mail-in and absentee ballots still to be counted in Pennsylvania, Joe Biden looks to have the best path to an Electoral College win.  Hardly any media outlets are even reporting the national popular vote, although at this point with lots of votes out, Biden has a 3% edge.  That edge will surge when late reporting, heavily Democratic California completes its vote tally in about two weeks.

The early loss of Florida by a significant margin sent shivers into Democratic hearts last night But Biden had a significant win in Minnesota and now holds a leadin Wisconsin with Milwaukee finally reporting.  Trump won in Ohio and leads in Michigan, but there are still enough outstanding votes there to possibly narrowly swing the state.  Media outlets are split on declaring Arizona, but Biden has a significant lead there and is expected to hold it.  Biden leads by a narrower margin in Nevada.  Biden also picked up Nebraska’s 2nd Congressional District around Omaha in a state that awards Electoral votes by Congressional District.  That would be just enough to push Biden over 270 Electoral College votes for a win.

There are many often contradictory election result maps out there.  This one shows Arizona, Wisconsin, Michigan, and Pennsylvania tending to Biden, not counting the single Nebraska Congressional District won by Biden, and counting Georgia as a solid red despite the Atlanta area's still uncounted.  See somethin different on the channel of your choice.

Meanwhile although Trump now leads in Georgia, Atlanta and its surrounding suburban counties still have enough uncounted ballots to push the State narrowly to Biden.  Counting there was suspended in the early hours of the morning and is not expected to resumeuntil 10 am.

Meanwhile Trump’s current lead in Pennsylvaniarepresents only 43% of the total vote.  Officials in that state still have significant mail-in and absentee ballots, many of them from Philadelphia and its suburban counties, and by court order can count those post markedby Election Day and received within three days.  This has had Trump unhinged for weeks.  His attempts to block vote counting “after Election Day” were previously blocked by Federal Court.  In his early morning White House address in which he claimed victory in the election, Trump once again vowed to challenge the Pennsylvania, and perhaps other state votes in cases that could be decided before the Supreme Court with his new appointees representing a solid conservative majority. However there is so much president for continuing to count ballots after Election Day that most Court observers don’t believe that even the reactionary judges would have the nerve to overturn state election laws.

Trump’s real hope is to cast doubt on the legitimacy of the election and perhaps to rousehis die hard supporters and armed White nationalist militias and groups to rise up against his loss.

But by the time you read this, things might have changed.  Punditrythis season is written on water.

Now for a quick review of other developments.

The good news; I was frankly fearful of some Election Day right-wing terrorist attacks on polling places, voters, and possibly candidates in an attempt to scare voters from the polls.  That did not materialize.  There were some of Trump’s pickup truck caravans that tried to impede access to polling places, but it was not widespread or effective.   Nor have urban riots and looting ballyhooed by Trupistas materialized.  The election was tense, but by in large peaceful.  Republican voter suppression tactics continue but most determined voters managed to get to cast their ballots.

The bad news: Once high hopes of recapturing the Senate have been dashed.  The most hopeful scenario now is a 50-50 split after a run-off election in Georgia between Republican Sen. Kelly Loeffler and Democrat Raphael Warnock.  Democrats picked up one seat with popular former governor John Hickenlooper in Colorado and former astronaut Mark Kelly is the likely winner in Arizona.  But Democrats as expected lost incumbent Doug Jones’ seat in deep red Alabama.  Low key, below the radar Democratic incumbent Gary Peters is in a tight race in Michigan that could be tied to the eventual Presidential winner there.  Maine’s reprehensible alleged independent moderate Susan Collins inexplicably clings to a narrow lead in that deeply divided state.  The biggest disappointment of the night was the double-digit loss of Jaime Harrison who raised the most money of any Senate candidate in history and had a narrow lead in some state polls just two weeks ago to Lindsey Graham, the former Trump foe turned sycophant and the Chair of the Senate Judiciary Committee who rammed through the nomination of Amy Coney Barrett.  It was no surprise that Majority Leader Mitch McConnell was re-elected handily in Kentucky.  He is already plotting how to be completely obstructionist if Biden wins just as he was when Barak Obama was in the White House.

The Good News:  Democrats are on track to retain a strong majority in the House of Representatives and may actually pick-up seats.  Speaker Nancy Pelosi seems a shoe-in to return to that roll.  But a divided Congress will give Biden a headacheif he is elected and stymie many of his plans, programs, and reforms.


The Bad News:  The country will face unprecedented turmoil as Trump attempts to stay in power by any means necessary.  Virtual civil war is not out of the question nor is the possibility of Trump barricading himself in the White House and daring any authority to drag him out.  There are also odd scenarios being talked about.  One would be an Electoral College tiethat would send the election into the House of Representatives.  Despite the solid Democratic majority in the House, rules call for each state delegation to caucus and then cast a single vote.  Despite much lower populations, there are many more Red States than Blue ones.  Another possibility being discussed is Republican majorities in some state legislatures simply ignoring the popular vote and selecting their own Electors.  Although some state Constitutions require their legislatures to endorse the Electors of the candidate who won the state, some a mum on the issue and other are unclear.   Finally, there is always the possibility of a “faithless Elector” jumping to the other candidate as one Missouri Elector did in 2016.

Election anxiety is not going away any time soon.  Pass the Bourbon and the Pepto-Bismol in no particular order…

Tomorrow—How it all shakes out in Illinois and McHenry County races.


In the Streets—Occupy Oakland and Something Like a General Strike

3 November 2020 at 12:50

Thousand of Occupy Oakland demonstrators fill an overpass bridge on their march to the Port of Oakland to shut it down.  The Longshore Workers union instructed their members that they could honor the Occupy picket line.  The ILWU has a long history of militancy and has several time shut down the port for handling weapons or cargo to oppressive regimes.  It may be the most militant local union in the U.S.

Note—Today is Election Day in the U.S.  It goes without saying if you haven’t voted yet, get your ass to the polls.  Then we will all wait on pins and needles for perhaps days or weeks to see what the official results might be and we might possibly endure domestic turmoil that could look a lot like civil war.  But today I want to take note of the largest and possibly most important action that grew out of the Occupy Movement nine years ago: a virtual—and I don’t mean on Zoom—General Strike in Oakland.  It may inform us of what we might need to do again in the face of a Trumpist post-election coup.

I have written before about a double strategy for progressives, working people, minorities, and the generally oppressed.

First, playing defense to protect ourselves and our rights from right wing and fascist assaults.  That has meant voting, and specifically voting Democratic, as a defense against further depredations and to reverse some of the more onerous actions taken against us, our planet, and our future.  And I know that Democrats are far from perfect, often have their own compromised relationships with the oligarchs behind much of the Randist and Trumpist agenda, and do not go far enough in willingness to fundamentally change a broken system.  But they are what we have and marching off in a dozen ideologically pure directions will increase the likelihood of our mortal enemies remaining in power.

Occupy Wall Street sparked a nation-wide movement that may have reached its pinnacle in Oakland.

But the second strategy is going on the offence in the streets and in our communities to demand systematic change, no matter who is in power, even the Democratic “protectors” we have just elected.  One of the most notable examples of this was the Occupy Movement which began as a radically egalitarian protest to Wall Street and the One Percent of the population that seizes and hoards the vast majority of the wealth of the country. It was an organic movement without traditional leadership and unaffiliated with existing organs like political parties, labor unions, ideological sects, and even traditional protest movement.  It spread rapidly across the country and eventually involved hundreds of cities and communities of every size across the country.  Encampments in civic centers, marches, rallies, and creative actions were directed by peoples' assemblies meeting each day.  Tens of thousands, probably hundreds of thousands were engaged.

The action in Oakland which will be described below was probably the high point of the movement and undoubtedly threw a scare into the establishment.  Subsequently Barak Obama’s Department of Justice and security agencies semi-secretly co-operated with local authorities to find ways to smash the Occupations one by one, often using violent force to do so.  By spring of 2012 virtually all of the Occupations had been removed and squelched.

But a whole generation of newly minted activists, who were unafraid of the old scare words like socialism, did not just disappear.  They redirected their efforts in many ways.  Many flocked to the Bernie Sanders campaign in 2016 and went on to engage in progressive electoral action at every level.  They lent their support and bodies to other movements including the student led anti-gun violence campaigns and more recently the Black Lives Matter protests energized by the murder of George Floyd and others.  Many are ready now to face the backlash of White nationalism and emboldened fascism.  How many of the rest of us of whatever age will be ready to stand with them.

Here is what I posted nine years ago.  It captured the moment so I have not revised it in hindsight.  I will let you draw your own conclusions.

Yesterday the NBC Nightly News seemed much more interested in Herman Cain’s sexual harassment scandal—they spent the first 10 minutes of the broadcast examining it in exquisite detail with a lot of footage of the Republican candidate wandering through throngs of reporters declining to comment.

After the 15 minute mark, Brian Williams finally got down to what he called the widening protests in Oakland.  I strained, but am not sure he uttered the words General Strike.  Even trying to downplay the events, however, it was apparent that something major was happening on the West Coast.

The question is, was it really a General Strike?  Maybe yes.  Maybe no.  Depends on your definitionAmerican labor unions have been prohibited by law—the Taft-Hartley Act—from engaging in sympathy strikes of all kinds, including General Strikes.  So although most major unions in Oakland and even a state labor body endorsed the “aims of the Occupy Oakland movement and protest” they could not officially call their members out on strike.  They did encourage members who “are able” to participate in the demonstrations.  Plausible deniability was the rule of the day.  The International Longshore and Warehouse Union (ILWU) made a point of issuing a statement that its members should report to their scheduled shifts—but that they might choose not to cross picket lines.

NBC carried footage of the president of the Service Employees (SEIU) festooned in his purple union shirt and standing by an official union table.  The City of Oakland, desperately trying to make amends for the fiasco police raid [on an Occupy encampment] that nearly killed an Iraq War vet, had given permissionfor its employees, many of who are represented by the SEIU, to take off work for the protests.  The local president was at pains to say that the union was not describing the event as a General Strike.

A significant percentage of Teachers Union members stayed away from the classroom but called in sick or used personal days.  The same was true of a large contingent of Nurses.

How many people, unionized or not, actually walked off the job or who were affected by numerous “voluntary” closures of down town businesses is impossible to gage.  What we do know is that thousands took the streets for a day and night of marches, picketing, and protests that effectively ground business as usual to a halt.

Things got underway in the morning with a large rally where the principle speaker, at least according to the press, was veteran activist Angela Davis.  By all account she gave a rip-roaring speech that got the crowd fired up.  Of course as a well-documented and public former member of the Communist Party of United States (CPUSA) her prominent role will undoubtedly be the big news in right wing attacks on the movement.

After the rally the crowd divided into several smaller marches crisscrossing the city to different targets.

Teachers and parentsmarched on the School Board issuing them a symbolic eviction notice for failing to protect the interests and education of children against budget cuts.  A Children’s March kept in the vicinity of the Occupy Oakland base at Oscar Grant Plaza carrying chanting “Play nice and share.”

Large groups of marchers headed to the downtown locations of major banks, moving from one to another.  The banks locked their doors and announced that they were closing “for the safety of our customers and staff.”  At one location “black clad, masked” individuals pushed forward and shattered a window.  The vandals may have been the determined anarchist street fighters who seek to make every demonstration violent, agents provocateurs, or in all likelihood both. Other protestors intervened to stop the damage as the crowd chanted “no violence, no violence.”  But there were reported fist fights between the “militants” and other protestors trying to restrain them.  In the end, except for a few isolated incidents during the daytime hours, the marches and pickets were remarkably peaceful.

 

In 1946 Oakland was the scene of the last General Strike in America.

Oakland police virtually abandoned the streets—just as they did in 1946 [a post the day before described the Oakland General Strike].  Demonstrators policed themselves with some considerable discipline.  They also directed traffic away from and around areas where they were in the streets and occasionally cleared the wayfor emergency vehicles.

Despite the fact that a march to close down the Port of Oakland was not scheduled until early evening, ILWU members were refusing to off load ships or handle cargo.  By mid-morning observers said the port was effectively closed.

Around 5 pm the major march to the Port took off with thousands of participants.  Crowd estimates varied widely, but images from helicopter news cameras clearly show thousands completely filling a long bridge to the port.  Demonstrators arrived in time to put up mass picketsto “dissuade” second shift workersto enter the port.  ILWU members asked folks from Occupy Oakland to extendtheir picket for a full 24 hours and a request went out for more volunteers to return to the port at shift change this morning.

The encampment at Oscar Grant Plaza was the home base of Occupy Oakland.

It was a reportedly jubilant crowd.  After most left the Port many went home, including a lot of exhausted Occupy Oakland regulars who returned to their tentsin Oscar Gant Plaza for rest.  Several smaller groups continued to march in the city center.

Around 9 o’clock a group stormed and occupied a vacant building hanging a banner from a lit second story window.  The building was reportedly the former locationof the Travelers’ Aid which ran programs for the homeless there until budget cuts ended their funding and they lost the building to foreclosure.  Ranks of heavily armed and armored police made their first appearance of the day and ordered the building vacated.  Most demonstrators removed themselves from the immediate area while a couple of hundred militants rallied to the defense of the building. Violence erupted.  Police once again used teargas, pepper spray, flash bombs, and those “non-lethal” projectile weapons that caused such injury on Monday.  TV news crews made much of a makes shift barricade in the street and footage of dumpster fires. Windows in surrounding buildings were broken.  A signby one such window proclaimed that the violence was not condoned by the Occupy Oakland Steering Committee.

There was at least one other clash between police and protestors at another intersection before things quieted down.  Many reports of these clashes from reliable participants indicate a wide spread belief that they were caused by police infiltrators.  Indeed police infiltrators had been photographedand identified earlier.

The night after the march to the Port of Oakland, Occupy demonstrators were attacked by tear gas, pepper spray, and "non-lethal" projectiles at a building occupation, in smaller street clashes, and on an exceptionally violent raid on the Oscar Grant Plaza encampment.

But the violence was not over for the night.  After midnight phalanxes of police surrounded Oscar Gant Plaza where most residents were asleep in their tentsLoudspeakers announced that the Plaza would be cleared.  Warnings of the use of chemical weapons were issued.  Gas was thrown and flash bombs, but most residents refused to leave.  Several times they were given five minutes to disperse and police advanced menacingly to the edge of the encampment.  But they never entered the Plaza.  At the end of the confrontation, protestors held their ground.

There were several reported arrests in these night time confrontations and several injuries.  But I have so far seen no exact reports from either authorities or protestors.  Early in the evening a man and a woman were injured when an elderly man drove his Mercedes into a crowd blocking a street.  Both were taken away in ambulances.  Rumors swept the streets, later shown to be unfounded, than one of them had died.  Demonstrators surrounded the car police arrived and rescued the driver who was allowed to leave with no charges being filed on the scene.

It seems likely that another outbreak of police over-reactionwill only increase the determination of Occupy Oakland participants and undoubtedly lead to more protests.

The actions yesterday and last night, whether or not they represented a true General Strike in the most technical use of the term, must be rung up as a great success for the movement.  The objectives of the day were achieved—shutting down business as usual in the city and in the Port of Oakland in particular.  A general commitment to militant non-violence was maintained through most of the day.  The clashes at night, in my opinion as a distant observer gleaning information from various sources, will probably be shown to be mostly the work of plants and provocateurs with the possible assistanceof that minority of mindless street fighters who, whatever their intentions, so often do the bosses’ work

Most of all the Occupy Oakland General Strike may become a template for actions in other cities.  May it be so.

  

More Witches than Presbyterians?

2 November 2020 at 15:48
An all female coven practices a ritual.  Although there are male Wiccan, adherents are predominantly women--and overwhelmingly White.  Other neo-pagan traditions appeal to Women of Color. The story with the dramatic headline is two years old and based on research on religion in America on even older data collected by the Pew Research Center in 2014 and additional studies by conservative religious think tanks, but it made the rounds again on social media as Halloweenrolled around again.   Depending on your perspective the news was shocking, appalling, or an encouraging sign of a broadening of America spirituality. Of course the Pew Center never made the claimthat there are now more witches than Presbyterians, journalists extrapolated t...
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